A Tale of Two Cities
than was given to the stranger, as being himself a man to whom it was no
rarity--and stood waiting until the countryman had made his breakfast.
He looked at no one present, and no one now looked at him; not even
Madame Defarge, who had taken up her knitting, and was at work.
“Have you finished your repast, friend?” he asked, in due season.
“Yes, thank you.”
“Come, then! You shall see the apartment that I told you you could
occupy. It will suit you to a marvel.”
Out of the wine-shop into the street, out of the street into a
courtyard, out of the courtyard up a steep staircase, out of the
staircase into a garret--formerly the garret where a white-haired man
sat on a low bench, stooping forward and very busy, making shoes.
No white-haired man was there now; but, the three men were there who had
gone out of the wine-shop singly. And between them and the white-haired
man afar off, was the one small link, that they had once looked in at
him through the chinks in the wall.
Defarge closed the door carefully, and spoke in a subdued voice:
“Jacques One, Jacques Two, Jacques Three! This is the witness
encountered by appointment, by me, Jacques Four. He will tell you all.
Speak, Jacques Five!”
The mender of roads, blue cap in hand, wiped his swarthy forehead with
it, and said, “Where shall I commence, monsieur?”
“Commence,” was Monsieur Defarge’s not unreasonable reply, “at the
commencement.”
“I saw him then, messieurs,” began the mender of roads, “a year ago this
running summer, underneath the carriage of the Marquis, hanging by the
chain. Behold the manner of it. I leaving my work on the road, the sun
going to bed, the carriage of the Marquis slowly ascending the hill, he
hanging by the chain--like this.”
Again the mender of roads went through the whole performance; in which
he ought to have been perfect by that time, seeing that it had been
the infallible resource and indispensable entertainment of his village
during a whole year.
Jacques One struck in, and asked if he had ever seen the man before?
“Never,” answered the mender of roads, recovering his perpendicular.
Jacques Three demanded how he afterwards recognised him then?
“By his tall figure,” said the mender of roads, softly, and with his
finger at his nose. “When Monsieur the Marquis demands that evening,
‘Say, what is he like?’ I make response, ‘Tall as a spectre.’”
“You should have said, short as a dwarf,” returned Jacques Two.
“But what did I know? The deed was not then accomplished, neither did he
confide in me. Observe! Under those circumstances even, I do not
offer my testimony. Monsieur the Marquis indicates me with his finger,
standing near our little fountain, and says, ‘To me! Bring that rascal!’
My faith, messieurs, I offer nothing.”
“He is right there, Jacques,” murmured Defarge, to him who had
interrupted. “Go on!”
“Good!” said the mender of roads, with an air of mystery. “The tall man
is lost, and he is sought--how many months? Nine, ten, eleven?”
“No matter, the number,” said Defarge. “He is well hidden, but at last
he is unluckily found. Go on!”
“I am again at work upon the hill-side, and the sun is again about to
go to bed. I am collecting my tools to descend to my cottage down in the
village below, where it is already dark, when I raise my eyes, and see
coming over the hill six soldiers. In the midst of them is a tall man
with his arms bound--tied to his sides--like this!”
With the aid of his indispensable cap, he represented a man with his
elbows bound fast at his hips, with cords that were knotted behind him.
“I stand aside, messieurs, by my heap of stones, to see the soldiers
and their prisoner pass (for it is a solitary road, that, where any
spectacle is well worth looking at), and at first, as they approach, I
see no more than that they are six soldiers with a tall man bound, and
that they are almost black to my sight--except on the side of the sun
going to bed, where they have a red edge, messieurs. Also, I see that
their long shadows are on the hollow ridge on the opposite side of the
road, and are on the hill above it, and are like the shadows of giants.
Also, I see that they are covered with dust, and that the dust moves
with them as they come, tramp, tramp! But when they advance quite near
to me, I recognise the tall man, and he recognises me. Ah, but he would
be well content to precipitate himself over the hill-side once again, as
on the evening when he and I first encountered, close to the same spot!”
He described it as if he were there, and it was evident that he saw it
vividly; perhaps he had not seen much in his life.
“I do not show the soldiers that I recognise the tall man; he does not
show the soldiers that he recognises me; we do it, and we know it, with
our eyes. ‘Come on!’ says the chief of that company, pointing to the
village, ‘bring him fast to his tomb!’ and they bring him faster. I
follow. His arms are swelled because of being bound so tight, his wooden
shoes are large and clumsy, and he is lame. Because he is lame, and
consequently slow, they drive him with their guns--like this!”
He imitated the action of a man’s being impelled forward by the
butt-ends of muskets.
“As they descend the hill like madmen running a race, he falls. They
laugh and pick him up again. His face is bleeding and covered with dust,
but he cannot touch it; thereupon they laugh again. They bring him into
the village; all the village runs to look; they take him past the mill,
and up to the prison; all the village sees the prison gate open in the
darkness of the night, and swallow him--like this!”
He opened his mouth as wide as he could, and shut it with a sounding
snap of his teeth. Observant of his unwillingness to mar the effect by
opening it again, Defarge said, “Go on, Jacques.”
