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Aurelian; or, Rome in the Third Century

William Ware

'This vase? Great Jupiter! The price of your palace upon the Coelian would scarce purchase it! Were its contents suddenly let loose, and spilled upon the air, not Rome only, but Italy, would be bathed in the transporting, life-giving fragrance! Now I shall remove the cover, first giving you to know, that within this larger vase there is a number of smallest bottles, some of glass, others of gold, in each of which are contained a few of the tears, and which are warranted to retain their potency, and lend their celestial peculiarity to your clothes or your apartments, without loss or diminution in the least appreciable degree, during the life of the purchaser. Now, if it please you, bend this way, and receive the air which I shall presently set free. How think you, noble Piso? Art not a new man? 'I am new in my knowledge such as it is Civilis. It is certainly agreeable, most agreeable.' 'Agreeable! So is mount Etna a pretty hill! So is Aurelian a fair soldier! so is the sun a good sized brazier! I beseech thee, find another word. Let it not go forth to all Rome, that the most noble Piso deems the tears of Cleopatra agreeable!' 'I can think no otherwise,' I replied. 'It is really agreeable, and reminds me, more than anything else, of the oldest Falernian, just rubbed between the palms of the hand, which you will allow is to compliment it in no moderate measure. But confess now, Civilis, that you have an hundred perfumes more delicious than this.' 'Piso, I may say this,--they have been so.' 'Ah, I understand you; you admit then, that it is the force of fashion that lends this extraordinary odor to the porphyry vase.' 'Truly, noble Piso, it has somewhat to do with it, it must be acknowledged.' 'It would be curious, Civilis, to know what name this bore, and in what case it was bestowed, and at what price sold, before the Empress Livia fancied it. I think it should have been named, 'Livia's smiles.' It would, at any rate, be a good name for it at thy shop in Alexandria.' 'You are facetious, noble Piso. But that last hint is too good to be thrown away. Truly, you are a man of the world, whose distinction I suppose is, that he has eyes in the hind part of his head, as well as before. But what blame can be mine for such dealing? I am driven; I am a slave. It is fashion, that works these wonders, not I. And there is no goddess, Piso, like her. She is the true creator. Upon that which is worthless, can she bestow, in a moment, inestimable value. What is despised to-day, she can exalt to-morrow to the very pinnacle of honor. She is my maker. One day I was poor, the goddess took me by the hand, and smiled upon me, and the next day I was rich. It was the favorite mistress of Maximin, who, one day--her chariot, Piso, so chance would have it, broke down at my door, when she took refuge in my little shop, then at the corner of the street Castor as you turn towards the Tiber--purchasing a particular perfume, of which I had large store, and boasted much to her, gave me such currency among the rich and noble, that, from that hour, my fortune was secure. No one bought a perfume afterwards but of Civilis. Civilis was soon the next person to the Emperor. And, to this hour, has this same goddess befriended me. And many an old jar, packed away in the midst of rubbish in dark recesses now valueless, do I look upon as nevertheless so much gold--its now despised contents one day to disperse themselves upon kings and nobles, in the senate and the theatres. I need not tell you what this diminutive bottle might have been had for, before the Kalends. Yet, by Hercules, should I have sold it even then for less? for should I not have divined its fortune? The wheel is ever turning, turning. But, most excellent Piso, men of the world are ever generous--' 'Fear nothing, Civilis, I will not betray you. I believe you have spoken real truths. Besides, with Livia on your side, and what could all Rome do to hurt you?' 'Most true, most true. But, may I ask--for one thing has made me astonished--how is it that you, being now, as report goes, a Christian, should come to me to purchase essences? When I heard you had so named yourself, I looked to lose your custom forever after.' 'Why should not a Christian man smell of that which is agreeable, as well as another?' 'Ah, that I cannot say. I have heard--I know nothing, Piso, beyond essences and perfumes--but, I have heard, that the Christians forbear such things, calling them vanities; just as they withdraw too, 'tis said, from the theatres and the circuses.' 'They do, indeed, withdraw from the theatres and circuses, Civilis, because the entertainments witnessed there do, as they judge, serve but to make beasts of men; they minister to vice. But in a sweet smell they see no harm, any more than in a silk dress, in well-proportioned buildings, or magnificent porticoes. Why should it be very wrong or very foolish to catch the odors which the divine Providence plants in the rose, and in a thousand flowers and gums as they wander forth upon the air for our delight, and fasten them up in these little bottles? by which means we can breathe them at all times--in winter as well as in summer, in one country, or clime, as in another. Thy shop, Civilis, is but a flower-garden in another form, and under another name.' 'I shall think better of the Christians for this. I hardly believed the report, indeed, for it were most unnatural and strange to find fault with odors such as these. I shall lament the more, that they are to be so dealt with by the Emperor. Hast thou heard what is reported this morning?' 'No; I am but just from home. How does it go?' 