A pair of blue eyes
it was covered with furze as with a beard. People in the field above
were preserved from an accidental roll down these prominences and
hollows by a hedge on the very crest, which was doing that kindly
service for Elfride and her mother now.
Scrambling higher into the hedge and stretching her neck further over
the furze, Elfride beheld the individual signified. He was walking
leisurely along the little green path at the bottom, beside the stream,
a satchel slung upon his left hip, a stout walking-stick in his hand,
and a brown-holland sun-hat upon his head. The satchel was worn and
old, and the outer polished surface of the leather was cracked and
peeling off.
Knight having arrived over the hills to Castle Boterel upon the top of
a crazy omnibus, preferred to walk the remaining two miles up the
valley, leaving his luggage to be brought on.
Behind him wandered, helter-skelter, a boy of whom Knight had briefly
inquired the way to Endelstow; and by that natural law of physics which
causes lesser bodies to gravitate towards the greater, this boy had
kept near to Knight, and trotted like a little dog close at his heels,
whistling as he went, with his eyes fixed upon Knight’s boots as they
rose and fell.
When they had reached a point precisely opposite that in which Mrs. and
Miss Swancourt lay in ambush, Knight stopped and turned round.
“Look here, my boy,” he said.
The boy parted his lips, opened his eyes, and answered nothing.
“Here’s sixpence for you, on condition that you don’t again come within
twenty yards of my heels, all the way up the valley.”
The boy, who apparently had not known he had been looking at Knight’s
heels at all, took the sixpence mechanically, and Knight went on again,
wrapt in meditation.
“A nice voice,” Elfride thought; “but what a singular temper!”
“Now we must get indoors before he ascends the slope,” said Mrs.
Swancourt softly. And they went across by a short cut over a stile,
entering the lawn by a side door, and so on to the house.
Mr. Swancourt had gone into the village with the curate, and Elfride
felt too nervous to await their visitor’s arrival in the drawing-room
with Mrs. Swancourt. So that when the elder lady entered, Elfride made
some pretence of perceiving a new variety of crimson geranium, and
lingered behind among the flower beds.
There was nothing gained by this, after all, she thought; and a few
minutes after boldly came into the house by the glass side-door. She
walked along the corridor, and entered the drawing-room. Nobody was
there.
A window at the angle of the room opened directly into an octagonal
conservatory, enclosing the corner of the building. From the
conservatory came voices in conversation—Mrs. Swancourt’s and the
stranger’s.
She had expected him to talk brilliantly. To her surprise he was asking
questions in quite a learner’s manner, on subjects connected with the
flowers and shrubs that she had known for years. When after the lapse
of a few minutes he spoke at some length, she considered there was a
hard square decisiveness in the shape of his sentences, as if, unlike
her own and Stephen’s, they were not there and then newly constructed,
but were drawn forth from a large store ready-made. They were now
approaching the window to come in again.
“That is a flesh-coloured variety,” said Mrs. Swancourt. “But
oleanders, though they are such bulky shrubs, are so very easily
wounded as to be unprunable—giants with the sensitiveness of young
ladies. Oh, here is Elfride!”
Elfride looked as guilty and crestfallen as Lady Teazle at the dropping
of the screen. Mrs. Swancourt presented him half comically, and Knight
in a minute or two placed himself beside the young lady.
A complexity of instincts checked Elfride’s conventional smiles of
complaisance and hospitality; and, to make her still less comfortable,
Mrs. Swancourt immediately afterwards left them together to seek her
husband. Mr. Knight, however, did not seem at all incommoded by his
feelings, and he said with light easefulness:
“So, Miss Swancourt, I have met you at last. You escaped me by a few
minutes only when we were in London.”
“Yes. I found that you had seen Mrs. Swancourt.”
“And now reviewer and reviewed are face to face,” he added
unconcernedly.
“Yes: though the fact of your being a relation of Mrs. Swancourt’s
takes off the edge of it. It was strange that you should be one of her
family all the time.” Elfride began to recover herself now, and to look
into Knight’s face. “I was merely anxious to let you know my REAL
meaning in writing the book—extremely anxious.”
“I can quite understand the wish; and I was gratified that my remarks
should have reached home. They very seldom do, I am afraid.”
Elfride drew herself in. Here he was, sticking to his opinions as
firmly as if friendship and politeness did not in the least require an
immediate renunciation of them.
“You made me very uneasy and sorry by writing such things!” she
murmured, suddenly dropping the mere cacueterie of a fashionable first
introduction, and speaking with some of the dudgeon of a child towards
a severe schoolmaster.
“That is rather the object of honest critics in such a case. Not to
cause unnecessary sorrow, but: ‘To make you sorry after a proper
manner, that ye may receive damage by us in nothing,’ as a powerful pen
once wrote to the Gentiles. Are you going to write another romance?”
“Write another?” she said. “That somebody may pen a condemnation and
‘nail’t wi’ Scripture’ again, as you do now, Mr. Knight?”
“You may do better next time,” he said placidly: “I think you will. But
I would advise you to confine yourself to domestic scenes.”
“Thank you. But never again!”
