Bleak House
“Have you given this man work before?” asks Mr. Tulkinghorn.
“Oh, dear, yes, sir! Work of yours.”
“Thinking of more important matters, I forget where you said he
lived?”
“Across the lane, sir. In fact, he lodges at a—” Mr. Snagsby makes
another bolt, as if the bit of bread and butter were insurmountable
“—at a rag and bottle shop.”
“Can you show me the place as I go back?”
“With the greatest pleasure, sir!”
Mr. Snagsby pulls off his sleeves and his grey coat, pulls on his
black coat, takes his hat from its peg. “Oh! Here is my little
woman!” he says aloud. “My dear, will you be so kind as to tell one
of the lads to look after the shop while I step across the lane with
Mr. Tulkinghorn? Mrs. Snagsby, sir—I shan’t be two minutes, my
love!”
Mrs. Snagsby bends to the lawyer, retires behind the counter, peeps
at them through the window-blind, goes softly into the back office,
refers to the entries in the book still lying open. Is evidently
curious.
“You will find that the place is rough, sir,” says Mr. Snagsby,
walking deferentially in the road and leaving the narrow pavement to
the lawyer; “and the party is very rough. But they’re a wild lot in
general, sir. The advantage of this particular man is that he never
wants sleep. He’ll go at it right on end if you want him to, as long
as ever you like.”
It is quite dark now, and the gas-lamps have acquired their full
effect. Jostling against clerks going to post the day’s letters, and
against counsel and attorneys going home to dinner, and against
plaintiffs and defendants and suitors of all sorts, and against the
general crowd, in whose way the forensic wisdom of ages has
interposed a million of obstacles to the transaction of the commonest
business of life; diving through law and equity, and through that
kindred mystery, the street mud, which is made of nobody knows what
and collects about us nobody knows whence or how—we only knowing in
general that when there is too much of it we find it necessary to
shovel it away—the lawyer and the law-stationer come to a rag and
bottle shop and general emporium of much disregarded merchandise,
lying and being in the shadow of the wall of Lincoln’s Inn, and kept,
as is announced in paint, to all whom it may concern, by one Krook.
“This is where he lives, sir,” says the law-stationer.
“This is where he lives, is it?” says the lawyer unconcernedly.
“Thank you.”
“Are you not going in, sir?”
“No, thank you, no; I am going on to the Fields at present. Good
evening. Thank you!” Mr. Snagsby lifts his hat and returns to his
little woman and his tea.
But Mr. Tulkinghorn does not go on to the Fields at present. He goes
a short way, turns back, comes again to the shop of Mr. Krook, and
enters it straight. It is dim enough, with a blot-headed candle or so
in the windows, and an old man and a cat sitting in the back part by
a fire. The old man rises and comes forward, with another blot-headed
candle in his hand.
“Pray is your lodger within?”
“Male or female, sir?” says Mr. Krook.
“Male. The person who does copying.”
Mr. Krook has eyed his man narrowly. Knows him by sight. Has an
indistinct impression of his aristocratic repute.
“Did you wish to see him, sir?”
“Yes.”
“It’s what I seldom do myself,” says Mr. Krook with a grin. “Shall I
call him down? But it’s a weak chance if he’d come, sir!”
“I’ll go up to him, then,” says Mr. Tulkinghorn.
“Second floor, sir. Take the candle. Up there!” Mr. Krook, with his
cat beside him, stands at the bottom of the staircase, looking after
Mr. Tulkinghorn. “Hi-hi!” he says when Mr. Tulkinghorn has nearly
disappeared. The lawyer looks down over the hand-rail. The cat
expands her wicked mouth and snarls at him.
“Order, Lady Jane! Behave yourself to visitors, my lady! You know
what they say of my lodger?” whispers Krook, going up a step or two.
“What do they say of him?”
“They say he has sold himself to the enemy, but you and I know
better—he don’t buy. I’ll tell you what, though; my lodger is so
black-humoured and gloomy that I believe he’d as soon make that
bargain as any other. Don’t put him out, sir. That’s my advice!”
Mr. Tulkinghorn with a nod goes on his way. He comes to the dark door
on the second floor. He knocks, receives no answer, opens it, and
accidentally extinguishes his candle in doing so.
The air of the room is almost bad enough to have extinguished it if
he had not. It is a small room, nearly black with soot, and grease,
and dirt. In the rusty skeleton of a grate, pinched at the middle as
if poverty had gripped it, a red coke fire burns low. In the corner
by the chimney stand a deal table and a broken desk, a wilderness
marked with a rain of ink. In another corner a ragged old portmanteau
on one of the two chairs serves for cabinet or wardrobe; no larger
one is needed, for it collapses like the cheeks of a starved man. The
floor is bare, except that one old mat, trodden to shreds of
rope-yarn, lies perishing upon the hearth. No curtain veils the
darkness of the night, but the discoloured shutters are drawn
together, and through the two gaunt holes pierced in them, famine
might be staring in—the banshee of the man upon the bed.
For, on a low bed opposite the fire, a confusion of dirty patchwork,
lean-ribbed ticking, and coarse sacking, the lawyer, hesitating just
within the doorway, sees a man. He lies there, dressed in shirt and
trousers, with bare feet. He has a yellow look in the spectral
darkness of a candle that has guttered down until the whole length of
its wick (still burning) has doubled over and left a tower of
winding-sheet above it. His hair is ragged, mingling with his
whiskers and his beard—the latter, ragged too, and grown, like the
scum and mist around him, in neglect. Foul and filthy as the room is,
foul and filthy as the air is, it is not easy to perceive what fumes
those are which most oppress the senses in it; but through the
general sickliness and faintness, and the odour of stale tobacco,
there comes into the lawyer’s mouth the bitter, vapid taste of opium.
