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Ars Amatoria; or, The Art Of Love

Ovid

the gentle Zephyrs and the balmy air, the leaves of these many kinds, and the tops of the grass quiver. Pleasant was this retreat to Cephalus; [1121] his servants and his hounds left behind, the youth, when weary, often sat down in this spot. And here he was in the habit of repeating, "Come, gentle Aura [breeze], to be received in my bosom, that thou mayst moderate my heat." Some person, maliciously officious, with retentive lips carried the words he had heard to the timid ears of his wife. Procris, when she heard the name of Aura [breeze], as though of a rival, fainted away, and with this sudden apprehension she was mute. She turned pale, just as the late leaves become wan, which the coming winter has nipped, the clusters now gathered from the vine; and as the quinces [1122] which in their ripeness are bending their boughs; and as the cornels not yet quite fit for food for man. When her senses had returned, she tore her thin garments from off her body with her nails, and wounded her guiltless cheeks. And no delay was there; raving, with dishevelled locks, she flew amid the tracks, like a Bacchanal aroused by the thyrsus. When she had come near the spot, she left her attendants in the valley; and with silent footsteps, in her boldness, she herself stealthily entered the grove. What, Procris, were thy feelings, when thus, in thy frenzy, thou didst he concealed? What the impulse of thy disquieted breast? Each moment, forsooth, wast thou expecting that she would come, whoever Aura might be, and that their criminality would be witnessed with thine eyes. Now dost thou repent of having come, for indeed thou wouldst not wish to detect him; and now thou art glad; fluctuating affection is tormenting thy breast. There is the spot, and the name, and the informant to bid thee give credence; and the fact that the lover always apprehends that to exist which he dreads. When she beheld the grass beaten down, the impress of his body, her trembling bosom was throbbing with her palpitating heart. And now midday had made the unsubstantial shadows small, and at an equal distance were the evening and the morn. Behold! Cephalus, the offspring of the Cyilenian God, [1123] returns from the woods, and sprinkles his glowing face with water of the fountain. In thy anxiety, Procris, art thou lying concealed. Along the grass he lies as wont, and says, "Ye gentle Zephyrs, and thou Aura [breeze], come hither." When the welcome mistake of the name was thus revealed to the sorrowing fair, both her senses and the real colour of her face returned. She arose; and the wife, about to rush into the embrace of her husband, by the moving of her body, shook the leaves that were in her way. He, thinking that a wild beast had made the noise, with alacrity snatched up his bow; his arrows were in his right hand. What, wretched man, art thou about? 'Tis no wild beast; keep still thy weapons. Ah wretched me! by thy dart has the fair been pierced. "Ah me!" she cries aloud, "a loving heart hast thou pierced. That spot has ever retained the wound inflicted by Cephalus. Before my time I die, but injured by no rival; this, O Earth, will make thee light when I am entombed. Now is my breath departing in the breeze that I had thus suspected; I sink, alas! close my eyes with those dear hands." In his sorrowing bosom he supports the dying body of his spouse, and with his tears he bathes her cruel wounds. Her breath departs; and gradually fleeting from her senseless breast, her breath [1124] is received into the mouth of her wretched husband. But let us return to our path; I must deal with my subject undisguised, that my wearied bark may reach its port. You may be waiting, in fact, for me to escort you to the banquet, and may be requesting my advice in this respect as well. Come late, and enter when the lights are brought in; delay is a friend to passion; a very great stimulant is delay. Even should you be ugly, to the tipsy you will appear charming: and night itself will afford a concealment for your imperfections. Take up your food with your fingers; [1125] the method of eating is something; and do not besmear all your face with your dirty hand. And do not first [1126] take food at home; but cease to eat a little sooner than you could wish, and could have eaten. Had the son of Priam seen Helen greedily devouring, he would have detested her; and he would have said, "That prize of mine is an oaf." It is more proper and is more becoming for the fair to drink to excess. Thou dost not, Bacchus, consort amiss with the son of Venus. This too, only so far as the head will bear it, and the senses and the feet will be able to perform their duty; [1127] and do not see each object that is single, as double. A woman sprawling along, and drenched in plenteous wine, is a disgusting object; she is worthy to endure the embraces of any kind of fellows. And it is no safe thing when the tables are removed to fall asleep; in sleep many a shocking thing is wont to happen. I feel ashamed to instruct you any further, but genial Dione says, "That which shames you is especially my own province." Let each particular then be known unto you:= `````----modos a corpore certos ````Sumite; non omnes una figura decet. ```Quse facie prsesignis eris, resupina jaceto: ````Spectentur tergo, quîs sua terga placent. ```Milanion humeris Atalantes crura ferebat: ````Si bona sunt, hoc sunt accipienda modo. ```Parva vehatur equo: quod erat longissima, nunquarc ````Thebais Hectoreo nupta resedit equo. ```Strata premat genibus, paulum cervice reflexâ, ````Foemina, per longum conspicienda latus. ```Cui femur est juvenile, carent cui pectora mendâ, ````Stet vir, in obliquo fusa sit ipsa toro. ```Nec tibi turpe puta crinem, ut Phylleia mater, ````Solvere: et effusis colla reflecte comis. ```Tu quoque, cui rugis uterum Lucina notavit, ````Ut celer aversis utere Parthus equis. ```Mille modi Veneris. Simplex minimique laboris, ````Cum jacet in dextrum semisupina latus, ```Sed neque Phoebei tripodes, nec comiger Ammon, ````Vera raagis vobis, quam mea Musa, canent. ```Si qua fides arti, "quam longo fecimus usu, ````Crédité: præstabunt carmiua nostra fidem. ```Sentiat ex imis Yenerem resoluta medullis ````Foemina: et ex æquo res juvet ilia duos. ```Nec blandæ voces, jucundaque murmura cessent; ````Nec taceant medus improba verba jocis. ```Tu quoque, cui Yeneris sensum natura negavit, ````Dulcia mendaci gaudia finge sono. ```Infelix, cui torpet hebes locus ille, puella es; ````Quo pariter debent foemina virque frui. ```Tantum, cum linges, ne sis manifesta caveto: ````Effice per motum luminaque ipsa fidem. ```Quod juvet: et voces et anhelitus arguat oris. ````Ah pudet! arcanas pars habet ista notas. ```Gaudia post Yeneris quæ poscet munus amantem, ````Ipsa suas nolet pondus habere preces.= And admit not the light in your chamber with the windows wide open; many blemishes of your person more becomingly lie concealed. My pastime draws to a close; 'tis time to descend from the swans, [1128] that have borne my yoke upon their necks. As once the youths did, so now the fair, as my audience, may inscribe, "Naso was our preceptor," upon their spoils. FOOTNOTES BOOK ONE [Footnote 701: For stripes.--Ver. 16. Statius, in the Thebaid, mentions the strictness of the discipline of Chiron. See the Amores, i. El. xiii. 1. 18.] [Footnote 702: Be ye afar.--Ver. 31. He quotes this and the following line in the Tristia, Book ii. 1. 248, to show that it was not his intention, by his precepts, to inculcate breaches of chastity among the Roman matrons. See the Note to the passage, and to the Fasti, Book ii. 1. 30. The 'vitta,' or 'fillet,' was worn solely by women of pure character.] [Footnote 703: The tawny Indians.--Ver. 53. Herodotus considers the Æthiopians to be Indians. According to some, the father of Andromeda was king of Ethiopia; but she is more frequently represented as a native of Joppa, on the coast of Syria.] [Footnote 704: As many stars as.--Ver. 59. Heinsius considers this and the next line to be spurious.] [Footnote 705: Wish a riper fair.--Ver. 63. 'Juvenis,' applied to a female, would mean something more than a mere girl. 'Juventus' was that age in which a person was in his best years, from about twenty to forty.] [Footnote 706: Pompey's Portico.--Ver. 67. He alludes to the Portico which had been erected by Pompey at Rome, and was shaded by plane trees and refreshed by fountains. The Porticos were walks covered with roofs, supported by columns. They were sometimes attached to other buildings, and sometimes were independent of any other edifice. They were much resorted to by those who wished to take exercise without exposure to the heat of the sun. The Porticos of the temples were originally intended for the resort of persons who took part in the rites performed there. Lawsuits were sometimes conducted in the Porticos of Rome, and goods were sold there.] [Footnote 707: The lion of Hercules.il--Ver. 68. The Nemean lion; which formed the Constellation Leo in the Zodiac.] [Footnote 708: Where the mother.--Ver. 69. He alludes to the Theatre and Portico which Augustus built; the former of which received the name of his nephew Marcellus, the latter of his sister Octavia, the mother of Marcellus. After the death of Marcellus, Octavia added a public library to this Portico at her own expense. Here there were valuable paintings of Minerva, Philip and Alexander, and Hercules on Mount Aeta. Some suppose that the temple of Concord, built by Livia, and mentioned in the Fasti, is here referred to.] [Footnote 709: The Portico of Livia.--Ver. 72. The Portico of Livia was near the street called Suburra. This Portico is also mentioned in the Fasti. We learn from Strabo that it was near the Via Sacra, or Sacred Street.] [Footnote 710: Granddaughters of Belus.--Ver. 73. This was the Portico of the Danaides, in the temple of Apollo. It is referred to in the Second Elegy of the Second Book of the Amores.] [Footnote 711: Bewailed by Venus.--Ver. 75. He alludes to the temple of Venus, at Rome, which, according to Juvenal, was notorious as the scene of intrigues and disgraceful irregularities. It was a custom of the Romans, borrowed from the Assyrians, to lament Adonis in the temple of Venus. See the Tenth Book of the Metamorphoses. This worship of the Assyrians is mentioned by the Prophet Ezekiel, chap. viii. ver. 13, 'women weeping for Thatnmuz.'] [Footnote 712: The Jew of Syria.--Ver. 76. He alludes to the rites performed in the Synagogues of the Jews of Rome, on the Sabbath, to which numbers or females were attracted, probably by the music. There were great numbers of Jews at Rome in the reign of Augustus, who were allowed to follow their own worship, according to the law of Moses. The Roman females visiting the Synagogues, assignations and gross irregularities became the consequence. Tiberius withdrew this privilege from the Jews, and ordered the priests' vestments and ornaments to be burnt. This line is thus rendered in Dryden's version:] 'Nor shun the Jewish walk, where the foul drove,] On Sabbaths rest from everything but love.'] This wretched paraphrase is excused by the following very illiberal note,] 'If this version seems to bear a little hard on the ancient Jews, it does not at all wrong the modern.'] [Footnote 713: Many a woman.--Ver. 78. Io, or Isis, was debauched by Jupiter. Martial and Juvenal speak of the irregularities practised on these occasions.] [Footnote 714: Where the erection.--Ver. 81. He refers to the Forum of Cæsar and the temple of Venus, which was built by Julius Cæsar after the battle of Pharsalia.]