Aesthetical Essays of Friedrich Schiller
formless nature or unnatural art, she will in both cases bear traces of
her origin, and lose herself in one place in material life and in another
in mere abstract form.
To be able to arrive at a conception how beauty can become a means to
remove this twofold relaxation, we must explore its source in the human
mind. Accordingly, make up your mind to dwell a little longer in the
region of speculation, in order then to leave it forever, and to advance
with securer footing on the ground of experience.
LETTER XVIII.
By beauty the sensuous man is led to form and to thought; by beauty the
spiritual man is brought back to matter and restored to the world of
sense.
From this statement it would appear to follow that between matter and
form, between passivity and activity, there must be a middle state, and
that beauty plants us in this state. It actually happens that the
greater part of mankind really form this conception of beauty as soon as
they begin to reflect on its operations, and all experience seems to
point to this conclusion. But, on the other hand, nothing is more
unwarrantable and contradictory than such a conception, because the
aversion of matter and form, the passive and the active, feeling and
thought, is eternal, and cannot be mediated in any way. How can we
remove this contradiction? Beauty weds the two opposed conditions of
feeling and thinking, and yet there is absolutely no medium between them.
The former is immediately certain through experience, the other through
the reason.
This is the point to which the whole question of beauty leads, and if we
succeed in settling this point in a satisfactory way, we have at length
found the clue that will conduct us through the whole labyrinth of
aesthetics.
But this requires two very different operations, which must necessarily
support each other in this inquiry. Beauty, it is said, weds two
conditions with one another which are opposite to each other, and can
never be one. We must start from this opposition; we must grasp and
recognize them in their entire purity and strictness, so that both
conditions are separated in the most definite manner; otherwise we mix,
but we do not unite them. Secondly, it is usual to say, beauty unites
those two opposed conditions, and therefore removes the opposition. But
because both conditions remain eternally opposed to one another, they
cannot be united in any other way than by being suppressed. Our second
business is therefore to make this connection perfect, to carry them out
with such purity and perfection that both conditions disappear entirely
in a third one, and no trace of separation remains in the whole;
otherwise we segregate, but do not unite. All the disputes that have
ever prevailed and still prevail in the philosophical world respecting
the conception of beauty have no other origin than their commencing
without a sufficiently strict distinction, or that it is not carried out
fully to a pure union. Those philosophers who blindly follow their
feeling in reflecting on this topic can obtain no other conception of
beauty, because they distinguish nothing separate in the totality of the
sensuous impression. Other philosophers, who take the understanding as
their exclusive guide, can never obtain a conception of beauty, because
they never see anything else in the whole than the parts; and spirit and
matter remain eternally separate, even in their most perfect unity. The
first fear to suppress beauty dynamically, that is, as a working power,
if they must separate what is united in the feeling. The others fear to
suppress beauty logically, that is, as a conception, when they have to
hold together what in the understanding is separate. The former wish to
think of beauty as it works; the latter wish it to work as it is thought.
Both therefore must miss the truth; the former, because they try to
follow infinite nature with their limited thinking power; the others,
because they wish to limit unlimited nature according to their laws of
thought. The first fear to rob beauty of its freedom by a too strict
dissection, the others fear to destroy the distinctness of the conception
by a too violent union. But the former do not reflect that the freedom
in which they very properly place the essence of beauty is not
lawlessness, but harmony of laws; not caprice, but the highest internal
necessity. The others do not remember that distinctness, which they with
equal right demand from beauty, does not consist in the exclusion of
certain realities, but the absolute including of all; that is not
therefore limitation but infinitude. We shall avoid the quicksands on
which both have made shipwreck if we begin from the two elements in which
beauty divides itself before the understanding, but then afterwards rise
to a pure aesthetic unity by which it works on feeling, and in which both
those conditions completely disappear.
LETTER XIX.
Two principal and different states of passive and active capacity of
being determined [Bestimmbarkeit] can be distinguished in man; in like
manner two states of passive and active determination [Bestimmung]. The
explanation of this proposition leads us most readily to our end.
The condition of the state of man before destination or direction is
given him by the impression of the senses is an unlimited capacity of
being determined. The infinite of time and space is given to his
imagination for its free use; and, because nothing is settled in this
kingdom of the possible, and therefore nothing is excluded from it, this
state of absence of determination can be named an empty infiniteness,
which must not by any means be confounded with an infinite void.
