Bambi
place of confinement where he now dwelt. To-day he would write or
telegraph to her his news, if he had the interview with Frohman.
She began work on the play, up in his study. She outlined the main plot,
marked scenes in the book she thought vital, scraps of conversation
which would be effective. She planned the sets for the different acts,
even deciding upon Francesca's clothes. Ever and anon, in the midst of
her happy scheming, she fell to dreaming of the days to come, with
Jarvis home again, and their work together resumed.
Whenever the doorbell rang she stopped and waited for Ardelia's heavy
foot upon the stairs as she toiled up with the telegram or special
delivery. But the morning passed, plus half the afternoon, with no word
from him. She went down to the post-office herself in the hope that the
late mail would reward her. There was nothing for her.
The next day brought only a note from Strong congratulating her
enthusiastically, and prophesying a great success for the Jocelyn
family. She spent a restless day waiting for the postman, afraid to
leave the house for fear she would miss a wire. She grew so nervous that
she scolded Ardelia and fussed at the Professor. Night found her
entirely discouraged. Something had happened. Frohman had changed his
mind, or Jarvis had refused. She had known all along that it was too
good to be true. She tossed all night, sleepless, her mind running
around like a squirrel in a trap, planning another trip to see
the manager.
The early morning found her pacing the paths of the frostbitten garden,
where the Professor found her later.
"Why, good morning, Bambi mia," said he, in surprise.
"Good day, Herr Vater!"
"What brings you forth so early, lady-bird?"
"My hateful thoughts! Oh, daddy, there's a crick in the secret."
"A crick? Dear me, what a pity!"
"If it doesn't get itself straightened out to-day, I shall go to New
York again, to see what I can do."
"The companionship of a secret is often corruptive to good habits, such
as sleep and appetite. Better tell me this mystery."
"If it isn't settled to-day, I will tell you."
"Very good."
"These late asters are hardy things?"
"Yes. The rest of the poor beds are full of ghosts."
"Ghosts always stalk, don't they?"
He looked at her in concern. "You are upset," he said, and they both
laughed.
She followed him about for an hour, talking, watching his exact,
methodical movements. The early morning air was keen, in spite of the
sun. When the postman appeared on the block she ran to the gate to meet
him. He was an old friend, on the route ever since she could remember.
"Hello, Miss Bambi, you're early this morning," he called.
"I couldn't sleep for my sins. If you don't give me a letter, Mr. Ben,
I'll scream."
"Go ahead!"
"You mean----"
He laughed at her discomfited face and handed her the letter. A quick
glance showed the Empire Theatre in one corner. She blew him a kiss on
her finger tips.
"I knew you wouldn't disappoint me, dear Mr. Ben. That's it!"
"I tell you I'm a regular little Cupid. Don't know what the girls in
this town would do without me," he laughed, as he trudged away.
Bambi read:
"MY DEAR MRS. JOCELYN: It gives me pleasure to announce that Mr. Jarvis
Jocelyn has almost agreed to accept the commission. I think he feels
that it is condescension on his part, but he accepts conditionally. He
carried off the copies of the magazine to read your story, and he is to
give me his answer to-day. As I am sure of a favourable one, I think we
may consider the matter settled.
"Hoping that this meets with your entire approval,
"I am, faithfully,
"CHARLES FROHMAN.
"P.S. I told him that I understood the author was an unhappy wife, who
desired to be unknown."
The Professor looked up as Bambi pirouetted around the beds, waving a
fluttering white sheet in good melodrama style.
"This letter that I longed for, it has come!" she sang, lifting a
pointed toe over the top of a withered sunflower stalk.
"My dear, that ballet step is a trifle exaggerated for a lady!"
"The sunflower's dead, so it couldn't be shocked. The secret is working
fine. Oh, I'm so happy, I'm so happy!" she trilled, and whirled off
toward the house.
"If you are still thinking of a career, why not a whirling dervish?"
called her father.
She stopped, and turned to him.
"Career? Career, did you say, for stupid little me?"
"I never called you stupid," he protested.
"I should hope not. I'm the smartest child you ever had!" she cried as a
period to their discourse.
All day she waited for word from Jarvis and none came. She could have
cried with disappointment. Could he have been insane enough to refuse,
after he had read the story? Or did he think she was indifferent to his
good fortune? She went to bed determined to write him on the morrow.
The morning mail brought a second letter from the Empire Theatre. It
contained a line from Mr. Frohman, "He accepts," and an enclosure. This
proved to be a letter from Jarvis:
_"To the Author of 'Francesca,' care of Mr. Frohman, Empire Theatre, New
York._
"MY DEAR MADAM: Mr. Charles Frohman has given me your story 'Francesca'
to read, with a view to making it into a play. Of course you are
familiar with his plans in this respect. He has offered to entrust me
with the dramatization, and I have consented to accept, on the condition
that both you and he will allow me to use my own discretion in the work,
and not hamper me by superimposing your own ideas and desires. When I
have finished all I can do with it, I will then try to incorporate any
ideas you may have in the final version.
