Bleak House
hand me anything hard and bruising to pelt at her? You hag, you cat,
you dog, you brimstone barker!” Here Mr. Smallweed, wrought up to the
highest pitch by his own eloquence, actually throws Judy at her
grandmother in default of anything else, by butting that young virgin
at the old lady with such force as he can muster and then dropping
into his chair in a heap.
“Shake me up, somebody, if you’ll be so good,” says the voice from
within the faintly struggling bundle into which he has collapsed. “I
have come to look after the property. Shake me up, and call in the
police on duty at the next house to be explained to about the
property. My solicitor will be here presently to protect the
property. Transportation or the gallows for anybody who shall touch
the property!” As his dutiful grandchildren set him up, panting, and
putting him through the usual restorative process of shaking and
punching, he still repeats like an echo, “The—the property! The
property! Property!”
Mr. Weevle and Mr. Guppy look at each other, the former as having
relinquished the whole affair, the latter with a discomfited
countenance as having entertained some lingering expectations yet.
But there is nothing to be done in opposition to the Smallweed
interest. Mr. Tulkinghorn’s clerk comes down from his official pew in
the chambers to mention to the police that Mr. Tulkinghorn is
answerable for its being all correct about the next of kin and that
the papers and effects will be formally taken possession of in due
time and course. Mr. Smallweed is at once permitted so far to assert
his supremacy as to be carried on a visit of sentiment into the next
house and upstairs into Miss Flite’s deserted room, where he looks
like a hideous bird of prey newly added to her aviary.
The arrival of this unexpected heir soon taking wind in the court
still makes good for the Sol and keeps the court upon its mettle.
Mrs. Piper and Mrs. Perkins think it hard upon the young man if there
really is no will, and consider that a handsome present ought to be
made him out of the estate. Young Piper and young Perkins, as members
of that restless juvenile circle which is the terror of the
foot-passengers in Chancery Lane, crumble into ashes behind the pump
and under the archway all day long, where wild yells and hootings
take place over their remains. Little Swills and Miss M. Melvilleson
enter into affable conversation with their patrons, feeling that
these unusual occurrences level the barriers between professionals
and non-professionals. Mr. Bogsby puts up “The popular song of King
Death, with chorus by the whole strength of the company,” as the
great Harmonic feature of the week and announces in the bill that “J.
G. B. is induced to do so at a considerable extra expense in
consequence of a wish which has been very generally expressed at the
bar by a large body of respectable individuals and in homage to a
late melancholy event which has aroused so much sensation.” There is
one point connected with the deceased upon which the court is
particularly anxious, namely, that the fiction of a full-sized coffin
should be preserved, though there is so little to put in it. Upon the
undertaker’s stating in the Sol’s bar in the course of the day that
he has received orders to construct “a six-footer,” the general
solicitude is much relieved, and it is considered that Mr.
Smallweed’s conduct does him great honour.
Out of the court, and a long way out of it, there is considerable
excitement too, for men of science and philosophy come to look, and
carriages set down doctors at the corner who arrive with the same
intent, and there is more learned talk about inflammable gases and
phosphuretted hydrogen than the court has ever imagined. Some of
these authorities (of course the wisest) hold with indignation that
the deceased had no business to die in the alleged manner; and being
reminded by other authorities of a certain inquiry into the evidence
for such deaths reprinted in the sixth volume of the Philosophical
Transactions; and also of a book not quite unknown on English medical
jurisprudence; and likewise of the Italian case of the Countess
Cornelia Baudi as set forth in detail by one Bianchini, prebendary of
Verona, who wrote a scholarly work or so and was occasionally heard
of in his time as having gleams of reason in him; and also of the
testimony of Messrs. Fodere and Mere, two pestilent Frenchmen who
WOULD investigate the subject; and further, of the corroborative
testimony of Monsieur Le Cat, a rather celebrated French surgeon once
upon a time, who had the unpoliteness to live in a house where such a
case occurred and even to write an account of it—still they regard
the late Mr. Krook’s obstinacy in going out of the world by any such
by-way as wholly unjustifiable and personally offensive. The less the
court understands of all this, the more the court likes it, and the
greater enjoyment it has in the stock in trade of the Sol’s Arms.
Then there comes the artist of a picture newspaper, with a foreground
and figures ready drawn for anything from a wreck on the Cornish
coast to a review in Hyde Park or a meeting in Manchester, and in
Mrs. Perkins’ own room, memorable evermore, he then and there throws
in upon the block Mr. Krook’s house, as large as life; in fact,
considerably larger, making a very temple of it. Similarly, being
permitted to look in at the door of the fatal chamber, he depicts
that apartment as three-quarters of a mile long by fifty yards high,
at which the court is particularly charmed. All this time the two
gentlemen before mentioned pop in and out of every house and assist
at the philosophical disputations—go everywhere and listen to
everybody—and yet are always diving into the Sol’s parlour and
writing with the ravenous little pens on the tissue-paper.
At last come the coroner and his inquiry, like as before, except that
the coroner cherishes this case as being out of the common way and
tells the gentlemen of the jury, in his private capacity, that “that
would seem to be an unlucky house next door, gentlemen, a destined
house; but so we sometimes find it, and these are mysteries we can’t
account for!” After which the six-footer comes into action and is
much admired.
