Bleak House
had pulled that off before he went to put the shutters up—and I left
him turning the letters over in his hand, standing just where that
crumbled black thing is upon the floor.”
Is he hanging somewhere? They look up. No.
“See!” whispers Tony. “At the foot of the same chair there lies a
dirty bit of thin red cord that they tie up pens with. That went
round the letters. He undid it slowly, leering and laughing at me,
before he began to turn them over, and threw it there. I saw it
fall.”
“What’s the matter with the cat?” says Mr. Guppy. “Look at her!”
“Mad, I think. And no wonder in this evil place.”
They advance slowly, looking at all these things. The cat remains
where they found her, still snarling at the something on the ground
before the fire and between the two chairs. What is it? Hold up the
light.
Here is a small burnt patch of flooring; here is the tinder from a
little bundle of burnt paper, but not so light as usual, seeming to
be steeped in something; and here is—is it the cinder of a small
charred and broken log of wood sprinkled with white ashes, or is it
coal? Oh, horror, he IS here! And this from which we run away,
striking out the light and overturning one another into the street,
is all that represents him.
Help, help, help! Come into this house for heaven’s sake! Plenty will
come in, but none can help. The Lord Chancellor of that court, true
to his title in his last act, has died the death of all lord
chancellors in all courts and of all authorities in all places under
all names soever, where false pretences are made, and where injustice
is done. Call the death by any name your Highness will, attribute
it to whom you will, or say it might have been prevented how you
will, it is the same death eternally—inborn, inbred, engendered
in the corrupted humours of the vicious body itself, and that
only—spontaneous combustion, and none other of all the deaths that
can be died.
CHAPTER XXXIII
Interlopers
Now do those two gentlemen not very neat about the cuffs and buttons
who attended the last coroner’s inquest at the Sol’s Arms reappear in
the precincts with surprising swiftness (being, in fact, breathlessly
fetched by the active and intelligent beadle), and institute
perquisitions through the court, and dive into the Sol’s parlour, and
write with ravenous little pens on tissue-paper. Now do they note
down, in the watches of the night, how the neighbourhood of Chancery
Lane was yesterday, at about midnight, thrown into a state of the
most intense agitation and excitement by the following alarming and
horrible discovery. Now do they set forth how it will doubtless be
remembered that some time back a painful sensation was created in the
public mind by a case of mysterious death from opium occurring in the
first floor of the house occupied as a rag, bottle, and general
marine store shop, by an eccentric individual of intemperate habits,
far advanced in life, named Krook; and how, by a remarkable
coincidence, Krook was examined at the inquest, which it may be
recollected was held on that occasion at the Sol’s Arms, a
well-conducted tavern immediately adjoining the premises in question
on the west side and licensed to a highly respectable landlord, Mr.
James George Bogsby. Now do they show (in as many words as possible)
how during some hours of yesterday evening a very peculiar smell was
observed by the inhabitants of the court, in which the tragical
occurrence which forms the subject of that present account
transpired; and which odour was at one time so powerful that Mr.
Swills, a comic vocalist professionally engaged by Mr. J. G. Bogsby,
has himself stated to our reporter that he mentioned to Miss M.
Melvilleson, a lady of some pretensions to musical ability, likewise
engaged by Mr. J. G. Bogsby to sing at a series of concerts called
Harmonic Assemblies, or Meetings, which it would appear are held at
the Sol’s Arms under Mr. Bogsby’s direction pursuant to the Act of
George the Second, that he (Mr. Swills) found his voice seriously
affected by the impure state of the atmosphere, his jocose expression
at the time being that he was like an empty post-office, for he
hadn’t a single note in him. How this account of Mr. Swills is
entirely corroborated by two intelligent married females residing in
the same court and known respectively by the names of Mrs. Piper and
Mrs. Perkins, both of whom observed the foetid effluvia and regarded
them as being emitted from the premises in the occupation of Krook,
the unfortunate deceased. All this and a great deal more the two
gentlemen who have formed an amicable partnership in the melancholy
catastrophe write down on the spot; and the boy population of the
court (out of bed in a moment) swarm up the shutters of the Sol’s
Arms parlour, to behold the tops of their heads while they are about
it.
The whole court, adult as well as boy, is sleepless for that night,
and can do nothing but wrap up its many heads, and talk of the
ill-fated house, and look at it. Miss Flite has been bravely rescued
from her chamber, as if it were in flames, and accommodated with a
bed at the Sol’s Arms. The Sol neither turns off its gas nor shuts
its door all night, for any kind of public excitement makes good for
the Sol and causes the court to stand in need of comfort. The house
has not done so much in the stomachic article of cloves or in
brandy-and-water warm since the inquest. The moment the pot-boy heard
what had happened, he rolled up his shirt-sleeves tight to his
shoulders and said, “There’ll be a run upon us!” In the first outcry,
young Piper dashed off for the fire-engines and returned in triumph
at a jolting gallop perched up aloft on the Phoenix and holding on to
that fabulous creature with all his might in the midst of helmets and
torches. One helmet remains behind after careful investigation of all
chinks and crannies and slowly paces up and down before the house in
company with one of the two policemen who have likewise been left in
charge thereof. To this trio everybody in the court possessed of
sixpence has an insatiate desire to exhibit hospitality in a liquid
form.