“Well, you may be right. That a young woman has taken to writing is not
by any means the best thing to hear about her.”
“What is the best?”
“I prefer not to say.”
“Do you know? Then, do tell me, please.”
“Well”—(Knight was evidently changing his meaning)—“I suppose to hear
that she has married.”
Elfride hesitated. “And what when she has been married?” she said at
last, partly in order to withdraw her own person from the argument.
“Then to hear no more about her. It is as Smeaton said of his
lighthouse: her greatest real praise, when the novelty of her
inauguration has worn off, is that nothing happens to keep the talk of
her alive.”
“Yes, I see,” said Elfride softly and thoughtfully. “But of course it
is different quite with men. Why don’t you write novels, Mr. Knight?”
“Because I couldn’t write one that would interest anybody.”
“Why?”
“For several reasons. It requires a judicious omission of your real
thoughts to make a novel popular, for one thing.”
“Is that really necessary? Well, I am sure you could learn to do that
with practice,” said Elfride with an ex-cathedra air, as became a
person who spoke from experience in the art. “You would make a great
name for certain,” she continued.
“So many people make a name nowadays, that it is more distinguished to
remain in obscurity.”
“Tell me seriously—apart from the subject—why don’t you write a volume
instead of loose articles?” she insisted.
“Since you are pleased to make me talk of myself, I will tell you
seriously,” said Knight, not less amused at this catechism by his young
friend than he was interested in her appearance. “As I have implied, I
have not the wish. And if I had the wish, I could not now concentrate
sufficiently. We all have only our one cruse of energy given us to make
the best of. And where that energy has been leaked away week by week,
quarter by quarter, as mine has for the last nine or ten years, there
is not enough dammed back behind the mill at any given period to supply
the force a complete book on any subject requires. Then there is the
self-confidence and waiting power. Where quick results have grown
customary, they are fatal to a lively faith in the future.”
“Yes, I comprehend; and so you choose to write in fragments?”
“No, I don’t choose to do it in the sense you mean; choosing from a
whole world of professions, all possible. It was by the constraint of
accident merely. Not that I object to the accident.”
“Why don’t you object—I mean, why do you feel so quiet about things?”
Elfride was half afraid to question him so, but her intense curiosity
to see what the inside of literary Mr. Knight was like, kept her going
on.
Knight certainly did not mind being frank with her. Instances of this
trait in men who are not without feeling, but are reticent from habit,
may be recalled by all of us. When they find a listener who can by no
possibility make use of them, rival them, or condemn them, reserved and
even suspicious men of the world become frank, keenly enjoying the
inner side of their frankness.
“Why I don’t mind the accidental constraint,” he replied, “is because,
in making beginnings, a chance limitation of direction is often better
than absolute freedom.”
“I see—that is, I should if I quite understood what all those
generalities mean.”
“Why, this: That an arbitrary foundation for one’s work, which no
length of thought can alter, leaves the attention free to fix itself on
the work itself, and make the best of it.”
“Lateral compression forcing altitude, as would be said in that
tongue,” she said mischievously. “And I suppose where no limit exists,
as in the case of a rich man with a wide taste who wants to do
something, it will be better to choose a limit capriciously than to
have none.”
“Yes,” he said meditatively. “I can go as far as that.”
“Well,” resumed Elfride, “I think it better for a man’s nature if he
does nothing in particular.”
“There is such a case as being obliged to.”
“Yes, yes; I was speaking of when you are not obliged for any other
reason than delight in the prospect of fame. I have thought many times
lately that a thin widespread happiness, commencing now, and of a piece
with the days of your life, is preferable to an anticipated heap far
away in the future, and none now.”
“Why, that’s the very thing I said just now as being the principle of
all ephemeral doers like myself.”
“Oh, I am sorry to have parodied you,” she said with some confusion.
“Yes, of course. That is what you meant about not trying to be famous.”
And she added, with the quickness of conviction characteristic of her
mind: “There is much littleness in trying to be great. A man must think
a good deal of himself, and be conceited enough to believe in himself,
before he tries at all.”
“But it is soon enough to say there is harm in a man’s thinking a good
deal of himself when it is proved he has been thinking wrong, and too
soon then sometimes. Besides, we should not conclude that a man who
strives earnestly for success does so with a strong sense of his own
merit. He may see how little success has to do with merit, and his
motive may be his very humility.”
This manner of treating her rather provoked Elfride. No sooner did she
agree with him than he ceased to seem to wish it, and took the other
side. “Ah,” she thought inwardly, “I shall have nothing to do with a
man of this kind, though he is our visitor.”
“I think you will find,” resumed Knight, pursuing the conversation more
for the sake of finishing off his thoughts on the subject than for
engaging her attention, “that in actual life it is merely a matter of
instinct with men—this trying to push on. They awake to a recognition
that they have, without premeditation, begun to try a little, and they
say to themselves, ‘Since I have tried thus much, I will try a little
more.’ They go on because they have begun.”
Elfride, in her turn, was not particularly attending to his words at
this moment. She had, unconsciously to herself, a way of seizing any
point in the remarks of an interlocutor which interested her, and