David Copperfield
‘If you please, sir,’ I said, when we had accomplished about the same
distance as before, ‘is it far?’
‘It’s down by Blackheath,’ he said.
‘Is that far, sir?’ I diffidently asked.
‘It’s a good step,’ he said. ‘We shall go by the stage-coach. It’s about
six miles.’
I was so faint and tired, that the idea of holding out for six miles
more, was too much for me. I took heart to tell him that I had had
nothing all night, and that if he would allow me to buy something to
eat, I should be very much obliged to him. He appeared surprised at
this--I see him stop and look at me now--and after considering for a few
moments, said he wanted to call on an old person who lived not far off,
and that the best way would be for me to buy some bread, or whatever I
liked best that was wholesome, and make my breakfast at her house, where
we could get some milk.
Accordingly we looked in at a baker’s window, and after I had made a
series of proposals to buy everything that was bilious in the shop, and
he had rejected them one by one, we decided in favour of a nice little
loaf of brown bread, which cost me threepence. Then, at a grocer’s shop,
we bought an egg and a slice of streaky bacon; which still left what
I thought a good deal of change, out of the second of the bright
shillings, and made me consider London a very cheap place. These
provisions laid in, we went on through a great noise and uproar that
confused my weary head beyond description, and over a bridge which, no
doubt, was London Bridge (indeed I think he told me so, but I was half
asleep), until we came to the poor person’s house, which was a part of
some alms-houses, as I knew by their look, and by an inscription on a
stone over the gate which said they were established for twenty-five
poor women.
The Master at Salem House lifted the latch of one of a number of little
black doors that were all alike, and had each a little diamond-paned
window on one side, and another little diamond--paned window above; and
we went into the little house of one of these poor old women, who was
blowing a fire to make a little saucepan boil. On seeing the master
enter, the old woman stopped with the bellows on her knee, and said
something that I thought sounded like ‘My Charley!’ but on seeing me
come in too, she got up, and rubbing her hands made a confused sort of
half curtsey.
‘Can you cook this young gentleman’s breakfast for him, if you please?’
said the Master at Salem House.
‘Can I?’ said the old woman. ‘Yes can I, sure!’
‘How’s Mrs. Fibbitson today?’ said the Master, looking at another old
woman in a large chair by the fire, who was such a bundle of clothes
that I feel grateful to this hour for not having sat upon her by
mistake.
‘Ah, she’s poorly,’ said the first old woman. ‘It’s one of her bad days.
If the fire was to go out, through any accident, I verily believe she’d
go out too, and never come to life again.’
As they looked at her, I looked at her also. Although it was a warm day,
she seemed to think of nothing but the fire. I fancied she was jealous
even of the saucepan on it; and I have reason to know that she took its
impressment into the service of boiling my egg and broiling my bacon, in
dudgeon; for I saw her, with my own discomfited eyes, shake her fist at
me once, when those culinary operations were going on, and no one else
was looking. The sun streamed in at the little window, but she sat with
her own back and the back of the large chair towards it, screening the
fire as if she were sedulously keeping IT warm, instead of it keeping
her warm, and watching it in a most distrustful manner. The completion
of the preparations for my breakfast, by relieving the fire, gave her
such extreme joy that she laughed aloud--and a very unmelodious laugh
she had, I must say.
I sat down to my brown loaf, my egg, and my rasher of bacon, with a
basin of milk besides, and made a most delicious meal. While I was yet
in the full enjoyment of it, the old woman of the house said to the
Master:
‘Have you got your flute with you?’
‘Yes,’ he returned.
‘Have a blow at it,’ said the old woman, coaxingly. ‘Do!’
The Master, upon this, put his hand underneath the skirts of his coat,
and brought out his flute in three pieces, which he screwed together,
and began immediately to play. My impression is, after many years of
consideration, that there never can have been anybody in the world who
played worse. He made the most dismal sounds I have ever heard produced
by any means, natural or artificial. I don’t know what the tunes
were--if there were such things in the performance at all, which I
doubt--but the influence of the strain upon me was, first, to make me
think of all my sorrows until I could hardly keep my tears back; then to
take away my appetite; and lastly, to make me so sleepy that I couldn’t
keep my eyes open. They begin to close again, and I begin to nod, as the
recollection rises fresh upon me. Once more the little room, with its
open corner cupboard, and its square-backed chairs, and its angular
little staircase leading to the room above, and its three peacock’s
feathers displayed over the mantelpiece--I remember wondering when I
first went in, what that peacock would have thought if he had known what
his finery was doomed to come to--fades from before me, and I nod, and
sleep. The flute becomes inaudible, the wheels of the coach are heard
instead, and I am on my journey. The coach jolts, I wake with a start,
and the flute has come back again, and the Master at Salem House is
sitting with his legs crossed, playing it dolefully, while the old woman
of the house looks on delighted. She fades in her turn, and he fades,
and all fades, and there is no flute, no Master, no Salem House, no
David Copperfield, no anything but heavy sleep.
