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Daughters of Nijo: A Romance of Japan

Onoto Watanna

“You did not love him?” asked the princess, in a timid, most beseeching voice. “I did not even look upon him,” returned Masago, impatiently. “He was my father’s choice, not mine. I—see, look here, O princess!” She held before the eyes of Sado-ko the printed picture of the Prince Komatzu, then continued swiftly, with passionate vehemence:— “This was my hero! I went up to Kyoto not to study.” She arose and began to walk across the chamber, clasping and unclasping her hands as she spoke. “I saw the noble palaces of my ancestors,—yes, mine! I lingered, wandered in the streets outside—think of it!—outside the walls! I watched at every gate, and saw the cortèges and the trains of the nobles and the princes pass and repass back and forth; and oh! while I must fall upon my face—I! And once, just once, I touched the august sword of Prince Komatzu. Thus! It was thus I did so.” She swung her long sleeve till it barely grazed the head of Sado-ko, in illustration. “’Twas in a public place he spoke. They set him up like any common man! He was so noble, so great. O princess! he spoke to all that gaping herd like man to man, with less of condescension than the lordly politicians of the capital,—he whose august feet should not have deigned to touch the earth.” “Nay,” interposed the princess, smiling quietly, “Komatzu is a modern. The times have changed, Masago. No longer are the royal ones called gods.” “Yet like unto a god he was,” declared the girl, “for I saw with these eyes.” “Which love had sweetly blinded,” smiled the princess, sympathetically. She, also, arose, and put her hand upon Masago’s arm, leaning against her. “Masago,” she said, in her low, winning voice, “if you could do so, would you change your simple home for the royal court and all its glamour?” “Ask the birds if they prefer the wide, free sky to the dark sea.” “Would you, then, exchange your state for—mine, Masago?” Slowly the girl turned her face and looked into the pleading eyes of Sado-ko. Her voice was hoarse. She said:— “You give me wilful pain, O princess. Why? You know full well that could not be.” “Why not?” asked Sado-ko, whisperingly. “No, no!” Masago recoiled, her incredulous eyes fixed as if fascinated on the face of Sado-ko. The princess placed her hands on the shoulders of Masago, and brought her face close to hers. “Look into the mirror—Sado-ko,” said she. “Sado-ko! You call me by your name!” “And pray you, call me—Masago.” “Oh, no! Oh, no!” “You will not change with me?” “Oh, oh!” Masago had become white as death, as though she were about to faint. “Will you not do so?” still pleaded the now almost despairing voice of Sado-ko. “I dare not—dare not,” she murmured. There was silence now in the room. The dim sounds of the world about them did not reach the ears of these two. Masago had reached out a trembling hand to support herself against the framework of the wall. Sado-ko watched her with a yearning, melancholy expression in her face. Suddenly she turned away. “You were right, Masago,” she said slowly. “It could not be.” She paused, then, sighing, moved with drooping head toward the doors of the corridor. “Sayonara—sister,” she softly breathed. That word of farewell broke the tension of the dazed Masago. She sprang with a cry after the departing one. Both of the princess’s sleeves were in her grasp. “Go not yet!” she cried. “Do not go!” She fell grovelling upon her knees, still clinging to the long sleeves of the princess, and hid her face in the folds of Sado-ko’s kimono. Then, with her face muffled in the gown, she spoke:— “I could not grasp the meaning of your words—My heart leaped up and burst—I could not think. I pray you, do not take my joy away while yet I barely grasp it in my hands, Princess Sado-ko!” “You do consent!” said Sado-ko, bending over her, while a strange light of excitement came into her eyes. “Consent! On my knees I could pray to you, as to a god, to grant this thing you suggest for a caprice.” ------------------------------------------------------------------------ CHAPTER XV THE CHANGE ------------------------------------------------------------------------
Illustration note[Illustration]
CHAPTER XV THE CHANGE “HUSH! Do not speak so loudly, Masago!” “How you tremble, Sado-ko.” “We have once more mistaken our names,” said she who was the Princess Sado-ko. “Oh, true. Now call me Sado-ko! No, call me noble princess, most divine, exalted, august, royal princess! Call me so!” “A princess is not so addressed,” replied the other, smiling, “save sometimes by a servile, ignorant one.” “I fear I will be sure to make the most absurd mistakes.” “So! Then the whole court will call it ‘A new caprice of the foolish Princess Sado-ko.’” “Again, if you please—call me Sado-ko.” “Princess Sado-ko!” “Masago!” “Nay, call me simply ‘sister,’” said the other, in a trembling voice. “Sister—there! Does not this beauteous robe become me well?” “As though it were made alone for you, Masago.” “No, no,—Princess Sado-ko!” “I bow my humble head unto the dust, most royal Princess Sado-ko!” In mock humility the new Masago bowed before the old Masago. “Yet,” said the latter, with her red lips pursed in thought, “they say it is the latest fashion of the court to wear the foreign style of dress. Is it not so?” “Yes. It is so.” “Oh, joyful! Such beautiful and gorgeous gowns as I shall wear. I will send at once to all the most famous foreign cities. Let me see,—to Holland, and to—” “The Princess Sado-ko never liked the foreign gown,” interrupted the other, shaking her head a trifle sadly. “But you spoke just now of the caprices of that same Princess Sado-ko. She has already another