About this book

Ann Veronica: A Modern Love Story

H. G. Wells

morning, travelled third class to London by unusual trains, and openly despised golf. He occupied one of the smaller houses near the station. He had one son, who had been co-educated, and three daughters with peculiarly jolly red hair that Ann Veronica found adorable. Two of these had been her particular intimates at the High School, and had done much to send her mind exploring beyond the limits of the available literature at home. It was a cheerful, irresponsible, shamelessly hard-up family in the key of faded green and flattened purple, and the girls went on from the High School to the Fadden Art School and a bright, eventful life of art student dances, Socialist meetings, theatre galleries, talking about work, and even, at intervals, work; and ever and again they drew Ann Veronica from her sound persistent industry into the circle of these experiences. They had asked her to come to the first of the two great annual Fadden Dances, the October one, and Ann Veronica had accepted with enthusiasm. And now her father said she must not go. He had “put his foot down,” and said she must not go. Going involved two things that all Ann Veronica’s tact had been ineffectual to conceal from her aunt and father. Her usual dignified reserve had availed her nothing. One point was that she was to wear fancy dress in the likeness of a Corsair’s bride, and the other was that she was to spend whatever vestiges of the night remained after the dance was over in London with the Widgett girls and a select party in “quite a decent little hotel” near Fitzroy Square. “But, my dear!” said Ann Veronica’s aunt. “You see,” said Ann Veronica, with the air of one who shares a difficulty, “I’ve promised to go. I didn’t realize--I don’t see how I can get out of it now.” Then it was her father issued his ultimatum. He had conveyed it to her, not verbally, but by means of a letter, which seemed to her a singularly ignoble method of prohibition. “He couldn’t look me in the face and say it,” said Ann Veronica. “But of course it’s aunt’s doing really.” And thus it was that as Ann Veronica neared the gates of home, she said to herself: “I’ll have it out with him somehow. I’ll have it out with him. And if he won’t--” But she did not give even unspoken words to the alternative at that time. Part 3 Ann Veronica’s father was a solicitor with a good deal of company business: a lean, trustworthy, worried-looking, neuralgic, clean-shaven man of fifty-three, with a hard mouth, a sharp nose, iron-gray hair, gray eyes, gold-framed glasses, and a small, circular baldness at the crown of his head. His name was Peter. He had had five children at irregular intervals, of whom Ann Veronica was the youngest, so that as a parent he came to her perhaps a little practised and jaded and inattentive; and he called her his “little Vee,” and patted her unexpectedly and disconcertingly, and treated her promiscuously as of any age between eleven and eight-and-twenty. The City worried him a good deal, and what energy he had left over he spent partly in golf, a game he treated very seriously, and partly in the practices of microscopic petrography. He “went in” for microscopy in the unphilosophical Victorian manner as his “hobby.” A birthday present of a microscope had turned his mind to technical microscopy when he was eighteen, and a chance friendship with a Holborn microscope dealer had confirmed that bent. He had remarkably skilful fingers and a love of detailed processes, and he had become one of the most dexterous amateur makers of rock sections in the world. He spent a good deal more money and time than he could afford upon the little room at the top of the house, in producing new lapidary apparatus and new microscopic accessories and in rubbing down slices of rock to a transparent thinness and mounting them in a beautiful and dignified manner. He did it, he said, “to distract his mind.” His chief successes he exhibited to the Lowndean Microscopical Society, where their high technical merit never failed to excite admiration. Their scientific value was less considerable, since he chose rocks entirely with a view to their difficulty of handling or their attractiveness at conversaziones when done. He had a great contempt for the sections the “theorizers” produced. They proved all sorts of things perhaps, but they were thick, unequal, pitiful pieces of work. Yet an indiscriminating, wrong-headed world gave such fellows all sorts of distinctions.... He read but little, and that chiefly healthy light fiction with chromatic titles, The Red Sword, The Black Helmet, The Purple Robe, also in order “to distract his mind.” He read it in winter in the evening after dinner, and Ann Veronica associated it with a tendency to monopolize the lamp, and to spread a very worn pair of dappled fawn-skin slippers across the fender. She wondered occasionally why his mind needed so much distraction. His favorite newspaper was the Times, which he began at breakfast in the morning often with manifest irritation, and carried off to finish in the train, leaving no other paper at home. It occurred to Ann Veronica once that she had known him when he was younger, but day had followed day, and each had largely obliterated the impression of its predecessor. But she certainly remembered that when she was a little girl he sometimes wore tennis flannels, and also rode a bicycle very dexterously in through the gates to the front door. And in those days, too, he used to help her mother with her gardening, and hover about her while she stood on the ladder and hammered creepers to the scullery wall. It had been Ann Veronica’s lot as the youngest child to live in a home that became less animated and various as she grew up. Her mother had died when she was thirteen, her two much older sisters had married off--one