Bleak House
now lulling you to rest,” and bear their testimony to his greatness
too. And he is very great this day. And woe to Boythorn or other
daring wight who shall presumptuously contest an inch with him!
My Lady is at present represented, near Sir Leicester, by her
portrait. She has flitted away to town, with no intention of
remaining there, and will soon flit hither again, to the confusion of
the fashionable intelligence. The house in town is not prepared for
her reception. It is muffled and dreary. Only one Mercury in powder
gapes disconsolate at the hall-window; and he mentioned last night to
another Mercury of his acquaintance, also accustomed to good society,
that if that sort of thing was to last—which it couldn’t, for a man
of his spirits couldn’t bear it, and a man of his figure couldn’t be
expected to bear it—there would be no resource for him, upon his
honour, but to cut his throat!
What connexion can there be between the place in Lincolnshire, the
house in town, the Mercury in powder, and the whereabout of Jo the
outlaw with the broom, who had that distant ray of light upon him
when he swept the churchyard-step? What connexion can there have been
between many people in the innumerable histories of this world who
from opposite sides of great gulfs have, nevertheless, been very
curiously brought together!
Jo sweeps his crossing all day long, unconscious of the link, if any
link there be. He sums up his mental condition when asked a question
by replying that he “don’t know nothink.” He knows that it’s hard to
keep the mud off the crossing in dirty weather, and harder still to
live by doing it. Nobody taught him even that much; he found it out.
Jo lives—that is to say, Jo has not yet died—in a ruinous place
known to the like of him by the name of Tom-all-Alone’s. It is a
black, dilapidated street, avoided by all decent people, where the
crazy houses were seized upon, when their decay was far advanced, by
some bold vagrants who after establishing their own possession took
to letting them out in lodgings. Now, these tumbling tenements
contain, by night, a swarm of misery. As on the ruined human wretch
vermin parasites appear, so these ruined shelters have bred a crowd
of foul existence that crawls in and out of gaps in walls and boards;
and coils itself to sleep, in maggot numbers, where the rain drips
in; and comes and goes, fetching and carrying fever and sowing more
evil in its every footprint than Lord Coodle, and Sir Thomas Doodle,
and the Duke of Foodle, and all the fine gentlemen in office, down to
Zoodle, shall set right in five hundred years—though born expressly
to do it.
Twice lately there has been a crash and a cloud of dust, like the
springing of a mine, in Tom-all-Alone’s; and each time a house has
fallen. These accidents have made a paragraph in the newspapers and
have filled a bed or two in the nearest hospital. The gaps remain,
and there are not unpopular lodgings among the rubbish. As several
more houses are nearly ready to go, the next crash in Tom-all-Alone’s
may be expected to be a good one.
This desirable property is in Chancery, of course. It would be an
insult to the discernment of any man with half an eye to tell him so.
Whether “Tom” is the popular representative of the original plaintiff
or defendant in Jarndyce and Jarndyce, or whether Tom lived here when
the suit had laid the street waste, all alone, until other settlers
came to join him, or whether the traditional title is a comprehensive
name for a retreat cut off from honest company and put out of the
pale of hope, perhaps nobody knows. Certainly Jo don’t know.
“For I don’t,” says Jo, “I don’t know nothink.”
It must be a strange state to be like Jo! To shuffle through the
streets, unfamiliar with the shapes, and in utter darkness as to the
meaning, of those mysterious symbols, so abundant over the shops, and
at the corners of streets, and on the doors, and in the windows! To
see people read, and to see people write, and to see the postmen
deliver letters, and not to have the least idea of all that
language—to be, to every scrap of it, stone blind and dumb! It must
be very puzzling to see the good company going to the churches on
Sundays, with their books in their hands, and to think (for perhaps
Jo DOES think at odd times) what does it all mean, and if it means
anything to anybody, how comes it that it means nothing to me? To be
hustled, and jostled, and moved on; and really to feel that it would
appear to be perfectly true that I have no business here, or there,
or anywhere; and yet to be perplexed by the consideration that I AM
here somehow, too, and everybody overlooked me until I became the
creature that I am! It must be a strange state, not merely to be told
that I am scarcely human (as in the case of my offering myself for a
witness), but to feel it of my own knowledge all my life! To see the
horses, dogs, and cattle go by me and to know that in ignorance I
belong to them and not to the superior beings in my shape, whose
delicacy I offend! Jo’s ideas of a criminal trial, or a judge, or a
bishop, or a government, or that inestimable jewel to him (if he only
knew it) the Constitution, should be strange! His whole material and
immaterial life is wonderfully strange; his death, the strangest
thing of all.
Jo comes out of Tom-all-Alone’s, meeting the tardy morning which is
always late in getting down there, and munches his dirty bit of bread
as he comes along. His way lying through many streets, and the houses
not yet being open, he sits down to breakfast on the door-step of the
Society for the Propagation of the Gospel in Foreign Parts and gives
it a brush when he has finished as an acknowledgment of the
accommodation. He admires the size of the edifice and wonders what
it’s all about. He has no idea, poor wretch, of the spiritual
destitution of a coral reef in the Pacific or what it costs to look
up the precious souls among the coco-nuts and bread-fruit.
