Changeling, and Other Stories

as a rich farmer, and they had a title, and they were not intolerably proud. If you were to meet a very red-faced man in tweeds and with a heavy stick, at the Curragh races, betting modest sovereigns, and were told that he was the Earl of Mount Kyteler, you would feel that there was something wrong. He had not that terrible courtesy of the earls and better sort of dukes which makes you feel like a clodhopper, no matter from which particular Irish king you claim direct descent. He was too human, too decent an old skate; you chuckled when you thought of a coronet cocked rakishly over that red, weather-beaten face. Oh, but Lady Margery! that was different! Her appearance I could describe to you: the close-bound black hair, the face like some rain-washed flower, the dark luminous eyes and laughing lips, the balanced neck, the body that was half boy's and half young woman's. All that means nothing, but if I say that when she appeared there was a chime like an old silver bell, such antique sweetness came upon the air ... the feet that never seemed to touch the ground, her long, white, quiet hands. How that old-world title fitted her, described her! Not demure miss, not buxom mistress, but the Lady Margery Kyteler. How important it is for me to bring her back, to have her real for an instant in the clear air! But not as a necromancer under the glittering stars, with circle and acolyte, fire, sword, and crown, saying terrible words--Here be the symbols of secret things, the flags and banners of God the Conqueror, the weapons to compel the aerial potencies--and have that sweet face come white and fearful in the gray dawn. I would have her seen with her merry smile, her feet that moved lightly, as to hidden music, her long quiet hands. For all her boyish strong body, there was such harmony and light, one knew that beyond the body was something that would not die with the years--no more than the sun dies when it drops into the sea, or the sweet, friendly moon. To see her was more than miracles; she convinced better than the fathers of the church. Very unconsciously she did all this. And very embarrassed she would have been and a little mad she would have thought one, had she been told she was an argument for eternity. Know her to be eternal, but see her playing with a terrier, pulling its tail, its ears, and clipping it deftly under the jaw as it snapped playfully. Or stroking the sleek neck of a horse, and talking to it as horses love to be talked to, or kneeling to comfort some crying child of the people, and wooing it back to happiness by being very happy herself.... III Now by the ordinance of time and nature the old earl was quietly gathered to his forbears--to Gilles de Kyteler, who came over to Ireland with Strongbow; to Piers Kyteler, who could run against a horse for five miles; to Dame Alice Kyteler, whose name is still used to frighten little children; to Fulke, or the bastard Kyteler, who joined with Silken Thomas in rebellion; Hugh, who lost the family money in the South Sea Bubble; to another Pierce, who backed Boxer Donelly, the Irishman, against the English champion, Cooper, for a thousand pounds--and won!--to Hugh, who grew rare tulips, and to Patrick, of whom it was said he was the stupidest man in Ireland. Some one has written a book about the family; possibly it's worth reading, probably not. And now of the family of the Earls of Mount Kyteler there was only one left, the Lady Margery Kyteler, and she was alone in the world. Except for the ordinary natural grief for the old earl, whom she loved and liked, she did n't mind being alone. Mount Kyteler had now only seven servants, an ancient cook and two equally ancient maids, a gardener so ancient as to need an assistant, who was himself so verging on the ancient that it was a puzzle as to what assistance he could give. There were a couple of lads in the stable, lads of fifty, a groom, and a coachman, the coachman assuming the livery of butler on great occasions, such as in Horse Show Week. Ancient grumbling people they all were, who were united only in this, that they loved her. Among themselves there were always ancient grudges, present fights. And instead of her ruling them, they ruled her with a terrible tyranny. The old cook below-stairs was forever complaining of the great work to be done, and refusing to have any help given her. "Is it bringing in another you 'd be and me here child and woman for fifty years? Twelve years old I was when they brought me into the pantry and set me to cleaning knives, and now it's on top of me you 'd be bringing some streel you 'd be getting out of a register's office, a woman does be following the tinkers to the Country Wicklow, mad with love. Och, to think of the insult put on me this day! _Wirra, is thrue_!" "Sure, it 's only to help you, Peggy." "And what help would I be needing, me that's the fine, supple woman, in the prime o' my years! Ne'er a day over sixty I am, and thirty hard years' work in me still." "But you were complaining, Peggy." "Sure, 't was only to keep my mind active I was." The old gardener could be terrible, with his face like an apple and his bent back. He watched her as he might watch a thieving boy. "Now, if it's a thing you 'd be wanting chrysanthemums, my lady, would n't it be the right and proper thing for you to be coming to me, that's the head gardener of this garden, and if it's a thing there 's chrysanthemums in it, you 'll get them, and if it's a thing there 's no chrysanthemums in it, you won't." "I thought I 'd save you trouble, Darby." "And what trouble would you be saving me, my Lady, by destroying the symmetry of the design? All the work that 's on me, and ne'er a hand's turn do I get from the young fellow that's the assistant. Devil the hand's turn he 's done in all the forty-three years he 's been here, barring playing the bagpipes in the greenhouse and talking about the good ould times. I mind the time your grandfather was in it, my Lady--a real gentleman him. He would n't put a hand on an apple, or a gooseberry itself, without asking the head gardener's permission." Also were the two ancient maids problems in their way. They were forever sniffing at each other, and complaining of each other to Margery. "If your Ladyship would be so kind as to give Rose Ann a tip about her conduct, 't would be a mercy so. For the queer way she does be acting with the postman is no credit to this house at all. New ribbons in her cap, indeed, looking for love, when she ought to be making her peace with God and man." But Rose Ann had the same story. "If your Ladyship pleases, a wee word to Ellen would not be out of the way. 