Anne of Green Gables
me. Oh, Diana, look, there’s a rabbit. That’s something to remember for
our woods composition. I really think the woods are just as lovely in
winter as in summer. They’re so white and still, as if they were asleep
and dreaming pretty dreams.”
“I won’t mind writing that composition when its time comes,” sighed
Diana. “I can manage to write about the woods, but the one we’re to
hand in Monday is terrible. The idea of Miss Stacy telling us to write a
story out of our own heads!”
“Why, it’s as easy as wink,” said Anne.
“It’s easy for you because you have an imagination,” retorted Diana,
“but what would you do if you had been born without one? I suppose you
have your composition all done?”
Anne nodded, trying hard not to look virtuously complacent and failing
miserably.
“I wrote it last Monday evening. It’s called ‘The Jealous Rival; or In
Death Not Divided.’ I read it to Marilla and she said it was stuff and
nonsense. Then I read it to Matthew and he said it was fine. That is
the kind of critic I like. It’s a sad, sweet story. I just cried like
a child while I was writing it. It’s about two beautiful maidens called
Cordelia Montmorency and Geraldine Seymour who lived in the same village
and were devotedly attached to each other. Cordelia was a regal brunette
with a coronet of midnight hair and duskly flashing eyes. Geraldine was
a queenly blonde with hair like spun gold and velvety purple eyes.”
“I never saw anybody with purple eyes,” said Diana dubiously.
“Neither did I. I just imagined them. I wanted something out of the
common. Geraldine had an alabaster brow too. I’ve found out what an
alabaster brow is. That is one of the advantages of being thirteen. You
know so much more than you did when you were only twelve.”
“Well, what became of Cordelia and Geraldine?” asked Diana, who was
beginning to feel rather interested in their fate.
“They grew in beauty side by side until they were sixteen. Then Bertram
DeVere came to their native village and fell in love with the fair
Geraldine. He saved her life when her horse ran away with her in a
carriage, and she fainted in his arms and he carried her home three
miles; because, you understand, the carriage was all smashed up. I found
it rather hard to imagine the proposal because I had no experience to
go by. I asked Ruby Gillis if she knew anything about how men proposed
because I thought she’d likely be an authority on the subject, having so
many sisters married. Ruby told me she was hid in the hall pantry when
Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan
that his dad had given him the farm in his own name and then said, ‘What
do you say, darling pet, if we get hitched this fall?’ And Susan said,
‘Yes--no--I don’t know--let me see’--and there they were, engaged as
quick as that. But I didn’t think that sort of a proposal was a very
romantic one, so in the end I had to imagine it out as well as I could.
I made it very flowery and poetical and Bertram went on his knees,
although Ruby Gillis says it isn’t done nowadays. Geraldine accepted
him in a speech a page long. I can tell you I took a lot of trouble
with that speech. I rewrote it five times and I look upon it as my
masterpiece. Bertram gave her a diamond ring and a ruby necklace
and told her they would go to Europe for a wedding tour, for he was
immensely wealthy. But then, alas, shadows began to darken over their
path. Cordelia was secretly in love with Bertram herself and when
Geraldine told her about the engagement she was simply furious,
especially when she saw the necklace and the diamond ring. All her
affection for Geraldine turned to bitter hate and she vowed that she
should never marry Bertram. But she pretended to be Geraldine’s friend
the same as ever. One evening they were standing on the bridge over a
rushing turbulent stream and Cordelia, thinking they were alone, pushed
Geraldine over the brink with a wild, mocking, ‘Ha, ha, ha.’ But Bertram
saw it all and he at once plunged into the current, exclaiming, ‘I
will save thee, my peerless Geraldine.’ But alas, he had forgotten he
couldn’t swim, and they were both drowned, clasped in each other’s arms.
Their bodies were washed ashore soon afterwards. They were buried in the
one grave and their funeral was most imposing, Diana. It’s so much
more romantic to end a story up with a funeral than a wedding. As for
Cordelia, she went insane with remorse and was shut up in a lunatic
asylum. I thought that was a poetical retribution for her crime.”
“How perfectly lovely!” sighed Diana, who belonged to Matthew’s school
of critics. “I don’t see how you can make up such thrilling things out
of your own head, Anne. I wish my imagination was as good as yours.”
“It would be if you’d only cultivate it,” said Anne cheeringly. “I’ve
just thought of a plan, Diana. Let you and me have a story club all our
own and write stories for practice. I’ll help you along until you can
do them by yourself. You ought to cultivate your imagination, you know.
Miss Stacy says so. Only we must take the right way. I told her about
the Haunted Wood, but she said we went the wrong way about it in that.”
This was how the story club came into existence. It was limited to Diana
and Anne at first, but soon it was extended to include Jane Andrews
and Ruby Gillis and one or two others who felt that their imaginations
needed cultivating. No boys were allowed in it--although Ruby Gillis
opined that their admission would make it more exciting--and each member
had to produce one story a week.
