Childe Harold's Pilgrimage
For ye are names no time nor tyranny can blight.
XV.
Statues of glass--all shivered--the long file
Of her dead doges are declined to dust;
But where they dwelt, the vast and sumptuous pile
Bespeaks the pageant of their splendid trust;
Their sceptre broken, and their sword in rust,
Have yielded to the stranger: empty halls,
Thin streets, and foreign aspects, such as must
Too oft remind her who and what enthrals,
Have flung a desolate cloud o'er Venice' lovely walls.
XVI.
When Athens' armies fell at Syracuse,
And fettered thousands bore the yoke of war,
Redemption rose up in the Attic Muse,
Her voice their only ransom from afar:
See! as they chant the tragic hymn, the car
Of the o'ermastered victor stops, the reins
Fall from his hands--his idle scimitar
Starts from its belt--he rends his captive's chains,
And bids him thank the bard for freedom and his strains.
XVII.
Thus, Venice, if no stronger claim were thine,
Were all thy proud historic deeds forgot,
Thy choral memory of the bard divine,
Thy love of Tasso, should have cut the knot
Which ties thee to thy tyrants; and thy lot
Is shameful to the nations,--most of all,
Albion! to thee: the Ocean Queen should not
Abandon Ocean's children; in the fall
Of Venice think of thine, despite thy watery wall.
XVIII.
I loved her from my boyhood: she to me
Was as a fairy city of the heart,
Rising like water-columns from the sea,
Of joy the sojourn, and of wealth the mart
And Otway, Radcliffe, Schiller, Shakspeare's art,
Had stamped her image in me, and e'en so,
Although I found her thus, we did not part,
Perchance e'en dearer in her day of woe,
Than when she was a boast, a marvel, and a show.
XIX.
I can repeople with the past--and of
The present there is still for eye and thought,
And meditation chastened down, enough;
And more, it may be, than I hoped or sought;
And of the happiest moments which were wrought
Within the web of my existence, some
From thee, fair Venice! have their colours caught:
There are some feelings Time cannot benumb,
Nor torture shake, or mine would now be cold and dumb.
XX.
But from their nature will the tannen grow
Loftiest on loftiest and least sheltered rocks,
Rooted in barrenness, where nought below
Of soil supports them 'gainst the Alpine shocks
Of eddying storms; yet springs the trunk, and mocks
The howling tempest, till its height and frame
Are worthy of the mountains from whose blocks
Of bleak, grey granite, into life it came,
And grew a giant tree;--the mind may grow the same.
XXI.
Existence may be borne, and the deep root
Of life and sufferance make its firm abode
In bare and desolate bosoms: mute
The camel labours with the heaviest load,
And the wolf dies in silence. Not bestowed
In vain should such examples be; if they,
Things of ignoble or of savage mood,
Endure and shrink not, we of nobler clay
May temper it to bear,--it is but for a day.
XXII.
All suffering doth destroy, or is destroyed,
Even by the sufferer; and, in each event,
Ends:--Some, with hope replenished and rebuoyed,
Return to whence they came--with like intent,
And weave their web again; some, bowed and bent,
Wax grey and ghastly, withering ere their time,
And perish with the reed on which they leant;
Some seek devotion, toil, war, good or crime,
According as their souls were formed to sink or climb.
XXIII.
But ever and anon of griefs subdued
There comes a token like a scorpion's sting,
Scarce seen, but with fresh bitterness imbued;
And slight withal may be the things which bring
Back on the heart the weight which it would fling
Aside for ever: it may be a sound--
A tone of music--summer's eve--or spring--
A flower--the wind--the ocean--which shall wound,
Striking the electric chain wherewith we are darkly bound.
XXIV.
And how and why we know not, nor can trace
Home to its cloud this lightning of the mind,
But feel the shock renewed, nor can efface
The blight and blackening which it leaves behind,
Which out of things familiar, undesigned,
When least we deem of such, calls up to view
The spectres whom no exorcism can bind,--
The cold--the changed--perchance the dead--anew,
The mourned, the loved, the lost--too many!--yet how few!
XXV.
But my soul wanders; I demand it back
To meditate amongst decay, and stand
A ruin amidst ruins; there to track
Fall'n states and buried greatness, o'er a land
Which WAS the mightiest in its old command,
And IS the loveliest, and must ever be
The master-mould of Nature's heavenly hand,
Wherein were cast the heroic and the free,
The beautiful, the brave--the lords of earth and sea.
XXVI.
The commonwealth of kings, the men of Rome!
And even since, and now, fair Italy!
Thou art the garden of the world, the home
Of all Art yields, and Nature can decree;
Even in thy desert, what is like to thee?
Thy very weeds are beautiful, thy waste
More rich than other climes' fertility;
Thy wreck a glory, and thy ruin graced
With an immaculate charm which cannot be defaced.
XXVII.
The moon is up, and yet it is not night--
Sunset divides the sky with her--a sea
Of glory streams along the Alpine height
Of blue Friuli's mountains; Heaven is free
From clouds, but of all colours seems to be--
Melted to one vast Iris of the West,
Where the day joins the past eternity;
While, on the other hand, meek Dian's crest
Floats through the azure air--an island of the blest!
XXVIII.