"I think the story very charming, the characters interesting. The part
of the musician seems to me rather fantastic, but I suppose there are
such men. The girl, Francesca, is delightful; the old fiddler, a
fine study.
"You are to be congratulated on your work, and I trust I may be able to
make as good a play as you have made a book.
"Very truly yours,
"JARVIS JOCELYN."
Bambi chuckled as she read, and patted the part which praised her.
Whatever else had happened, Jarvis's dignity was still intact. He calmly
told the author to keep her hands off her own book! She flew to the
typewriter to answer him.
_"Mr. Jarvis Jocelyn, care of Mr. Charles Frohman, Empire Theatre, New
York._
"MY DEAR MR. JOCELYN: Your letter in regard to the dramatization of my
book, 'Francesca,' seems to demand immediate assurance that you will
have free rein in the work you are to do. Mr. Frohman has told me
something of you and of your work, and I shall be very happy if my story
gives you your first opportunity to succeed as a playwright.
"I am glad you are pleased with my story. Did you know that it was my
first one? Your comment on the character of the musician interested me,
as it is a close portrait of a friend.
"Trusting that we may work together to a successful end, I am
"Sincerely,
"THE AUTHOR.
"P.S. For private reasons I prefer to remain unknown to you. You can
always reach me through Mr. Frohman's office. You must forgive
typed letters."
This she sent to the Frohman office, with a request that it be
forwarded. The next day brought Jarvis's news:
"DEAR BAMBI: For three days I have resisted the constant temptation to
send you word of what seemed to be extraordinarily good news, but many
disappointments have made me a doubting Thomas, so I held off until I
was really sure. To begin at the beginning, I was at the lowest ebb of
disgust with myself last week for my inability to get in step with the
grand march. Only a fool can be excused for failure, and I am not that.
So a summons from the Frohman office somewhat restored my self-respect.
It seems that Mr. Frohman has never forgotten my previous interview, so
when he decided to make a play of a popular novel entitled 'Francesca,'
he immediately thought of me.
"Of course this is not the kind of play I want to do, so I said I would
look over the book and if I liked it I would have a try at it. The long
and the short of it is I have accepted. The woman who wrote the thing
has promised to keep out of it. She seems to be a nice kind of person,
but for some reason wants to make a mystery of herself. Frohman hints at
a domestic tragedy as her reason. I'm sure I do not care about her
private affairs.
"She has written a clever and delightful book. The heroine, oddly enough
called Francesca, suggests you in places, except that she is a more
practical sort than you are. The hero, a musician, is a sort of
sublimated madman. The best character of all is an old fiddler. There is
a play in it. The more I think about it, the more I am convinced
of that.
"Would you care to help me on it? Both of our names could go on the
bill. I have come to know, these last months, since I have been working
at things here alone, how much the growth in my work is due to you. The
human touch you have given my characters, or helped me to give them, is
the essential element in my improvement. You started a good many wires
to jangling that spring day when you indulged your mad impulse to marry
an impossibility!
"Regards to the Professor.
"Yours,
"JARVIS."
Bambi went to the telegraph office and wired him:
"Congratulations. Of course I'll help! Come home.
"BAMBI."
He answered, by letter, that he thought it best to stay on until Mr.
Frohman and the author were both satisfied with the framework of the
play. Then he would come, most gladly, to work in the old study. He
would submit his ideas for a scenario the next day or so.
From that moment the fun began for Bambi. He wrote daily about the
outline, and weekly letters to the author were forwarded to her from the
Frohman office. These she answered, disguised as the author, with many a
chuckle of amusement. A sort of friendliness crept into these letters as
they increased in number.
Christmas week arrived with no definite assurance from Jarvis as to his
plans, but Bambi was confident that he would be at home for the holiday.
Professor Parkhurst demanded daily bulletins of his son-in-law's
intentions, while Ardelia bemoaned and bewailed lest he fail to return.
The day before Kris Kringle was due a white snow descended like a
benediction. Bambi and the Professor sat before a huge, crackling fire
in the library. She was restless as a spirit. She sat at the piano and
sang "O Lonely Pine Tree Standing," until the Professor objected.
"Sing something gay, my child."
"God rest ye, merry gentleman,
Let nothing ye dismay,
For Jesus Christ, the Saviour,
Was born on Christmas Day,"
she sang gladly.
All at once her hands fell silent on the keys, while she stared at the
doorway a full second before she rose. Jarvis stood there looking at
her. He was powdered with snowflakes. He held his soft hat crushed
against him, showing his hair, glistening with snow, and curled close to
his head with dampness. It was his face that focussed her attention. The
old proud carriage of the head was there, but an asking look had come
into his eyes and mouth in place of the old arrogance. In the second she
hesitated she saw all this--caught the glow and the beauty of him, as
well as the appeal.
"Jarvis!" she cried, and met him halfway across the room, both hands
out.
"Bambi!" he answered her huskily, and she knew that he was moved at the
sight of her. He crushed her hands in his, and drank her in, from her
shining eyes to her boots, oblivious to the startled Professor, who
stood looking on.
"Welcome home!" said Bambi, unsteadily.