Bleak House
“It was very good-natured of you, sir,” says Mr. Snagsby, “and I am
obliged to you.” And Mr. Snagsby again relates his experience, again
suppressing the half-crown fact.
“Now, I know where you live,” says the constable, then, to Jo. “You
live down in Tom-all-Alone’s. That’s a nice innocent place to live
in, ain’t it?”
“I can’t go and live in no nicer place, sir,” replies Jo. “They
wouldn’t have nothink to say to me if I wos to go to a nice innocent
place fur to live. Who ud go and let a nice innocent lodging to such
a reg’lar one as me!”
“You are very poor, ain’t you?” says the constable.
“Yes, I am indeed, sir, wery poor in gin’ral,” replies Jo. “I leave
you to judge now! I shook these two half-crowns out of him,” says the
constable, producing them to the company, “in only putting my hand
upon him!”
“They’re wot’s left, Mr. Snagsby,” says Jo, “out of a sov-ring as wos
give me by a lady in a wale as sed she wos a servant and as come to
my crossin one night and asked to be showd this ’ere ouse and the
ouse wot him as you giv the writin to died at, and the berrin-ground
wot he’s berrid in. She ses to me she ses ‘are you the boy at the
inkwhich?’ she ses. I ses ‘yes’ I ses. She ses to me she ses ‘can you
show me all them places?’ I ses ‘yes I can’ I ses. And she ses to me
‘do it’ and I dun it and she giv me a sov’ring and hooked it. And I
an’t had much of the sov’ring neither,” says Jo, with dirty tears,
“fur I had to pay five bob, down in Tom-all-Alone’s, afore they’d
square it fur to give me change, and then a young man he thieved
another five while I was asleep and another boy he thieved ninepence
and the landlord he stood drains round with a lot more on it.”
“You don’t expect anybody to believe this, about the lady and the
sovereign, do you?” says the constable, eyeing him aside with
ineffable disdain.
“I don’t know as I do, sir,” replies Jo. “I don’t expect nothink at
all, sir, much, but that’s the true hist’ry on it.”
“You see what he is!” the constable observes to the audience. “Well,
Mr. Snagsby, if I don’t lock him up this time, will you engage for
his moving on?”
“No!” cries Mrs. Snagsby from the stairs.
“My little woman!” pleads her husband. “Constable, I have no doubt
he’ll move on. You know you really must do it,” says Mr. Snagsby.
“I’m everyways agreeable, sir,” says the hapless Jo.
“Do it, then,” observes the constable. “You know what you have got to
do. Do it! And recollect you won’t get off so easy next time. Catch
hold of your money. Now, the sooner you’re five mile off, the better
for all parties.”
With this farewell hint and pointing generally to the setting sun as
a likely place to move on to, the constable bids his auditors good
afternoon and makes the echoes of Cook’s Court perform slow music for
him as he walks away on the shady side, carrying his iron-bound hat
in his hand for a little ventilation.
Now, Jo’s improbable story concerning the lady and the sovereign has
awakened more or less the curiosity of all the company. Mr. Guppy,
who has an inquiring mind in matters of evidence and who has
been suffering severely from the lassitude of the long vacation,
takes that interest in the case that he enters on a regular
cross-examination of the witness, which is found so interesting by
the ladies that Mrs. Snagsby politely invites him to step upstairs
and drink a cup of tea, if he will excuse the disarranged state of
the tea-table, consequent on their previous exertions. Mr. Guppy
yielding his assent to this proposal, Jo is requested to follow into
the drawing-room doorway, where Mr. Guppy takes him in hand as a
witness, patting him into this shape, that shape, and the other shape
like a butterman dealing with so much butter, and worrying him
according to the best models. Nor is the examination unlike many such
model displays, both in respect of its eliciting nothing and of its
being lengthy, for Mr. Guppy is sensible of his talent, and Mrs.
Snagsby feels not only that it gratifies her inquisitive disposition,
but that it lifts her husband’s establishment higher up in the law.
During the progress of this keen encounter, the vessel Chadband,
being merely engaged in the oil trade, gets aground and waits to be
floated off.
“Well!” says Mr. Guppy. “Either this boy sticks to it like
cobbler’s-wax or there is something out of the common here that beats
anything that ever came into my way at Kenge and Carboy’s.”
Mrs. Chadband whispers Mrs. Snagsby, who exclaims, “You don’t say
so!”
“For years!” replied Mrs. Chadband.
“Has known Kenge and Carboy’s office for years,” Mrs. Snagsby
triumphantly explains to Mr. Guppy. “Mrs. Chadband—this gentleman’s
wife—Reverend Mr. Chadband.”
“Oh, indeed!” says Mr. Guppy.
“Before I married my present husband,” says Mrs. Chadband.
“Was you a party in anything, ma’am?” says Mr. Guppy, transferring
his cross-examination.
“No.”
“NOT a party in anything, ma’am?” says Mr. Guppy.
Mrs. Chadband shakes her head.
“Perhaps you were acquainted with somebody who was a party in
something, ma’am?” says Mr. Guppy, who likes nothing better than to
model his conversation on forensic principles.
“Not exactly that, either,” replies Mrs. Chadband, humouring the joke
with a hard-favoured smile.
“Not exactly that, either!” repeats Mr. Guppy. “Very good. Pray,
ma’am, was it a lady of your acquaintance who had some transactions
(we will not at present say what transactions) with Kenge and
Carboy’s office, or was it a gentleman of your acquaintance? Take
time, ma’am. We shall come to it presently. Man or woman, ma’am?”