A single star is at her side, and reigns
With her o'er half the lovely heaven; but still
Yon sunny sea heaves brightly, and remains
Rolled o'er the peak of the far Rhaetian hill,
As Day and Night contending were, until
Nature reclaimed her order:--gently flows
The deep-dyed Brenta, where their hues instil
The odorous purple of a new-born rose,
Which streams upon her stream, and glassed within it glows,
XXIX.
Filled with the face of heaven, which, from afar,
Comes down upon the waters; all its hues,
From the rich sunset to the rising star,
Their magical variety diffuse:
And now they change; a paler shadow strews
Its mantle o'er the mountains; parting day
Dies like the dolphin, whom each pang imbues
With a new colour as it gasps away,
The last still loveliest, till--'tis gone--and all is grey.
XXX.
There is a tomb in Arqua;--reared in air,
Pillared in their sarcophagus, repose
The bones of Laura's lover: here repair
Many familiar with his well-sung woes,
The pilgrims of his genius. He arose
To raise a language, and his land reclaim
From the dull yoke of her barbaric foes:
Watering the tree which bears his lady's name
With his melodious tears, he gave himself to fame.
XXXI.
They keep his dust in Arqua, where he died;
The mountain-village where his latter days
Went down the vale of years; and 'tis their pride--
An honest pride--and let it be their praise,
To offer to the passing stranger's gaze
His mansion and his sepulchre; both plain
And venerably simple, such as raise
A feeling more accordant with his strain,
Than if a pyramid formed his monumental fane.
XXXII.
And the soft quiet hamlet where he dwelt
Is one of that complexion which seems made
For those who their mortality have felt,
And sought a refuge from their hopes decayed
In the deep umbrage of a green hill's shade,
Which shows a distant prospect far away
Of busy cities, now in vain displayed,
For they can lure no further; and the ray
Of a bright sun can make sufficient holiday.
XXXIII.
Developing the mountains, leaves, and flowers
And shining in the brawling brook, where-by,
Clear as its current, glide the sauntering hours
With a calm languor, which, though to the eye
Idlesse it seem, hath its morality,
If from society we learn to live,
'Tis solitude should teach us how to die;
It hath no flatterers; vanity can give
No hollow aid; alone--man with his God must strive:
XXXIV.
Or, it may be, with demons, who impair
The strength of better thoughts, and seek their prey
In melancholy bosoms, such as were
Of moody texture from their earliest day,
And loved to dwell in darkness and dismay,
Deeming themselves predestined to a doom
Which is not of the pangs that pass away;
Making the sun like blood, the earth a tomb,
The tomb a hell, and hell itself a murkier gloom.
XXXV.
Ferrara! in thy wide and grass-grown streets,
Whose symmetry was not for solitude,
There seems as 'twere a curse upon the seat's
Of former sovereigns, and the antique brood
Of Este, which for many an age made good
Its strength within thy walls, and was of yore
Patron or tyrant, as the changing mood
Of petty power impelled, of those who wore
The wreath which Dante's brow alone had worn before.
XXXVI.
And Tasso is their glory and their shame.
Hark to his strain! and then survey his cell!
And see how dearly earned Torquato's fame,
And where Alfonso bade his poet dwell.
The miserable despot could not quell
The insulted mind he sought to quench, and blend
With the surrounding maniacs, in the hell
Where he had plunged it. Glory without end
Scattered the clouds away--and on that name attend
XXXVII.
The tears and praises of all time, while thine
Would rot in its oblivion--in the sink
Of worthless dust, which from thy boasted line
Is shaken into nothing; but the link
Thou formest in his fortunes bids us think
Of thy poor malice, naming thee with scorn--
Alfonso! how thy ducal pageants shrink
From thee! if in another station born,
Scarce fit to be the slave of him thou mad'st to mourn:
XXXVIII.
THOU! formed to eat, and be despised, and die,
Even as the beasts that perish, save that thou
Hadst a more splendid trough, and wider sty:
HE! with a glory round his furrowed brow,
Which emanated then, and dazzles now
In face of all his foes, the Cruscan quire,
And Boileau, whose rash envy could allow
No strain which shamed his country's creaking lyre,
That whetstone of the teeth--monotony in wire!
XXXIX.
Peace to Torquato's injured shade! 'twas his
In life and death to be the mark where Wrong
Aimed with their poisoned arrows--but to miss.
Oh, victor unsurpassed in modern song!
Each year brings forth its millions; but how long
The tide of generations shall roll on,
And not the whole combined and countless throng
Compose a mind like thine? Though all in one
Condensed their scattered rays, they would not form a sun.
XL.
Great as thou art, yet paralleled by those
Thy countrymen, before thee born to shine,
The bards of Hell and Chivalry: first rose
The Tuscan father's comedy divine;
Then, not unequal to the Florentine,
The Southern Scott, the minstrel who called forth
A new creation with his magic line,
And, like the Ariosto of the North,
Sang ladye-love and war, romance and knightly worth.
XLI.
The lightning rent from Ariosto's bust
The iron crown of laurel's mimicked leaves;
Nor was the ominous element unjust,
For the true laurel-wreath which Glory weaves
Is of the tree no bolt of thunder cleaves,
And the false semblance but disgraced his brow;
Yet still, if fondly Superstition grieves,
Know that the lightning sanctifies below
Whate'er it strikes;--yon head is doubly sacred now.
XLII.
Italia! O Italia! thou who hast