Camille (La Dame aux Camilias)
by somebody or other. As no man cares to make himself conspicuous by
being seen in their company, and as they are afraid of solitude, they
take with them either those who are not well enough off to have a
carriage, or one or another of those elegant, ancient ladies, whose
elegance is a little inexplicable, and to whom one can always go for
information in regard to the women whom they accompany.
In Marguerite’s case it was quite different. She was always alone when
she drove in the Champs-Elysées, lying back in her carriage as much as
possible, dressed in furs in winter, and in summer wearing very simple
dresses; and though she often passed people whom she knew, her smile,
when she chose to smile, was seen only by them, and a duchess might
have smiled in just such a manner. She did not drive to and fro like
the others, from the Rond-Point to the end of the Champs-Elysées. She
drove straight to the Bois. There she left her carriage, walked for an
hour, returned to her carriage, and drove rapidly home.
All these circumstances which I had so often witnessed came back to my
memory, and I regretted her death as one might regret the destruction
of a beautiful work of art.
It was impossible to see more charm in beauty than in that of
Marguerite. Excessively tall and thin, she had in the fullest degree
the art of repairing this oversight of Nature by the mere arrangement
of the things she wore. Her cashmere reached to the ground, and showed
on each side the large flounces of a silk dress, and the heavy muff
which she held pressed against her bosom was surrounded by such
cunningly arranged folds that the eye, however exacting, could find no
fault with the contour of the lines. Her head, a marvel, was the object
of the most coquettish care. It was small, and her mother, as Musset
would say, seemed to have made it so in order to make it with care.
Set, in an oval of indescribable grace, two black eyes, surmounted by
eyebrows of so pure a curve that it seemed as if painted; veil these
eyes with lovely lashes, which, when drooped, cast their shadow on the
rosy hue of the cheeks; trace a delicate, straight nose, the nostrils a
little open, in an ardent aspiration toward the life of the senses;
design a regular mouth, with lips parted graciously over teeth as white
as milk; colour the skin with the down of a peach that no hand has
touched, and you will have the general aspect of that charming
countenance. The hair, black as jet, waving naturally or not, was
parted on the forehead in two large folds and draped back over the
head, leaving in sight just the tip of the ears, in which there
glittered two diamonds, worth four to five thousand francs each. How it
was that her ardent life had left on Marguerite’s face the virginal,
almost childlike expression, which characterized it, is a problem which
we can but state, without attempting to solve it.
Marguerite had a marvellous portrait of herself, by Vidal, the only man
whose pencil could do her justice. I had this portrait by me for a few
days after her death, and the likeness was so astonishing that it has
helped to refresh my memory in regard to some points which I might not
otherwise have remembered.
Some among the details of this chapter did not reach me until later,
but I write them here so as not to be obliged to return to them when
the story itself has begun.
Marguerite was always present at every first night, and passed every
evening either at the theatre or the ball. Whenever there was a new
piece she was certain to be seen, and she invariably had three things
with her on the ledge of her ground-floor box: her opera-glass, a bag
of sweets, and a bouquet of camellias.
For twenty-five days of the month the camellias were white, and for
five they were red; no one ever knew the reason of this change of
colour, which I mention though I can not explain it; it was noticed
both by her friends and by the _habitués_ of the theatres to which she
most often went. She was never seen with any flowers but camellias. At
the florist’s, Madame Barjon’s, she had come to be called “the Lady of
the Camellias,” and the name stuck to her.
Like all those who move in a certain set in Paris, I knew that
Marguerite had lived with some of the most fashionable young men in
society, that she spoke of it openly, and that they themselves boasted
of it; so that all seemed equally pleased with one another.
Nevertheless, for about three years, after a visit to Bagnères, she was
said to be living with an old duke, a foreigner, enormously rich, who
had tried to remove her as far as possible from her former life, and,
as it seemed, entirely to her own satisfaction.
This is what I was told on the subject. In the spring of 1847
Marguerite was so ill that the doctors ordered her to take the waters,
and she went to Bagnères. Among the invalids was the daughter of this
duke; she was not only suffering from the same complaint, but she was
so like Marguerite in appearance that they might have been taken for
sisters; the young duchess was in the last stage of consumption, and a
few days after Marguerite’s arrival she died. One morning, the duke,
who had remained at Bagnères to be near the soil that had buried a part
of his heart, caught sight of Marguerite at a turn of the road. He
seemed to see the shadow of his child, and going up to her, he took her
hands, embraced and wept over her, and without even asking her who she
was, begged her to let him love in her the living image of his dead
child. Marguerite, alone at Bagnères with her maid, and not being in
any fear of compromising herself, granted the duke’s request. Some
people who knew her, happening to be at Bagnères, took upon themselves
to explain Mademoiselle Gautier’s true position to the duke. It was a
blow to the old man, for the resemblance with his daughter was ended in
one direction, but it was too late. She had become a necessity to his
heart, his only pretext, his only excuse, for living. He made no
reproaches, he had indeed no right to do so, but he asked her if she
felt herself capable of changing her mode of life, offering her in
return for the sacrifice every compensation that she could desire. She
consented.
