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A Japanese Boy

Shigemi Shiukichi

different sects have different notions. My family were formerly parishioners to a temple of the Hokké sect; therefore. I best remember the mass as observed by that particular denomination. The church society and its officers meet in the vestry to take action in the preparation of floating lanterns. These are hasty, rude contrivances which the active of the parishioners volunteer in getting up; it does not require much skill in carpentry to make them, but it takes time to make so many. Look at one: an odd piece of board for the bottom, two split bamboos bent and stuck on it like the handle of a basket one across the other, and a hood of paper glued round the whole; a nail in the center holds a penny candle. All very inartistic indeed, as befits their use, as we shall see presently. On the mass day all about the temple are strung up an untold number of the lanterns. Now, devout old folks and young come in streams all day to put up prayers for their beloved dead, and those so inclined buy the lanterns for the purpose of lighting the way for the departed. The goods when paid for are handed over by the presiding elders, who have charge of the sale, to the priest and assistant priests; they write sûtra verses on them and order them to be left before the altar. If business is good, by the latter part of the evening the entire stock is disposed of; the till rattles with money, and the priests are in good cheer. Then follows a great chanting and beating of drums, and after prayers have been said once for all, the lanterns are put on board several boats and the drums and cymbals also carried to enliven the next scene; the priests and committee walk down to the shore slowly. Things being placed aright, out they pull on the heaving sea--the incoming tide having been looked to beforehand, so that at high tide the lighted lanterns may be set afloat and go drifting at their will with the falling flood. Ah, they are gone, the skiffs! We discern them no more. I want you to understand that it is a dark night, otherwise my picture isn't so good, although in point of fact the moon does often chance to look up on the occasion. And the moonlight on the swelling tide is not very bad, I acknowledge, yet, you see, I wish to preserve the grand effect of "fire and darkness." So, pray, gentle reader, indulge my fancy this time; I won't always ask this. Well, it's a dark night then: as the boats slip out of our sight we can hear the lapping noise that comes of their swaying from side to side caused by the queer Japanese mode of sculling. Ere long we cease to hear it; the vessels are well out in the obscurity. Do we not see anything of them? Not quite. The lights they convey show us their whereabouts. We are all this while on shore, mind you. The onset of water seems to take uncommon delight in driving us up, chuckling to itself along the beach, until at last we are crowded into a narrow strip of sand with the rest of the spectators. There! it's up to the high-water-mark; we won't be annoyed any longer. Let's sit down. While we watch, ten thousand points of light dot the expanse; no finer illumination, I for one, ever expect to see on earth; and soon there blazes out a great ruddy flame from the chief priest's boat amid the confused echoes of prayers on all the vessels. That is the end of it, friends; sit still and look on, if you choose,--many indeed do so--and observe the lights recede and drift away, or die out. Of these some never return and are believed to have gone where they were bidden, others and a majority, to be frank with you, are washed ashore next morning shattered into fragments. CHAPTER XIII. It is wonderful how the memory brings up, as I write, ten thousand irrelevant trivialities,--delightful to me, nevertheless,--many of which have no claim to be placed here, except that they are more or less related to the temple. Verily, the faculty of memory is a godsent gift, a boon of solitary hours. Our temple was the nearest to the sea of the row on Temple street, which I referred to in the earlier portion of this sketch. The head-priest was an amiable, gentle person, very learned they say, though giving no indication of being such. He did his duty, to be sure, in sermons, but never cared much to distinguish himself in eloquence; he would rather read or entertain visitors in the quiet of his tastefully upholstered zashiki (guest room), sipping the excellent Uji tea and viewing the artistic beds of chrysanthemum laid out with great formality. He cultivated exquisite flowers; the slender stems bent under the large flaunting heads, and the priest-gardener took pity and provided them with firm props; he was as attached to them as a father to his children. If a storm by night passed over them and he discovered them in the morning sagged, matted, and drenched with rain, his compassion knew no bounds. It must be confessed that at times his fine taste shaded into squeamishness; he could not help being captious about his servitor's slipshod management of business, and yet extremely averse was he to giving his own opinion utterance, always turning aside in silent disgust. He suffered little children, however, nay, loved them; he took quite a fancy to me, calling me pet names, gladdening me on my visits with goodies and a bunch of chrysanthemum flowers from his garden, and always sending me home safely by a boy-priest. This last, found vegetating in almost every temple, is a young lad of poor parentage sent thither to be taken care of out of charity. The specimen I found here was a poor boy, hence happy; he was sure of dinner now and more full of fun than well became his cloth. Once he frightened me half to death. It happened in this way: I accompanied some one of my relatives to our family burying ground in the temple yard, on the eve of the annual memorial day for