submissively, one insubordinately; her two brothers had gone out into the world well ahead of her, and so she had made what she could of her father. But he was not a father one could make much of. His ideas about girls and women were of a sentimental and modest quality; they were creatures, he thought, either too bad for a modern vocabulary, and then frequently most undesirably desirable, or too pure and good for life. He made this simple classification of a large and various sex to the exclusion of all intermediate kinds; he held that the two classes had to be kept apart even in thought and remote from one another. Women are made like the potter’s vessels--either for worship or contumely, and are withal fragile vessels. He had never wanted daughters. Each time a daughter had been born to him he had concealed his chagrin with great tenderness and effusion from his wife, and had sworn unwontedly and with passionate sincerity in the bathroom. He was a manly man, free from any strong maternal strain, and he had loved his dark-eyed, dainty bright-colored, and active little wife with a real vein of passion in his sentiment. But he had always felt (he had never allowed himself to think of it) that the promptitude of their family was a little indelicate of her, and in a sense an intrusion. He had, however, planned brilliant careers for his two sons, and, with a certain human amount of warping and delay, they were pursuing these. One was in the Indian Civil Service and one in the rapidly developing motor business. The daughters, he had hoped, would be their mother’s care. He had no ideas about daughters. They happen to a man. Of course a little daughter is a delightful thing enough. It runs about gayly, it romps, it is bright and pretty, it has enormous quantities of soft hair and more power of expressing affection than its brothers. It is a lovely little appendage to the mother who smiles over it, and it does things quaintly like her, gestures with her very gestures. It makes wonderful sentences that you can repeat in the City and are good enough for Punch. You call it a lot of nicknames--“Babs” and “Bibs” and “Viddles” and “Vee”; you whack at it playfully, and it whacks you back. It loves to sit on your knee. All that is jolly and as it should be. But a little daughter is one thing and a daughter quite another. There one comes to a relationship that Mr. Stanley had never thought out. When he found himself thinking about it, it upset him so that he at once resorted to distraction. The chromatic fiction with which he relieved his mind glanced but slightly at this aspect of life, and never with any quality of guidance. Its heroes never had daughters, they borrowed other people’s. The one fault, indeed, of this school of fiction for him was that it had rather a light way with parental rights. His instinct was in the direction of considering his daughters his absolute property, bound to obey him, his to give away or his to keep to be a comfort in his declining years just as he thought fit. About this conception of ownership he perceived and desired a certain sentimental glamour, he liked everything properly dressed, but it remained ownership. Ownership seemed only a reasonable return for the cares and expenses of a daughter’s upbringing. Daughters were not like sons. He perceived, however, that both the novels he read and the world he lived in discountenanced these assumptions. Nothing else was put in their place, and they remained sotto voce, as it were, in his mind. The new and the old cancelled out; his daughters became quasi-independent dependents--which is absurd. One married as he wished and one against his wishes, and now here was Ann Veronica, his little Vee, discontented with her beautiful, safe, and sheltering home, going about with hatless friends to Socialist meetings and art-class dances, and displaying a disposition to carry her scientific ambitions to unwomanly lengths. She seemed to think he was merely the paymaster, handing over the means of her freedom. And now she insisted that she MUST leave the chastened security of the Tredgold Women’s College for Russell’s unbridled classes, and wanted to go to fancy dress dances in pirate costume and spend the residue of the night with Widgett’s ramshackle girls in some indescribable hotel in Soho! He had done his best not to think about her at all, but the situation and his sister had become altogether too urgent. He had finally put aside The Lilac Sunbonnet, gone into his study, lit the gas fire, and written the letter that had brought these unsatisfactory relations to a head. Part 4 MY DEAR VEE, he wrote. These daughters! He gnawed his pen and reflected, tore the sheet up, and began again. “MY DEAR VERONICA,--Your aunt tells me you have involved yourself in some arrangement with the Widgett girls about a Fancy Dress Ball in London. I gather you wish to go up in some fantastic get-up, wrapped about in your opera cloak, and that after the festivities you propose to stay with these friends of yours, and without any older people in your party, at an hotel. Now I am sorry to cross you in anything you have set your heart upon, but I regret to say--” “H’m,” he reflected, and crossed out the last four words. “--but this cannot be.” “No,” he said, and tried again: “but I must tell you quite definitely that I feel it to be my duty to forbid any such exploit.” “Damn!” he remarked at the defaced letter; and, taking a fresh sheet, he recopied what he had written. A certain irritation crept into his manner as he did so. “I regret that you should ever have proposed it,” he went on. He meditated, and began a new paragraph. “The fact of it is, and this absurd project of yours only brings it to a head, you have begun to get hold of some very queer ideas about what a young lady in your position may or may not venture to do. I do not think