He goes to his crossing and begins to lay it out for the day. The
town awakes; the great tee-totum is set up for its daily spin and
whirl; all that unaccountable reading and writing, which has been
suspended for a few hours, recommences. Jo and the other lower
animals get on in the unintelligible mess as they can. It is
market-day. The blinded oxen, over-goaded, over-driven, never guided,
run into wrong places and are beaten out, and plunge red-eyed and
foaming at stone walls, and often sorely hurt the innocent, and often
sorely hurt themselves. Very like Jo and his order; very, very like!
A band of music comes and plays. Jo listens to it. So does a dog—a
drover’s dog, waiting for his master outside a butcher’s shop, and
evidently thinking about those sheep he has had upon his mind for
some hours and is happily rid of. He seems perplexed respecting three
or four, can’t remember where he left them, looks up and down the
street as half expecting to see them astray, suddenly pricks up his
ears and remembers all about it. A thoroughly vagabond dog,
accustomed to low company and public-houses; a terrific dog to sheep,
ready at a whistle to scamper over their backs and tear out mouthfuls
of their wool; but an educated, improved, developed dog who has been
taught his duties and knows how to discharge them. He and Jo listen
to the music, probably with much the same amount of animal
satisfaction; likewise as to awakened association, aspiration, or
regret, melancholy or joyful reference to things beyond the senses,
they are probably upon a par. But, otherwise, how far above the human
listener is the brute!
Turn that dog’s descendants wild, like Jo, and in a very few years
they will so degenerate that they will lose even their bark—but not
their bite.
The day changes as it wears itself away and becomes dark and drizzly.
Jo fights it out at his crossing among the mud and wheels, the
horses, whips, and umbrellas, and gets but a scanty sum to pay for
the unsavoury shelter of Tom-all-Alone’s. Twilight comes on; gas
begins to start up in the shops; the lamplighter, with his ladder,
runs along the margin of the pavement. A wretched evening is
beginning to close in.
In his chambers Mr. Tulkinghorn sits meditating an application to the
nearest magistrate to-morrow morning for a warrant. Gridley, a
disappointed suitor, has been here to-day and has been alarming. We
are not to be put in bodily fear, and that ill-conditioned fellow
shall be held to bail again. From the ceiling, foreshortened
Allegory, in the person of one impossible Roman upside down, points
with the arm of Samson (out of joint, and an odd one) obtrusively
toward the window. Why should Mr. Tulkinghorn, for such no reason,
look out of window? Is the hand not always pointing there? So he does
not look out of window.
And if he did, what would it be to see a woman going by? There are
women enough in the world, Mr. Tulkinghorn thinks—too many; they are
at the bottom of all that goes wrong in it, though, for the matter of
that, they create business for lawyers. What would it be to see a
woman going by, even though she were going secretly? They are all
secret. Mr. Tulkinghorn knows that very well.
But they are not all like the woman who now leaves him and his house
behind, between whose plain dress and her refined manner there is
something exceedingly inconsistent. She should be an upper servant by
her attire, yet in her air and step, though both are hurried and
assumed—as far as she can assume in the muddy streets, which she
treads with an unaccustomed foot—she is a lady. Her face is veiled,
and still she sufficiently betrays herself to make more than one of
those who pass her look round sharply.
She never turns her head. Lady or servant, she has a purpose in her
and can follow it. She never turns her head until she comes to the
crossing where Jo plies with his broom. He crosses with her and begs.
Still, she does not turn her head until she has landed on the other
side. Then she slightly beckons to him and says, “Come here!”
Jo follows her a pace or two into a quiet court.
“Are you the boy I’ve read of in the papers?” she asked behind her
veil.
“I don’t know,” says Jo, staring moodily at the veil, “nothink about
no papers. I don’t know nothink about nothink at all.”
“Were you examined at an inquest?”
“I don’t know nothink about no—where I was took by the beadle, do
you mean?” says Jo. “Was the boy’s name at the inkwhich Jo?”
“Yes.”
“That’s me!” says Jo.
“Come farther up.”
“You mean about the man?” says Jo, following. “Him as wos dead?”
“Hush! Speak in a whisper! Yes. Did he look, when he was living, so
very ill and poor?”
“Oh, jist!” says Jo.
“Did he look like—not like YOU?” says the woman with abhorrence.
“Oh, not so bad as me,” says Jo. “I’m a reg’lar one I am! You didn’t
know him, did you?”
“How dare you ask me if I knew him?”
“No offence, my lady,” says Jo with much humility, for even he has
got at the suspicion of her being a lady.
“I am not a lady. I am a servant.”
“You are a jolly servant!” says Jo without the least idea of saying
anything offensive, merely as a tribute of admiration.
“Listen and be silent. Don’t talk to me, and stand farther from me!
Can you show me all those places that were spoken of in the account I
read? The place he wrote for, the place he died at, the place where
you were taken to, and the place where he was buried? Do you know the
place where he was buried?”
Jo answers with a nod, having also nodded as each other place was
mentioned.
“Go before me and show me all those dreadful places. Stop opposite to
each, and don’t speak to me unless I speak to you. Don’t look back.
Do what I want, and I will pay you well.”
Jo attends closely while the words are being spoken; tells them off