A Tale of Two Cities
the time to tamper with him no more. He had a wild, lost manner of
occasionally clasping his head in his hands, that had not been seen
in him before; yet, he had some pleasure in the mere sound of his
daughter’s voice, and invariably turned to it when she spoke.
In the submissive way of one long accustomed to obey under coercion, he
ate and drank what they gave him to eat and drink, and put on the cloak
and other wrappings, that they gave him to wear. He readily responded to
his daughter’s drawing her arm through his, and took--and kept--her hand
in both his own.
They began to descend; Monsieur Defarge going first with the lamp, Mr.
Lorry closing the little procession. They had not traversed many steps
of the long main staircase when he stopped, and stared at the roof and
round at the walls.
“You remember the place, my father? You remember coming up here?”
“What did you say?”
But, before she could repeat the question, he murmured an answer as if
she had repeated it.
“Remember? No, I don’t remember. It was so very long ago.”
That he had no recollection whatever of his having been brought from his
prison to that house, was apparent to them. They heard him mutter,
“One Hundred and Five, North Tower;” and when he looked about him, it
evidently was for the strong fortress-walls which had long encompassed
him. On their reaching the courtyard he instinctively altered his
tread, as being in expectation of a drawbridge; and when there was
no drawbridge, and he saw the carriage waiting in the open street, he
dropped his daughter’s hand and clasped his head again.
No crowd was about the door; no people were discernible at any of the
many windows; not even a chance passerby was in the street. An unnatural
silence and desertion reigned there. Only one soul was to be seen, and
that was Madame Defarge--who leaned against the door-post, knitting, and
saw nothing.
The prisoner had got into a coach, and his daughter had followed
him, when Mr. Lorry’s feet were arrested on the step by his asking,
miserably, for his shoemaking tools and the unfinished shoes. Madame
Defarge immediately called to her husband that she would get them, and
went, knitting, out of the lamplight, through the courtyard. She quickly
brought them down and handed them in;--and immediately afterwards leaned
against the door-post, knitting, and saw nothing.
Defarge got upon the box, and gave the word “To the Barrier!” The
postilion cracked his whip, and they clattered away under the feeble
over-swinging lamps.
Under the over-swinging lamps--swinging ever brighter in the better
streets, and ever dimmer in the worse--and by lighted shops, gay crowds,
illuminated coffee-houses, and theatre-doors, to one of the city
gates. Soldiers with lanterns, at the guard-house there. “Your papers,
travellers!” “See here then, Monsieur the Officer,” said Defarge,
getting down, and taking him gravely apart, “these are the papers of
monsieur inside, with the white head. They were consigned to me, with
him, at the--” He dropped his voice, there was a flutter among the
military lanterns, and one of them being handed into the coach by an arm
in uniform, the eyes connected with the arm looked, not an every day
or an every night look, at monsieur with the white head. “It is well.
Forward!” from the uniform. “Adieu!” from Defarge. And so, under a short
grove of feebler and feebler over-swinging lamps, out under the great
grove of stars.
Beneath that arch of unmoved and eternal lights; some, so remote from
this little earth that the learned tell us it is doubtful whether their
rays have even yet discovered it, as a point in space where anything
is suffered or done: the shadows of the night were broad and black.
All through the cold and restless interval, until dawn, they once more
whispered in the ears of Mr. Jarvis Lorry--sitting opposite the buried
man who had been dug out, and wondering what subtle powers were for ever
lost to him, and what were capable of restoration--the old inquiry:
“I hope you care to be recalled to life?”
And the old answer:
“I can’t say.”
The end of the first book.
Book the Second--the Golden Thread
CHAPTER I.
Five Years Later
Tellson’s Bank by Temple Bar was an old-fashioned place, even in the
year one thousand seven hundred and eighty. It was very small, very
dark, very ugly, very incommodious. It was an old-fashioned place,
moreover, in the moral attribute that the partners in the House were
proud of its smallness, proud of its darkness, proud of its ugliness,
proud of its incommodiousness. They were even boastful of its eminence
in those particulars, and were fired by an express conviction that, if
it were less objectionable, it would be less respectable. This was
no passive belief, but an active weapon which they flashed at more
convenient places of business. Tellson’s (they said) wanted
no elbow-room, Tellson’s wanted no light, Tellson’s wanted no
embellishment. Noakes and Co.’s might, or Snooks Brothers’ might; but
Tellson’s, thank Heaven--!
Any one of these partners would have disinherited his son on the
question of rebuilding Tellson’s. In this respect the House was much
on a par with the Country; which did very often disinherit its sons for
suggesting improvements in laws and customs that had long been highly
objectionable, but were only the more respectable.