In all these proceedings Mr. Guppy has so slight a part, except when
he gives his evidence, that he is moved on like a private individual
and can only haunt the secret house on the outside, where he has the
mortification of seeing Mr. Smallweed padlocking the door, and of
bitterly knowing himself to be shut out. But before these proceedings
draw to a close, that is to say, on the night next after the
catastrophe, Mr. Guppy has a thing to say that must be said to Lady
Dedlock.
For which reason, with a sinking heart and with that hang-dog sense
of guilt upon him which dread and watching enfolded in the Sol’s Arms
have produced, the young man of the name of Guppy presents himself at
the town mansion at about seven o’clock in the evening and requests
to see her ladyship. Mercury replies that she is going out to dinner;
don’t he see the carriage at the door? Yes, he does see the carriage
at the door; but he wants to see my Lady too.
Mercury is disposed, as he will presently declare to a
fellow-gentleman in waiting, “to pitch into the young man”; but his
instructions are positive. Therefore he sulkily supposes that the
young man must come up into the library. There he leaves the young
man in a large room, not over-light, while he makes report of him.
Mr. Guppy looks into the shade in all directions, discovering
everywhere a certain charred and whitened little heap of coal or
wood. Presently he hears a rustling. Is it—? No, it’s no ghost, but
fair flesh and blood, most brilliantly dressed.
“I have to beg your ladyship’s pardon,” Mr. Guppy stammers, very
downcast. “This is an inconvenient time—”
“I told you, you could come at any time.” She takes a chair, looking
straight at him as on the last occasion.
“Thank your ladyship. Your ladyship is very affable.”
“You can sit down.” There is not much affability in her tone.
“I don’t know, your ladyship, that it’s worth while my sitting down
and detaining you, for I—I have not got the letters that I mentioned
when I had the honour of waiting on your ladyship.”
“Have you come merely to say so?”
“Merely to say so, your ladyship.” Mr. Guppy besides being depressed,
disappointed, and uneasy, is put at a further disadvantage by the
splendour and beauty of her appearance.
She knows its influence perfectly, has studied it too well to miss a
grain of its effect on any one. As she looks at him so steadily and
coldly, he not only feels conscious that he has no guide in the least
perception of what is really the complexion of her thoughts, but also
that he is being every moment, as it were, removed further and
further from her.
She will not speak, it is plain. So he must.
“In short, your ladyship,” says Mr. Guppy like a meanly penitent
thief, “the person I was to have had the letters of, has come to a
sudden end, and—” He stops. Lady Dedlock calmly finishes the
sentence.
“And the letters are destroyed with the person?”
Mr. Guppy would say no if he could—as he is unable to hide.
“I believe so, your ladyship.”
If he could see the least sparkle of relief in her face now? No, he
could see no such thing, even if that brave outside did not utterly
put him away, and he were not looking beyond it and about it.
He falters an awkward excuse or two for his failure.
“Is this all you have to say?” inquires Lady Dedlock, having heard
him out—or as nearly out as he can stumble.
Mr. Guppy thinks that’s all.
“You had better be sure that you wish to say nothing more to me, this
being the last time you will have the opportunity.”
Mr. Guppy is quite sure. And indeed he has no such wish at present,
by any means.
“That is enough. I will dispense with excuses. Good evening to you!”
And she rings for Mercury to show the young man of the name of Guppy
out.
But in that house, in that same moment, there happens to be an old
man of the name of Tulkinghorn. And that old man, coming with his
quiet footstep to the library, has his hand at that moment on the
handle of the door—comes in—and comes face to face with the young
man as he is leaving the room.
One glance between the old man and the lady, and for an instant the
blind that is always down flies up. Suspicion, eager and sharp, looks
out. Another instant, close again.
“I beg your pardon, Lady Dedlock. I beg your pardon a thousand times.
It is so very unusual to find you here at this hour. I supposed the
room was empty. I beg your pardon!”
“Stay!” She negligently calls him back. “Remain here, I beg. I am
going out to dinner. I have nothing more to say to this young man!”
The disconcerted young man bows, as he goes out, and cringingly hopes
that Mr. Tulkinghorn of the Fields is well.
“Aye, aye?” says the lawyer, looking at him from under his bent
brows, though he has no need to look again—not he. “From Kenge and
Carboy’s, surely?”
“Kenge and Carboy’s, Mr. Tulkinghorn. Name of Guppy, sir.”
“To be sure. Why, thank you, Mr. Guppy, I am very well!”
“Happy to hear it, sir. You can’t be too well, sir, for the credit of
the profession.”
“Thank you, Mr. Guppy!”
Mr. Guppy sneaks away. Mr. Tulkinghorn, such a foil in his
old-fashioned rusty black to Lady Dedlock’s brightness, hands her
down the staircase to her carriage. He returns rubbing his chin, and
rubs it a good deal in the course of the evening.
CHAPTER XXXIV
A Turn of the Screw
“Now, what,” says Mr. George, “may this be? Is it blank cartridge or
ball? A flash in the pan or a shot?”
An open letter is the subject of the trooper’s speculations, and it