Now it is necessary that his sensuous nature should be modified, and that
in the indefinite series of possible determinations one alone should
become real. One perception must spring up in it. That which, in the
previous state of determinableness, was only an empty potency becomes now
an active force, and receives contents; but, at the same time, as an
active force it receives a limit, after having been, as a simple power,
unlimited. Reality exists now, but the infinite has disappeared. To
describe a figure in space, we are obliged to limit infinite space; to
represent to ourselves a change in time, we are obliged to divide the
totality of time. Thus we only arrive at reality by limitation, at the
positive, at a real position, by negation or exclusion; to determination,
by the suppression of our free determinableness.
But mere exclusion would never beget a reality, nor would a mere sensuous
impression ever give birth to a perception, if there were not something
from which it was excluded, if by an absolute act of the mind the
negation were not referred to something positive, and if opposition did
not issue out of non-position. This act of the mind is styled judging or
thinking, and the result is named thought.
Before we determine a place in space, there is no space for us; but
without absolute space we could never determine a place. The same is the
case with time. Before we have an instant, there is no time to us: but
without infinite time--eternity--we should never have a representation of
the instant. Thus, therefore, we can only arrive at the whole by the
part, to the unlimited through limitation; but reciprocally we only
arrive at the part through the whole, at limitation through the
unlimited.
It follows from this, that when it is affirmed of beauty that it mediates
for man, the transition from feeling to thought, this must not be
understood to mean that beauty can fill up the gap that separates feeling
from thought, the passive from the active. This gap is infinite; and,
without the interposition of a new and independent faculty, it is
impossible for the general to issue from the individual, the necessary
from the contingent. Thought is the immediate act of this absolute
power, which, I admit, can only be manifested in connection with sensuous
impressions, but which in this manifestation depends so little on the
sensuous that it reveals itself specially in an opposition to it. The
spontaneity or autonomy with which it acts excludes every foreign
influence; and it is not in as far as it helps thought--which comprehends
a manifest contradiction but only in as far as it procures for the
intellectual faculties the freedom to manifest themselves in conformity
with their proper laws. It does it only because the beautiful can become
a means of leading man from matter to form, from feeling to laws, from a
limited existence to an absolute existence.
But this assumes that the freedom of the intellectual faculties can be
balked, which appears contradictory to the conception of an autonomous
power. For a power which only receives the matter of its activity from
without can only be hindered in its action by the privation of this
matter, and consequently by way of negation; it is therefore a
misconception of the nature of the mind to attribute to the sensuous
passions the power of oppressing positively the freedom of the mind.
Experience does indeed present numerous examples where the rational
forces appear compressed in proportion to the violence of the sensuous
forces. But instead of deducing this spiritual weakness from the energy
of passion, this passionate energy must rather be explained by the
weakness of the human mind. For the sense can only have a sway such as
this over man when the mind has spontaneously neglected to assert its
power.
Yet in trying by these explanations to move one objection, I appear to
have exposed myself to another, and I have only saved the autonomy of the
mind at the cost of its unity. For how can the mind derive at the same
time from itself the principles of inactivity and of activity, if it is
not itself divided, and if it is not in opposition with itself?
Here we must remember that we have before us, not the infinite mind, but
the finite. The finite mind is that which only becomes active through
the passive, only arrives at the absolute through limitation, and only
acts and fashions in as far as it receives matter. Accordingly, a mind
of this nature must associate with the impulse towards form or the
absolute, an impulse towards matter or limitation, conditions without
which it could not have the former impulse nor satisfy it. How can two
such opposite tendencies exist together in the same being? This is a
problem that can no doubt embarrass the metaphysician, but not the
transcendental philosopher. The latter does not presume to explain the
possibility of things, but he is satisfied with giving a solid basis to
the knowledge that makes us understand the possibility of experience.
And as experience would be equally impossible without this autonomy in
the mind, and without the absolute unity of the mind, it lays down these
two conceptions as two conditions of experience equally necessary without
troubling itself any more to reconcile them. Moreover, this immanence of
two fundamental impulses does not in any degree contradict the absolute
unity of the mind, as soon as the mind itself, its selfhood, is
distinguished from those two motors. No doubt, these two impulses exist
and act in it, but itself is neither matter nor form, nor the sensuous
nor reason, and this is a point that does not seem always to have
occurred to those who only look upon the mind as itself acting when its
acts are in harmony with reason, and who declare it passive when its acts
contradict reason.
Arrived at its development, each of these two fundamental impulsions
tends of necessity and by its nature to satisfy itself; but precisely
because each of them has a necessary tendency, and both nevertheless have
an opposite tendency, this twofold constraint mutually destroys itself,