“Hallo, my friend!” he cries, and strikes his iron candlestick
against the door.
He thinks he has awakened his friend. He lies a little turned away,
but his eyes are surely open.
“Hallo, my friend!” he cries again. “Hallo! Hallo!”
As he rattles on the door, the candle which has drooped so long goes
out and leaves him in the dark, with the gaunt eyes in the shutters
staring down upon the bed.
CHAPTER XI
Our Dear Brother
A touch on the lawyer’s wrinkled hand as he stands in the dark room,
irresolute, makes him start and say, “What’s that?”
“It’s me,” returns the old man of the house, whose breath is in his
ear. “Can’t you wake him?”
“No.”
“What have you done with your candle?”
“It’s gone out. Here it is.”
Krook takes it, goes to the fire, stoops over the red embers, and
tries to get a light. The dying ashes have no light to spare, and his
endeavours are vain. Muttering, after an ineffectual call to his
lodger, that he will go downstairs and bring a lighted candle from
the shop, the old man departs. Mr. Tulkinghorn, for some new reason
that he has, does not await his return in the room, but on the stairs
outside.
The welcome light soon shines upon the wall, as Krook comes slowly up
with his green-eyed cat following at his heels. “Does the man
generally sleep like this?” inquired the lawyer in a low voice. “Hi!
I don’t know,” says Krook, shaking his head and lifting his eyebrows.
“I know next to nothing of his habits except that he keeps himself
very close.”
Thus whispering, they both go in together. As the light goes in, the
great eyes in the shutters, darkening, seem to close. Not so the eyes
upon the bed.
“God save us!” exclaims Mr. Tulkinghorn. “He is dead!” Krook drops
the heavy hand he has taken up so suddenly that the arm swings over
the bedside.
They look at one another for a moment.
“Send for some doctor! Call for Miss Flite up the stairs, sir. Here’s
poison by the bed! Call out for Flite, will you?” says Krook, with
his lean hands spread out above the body like a vampire’s wings.
Mr. Tulkinghorn hurries to the landing and calls, “Miss Flite! Flite!
Make haste, here, whoever you are! Flite!” Krook follows him with his
eyes, and while he is calling, finds opportunity to steal to the old
portmanteau and steal back again.
“Run, Flite, run! The nearest doctor! Run!” So Mr. Krook addresses a
crazy little woman who is his female lodger, who appears and vanishes
in a breath, who soon returns accompanied by a testy medical man
brought from his dinner, with a broad, snuffy upper lip and a broad
Scotch tongue.
“Ey! Bless the hearts o’ ye,” says the medical man, looking up at
them after a moment’s examination. “He’s just as dead as Phairy!”
Mr. Tulkinghorn (standing by the old portmanteau) inquires if he has
been dead any time.
“Any time, sir?” says the medical gentleman. “It’s probable he wull
have been dead aboot three hours.”
“About that time, I should say,” observes a dark young man on the
other side of the bed.
“Air you in the maydickle prayfession yourself, sir?” inquires the
first.
The dark young man says yes.
“Then I’ll just tak’ my depairture,” replies the other, “for I’m nae
gude here!” With which remark he finishes his brief attendance and
returns to finish his dinner.
The dark young surgeon passes the candle across and across the face
and carefully examines the law-writer, who has established his
pretensions to his name by becoming indeed No one.
“I knew this person by sight very well,” says he. “He has purchased
opium of me for the last year and a half. Was anybody present related
to him?” glancing round upon the three bystanders.
“I was his landlord,” grimly answers Krook, taking the candle from
the surgeon’s outstretched hand. “He told me once I was the nearest
relation he had.”
“He has died,” says the surgeon, “of an over-dose of opium, there is
no doubt. The room is strongly flavoured with it. There is enough
here now,” taking an old tea-pot from Mr. Krook, “to kill a dozen
people.”
“Do you think he did it on purpose?” asks Krook.
“Took the over-dose?”
“Yes!” Krook almost smacks his lips with the unction of a horrible
interest.
“I can’t say. I should think it unlikely, as he has been in the habit
of taking so much. But nobody can tell. He was very poor, I suppose?”
“I suppose he was. His room—don’t look rich,” says Krook, who might
have changed eyes with his cat, as he casts his sharp glance around.
“But I have never been in it since he had it, and he was too close to
name his circumstances to me.”
“Did he owe you any rent?”
“Six weeks.”
“He will never pay it!” says the young man, resuming his examination.
“It is beyond a doubt that he is indeed as dead as Pharaoh; and to
judge from his appearance and condition, I should think it a happy
release. Yet he must have been a good figure when a youth, and I dare
say, good-looking.” He says this, not unfeelingly, while sitting on
the bedstead’s edge with his face towards that other face and his
hand upon the region of the heart. “I recollect once thinking there
was something in his manner, uncouth as it was, that denoted a fall
in life. Was that so?” he continues, looking round.
Krook replies, “You might as well ask me to describe the ladies whose
heads of hair I have got in sacks downstairs. Than that he was my
lodger for a year and a half and lived—or didn’t live—by
law-writing, I know no more of him.”
During this dialogue Mr. Tulkinghorn has stood aloof by the old
portmanteau, with his hands behind him, equally removed, to all
appearance, from all three kinds of interest exhibited near the
bed—from the young surgeon’s professional interest in death,