Thus it had come to pass, that Tellson’s was the triumphant perfection
of inconvenience. After bursting open a door of idiotic obstinacy with
a weak rattle in its throat, you fell into Tellson’s down two steps,
and came to your senses in a miserable little shop, with two little
counters, where the oldest of men made your cheque shake as if the
wind rustled it, while they examined the signature by the dingiest of
windows, which were always under a shower-bath of mud from Fleet-street,
and which were made the dingier by their own iron bars proper, and the
heavy shadow of Temple Bar. If your business necessitated your seeing
“the House,” you were put into a species of Condemned Hold at the back,
where you meditated on a misspent life, until the House came with its
hands in its pockets, and you could hardly blink at it in the dismal
twilight. Your money came out of, or went into, wormy old wooden
drawers, particles of which flew up your nose and down your throat when
they were opened and shut. Your bank-notes had a musty odour, as if they
were fast decomposing into rags again. Your plate was stowed away among
the neighbouring cesspools, and evil communications corrupted its good
polish in a day or two. Your deeds got into extemporised strong-rooms
made of kitchens and sculleries, and fretted all the fat out of their
parchments into the banking-house air. Your lighter boxes of family
papers went up-stairs into a Barmecide room, that always had a great
dining-table in it and never had a dinner, and where, even in the year
one thousand seven hundred and eighty, the first letters written to you
by your old love, or by your little children, were but newly released
from the horror of being ogled through the windows, by the heads
exposed on Temple Bar with an insensate brutality and ferocity worthy of
Abyssinia or Ashantee.
But indeed, at that time, putting to death was a recipe much in vogue
with all trades and professions, and not least of all with Tellson’s.
Death is Nature’s remedy for all things, and why not Legislation’s?
Accordingly, the forger was put to Death; the utterer of a bad note
was put to Death; the unlawful opener of a letter was put to Death; the
purloiner of forty shillings and sixpence was put to Death; the holder
of a horse at Tellson’s door, who made off with it, was put to
Death; the coiner of a bad shilling was put to Death; the sounders of
three-fourths of the notes in the whole gamut of Crime, were put to
Death. Not that it did the least good in the way of prevention--it
might almost have been worth remarking that the fact was exactly the
reverse--but, it cleared off (as to this world) the trouble of each
particular case, and left nothing else connected with it to be looked
after. Thus, Tellson’s, in its day, like greater places of business,
its contemporaries, had taken so many lives, that, if the heads laid
low before it had been ranged on Temple Bar instead of being privately
disposed of, they would probably have excluded what little light the
ground floor had, in a rather significant manner.
Cramped in all kinds of dim cupboards and hutches at Tellson’s, the
oldest of men carried on the business gravely. When they took a young
man into Tellson’s London house, they hid him somewhere till he was
old. They kept him in a dark place, like a cheese, until he had the full
Tellson flavour and blue-mould upon him. Then only was he permitted to
be seen, spectacularly poring over large books, and casting his breeches
and gaiters into the general weight of the establishment.
Outside Tellson’s--never by any means in it, unless called in--was an
odd-job-man, an occasional porter and messenger, who served as the live
sign of the house. He was never absent during business hours, unless
upon an errand, and then he was represented by his son: a grisly urchin
of twelve, who was his express image. People understood that Tellson’s,
in a stately way, tolerated the odd-job-man. The house had always
tolerated some person in that capacity, and time and tide had drifted
this person to the post. His surname was Cruncher, and on the youthful
occasion of his renouncing by proxy the works of darkness, in the
easterly parish church of Hounsditch, he had received the added
appellation of Jerry.
The scene was Mr. Cruncher’s private lodging in Hanging-sword-alley,
Whitefriars: the time, half-past seven of the clock on a windy March
morning, Anno Domini seventeen hundred and eighty. (Mr. Cruncher himself
always spoke of the year of our Lord as Anna Dominoes: apparently under
the impression that the Christian era dated from the invention of a
popular game, by a lady who had bestowed her name upon it.)
Mr. Cruncher’s apartments were not in a savoury neighbourhood, and were
but two in number, even if a closet with a single pane of glass in it
might be counted as one. But they were very decently kept. Early as
it was, on the windy March morning, the room in which he lay abed was
already scrubbed throughout; and between the cups and saucers arranged
for breakfast, and the lumbering deal table, a very clean white cloth
was spread.
Mr. Cruncher reposed under a patchwork counterpane, like a Harlequin
at home. At first, he slept heavily, but, by degrees, began to roll
and surge in bed, until he rose above the surface, with his spiky hair
looking as if it must tear the sheets to ribbons. At which juncture, he
exclaimed, in a voice of dire exasperation:
“Bust me, if she ain’t at it agin!”
A woman of orderly and industrious appearance rose from her knees in a
corner, with sufficient haste and trepidation to show that she was the
person referred to.
“What!” said Mr. Cruncher, looking out of bed for a boot. “You’re at it
agin, are you?”
After hailing the morn with this second salutation, he threw a boot at
the woman as a third. It was a very muddy boot, and may introduce the
odd circumstance connected with Mr. Cruncher’s domestic economy, that,
whereas he often came home after banking hours with clean boots, he
often got up next morning to find the same boots covered with clay.
“What,” said Mr. Cruncher, varying his apostrophe after missing his
mark--“what are you up to, Aggerawayter?”
“I was only saying my prayers.”
“Saying your prayers! You’re a nice woman! What do you mean by flopping
yourself down and praying agin me?”
“I was not praying against you; I was praying for you.”