It must be said that Marguerite was just then very ill. The past seemed
to her sensitive nature as if it were one of the main causes of her
illness, and a sort of superstition led her to hope that God would
restore to her both health and beauty in return for her repentance and
conversion. By the end of the summer, the waters, sleep, the natural
fatigue of long walks, had indeed more or less restored her health. The
duke accompanied her to Paris, where he continued to see her as he had
done at Bagnères.
This liaison, whose motive and origin were quite unknown, caused a
great sensation, for the duke, already known for his immense fortune,
now became known for his prodigality. All this was set down to the
debauchery of a rich old man, and everything was believed except the
truth. The father’s sentiment for Marguerite had, in truth, so pure a
cause that anything but a communion of hearts would have seemed to him
a kind of incest, and he had never spoken to her a word which his
daughter might not have heard.
Far be it from me to make out our heroine to be anything but what she
was. As long as she remained at Bagnères, the promise she had made to
the duke had not been hard to keep, and she had kept it; but, once back
in Paris, it seemed to her, accustomed to a life of dissipation, of
balls, of orgies, as if the solitude, only interrupted by the duke’s
stated visits, would kill her with boredom, and the hot breath of her
old life came back across her head and heart.
We must add that Marguerite had returned more beautiful than she had
ever been; she was but twenty, and her malady, sleeping but not
subdued, continued to give her those feverish desires which are almost
always the result of diseases of the chest.
It was a great grief to the duke when his friends, always on the
lookout for some scandal on the part of the woman with whom, it seemed
to them, he was compromising himself, came to tell him, indeed to prove
to him, that at times when she was sure of not seeing him she received
other visits, and that these visits were often prolonged till the
following day. On being questioned, Marguerite admitted everything to
the duke, and advised him, without _arrière-pensée_, to concern himself
with her no longer, for she felt incapable of carrying out what she had
undertaken, and she did not wish to go on accepting benefits from a man
whom she was deceiving. The duke did not return for a week; it was all
he could do, and on the eighth day he came to beg Marguerite to let him
still visit her, promising that he would take her as she was, so long
as he might see her, and swearing that he would never utter a reproach
against her, not though he were to die of it.
This, then, was the state of things three months after Marguerite’s
return; that is to say, in November or December, 1842.
Chapter III
At one o’clock on the 16th I went to the Rue d’Antin. The voice of the
auctioneer could be heard from the outer door. The rooms were crowded
with people. There were all the celebrities of the most elegant
impropriety, furtively examined by certain great ladies who had again
seized the opportunity of the sale in order to be able to see, close at
hand, women whom they might never have another occasion of meeting, and
whom they envied perhaps in secret for their easy pleasures. The
Duchess of F. elbowed Mlle. A., one of the most melancholy examples of
our modern courtesan; the Marquis de T. hesitated over a piece of
furniture the price of which was being run high by Mme. D., the most
elegant and famous adulteress of our time; the Duke of Y., who in
Madrid is supposed to be ruining himself in Paris, and in Paris to be
ruining himself in Madrid, and who, as a matter of fact, never even
reaches the limit of his income, talked with Mme. M., one of our
wittiest story-tellers, who from time to time writes what she says and
signs what she writes, while at the same time he exchanged confidential
glances with Mme. de N., a fair ornament of the Champs-Elysées, almost
always dressed in pink or blue, and driving two big black horses which
Tony had sold her for 10,000 francs, and for which she had paid, after
her fashion; finally, Mlle. R., who makes by her mere talent twice what
the women of the world make by their dot and three times as much as the
others make by their amours, had come, in spite of the cold, to make
some purchases, and was not the least looked at among the crowd.
We might cite the initials of many more of those who found themselves,
not without some mutual surprise, side by side in one room. But we fear
to weary the reader. We will only add that everyone was in the highest
spirits, and that many of those present had known the dead woman, and
seemed quite oblivious of the fact. There was a sound of loud laughter;
the auctioneers shouted at the top of their voices; the dealers who had
filled the benches in front of the auction table tried in vain to
obtain silence, in order to transact their business in peace. Never was
there a noisier or a more varied gathering.
I slipped quietly into the midst of this tumult, sad to think of when
one remembered that the poor creature whose goods were being sold to
pay her debts had died in the next room. Having come rather to examine
than to buy, I watched the faces of the auctioneers, noticing how they
beamed with delight whenever anything reached a price beyond their
expectations. Honest creatures, who had speculated upon this woman’s
prostitution, who had gained their hundred per cent out of her, who had