A Tale of Two Cities
detail; but, she so far understood them as to perceive that she was set
at naught.
“Woman imbecile and pig-like!” said Madame Defarge, frowning. “I take no
answer from you. I demand to see her. Either tell her that I demand
to see her, or stand out of the way of the door and let me go to her!”
This, with an angry explanatory wave of her right arm.
“I little thought,” said Miss Pross, “that I should ever want to
understand your nonsensical language; but I would give all I have,
except the clothes I wear, to know whether you suspect the truth, or any
part of it.”
Neither of them for a single moment released the other’s eyes. Madame
Defarge had not moved from the spot where she stood when Miss Pross
first became aware of her; but, she now advanced one step.
“I am a Briton,” said Miss Pross, “I am desperate. I don’t care an
English Twopence for myself. I know that the longer I keep you here, the
greater hope there is for my Ladybird. I’ll not leave a handful of that
dark hair upon your head, if you lay a finger on me!”
Thus Miss Pross, with a shake of her head and a flash of her eyes
between every rapid sentence, and every rapid sentence a whole breath.
Thus Miss Pross, who had never struck a blow in her life.
But, her courage was of that emotional nature that it brought the
irrepressible tears into her eyes. This was a courage that Madame
Defarge so little comprehended as to mistake for weakness. “Ha, ha!” she
laughed, “you poor wretch! What are you worth! I address myself to that
Doctor.” Then she raised her voice and called out, “Citizen Doctor! Wife
of Evrémonde! Child of Evrémonde! Any person but this miserable fool,
answer the Citizeness Defarge!”
Perhaps the following silence, perhaps some latent disclosure in the
expression of Miss Pross’s face, perhaps a sudden misgiving apart from
either suggestion, whispered to Madame Defarge that they were gone.
Three of the doors she opened swiftly, and looked in.
“Those rooms are all in disorder, there has been hurried packing, there
are odds and ends upon the ground. There is no one in that room behind
you! Let me look.”
“Never!” said Miss Pross, who understood the request as perfectly as
Madame Defarge understood the answer.
“If they are not in that room, they are gone, and can be pursued and
brought back,” said Madame Defarge to herself.
“As long as you don’t know whether they are in that room or not, you are
uncertain what to do,” said Miss Pross to herself; “and you shall not
know that, if I can prevent your knowing it; and know that, or not know
that, you shall not leave here while I can hold you.”
“I have been in the streets from the first, nothing has stopped me,
I will tear you to pieces, but I will have you from that door,” said
Madame Defarge.
“We are alone at the top of a high house in a solitary courtyard, we are
not likely to be heard, and I pray for bodily strength to keep you here,
while every minute you are here is worth a hundred thousand guineas to
my darling,” said Miss Pross.
Madame Defarge made at the door. Miss Pross, on the instinct of the
moment, seized her round the waist in both her arms, and held her tight.
It was in vain for Madame Defarge to struggle and to strike; Miss Pross,
with the vigorous tenacity of love, always so much stronger than hate,
clasped her tight, and even lifted her from the floor in the struggle
that they had. The two hands of Madame Defarge buffeted and tore her
face; but, Miss Pross, with her head down, held her round the waist, and
clung to her with more than the hold of a drowning woman.
Soon, Madame Defarge’s hands ceased to strike, and felt at her encircled
waist. “It is under my arm,” said Miss Pross, in smothered tones, “you
shall not draw it. I am stronger than you, I bless Heaven for it. I hold
you till one or other of us faints or dies!”
Madame Defarge’s hands were at her bosom. Miss Pross looked up, saw
what it was, struck at it, struck out a flash and a crash, and stood
alone--blinded with smoke.
All this was in a second. As the smoke cleared, leaving an awful
stillness, it passed out on the air, like the soul of the furious woman
whose body lay lifeless on the ground.
In the first fright and horror of her situation, Miss Pross passed the
body as far from it as she could, and ran down the stairs to call for
fruitless help. Happily, she bethought herself of the consequences of
what she did, in time to check herself and go back. It was dreadful to
go in at the door again; but, she did go in, and even went near it, to
get the bonnet and other things that she must wear. These she put on,
out on the staircase, first shutting and locking the door and taking
away the key. She then sat down on the stairs a few moments to breathe
and to cry, and then got up and hurried away.
By good fortune she had a veil on her bonnet, or she could hardly have
gone along the streets without being stopped. By good fortune, too, she
was naturally so peculiar in appearance as not to show disfigurement
like any other woman. She needed both advantages, for the marks of
gripping fingers were deep in her face, and her hair was torn, and her
dress (hastily composed with unsteady hands) was clutched and dragged a
hundred ways.
In crossing the bridge, she dropped the door key in the river. Arriving
at the cathedral some few minutes before her escort, and waiting there,
she thought, what if the key were already taken in a net, what if
it were identified, what if the door were opened and the remains
discovered, what if she were stopped at the gate, sent to prison, and
charged with murder! In the midst of these fluttering thoughts, the
escort appeared, took her in, and took her away.
“Is there any noise in the streets?” she asked him.
“The usual noises,” Mr. Cruncher replied; and looked surprised by the
question and by her aspect.
“I don’t hear you,” said Miss Pross. “What do you say?”