one.” Then up and down the room, in the long, trailing robe of Princess Sado-ko, walked, peacock-like, the maiden Masago; while close at hand, with dreamy face and dewy eyes, clad in a simple crêpe kimono, and with flowers—no longer jewels—in her hair, stood Sado-ko. “Tell me,” said the vain and eager Masago, “when the noble Prince Komatzu shall greet me so,”—she bowed with assumed gallantry—“will I bow thus?” Down to the mat she bent her head. “Why, no; but thus.” Gracefully, simply she illustrated. “A low, but not too low, obeisance. You are of equal rank, Masa—princess!” “So—like this?” “No; this way.” “Well, it will take me twenty hours to practise thus. I will not sleep till I accomplish it.” “Oh, you will learn. Bow as you will, Masago. Komatzu will declare your mood has changed, and still insist that you are fair.” Stooping in her posing, Masago stared a moment at the other. “Perhaps already he has whispered words of love to you, then?” Her voice was sharply jealous. “No, my cousin does not know me quite as yet. You will make him better acquainted with Princess Sado-ko.” “Ah, that I will!” She raised her long, slim arms from out the graceful sleeves. Her hands she clasped behind her head. “Oh, what a glorious dream it is!” she said; then, in quick alarm, “A dream? Say that it is not all a dream.” But Sado-ko sat staring quietly into the future. When she raised her eyes, they softly gleamed. “A dream it is—a dream, and yet—Oh, Kuonnon, let us not awake!” “Ah, how can you be so glad—you who are to stay here only Masago?”
Illustration note[Illustration: “Then up and down the room, in the long, trailing robe of Princess Sado-ko, walked, peacock-like, the maiden Masago.”]
“Masago,” repeated the other, softly. “That is well.” She raised a flushing face. “I am like a bird set free, Masago. My very voice is sore to sing.” Masago threw herself upon the floor beside her. “That is how I feel, also,” she said. They smiled into each other’s faces, then drew closer together, their sympathy for each other growing. “Here is some homely counsel,” said Masago. “Confide small matters to my mother, and lead her on to gossip much with you. She will tell you everything there is to know. She is so simple—so foolish. A little wit upon your part will quickly disarm any suspicion she might have. But be not free in speech with Yamada Kwacho, your new father. A cold and constrained space has always been between us. Do not let the children disturb you with their prattle, and oh, also, pray you show some pride to certain neighbors, for none in all the town have had the same up-bringing as Masago.” “And is that all,—these simple facts that I must heed to be Masago?” “All. It is a dull and simple life.” “And you. Pray trust not the ladies of my suite. They do most heartily detest the Princess Sado-ko, who is given to seclusion, which has often deprived them of much gay pleasures of the new court.” “But I will change all that,” said Masago. “That is true.” She sighed. “Well, then, there is nothing else to say. But stay! My maiden, Natsu-no. Oh, pray you, dear Masago, treat her with the greatest kindness, will you not?” “I will.” “She is even now without this room, waiting for me, with that dear patience with which she watches and guards me at all times. You know, Masago, she has been with me since I was but a baby. Alas, I shall suffer for her loss!” Tears for a moment dimmed the eyes of Sado-ko. “What more?” asked Masago, surveying with delight the width and beauty of her obi. “What else? Well, Masago, there is one other matter. In the garden of the Palace Nijo there hangs an open cage, just without my chamber. It is the home of my dear nightingale.” “A bird?” “A little bird. Listen, there is a pretty story you would like to hear. Once in the spring, while I was yet a little girl, and grieving for my most beloved grandmother, his Majesty, the Emperor, sent me as a gift of consolation a nightingale within a golden cage. It sang so sweetly to me that I was entranced with delight, and when the days were warm would hang the cage upon my balcony. The garden close at hand was fragrant with the odor of the cherry and the plum, and allured many other nightingales to make their home there. The little birds noticed their play-mate in the cage, and when, at evening, they saw no one in sight—for I was hidden behind my shoji screen—they would approach the cage, and sing all merrily together. These honorably sweet serenades gave me double joy, as you may imagine, and I soon learned to distinguish the voices without and that one within the cage. At first I thought the song of my own bird within the cage sounded sweeter even than those without. Then in a little while it became hard to distinguish them, and at last I could not hear the voice of my small nightingale at all.” She paused a moment, as though in thought, then resumed, her eyes sweet with moisture. “I pondered over this odd change, Masago, and then I thought that it must be because those without enjoyed their freedom in the open air, while my poor little bird was shut within the narrow limits of its cage.” Her eyes became more tender still as she proceeded. “So I opened wide the door, Masago, and let my little bird go free.” “Why, then,” spoke the other, “it is gone. How foolish you were, Sado-ko.” The princess shook her head.
Illustration note[Illustration: “‘Then soft alighted on a cherry tree and filled the air with its sweet song.’”]
“I thought, like you, that it would fly far, far away, but no! It only flew above my head a space, then soft alighted on a cherry tree close by, and filled the air with its sweet song.” “But since?” “Since then, Masago, the cage is always opened wide. Yet still the nightingale makes its home within.”