'T is the postman, your Ladyship, has been complaining bitterly. 'Ma'am,' says he to me, 'would you be telling a secret?' 'If so be as I know it,' says I, 'I will.' 'Is that one,' says he, 'right in her head?' 'Is it Ellen you mean?' says I. ''T is that same,' says he. ''T is that has been puzzling myself, but why do you ask?' say I. ''T is the dirty look she has in her eye,' says he, 'and the queer conversation is at her. "'T is the world's wonder you never married," she does be telling me, "and you the fine lad you are."' Your Ladyship should speak to her. You should so." "I will, Rose Ann." But worst of all were the quarrels between the coachman and the groom. The coachman was a fine, florid man, and the groom was a wizened little troll who had once been a jockey. The coachman was always in decent black, the groom in corduroys. They were forever arguing on everything, from politics to horses. Once Lady Margery had come into the yard to see the groom stepping around like a bantam boxer, his hands up, his feet tapping the ground like a dancer's. "Put up your hands!" he was shouting. "Put up your hands!" "Go 'way t' the divil out o' that!" "Come on if you 're fit! Come on if you 're man enough! I 'll give you a beating you 've been spoiling for for the last thirty years." "Go 'way t' the divil out o' that!" "I will not go 'way out o' that. It's fight I want. I 'm boiling mad for one clout at your ugly gob." "Will you whisht!" The coachman had seen Lady Margery. "I will not whisht. Put up your hands! I 'll not stop till I 'm dug out of ye!" "Kelleher, Brady, what's this?" The groom dropped his fighting attitude and pulled off his cap. "'T is just a foolish wee argument we were having, m'lady. I was telling this bloody old cod--begging your pardon, m'lady, for giving him his right name--that Lynchehaun the murderer was by rights a cousin to my mother's people, and he said that it was n't in either side of my family to produce a fine murdering man like the same Lynchehaun. So I up and gives him a tip about himself and his drunken old mother...." "Kelleher!" "Not that I know anything about her, m'lady, but I just thought that if he had any pride, it would cut him to the quick!" IV Nobody in the world but herself, she thought often, could have kept them. But if she sent them away, where would they go? The old gardener--could he last away from the soil he had tended with the care of parents? And the maids would be lost in a modern world. And for all that the two men in the stable fought, they loved each other in a strange way. She couldn't pension them off; and, also, they got their work done in a surprisingly efficient manner. And, besides, she could not see new servants in the old house. The maids were as much part of the place as the portraits of dead Kytelers on the walls. They had blended into a mellow composition. They all loved her in their queer selfish way, depended on her for vitality. She could hardly go on visits any more, so much did they grumble. "Sure, it is n't to England you 'd be going, my lady, and the grand house you have of your own!" And not only the servants but the old drowsing dog, Sheila, the little Scottie bitch, who was drawing on fourteen years old and nearly blind, and the foxhound puppies, who waited for her when she was n't there, and ancient Fenian, the old steeplechaser, who was near ending his days. All these laid imploring hands on her. Her mother she had not known, the countess dying when Margery was not yet two; and the earl had never married again. But the house had been a mother to her. The deep drawing-room, the heavy formal dining-room, the little sitting-room so bright. There was no place in the world so comfortable as the drawing-room of Mount Kyteler in the winter evenings, with the portraits blinking in the light of candles in their silver sticks and the glimmer of the sea-coal in the grate. And her own room at night, on moonlight nights, whence she could see Dublin Bay shine silver and the dark trees bending in the breeze from Three Rock Mountain. Every tree she knew; every tree had for her a personality. The copper beech was friendly and kindly, the rowan-trees aloof but kindly, the oaks majestic but clumsily kindly; the apple-trees were smiling. All the flowers she knew, all the shrubs. They had seen her stumble as a child of two, they had seen her rollick as a child of seven, they had seen her dream at ten, and grow ugly at twelve, and grow pretty in her late teens, and at twenty beautiful, and now beautiful and assured. In no other country than Ireland, in no other city than Dublin could such beauty and grace exist alone in an old house. They would have fêted her, made merry with her, married her. A young beauty in an ancient house with grizzled servants. But in Ireland a great beauty has so many competitors for the songs of the poets, the passion of the young men. There is the biting excitement of treason, politics charged