Mr. Weevle and his friend Mr. Guppy are within the bar at the Sol and
are worth anything to the Sol that the bar contains if they will only
stay there. “This is not a time,” says Mr. Bogsby, “to haggle about
money,” though he looks something sharply after it, over the counter;
“give your orders, you two gentlemen, and you’re welcome to whatever
you put a name to.”
Thus entreated, the two gentlemen (Mr. Weevle especially) put names
to so many things that in course of time they find it difficult to
put a name to anything quite distinctly, though they still relate to
all new-comers some version of the night they have had of it, and of
what they said, and what they thought, and what they saw. Meanwhile,
one or other of the policemen often flits about the door, and pushing
it open a little way at the full length of his arm, looks in from
outer gloom. Not that he has any suspicions, but that he may as well
know what they are up to in there.
Thus night pursues its leaden course, finding the court still out of
bed through the unwonted hours, still treating and being treated,
still conducting itself similarly to a court that has had a little
money left it unexpectedly. Thus night at length with slow-retreating
steps departs, and the lamp-lighter going his rounds, like an
executioner to a despotic king, strikes off the little heads of fire
that have aspired to lessen the darkness. Thus the day cometh,
whether or no.
And the day may discern, even with its dim London eye, that the court
has been up all night. Over and above the faces that have fallen
drowsily on tables and the heels that lie prone on hard floors
instead of beds, the brick and mortar physiognomy of the very court
itself looks worn and jaded. And now the neighbourhood, waking up and
beginning to hear of what has happened, comes streaming in, half
dressed, to ask questions; and the two policemen and the helmet (who
are far less impressible externally than the court) have enough to do
to keep the door.
“Good gracious, gentlemen!” says Mr. Snagsby, coming up. “What’s this
I hear!”
“Why, it’s true,” returns one of the policemen. “That’s what it is.
Now move on here, come!”
“Why, good gracious, gentlemen,” says Mr. Snagsby, somewhat promptly
backed away, “I was at this door last night betwixt ten and eleven
o’clock in conversation with the young man who lodges here.”
“Indeed?” returns the policeman. “You will find the young man next
door then. Now move on here, some of you.”
“Not hurt, I hope?” says Mr. Snagsby.
“Hurt? No. What’s to hurt him!”
Mr. Snagsby, wholly unable to answer this or any question in his
troubled mind, repairs to the Sol’s Arms and finds Mr. Weevle
languishing over tea and toast with a considerable expression on him
of exhausted excitement and exhausted tobacco-smoke.
“And Mr. Guppy likewise!” quoth Mr. Snagsby. “Dear, dear, dear! What
a fate there seems in all this! And my lit—”
Mr. Snagsby’s power of speech deserts him in the formation of the
words “my little woman.” For to see that injured female walk into the
Sol’s Arms at that hour of the morning and stand before the
beer-engine, with her eyes fixed upon him like an accusing spirit,
strikes him dumb.
“My dear,” says Mr. Snagsby when his tongue is loosened, “will you
take anything? A little—not to put too fine a point upon it—drop of
shrub?”
“No,” says Mrs. Snagsby.
“My love, you know these two gentlemen?”
“Yes!” says Mrs. Snagsby, and in a rigid manner acknowledges their
presence, still fixing Mr. Snagsby with her eye.
The devoted Mr. Snagsby cannot bear this treatment. He takes Mrs.
Snagsby by the hand and leads her aside to an adjacent cask.
“My little woman, why do you look at me in that way? Pray don’t do
it.”
“I can’t help my looks,” says Mrs. Snagsby, “and if I could I
wouldn’t.”
Mr. Snagsby, with his cough of meekness, rejoins, “Wouldn’t you
really, my dear?” and meditates. Then coughs his cough of trouble and
says, “This is a dreadful mystery, my love!” still fearfully
disconcerted by Mrs. Snagsby’s eye.
“It IS,” returns Mrs. Snagsby, shaking her head, “a dreadful
mystery.”
“My little woman,” urges Mr. Snagsby in a piteous manner, “don’t for
goodness’ sake speak to me with that bitter expression and look at me
in that searching way! I beg and entreat of you not to do it. Good
Lord, you don’t suppose that I would go spontaneously combusting any
person, my dear?”
“I can’t say,” returns Mrs. Snagsby.
On a hasty review of his unfortunate position, Mr. Snagsby “can’t
say” either. He is not prepared positively to deny that he may have
had something to do with it. He has had something—he don’t know
what—to do with so much in this connexion that is mysterious that it
is possible he may even be implicated, without knowing it, in the
present transaction. He faintly wipes his forehead with his
handkerchief and gasps.
“My life,” says the unhappy stationer, “would you have any objections
to mention why, being in general so delicately circumspect in your
conduct, you come into a wine-vaults before breakfast?”
“Why do YOU come here?” inquires Mrs. Snagsby.
“My dear, merely to know the rights of the fatal accident which has
happened to the venerable party who has been—combusted.” Mr. Snagsby
has made a pause to suppress a groan. “I should then have related
them to you, my love, over your French roll.”
“I dare say you would! You relate everything to me, Mr. Snagsby.”
“Every—my lit—”
“I should be glad,” says Mrs. Snagsby after contemplating his
increased confusion with a severe and sinister smile, “if you would
come home with me; I think you may be safer there, Mr. Snagsby, than