“All the village,” pursued the mender of roads, on tiptoe and in a low
voice, “withdraws; all the village whispers by the fountain; all the
village sleeps; all the village dreams of that unhappy one, within the
locks and bars of the prison on the crag, and never to come out of it,
except to perish. In the morning, with my tools upon my shoulder, eating
my morsel of black bread as I go, I make a circuit by the prison, on
my way to my work. There I see him, high up, behind the bars of a lofty
iron cage, bloody and dusty as last night, looking through. He has no
hand free, to wave to me; I dare not call to him; he regards me like a
dead man.”
Defarge and the three glanced darkly at one another. The looks of all
of them were dark, repressed, and revengeful, as they listened to the
countryman’s story; the manner of all of them, while it was secret, was
authoritative too. They had the air of a rough tribunal; Jacques One
and Two sitting on the old pallet-bed, each with his chin resting on
his hand, and his eyes intent on the road-mender; Jacques Three, equally
intent, on one knee behind them, with his agitated hand always gliding
over the network of fine nerves about his mouth and nose; Defarge
standing between them and the narrator, whom he had stationed in the
light of the window, by turns looking from him to them, and from them to
him.
“Go on, Jacques,” said Defarge.
“He remains up there in his iron cage some days. The village looks
at him by stealth, for it is afraid. But it always looks up, from a
distance, at the prison on the crag; and in the evening, when the work
of the day is achieved and it assembles to gossip at the fountain, all
faces are turned towards the prison. Formerly, they were turned towards
the posting-house; now, they are turned towards the prison. They
whisper at the fountain, that although condemned to death he will not be
executed; they say that petitions have been presented in Paris, showing
that he was enraged and made mad by the death of his child; they say
that a petition has been presented to the King himself. What do I know?
It is possible. Perhaps yes, perhaps no.”
“Listen then, Jacques,” Number One of that name sternly interposed.
“Know that a petition was presented to the King and Queen. All here,
yourself excepted, saw the King take it, in his carriage in the street,
sitting beside the Queen. It is Defarge whom you see here, who, at the
hazard of his life, darted out before the horses, with the petition in
his hand.”
“And once again listen, Jacques!” said the kneeling Number Three:
his fingers ever wandering over and over those fine nerves, with a
strikingly greedy air, as if he hungered for something--that was neither
food nor drink; “the guard, horse and foot, surrounded the petitioner,
and struck him blows. You hear?”
“I hear, messieurs.”
“Go on then,” said Defarge.
“Again; on the other hand, they whisper at the fountain,” resumed the
countryman, “that he is brought down into our country to be executed on
the spot, and that he will very certainly be executed. They even whisper
that because he has slain Monseigneur, and because Monseigneur was the
father of his tenants--serfs--what you will--he will be executed as a
parricide. One old man says at the fountain, that his right hand, armed
with the knife, will be burnt off before his face; that, into wounds
which will be made in his arms, his breast, and his legs, there will be
poured boiling oil, melted lead, hot resin, wax, and sulphur; finally,
that he will be torn limb from limb by four strong horses. That old man
says, all this was actually done to a prisoner who made an attempt on
the life of the late King, Louis Fifteen. But how do I know if he lies?
I am not a scholar.”
“Listen once again then, Jacques!” said the man with the restless hand
and the craving air. “The name of that prisoner was Damiens, and it was
all done in open day, in the open streets of this city of Paris; and
nothing was more noticed in the vast concourse that saw it done, than
the crowd of ladies of quality and fashion, who were full of eager
attention to the last--to the last, Jacques, prolonged until nightfall,
when he had lost two legs and an arm, and still breathed! And it was
done--why, how old are you?”
“Thirty-five,” said the mender of roads, who looked sixty.
“It was done when you were more than ten years old; you might have seen
it.”
“Enough!” said Defarge, with grim impatience. “Long live the Devil! Go
on.”
“Well! Some whisper this, some whisper that; they speak of nothing else;
even the fountain appears to fall to that tune. At length, on Sunday
night when all the village is asleep, come soldiers, winding down from
the prison, and their guns ring on the stones of the little street.
Workmen dig, workmen hammer, soldiers laugh and sing; in the morning, by
the fountain, there is raised a gallows forty feet high, poisoning the
water.”
The mender of roads looked _through_ rather than _at_ the low ceiling,
and pointed as if he saw the gallows somewhere in the sky.
“All work is stopped, all assemble there, nobody leads the cows out,
the cows are there with the rest. At midday, the roll of drums. Soldiers
have marched into the prison in the night, and he is in the midst
of many soldiers. He is bound as before, and in his mouth there is
a gag--tied so, with a tight string, making him look almost as if he
laughed.” He suggested it, by creasing his face with his two thumbs,
from the corners of his mouth to his ears. “On the top of the gallows is
fixed the knife, blade upwards, with its point in the air. He is hanged
there forty feet high--and is left hanging, poisoning the water.”
They looked at one another, as he used his blue cap to wipe his face,
on which the perspiration had started afresh while he recalled the
spectacle.
“It is frightful, messieurs. How can the women and the children draw
water! Who can gossip of an evening, under that shadow! Under it, have