Bambi
you say?" He glanced at the youth beside him. "Bambi has sold her
birthright for a mess of pottage," he muttered.
"That's just the question. Whose duty is it to provide the pottage?"
"Maybe you think it's mine?"
"Why shouldn't Science support Art?"
"Humph! Why not let Bambi support you? She says she wants to."
"I am willing she should support herself, but not me."
"So the only question is, will I support you?"
"Exactly. With Bambi off your hands, you will have no other
responsibility, and you could not do a bigger thing for the world than
to help me to instruct and inspire it."
"Aristophanes!" exclaimed the Professor. "You are unique! You are number
twenty-three."
"Why twenty-three?"
"Because that is neither much nor little."
"Your daughter thinks my plays will sell, but I tell you frankly I doubt
it."
"How can you instruct and inspire if nobody listens?"
"They must listen in the end, else why am I here?"
The Professor relinquished his chase, to stare again. "You are at least
sincere in your belief in yourself--twenty-three. I'd like to hear some
of these great ideas of yours."
"Very well. I am going to read a play to your daughter this evening. If
you care to come, you may listen. Then you will see that it would pay
you to stake me for a couple of years."
"I'll come and listen."
"If you decide to undertake me, I insist that you shall not continue
this scornful avoidance of me. If we three are to live together, we must
live in harmony, which is necessary to my work."
"Whose favour is this, yours or mine?"
"Favour? Good heavens! you don't think it is a favour to give me food
and a roof for two years, do you? I thought it was an opportunity
for you."
The Professor, not easily moved to mirth, did an imitation of laughter,
holding both his sides. Jarvis turned his charming, boyish smile upon
him, and walked up the path to the house. Strange what things amused
Bambi and her parent!
That night, after dinner, Bambi arranged the electric reading light in
the screened porch, drew a big chair beside it, placed the Professor's
favourite chaise-lounge near by, and got him into it. Then she went in
search of her performer. She looked all over the house for him, to
finally discover him on the top floor in hiding.
"Come on! I've got everything all ready, even the Professor."
"I am terrified," Jarvis admitted. "Suppose you should not understand
what I have written? Suppose you thought it was all rubbish?"
"If I think so, I will say so. Isn't that the idea? You are trying it on
the dog to see if it goes?"
"If you think it is rubbish, don't say anything."
"How silly! If you are spending your time on trash, you ought to know
it, and get over it, and begin to write sense."
"I feel like one of the Professor's slugs," he muttered.
"Better try us on the simplest one."
"Well, I will read you 'Success.'"
She ran downstairs, and he followed, to the piazza.
There was no sign of the Professor.
"Ardelia," called Bambi, "where is the Professor?"
"I don't know, ma'am. I seen him headed for the garden."
"Professor Parkhurst, come in here!" Bambi called. "We are to hear
Jarvis's play."
"Oh, that is it. I couldn't remember why I was placed in that chair, and
Ardelia couldn't remember. So it occurred to me that I had forgotten my
trowel," he said. He put the trowel, absent-mindedly, in the tea basket,
and took the seat arranged for Jarvis.
"Here, you sit in your regular seat," Bambi objected, hauling him up.
"That isn't wise, my dear. I am sure to go to sleep."
"We'll see that you don't," she laughed.
"I've never heard a play read aloud that I can remember," said the
Professor.
"You will probably be very irritating, then. Don't interrupt me. If you
fumble things, or make a noise, I'll stop."
"That knowledge helps some," retorted the Professor, with a twinkle. "If
I can't stand it, I'll whistle."
"Be quiet," said his daughter. "Go ahead, Jarvis."
"What is this play supposed to be about?" Professor Parkhurst inquired.
"The title is 'Success.' It is about a woman who sold herself for
success, and paid with her soul."
"Is it a comedy?"
"Good Lord, no! I don't try to make people laugh. I make them think."
"Go ahead."
"Don't interrupt again, father."
Jarvis began to read, nervously at first, then with greater confidence.
He read intelligently, but without dramatic value, and Bambi longed to
seize the manuscript and do it herself. Once, during the first act, the
Professor cleared his throat.
"Don't do that!" said Jarvis, without pausing for the Professor's hasty
apology.
The play told the story of a woman whose God was Success. She sacrificed
everything to him. First her mother and father were offered up, that she
might have a career. Then her lover. She married a man she did not love,
that she might mount one step higher, and finally she sacrificed her
child to her devouring ambition. When she reached the goal she had
visioned from the first, she was no longer a human being, with powers of
enjoyment or suffering. She was, instead, a monster, incapable of
appreciating what she had won, and in despair she killed herself.
There were big scenes, some bold, telling strokes, in Jarvis's handling
of his theme. Again, it was utterly lacking in drama. The author stopped
the action and took to the pulpit.
At the end of the first act he stopped and looked at the faces of his
audience. The Professor was awake and deeply puzzled. This strange young
man was holding up to his view a perfectly strange anomaly which he
called a woman. The Professor had never dreamed of such a hybrid. He
couldn't grasp it. He gasped at Jarvis's audacity.
Bambi sat curled up in the end of a wicker couch, her feet drawn under
her, like a Chinese idol, every nerve attuned to attention. He noticed
how, without words, she seemed to emanate responsiveness and
understanding.