“It’s extremely interesting,” Anne told Marilla. “Each girl has to read
her story out loud and then we talk it over. We are going to keep them
all sacredly and have them to read to our descendants. We each write
under a nom-de-plume. Mine is Rosamond Montmorency. All the girls
do pretty well. Ruby Gillis is rather sentimental. She puts too much
lovemaking into her stories and you know too much is worse than too
little. Jane never puts any because she says it makes her feel so silly
when she had to read it out loud. Jane’s stories are extremely sensible.
Then Diana puts too many murders into hers. She says most of the time
she doesn’t know what to do with the people so she kills them off to get
rid of them. I mostly always have to tell them what to write about, but
that isn’t hard for I’ve millions of ideas.”
“I think this story-writing business is the foolishest yet,” scoffed
Marilla. “You’ll get a pack of nonsense into your heads and waste time
that should be put on your lessons. Reading stories is bad enough but
writing them is worse.”
“But we’re so careful to put a moral into them all, Marilla,” explained
Anne. “I insist upon that. All the good people are rewarded and all
the bad ones are suitably punished. I’m sure that must have a wholesome
effect. The moral is the great thing. Mr. Allan says so. I read one of
my stories to him and Mrs. Allan and they both agreed that the moral was
excellent. Only they laughed in the wrong places. I like it better when
people cry. Jane and Ruby almost always cry when I come to the pathetic
parts. Diana wrote her Aunt Josephine about our club and her Aunt
Josephine wrote back that we were to send her some of our stories. So
we copied out four of our very best and sent them. Miss Josephine Barry
wrote back that she had never read anything so amusing in her life. That
kind of puzzled us because the stories were all very pathetic and almost
everybody died. But I’m glad Miss Barry liked them. It shows our club
is doing some good in the world. Mrs. Allan says that ought to be our
object in everything. I do really try to make it my object but I forget
so often when I’m having fun. I hope I shall be a little like Mrs. Allan
when I grow up. Do you think there is any prospect of it, Marilla?”
“I shouldn’t say there was a great deal” was Marilla’s encouraging
answer. “I’m sure Mrs. Allan was never such a silly, forgetful little
girl as you are.”
“No; but she wasn’t always so good as she is now either,” said Anne
seriously. “She told me so herself--that is, she said she was a dreadful
mischief when she was a girl and was always getting into scrapes. I felt
so encouraged when I heard that. Is it very wicked of me, Marilla,
to feel encouraged when I hear that other people have been bad and
mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels
shocked when she hears of anyone ever having been naughty, no matter how
small they were. Mrs. Lynde says she once heard a minister confess that
when he was a boy he stole a strawberry tart out of his aunt’s pantry
and she never had any respect for that minister again. Now, I wouldn’t
have felt that way. I’d have thought that it was real noble of him to
confess it, and I’d have thought what an encouraging thing it would be
for small boys nowadays who do naughty things and are sorry for them
to know that perhaps they may grow up to be ministers in spite of it.
That’s how I’d feel, Marilla.”
“The way I feel at present, Anne,” said Marilla, “is that it’s high time
you had those dishes washed. You’ve taken half an hour longer than
you should with all your chattering. Learn to work first and talk
afterwards.”
CHAPTER XXVII. Vanity and Vexation of Spirit
MARILLA, walking home one late April evening from an Aid meeting,
realized that the winter was over and gone with the thrill of delight
that spring never fails to bring to the oldest and saddest as well as to
the youngest and merriest. Marilla was not given to subjective analysis
of her thoughts and feelings. She probably imagined that she was
thinking about the Aids and their missionary box and the new carpet
for the vestry room, but under these reflections was a harmonious
consciousness of red fields smoking into pale-purply mists in the
declining sun, of long, sharp-pointed fir shadows falling over the
meadow beyond the brook, of still, crimson-budded maples around a
mirrorlike wood pool, of a wakening in the world and a stir of hidden
pulses under the gray sod. The spring was abroad in the land and
Marilla’s sober, middle-aged step was lighter and swifter because of its
deep, primal gladness.
Her eyes dwelt affectionately on Green Gables, peering through its
network of trees and reflecting the sunlight back from its windows in
several little coruscations of glory. Marilla, as she picked her steps
along the damp lane, thought that it was really a satisfaction to know
that she was going home to a briskly snapping wood fire and a table
nicely spread for tea, instead of to the cold comfort of old Aid meeting
evenings before Anne had come to Green Gables.
Consequently, when Marilla entered her kitchen and found the fire black
out, with no sign of Anne anywhere, she felt justly disappointed and
irritated. She had told Anne to be sure and have tea ready at five
o’clock, but now she must hurry to take off her second-best dress and
prepare the meal herself against Matthew’s return from plowing.
“I’ll settle Miss Anne when she comes home,” said Marilla grimly, as
she shaved up kindlings with a carving knife and with more vim than was
strictly necessary. Matthew had come in and was waiting patiently for
his tea in his corner. “She’s gadding off somewhere with Diana, writing
stories or practicing dialogues or some such tomfoolery, and never
thinking once about the time or her duties. She’s just got to be pulled
up short and sudden on this sort of thing. I don’t care if Mrs. Allan
does say she’s the brightest and sweetest child she ever knew. She may
be bright and sweet enough, but her head is full of nonsense and there’s
never any knowing what shape it’ll break out in next. Just as soon as
she grows out of one freak she takes up with another. But there! Here I