“Neither,” says Mrs. Chadband as before.
“Oh! A child!” says Mr. Guppy, throwing on the admiring Mrs. Snagsby
the regular acute professional eye which is thrown on British
jurymen. “Now, ma’am, perhaps you’ll have the kindness to tell us
WHAT child.”
“You have got it at last, sir,” says Mrs. Chadband with another
hard-favoured smile. “Well, sir, it was before your time, most
likely, judging from your appearance. I was left in charge of a child
named Esther Summerson, who was put out in life by Messrs. Kenge and
Carboy.”
“Miss Summerson, ma’am!” cries Mr. Guppy, excited.
“I call her Esther Summerson,” says Mrs. Chadband with austerity.
“There was no Miss-ing of the girl in my time. It was Esther.
‘Esther, do this! Esther, do that!’ and she was made to do it.”
“My dear ma’am,” returns Mr. Guppy, moving across the small
apartment, “the humble individual who now addresses you received that
young lady in London when she first came here from the establishment
to which you have alluded. Allow me to have the pleasure of taking
you by the hand.”
Mr. Chadband, at last seeing his opportunity, makes his accustomed
signal and rises with a smoking head, which he dabs with his
pocket-handkerchief. Mrs. Snagsby whispers “Hush!”
“My friends,” says Chadband, “we have partaken in moderation” (which
was certainly not the case so far as he was concerned) “of the
comforts which have been provided for us. May this house live upon
the fatness of the land; may corn and wine be plentiful therein; may
it grow, may it thrive, may it prosper, may it advance, may it
proceed, may it press forward! But, my friends, have we partaken of
anything else? We have. My friends, of what else have we partaken? Of
spiritual profit? Yes. From whence have we derived that spiritual
profit? My young friend, stand forth!”
Jo, thus apostrophized, gives a slouch backward, and another slouch
forward, and another slouch to each side, and confronts the eloquent
Chadband with evident doubts of his intentions.
“My young friend,” says Chadband, “you are to us a pearl, you are to
us a diamond, you are to us a gem, you are to us a jewel. And why, my
young friend?”
“I don’t know,” replies Jo. “I don’t know nothink.”
“My young friend,” says Chadband, “it is because you know nothing
that you are to us a gem and jewel. For what are you, my young
friend? Are you a beast of the field? No. A bird of the air? No. A
fish of the sea or river? No. You are a human boy, my young friend. A
human boy. O glorious to be a human boy! And why glorious, my young
friend? Because you are capable of receiving the lessons of wisdom,
because you are capable of profiting by this discourse which I now
deliver for your good, because you are not a stick, or a staff, or a
stock, or a stone, or a post, or a pillar.
O running stream of sparkling joy
To be a soaring human boy!
And do you cool yourself in that stream now, my young friend? No.
Why do you not cool yourself in that stream now? Because you are in a
state of darkness, because you are in a state of obscurity, because
you are in a state of sinfulness, because you are in a state of
bondage. My young friend, what is bondage? Let us, in a spirit of
love, inquire.”
At this threatening stage of the discourse, Jo, who seems to have
been gradually going out of his mind, smears his right arm over his
face and gives a terrible yawn. Mrs. Snagsby indignantly expresses
her belief that he is a limb of the arch-fiend.
“My friends,” says Mr. Chadband with his persecuted chin folding
itself into its fat smile again as he looks round, “it is right that
I should be humbled, it is right that I should be tried, it is right
that I should be mortified, it is right that I should be corrected. I
stumbled, on Sabbath last, when I thought with pride of my three
hours’ improving. The account is now favourably balanced: my creditor
has accepted a composition. O let us be joyful, joyful! O let us be
joyful!”
Great sensation on the part of Mrs. Snagsby.
“My friends,” says Chadband, looking round him in conclusion, “I will
not proceed with my young friend now. Will you come to-morrow, my
young friend, and inquire of this good lady where I am to be found to
deliver a discourse unto you, and will you come like the thirsty
swallow upon the next day, and upon the day after that, and upon the
day after that, and upon many pleasant days, to hear discourses?”
(This with a cow-like lightness.)
Jo, whose immediate object seems to be to get away on any terms,
gives a shuffling nod. Mr. Guppy then throws him a penny, and Mrs.
Snagsby calls to Guster to see him safely out of the house. But
before he goes downstairs, Mr. Snagsby loads him with some broken
meats from the table, which he carries away, hugging in his arms.
So, Mr. Chadband—of whom the persecutors say that it is no wonder he
should go on for any length of time uttering such abominable
nonsense, but that the wonder rather is that he should ever leave
off, having once the audacity to begin—retires into private life
until he invests a little capital of supper in the oil-trade. Jo
moves on, through the long vacation, down to Blackfriars Bridge,
where he finds a baking stony corner wherein to settle to his repast.
And there he sits, munching and gnawing, and looking up at the great
cross on the summit of St. Paul’s Cathedral, glittering above a
red-and-violet-tinted cloud of smoke. From the boy’s face one might
suppose that sacred emblem to be, in his eyes, the crowning confusion
of the great, confused city—so golden, so high up, so far out of his
reach. There he sits, the sun going down, the river running fast, the
crowd flowing by him in two streams—everything moving on to some
purpose and to one end—until he is stirred up and told to “move on”
too.
CHAPTER XX
A New Lodger
The long vacation saunters on towards term-time like an idle river
very leisurely strolling down a flat country to the sea. Mr. Guppy
saunters along with it congenially. He has blunted the blade of his
penknife and broken the point off by sticking that instrument into
his desk in every direction. Not that he bears the desk any ill will,