I dreamed, I thought, that once while he was blowing into this dismal
flute, the old woman of the house, who had gone nearer and nearer to him
in her ecstatic admiration, leaned over the back of his chair and gave
him an affectionate squeeze round the neck, which stopped his playing
for a moment. I was in the middle state between sleeping and waking,
either then or immediately afterwards; for, as he resumed--it was a real
fact that he had stopped playing--I saw and heard the same old woman ask
Mrs. Fibbitson if it wasn’t delicious (meaning the flute), to which Mrs.
Fibbitson replied, ‘Ay, ay! yes!’ and nodded at the fire: to which, I am
persuaded, she gave the credit of the whole performance.
When I seemed to have been dozing a long while, the Master at Salem
House unscrewed his flute into the three pieces, put them up as before,
and took me away. We found the coach very near at hand, and got upon the
roof; but I was so dead sleepy, that when we stopped on the road to take
up somebody else, they put me inside where there were no passengers, and
where I slept profoundly, until I found the coach going at a footpace up
a steep hill among green leaves. Presently, it stopped, and had come to
its destination.
A short walk brought us--I mean the Master and me--to Salem House, which
was enclosed with a high brick wall, and looked very dull. Over a door
in this wall was a board with SALEM HOUSE upon it; and through a grating
in this door we were surveyed when we rang the bell by a surly face,
which I found, on the door being opened, belonged to a stout man with a
bull-neck, a wooden leg, overhanging temples, and his hair cut close all
round his head.
‘The new boy,’ said the Master.
The man with the wooden leg eyed me all over--it didn’t take long, for
there was not much of me--and locked the gate behind us, and took out
the key. We were going up to the house, among some dark heavy trees,
when he called after my conductor. ‘Hallo!’
We looked back, and he was standing at the door of a little lodge, where
he lived, with a pair of boots in his hand.
‘Here! The cobbler’s been,’ he said, ‘since you’ve been out, Mr. Mell,
and he says he can’t mend ‘em any more. He says there ain’t a bit of the
original boot left, and he wonders you expect it.’
With these words he threw the boots towards Mr. Mell, who went back a
few paces to pick them up, and looked at them (very disconsolately,
I was afraid), as we went on together. I observed then, for the first
time, that the boots he had on were a good deal the worse for wear, and
that his stocking was just breaking out in one place, like a bud.
Salem House was a square brick building with wings; of a bare and
unfurnished appearance. All about it was so very quiet, that I said to
Mr. Mell I supposed the boys were out; but he seemed surprised at my
not knowing that it was holiday-time. That all the boys were at their
several homes. That Mr. Creakle, the proprietor, was down by the
sea-side with Mrs. and Miss Creakle; and that I was sent in holiday-time
as a punishment for my misdoing, all of which he explained to me as we
went along.
I gazed upon the schoolroom into which he took me, as the most forlorn
and desolate place I had ever seen. I see it now. A long room with three
long rows of desks, and six of forms, and bristling all round with pegs
for hats and slates. Scraps of old copy-books and exercises litter the
dirty floor. Some silkworms’ houses, made of the same materials, are
scattered over the desks. Two miserable little white mice, left behind
by their owner, are running up and down in a fusty castle made of
pasteboard and wire, looking in all the corners with their red eyes
for anything to eat. A bird, in a cage very little bigger than himself,
makes a mournful rattle now and then in hopping on his perch, two inches
high, or dropping from it; but neither sings nor chirps. There is a
strange unwholesome smell upon the room, like mildewed corduroys, sweet
apples wanting air, and rotten books. There could not well be more ink
splashed about it, if it had been roofless from its first construction,
and the skies had rained, snowed, hailed, and blown ink through the
varying seasons of the year.
Mr. Mell having left me while he took his irreparable boots upstairs, I
went softly to the upper end of the room, observing all this as I crept
along. Suddenly I came upon a pasteboard placard, beautifully written,
which was lying on the desk, and bore these words: ‘TAKE CARE OF HIM. HE
BITES.’
I got upon the desk immediately, apprehensive of at least a great dog
underneath. But, though I looked all round with anxious eyes, I could
see nothing of him. I was still engaged in peering about, when Mr. Mell
came back, and asked me what I did up there?
‘I beg your pardon, sir,’ says I, ‘if you please, I’m looking for the
dog.’
‘Dog?’ he says. ‘What dog?’
‘Isn’t it a dog, sir?’
‘Isn’t what a dog?’
‘That’s to be taken care of, sir; that bites.’
‘No, Copperfield,’ says he, gravely, ‘that’s not a dog. That’s a boy.
My instructions are, Copperfield, to put this placard on your back. I am
sorry to make such a beginning with you, but I must do it.’ With that he
took me down, and tied the placard, which was neatly constructed for
the purpose, on my shoulders like a knapsack; and wherever I went,
afterwards, I had the consolation of carrying it.
What I suffered from that placard, nobody can imagine. Whether it was
possible for people to see me or not, I always fancied that somebody was
reading it. It was no relief to turn round and find nobody; for wherever
my back was, there I imagined somebody always to be. That cruel man with
the wooden leg aggravated my sufferings. He was in authority; and if he
ever saw me leaning against a tree, or a wall, or the house, he roared
out from his lodge door in a stupendous voice, ‘Hallo, you sir! You
Copperfield! Show that badge conspicuous, or I’ll report you!’ The
playground was a bare gravelled yard, open to all the back of the house