It was in vain for Mr. Cruncher to repeat what he said; Miss Pross could
not hear him. “So I’ll nod my head,” thought Mr. Cruncher, amazed, “at
all events she’ll see that.” And she did.
“Is there any noise in the streets now?” asked Miss Pross again,
presently.
Again Mr. Cruncher nodded his head.
“I don’t hear it.”
“Gone deaf in an hour?” said Mr. Cruncher, ruminating, with his mind
much disturbed; “wot’s come to her?”
“I feel,” said Miss Pross, “as if there had been a flash and a crash,
and that crash was the last thing I should ever hear in this life.”
“Blest if she ain’t in a queer condition!” said Mr. Cruncher, more and
more disturbed. “Wot can she have been a takin’, to keep her courage up?
Hark! There’s the roll of them dreadful carts! You can hear that, miss?”
“I can hear,” said Miss Pross, seeing that he spoke to her, “nothing. O,
my good man, there was first a great crash, and then a great stillness,
and that stillness seems to be fixed and unchangeable, never to be
broken any more as long as my life lasts.”
“If she don’t hear the roll of those dreadful carts, now very nigh their
journey’s end,” said Mr. Cruncher, glancing over his shoulder, “it’s my
opinion that indeed she never will hear anything else in this world.”
And indeed she never did.
CHAPTER XV.
The Footsteps Die Out For Ever
Along the Paris streets, the death-carts rumble, hollow and harsh. Six
tumbrils carry the day’s wine to La Guillotine. All the devouring and
insatiate Monsters imagined since imagination could record itself,
are fused in the one realisation, Guillotine. And yet there is not in
France, with its rich variety of soil and climate, a blade, a leaf,
a root, a sprig, a peppercorn, which will grow to maturity under
conditions more certain than those that have produced this horror. Crush
humanity out of shape once more, under similar hammers, and it will
twist itself into the same tortured forms. Sow the same seed of
rapacious license and oppression over again, and it will surely yield
the same fruit according to its kind.
Six tumbrils roll along the streets. Change these back again to what
they were, thou powerful enchanter, Time, and they shall be seen to be
the carriages of absolute monarchs, the equipages of feudal nobles, the
toilettes of flaring Jezebels, the churches that are not my father’s
house but dens of thieves, the huts of millions of starving peasants!
No; the great magician who majestically works out the appointed order
of the Creator, never reverses his transformations. “If thou be changed
into this shape by the will of God,” say the seers to the enchanted, in
the wise Arabian stories, “then remain so! But, if thou wear this
form through mere passing conjuration, then resume thy former aspect!”
Changeless and hopeless, the tumbrils roll along.
As the sombre wheels of the six carts go round, they seem to plough up
a long crooked furrow among the populace in the streets. Ridges of faces
are thrown to this side and to that, and the ploughs go steadily onward.
So used are the regular inhabitants of the houses to the spectacle, that
in many windows there are no people, and in some the occupation of the
hands is not so much as suspended, while the eyes survey the faces in
the tumbrils. Here and there, the inmate has visitors to see the sight;
then he points his finger, with something of the complacency of a
curator or authorised exponent, to this cart and to this, and seems to
tell who sat here yesterday, and who there the day before.
Of the riders in the tumbrils, some observe these things, and all
things on their last roadside, with an impassive stare; others, with
a lingering interest in the ways of life and men. Some, seated with
drooping heads, are sunk in silent despair; again, there are some so
heedful of their looks that they cast upon the multitude such glances as
they have seen in theatres, and in pictures. Several close their eyes,
and think, or try to get their straying thoughts together. Only one, and
he a miserable creature, of a crazed aspect, is so shattered and made
drunk by horror, that he sings, and tries to dance. Not one of the whole
number appeals by look or gesture, to the pity of the people.
There is a guard of sundry horsemen riding abreast of the tumbrils,
and faces are often turned up to some of them, and they are asked some
question. It would seem to be always the same question, for, it is
always followed by a press of people towards the third cart. The
horsemen abreast of that cart, frequently point out one man in it with
their swords. The leading curiosity is, to know which is he; he stands
at the back of the tumbril with his head bent down, to converse with a
mere girl who sits on the side of the cart, and holds his hand. He has
no curiosity or care for the scene about him, and always speaks to the
girl. Here and there in the long street of St. Honore, cries are raised
against him. If they move him at all, it is only to a quiet smile, as he
shakes his hair a little more loosely about his face. He cannot easily
touch his face, his arms being bound.
On the steps of a church, awaiting the coming-up of the tumbrils, stands
the Spy and prison-sheep. He looks into the first of them: not there.
He looks into the second: not there. He already asks himself, “Has he
sacrificed me?” when his face clears, as he looks into the third.
“Which is Evrémonde?” says a man behind him.
“That. At the back there.”
“With his hand in the girl’s?”
“Yes.”
The man cries, “Down, Evrémonde! To the Guillotine all aristocrats!
Down, Evrémonde!”
“Hush, hush!” the Spy entreats him, timidly.
“And why not, citizen?”
“He is going to pay the forfeit: it will be paid in five minutes more.
Let him be at peace.”
But the man continuing to exclaim, “Down, Evrémonde!” the face of
Evrémonde is for a moment turned towards him. Evrémonde then sees the