"Well?" he said.
"Let's wait until you have finished to discuss it," she said.
"Is it any good?"
"In spots it's great. In other spots it is incredibly rotten."
"My child," protested the Professor.
"Go on!" she ordered.
The second act began well, mounted halfway to its climax, and fell flat.
Some of the lines, embodying the new individualistic philosophy of
woman, roused the Professor to protest.
"Rubbish, sir!" he cried. "Impossible rubbish! No woman ever thought
such things."
"Take your nose out of your calculus, and look about you, Professor,"
retorted Jarvis. "You haven't looked around since the stone age."
Bambi gurgled with laughter, then looked serious.
"He's fallen on an idea just the same, Jarvis. Your woman isn't
convincing."
"But she's true," he protested.
"We don't care a fig whether she's true, unless she's true to us," she
answered him. "Go on with your last act."
"You don't like it--what's the use?"
"Don't be silly. I am deeply interested. Go on!"
He began a little hopelessly, feeling the atmosphere, by that subtle
sense that makes the creative artist like a sensitive plant where his
work is at stake. The third act failed to ascend, or to resolve the
situation. He merely carried it as far as it interested him, and then
dropped it. As he closed the manuscript Bambi reached out her hand
for it.
"Give it to me, in my hand!" she ordered. He obeyed, questioningly.
"I feel as if it was such a big thing, mangled and bleeding. I want to
hold it and help it."
"Mangled?"
"Yes. Don't you feel it? She isn't a woman! She's a monster. You don't
believe her. You won't believe her, because you hate her."
"But she's true. She lives to-day. She is the woman of now," he
repeated.
"No, no, no! Woman may approximate this, but she doesn't reason it out.
Let her be fine, and big, and righteously ambitious. Make us sympathize
with her."
"But I am preaching against her."
"All the better. Make her a tragedy. Show the futility of it all. She
didn't kill herself. You killed her."
"Do you write plays?" he asked her.
"No, but I feel drama. This is big, but it is all man psychology. You
don't know your woman."
"I should hope not," said the Professor. "You needn't tell me there are
such women in the world. She is worse than Lucretia Borgia."
"Of course she is in the world, Father Professor. You haven't looked at
a woman since mother died, nineteen years ago, so you are not strictly
up-to-date."
"I have hundreds of young women in my classes."
"Learning Euclid," interpolated Jarvis.
"Well, Euclid is more desirable than what your heroine learned and
taught."
"Not at all. She learned life."
The Professor turned to Bambi.
"Have you any ideas in common with this person, my dear?"
"Oh, yes, some. All of us are freebooters in this generation."
"Why have you never spoken to me of them?"
"Oh, Professor, I never bother you with ideas. Jarvis, I think if you do
it over, you could sell it."
"I hate doing things over--the spontaneity all gone."
"Well, you've got to do it over, that's all. You've murdered that woman,
and it is wicked. She must be resuscitated and given another chance."
"Will you help me?"
She looked at him with a quick flash of pleasure.
"Oh, I would so love to. I can't help you build it, but I can tell you
what I feel is wrong."
"We will begin to-morrow."
"Are all your works as extreme as this?" queried the Professor.
"They are all cross-sections of life, which is extreme," replied Jarvis.
"You young people read riddles into life. It is as simple as two plus
two is four."
"There you are--two plus two does not necessarily make four. It makes
five or forty. It depends on the symbols. Nothing in the world is exact,
or final. Everything is changeable, fluidic. That's the whole fabric of
modern thought."
The Professor's horrified glance was turned upon them.
"Oh, dear, oh, dear, there you go, upsetting everything. You are a pair
of maniacs, both of you. You ought to be shut away from people, with
your wild ideas."
He rushed out into his garden, sure of its calm, its mathematical
exactness. He was really disturbed by the ultra-modern theories these
ardent young iconoclasts forced him to consider.
"Poor Father Professor," laughed Bambi, at his retreat.
"Why do you let him stay back there in the Middle Ages?"
"He's happier there. It's peaceful. Modern times distress him so when he
remembers them."
"I suppose you are not an average family, are you?" he asked.
"I suppose not," she admitted.
"You are irritating, but interesting."
"I warn you to let father alone. He's too old to be hauled up-to-date.
Just consider him an interesting survival and let him be."
"I'll let him be. I'll put him in a play. He's good copy."
"He'll never know himself, so it won't matter."
They talked late about Jarvis's work, his methods of writing, the length
of time it took him to conceive and work out a play. It all fascinated
Bambi. She felt that a wonderful interest had come into her life. A new
thing was to be created, each day, under her roof, near her. She was to
have part in it, help in its shaping to perfection. She gloated over the
days to come, and a warm rush of gratitude to Jarvis for bringing her
this sense of his need of her made her burst out:
"Oh, life is such fun!"
He looked at her closely.
"You are a queer little mite," said he.
"The mite is mightier than the sword," she laughed, starting for the
garden. "You go to bed, so you can get an early start on that play. I'll
round up the Professor. He's forgotten to bring himself in."
He obeyed without objection. He felt, all at once, like a ship at anchor
after long years of floating aimlessly, but, manlike, he took his good
fortune as his just right, and it never occurred to him to thank Bambi