the dead, when every family sends a delegate to the tombs and invites the spirits home. The delegate delivers the oral message with profound respect and formality, bowing low to the ground before the ancestral tombstones as in an august presence. Then he turns about and asks the invisible to get on his back, secures him with both hands behind and gravely walks homeward. At home, in the yard on a bed of sand taken from the sea-shore a fire is built of flax stems, according to religious custom. This is called the "reception fire." The spirits are next requested to alight carefully at the high home altar so as not to bruise their shanks. In Japan each house has a sacred closet wherein are enshrined images, ancestral tablets, charms and amulets, where cake and oranges, flowers and incense are offered, and before which the family commemorate the days of their ancestors' death. This elevated place is called the "Buddha's shelf." Let me remark here that the Eastern people are regardful of their dead; they do not slight them because they are dead. Revile as you may and wrongly call it "ancestor worship," the spirit that prompts the act is entirely praiseworthy. Besides the closet, the tops of cabinet, cupboard and similar pieces of household furniture are turned into the depositories of Shinto relics and paper gods. These "gods' shelves" are, too, carefully served with such offerings as salt fish, saké, and light in the evening. But I am wandering from the main narrative; my talk too often gallops into minor tracks unbridled. As I commenced the narration, I was stooping before the resting places of my grandfather (of whose quiet departure from our hearth, by the bye, I haven't told you), of my grandmother and of my sister who passed on before I had ever thought of appearing. Regarding the last two relatives of mine, having never seen them in life, I was in the habit of asking a heap of questions in the tiresome inquisitiveness of children. My mother deigned to tell me, especially in a reminiscent mood, a great deal concerning them, without minding my sisters, who took occasion to upbraid me merrily on this, my singular ignorance, in face of my other positive assertion that I had witnessed my mother's wedding. Dear mamma's stories, interesting as they are, touching as they do not a little on the pleasures, fashions and general social regime of Old Japan, I feel obliged to omit. For the present, I must go on with my own story. I was stooping, I say, before the tombs, all about being silent and gloomy; my young animated imagination dwelling not on my grandfather's goodness but on old wives' awful tales of graveyards and dark nights, pale apparitions and grinning skeletons; and my whole being surcharged with fear, requiring but the shrill wind to make my hair stand on end, and ready to start at my own shadow, when suddenly there came a moan from behind the adjoining slabs, and a moment later a ghost shot up with a wild shriek. I drew back involuntarily and caught my breath, so did my companion. Then the ghost shook its gaunt sides and burst out laughing in ghoulish delight. We were taken aback, but soon rallied courage sufficiently to peer at the merry spook. How provoking! The young priest stood on one of the tombstones, with the broad sleeve of his monkish habiliment over his face. He came down to us quickly, wearing a mischievous smile, passed over the whole thing as a huge jest, putting in a slight excuse for causing our undue alarm, and politely offered his service in carrying the flowers and water-pail. His words and manners smoothed away our ruffled temper and rendered a scolding impossible; a few more hours made it look too slight to report to the head-priest. In the main the young priest had the best of us; he earned what he liked better than a good dinner,--some capital fun. And in this connection, here comes bounding toward me in my remembrance our pet dog Gem. I will relate how he came to be so closely associated in my thought with the grave; it is a sad, good story. My young brother, who had a boy's fondness for animal pets in an eminent degree, got him from another boy whose dog had a litter of several puppies. When my brother brought him home in his arms, Gem was but a mass of tender flesh covered over with soft down; he had just been weaned; consequently by night he yelped, and cried piteously for his mother, under the piazza where my brother shielded him from the paternal eye. My father was not a great lover of pets: the cat he could not bear for her soft-voiced, velvet-pawed deceitfulness; the dog for his belligerent, deep-mouthed barks at strangers and for fear of his becoming mad in summer time; and the canary bird--poor thing--it was too bad that people should deprive it of its native freedom. We had our doubts, therefore, how Gem and papa were to get along. However, we were not without a ray of hope that in time they would come to be good friends, for papa had once shown that he did not altogether lack the love of dumb animals. It was when I began to love the little white and spotted mice penned in a box with a glass front and a wheel within. My father suffered them to be kept in the house out of his love for me; gradually his curiosity was awakened to take a look occasionally at what his son exhibited such absorbing interest in; next he became a keen admirer of my little revelers,--their gambols, their assiduous turning of the wheel, their cunning way of holding rice grains, and their house-keeping in a wad of cotton in the drawer beneath, to which they could descend by a hole in the floor of the box. After a while I grew negligent about them, and then it was my father who fed them and took care of them. On the whole, he bade fair to come to a better understanding with our precious Gem. Nevertheless, Gem--or rather my young brother--had trouble with him during his canine minority. When the puppy had grown big, true