'Why, 'tis nothing other nor less than this, that Aurelian, being resolved to change the Christians all back again into what they were, has begun with his niece the princess Aurelia, and, with violence, insists that she shall sacrifice--which she steadfastly refuses to do. Some say, that she has not been seen at the palace for several days, and that she is fast locked up in the great prison on the Tiber.' 'I do not believe a word of it, Civilis. The Emperor has of late used harsh language of the Christians, I know. But for one word he has spoken, the city has coined ten. And, moreover, the words of the priest Fronto are quoted for those of Aurelian. It is well known he is especially fond of Aurelia; and Mucapor, to whom she is betrothed, is his favorite among all his generals, not excepting Probus.' 'Well, well, may it be as you say! I, for my part, should be sorry that any mishap befel those with whom the most noble Piso is connected; especially seeing they do not quarrel, as I was fain to believe, with my calling. Yet, never before, as I think, have I seen a Christian in my shop.' 'They may have been here without your knowing it.' 'Yes, that is true.' 'Besides, the Christians being in the greater proportion of the middle or humbler classes, seek not their goods at places where emperors resort. They go elsewhere.' Civilis bowed to the floor, as he replied, 'You do me too much honor.' 'The two cases of perfume which I buy,' I then said, 'are to travel into the far East. Please to secure them accordingly.' 'Are they not then for the princess Julia, as I supposed?' 'They are for a friend in Syria. We wish her to know what is going on here in the capital of all the world.' 'By the gods! you have devised well. It is the talk all over Rome. Cleopatra's tears have taken all hearts. Orders from the provinces will soon pour in. They shall follow you well secured, as you say.' I enjoy a call upon this whole Roman, and yet half Jew, as much as upon the first citizens of the capital. The cup of Aurelian, is no fuller than the cup of Civilis. The perfect bliss that emanates from his countenance, and breathes from his form and gait, is pleasing to behold--upon whatever founded--seeing it is a state that is reached by so few. No addition could be made to the felicity of this fortunate man. He conceives his occupation to be more honorable than the proconsulship of a province, and his name, he pleases himself with believing, is familiar to more ears than any man's, save the Emperor's, and has been known in Rome for a longer period than any other person's living, excepting only the head of the Senate, the venerable Tacitus. This is all legible in the lines about his mouth and eyes. Leaving the heaven of the happy man, I turned to the Forum of Augustus, to look at a statue of brass, of Aurelian, just placed among the great men of Rome in front of the Temple of Mars, the Avenger. This statue is the work of Periander, who, with that universality of power which marks the Greek, has made his genius as distinguished here for sculpture, as it was in Palmyra for military defence and architecture. Who, for perfection in this art of arts, is to be compared with the Greek? or for any work, of either the head or the hands, that implies the possession of what we mean by genius? The Greeks have not only originated all that we know of great and beautiful in letters, philosophy and the arts, but, what they have originated, they have also perfected. Whatever they have touched, they have finished; at least, so far as art, and the manner of working, is concerned. The depths of all wisdom and philosophy they have not sounded indeed, though they have gone deeper than any, only because they are in their own essence unfathomable. Time, as it flows on, bears us to new regions to be explored, whose riches constantly add new stores to our wisdom, and open new views to science. But in all art they have reached a point beyond which none have since advanced, and beyond which it hardly seems possible to go. A doric column, a doric temple, a corinthian capital, a corinthian temple--these perfectly satisfy and fill the mind; and, for seven hundred years, no change or addition has been made or attempted that has not been felt to be an injury. And I doubt not that seven thousand years hence, if time could but spare it so long, pilgrims would still go in search of the beautiful from the remotest parts of the world, from parts now unknown, to worship before the Parthenon, and, may I not add, the Temple of the Sun in Palmyra! Periander has gained new honors by this admirable piece of work. I had hardly commenced my examination of it, when a grating voice at my elbow, never, once heard, to be mistaken for any other, croaked out what was meant as a challenge. 'The greatest captain of this or of any age!' It was Spurius, a man whom no slight can chill nor, even insult, cause to abate the least of his intrusive familiarity--a familiarity which he covets, too, only for the sake of disputation and satire. To me, however, he is never other than a source of amusement. He is a variety of the species I love occasionally to study. I told him I was observing the workmanship, without thinking of the man represented. 'If you will allow me to say it,' he rejoined, 'a very inferior subject of contemplation. A statue--as I take it, the thing, that is, for which it is made, is commemoration. If one wants to see fine work in marble, there is the cornice for him just overhead: or in brass, let him look at the doors of the new temple, or the last table or couch of Syphax. The proper subject for man is man.' 'Well, Spurius, on your own ground then. In this brass I do not see brass, nor yet Aurelian--' 'What then, in the name of Hecate?' 'Nothing but intellect--the mind, the soul of the greater artist, Periander. That drapery never fell so upon Aurelian; nor was Aurelian's form or bearing ever like this. It is all ennobled, and exalted above pure nature, by the divine power of genius. The true artist, under every