Essays — Second Series
a benefit, without some shame and humiliation. We can rarely strike a
direct stroke, but must be content with an oblique one; we seldom
have the satisfaction of yielding a direct benefit which is directly
received. But rectitude scatters favors on every side without knowing
it, and receives with wonder the thanks of all people.
I fear to breathe any treason against the majesty of love, which is the
genius and god of gifts, and to whom we must not affect to prescribe.
Let him give kingdoms or flower-leaves indifferently. There are persons
from whom we always expect fairy-tokens; let us not cease to expect
them. This is prerogative, and not to be limited by our municipal rules.
For the rest, I like to see that we cannot be bought and sold. The best
of hospitality and of generosity is also not in the will, but in fate. I
find that I am not much to you; you do not need me; you do not feel me;
then am I thrust out of doors, though you proffer me house and lands. No
services are of any value, but only likeness. When I have attempted to
join myself to others by services, it proved an intellectual trick,--no
more. They eat your service like apples, and leave you out. But love
them, and they feel you and delight in you all the time.
*****
NATURE.
The rounded world is fair to see,
Nine times folded in mystery:
Though baffled seers cannot impart
The secret of its laboring heart,
Throb thine with Nature's throbbing breast,
And all is clear from east to west.
Spirit that lurks each form within
Beckons to spirit of its kin;
Self-kindled every atom glows,
And hints the future which it owes.
VI. NATURE.
THERE are days which occur in this climate, at almost any season of
the year, wherein the world reaches its perfection; when the air,
the heavenly bodies and the earth, make a harmony, as if nature would
indulge her offspring; when, in these bleak upper sides of the planet,
nothing is to desire that we have heard of the happiest latitudes, and
we bask in the shining hours of Florida and Cuba; when everything that
has life gives sign of satisfaction, and the cattle that lie on the
ground seem to have great and tranquil thoughts. These halcyons may be
looked for with a little more assurance in that pure October weather
which we distinguish by the name of the Indian summer. The day,
immeasurably long, sleeps over the broad hills and warm wide fields.
To have lived through all its sunny hours, seems longevity enough. The
solitary places do not seem quite lonely. At the gates of the forest,
the surprised man of the world is forced to leave his city estimates of
great and small, wise and foolish. The knapsack of custom falls off his
back with the first step he makes into these precincts. Here is sanctity
which shames our religions, and reality which discredits our heroes.
Here we find Nature to be the circumstance which dwarfs every other
circumstance, and judges like a god all men that come to her. We have
crept out of our close and crowded houses into the night and morning,
and we see what majestic beauties daily wrap us in their bosom. How
willingly we would escape the barriers which render them comparatively
impotent, escape the sophistication and second thought, and suffer
nature to intrance us. The tempered light of the woods is like a
perpetual morning, and is stimulating and heroic. The anciently reported
spells of these places creep on us. The stems of pines, hemlocks, and
oaks almost gleam like iron on the excited eye. The incommunicable trees
begin to persuade us to live with them, and quit our life of solemn
trifles. Here no history, or church, or state, is interpolated on the
divine sky and the immortal year. How easily we might walk onward into
the opening landscape, absorbed by new pictures and by thoughts fast
succeeding each other, until by degrees the recollection of home was
crowded out of the mind, all memory obliterated by the tyranny of the
present, and we were led in triumph by nature.
These enchantments are medicinal, they sober and heal us. These are
plain pleasures, kindly and native to us. We come to our own, and make
friends with matter, which the ambitious chatter of the schools would
persuade us to despise. We never can part with it; the mind loves its
old home: as water to our thirst, so is the rock, the ground, to our
eyes and hands and feet. It is firm water; it is cold flame; what
health, what affinity! Ever an old friend, ever like a dear friend and
brother when we chat affectedly with strangers, comes in this honest
face, and takes a grave liberty with us, and shames us out of our
nonsense. Cities give not the human senses room enough. We go out daily
and nightly to feed the eyes on the horizon, and require so much scope,
just as we need water for our bath. There are all degrees of natural
influence, from these quarantine powers of nature, up to her dearest
and gravest ministrations to the imagination and the soul. There is the
bucket of cold water from the spring, the wood-fire to which the chilled
traveller rushes for safety,--and there is the sublime moral of autumn
and of noon. We nestle in nature, and draw our living as parasites from
her roots and grains, and we receive glances from the heavenly bodies,
which call us to solitude and foretell the remotest future. The blue
zenith is the point in which romance and reality meet. I think if
we should be rapt away into all that we dream of heaven, and should
converse with Gabriel and Uriel, the upper sky would be all that would
remain of our furniture.
It seems as if the day was not wholly profane in which we have given
heed to some natural object. The fall of snowflakes in a still air,
preserving to each crystal its perfect form; the blowing of sleet over
a wide sheet of water, and over plains; the waving ryefield; the mimic
waving of acres of houstonia, whose innumerable florets whiten and
ripple before the eye; the reflections of trees and flowers in glassy
lakes; the musical steaming odorous south wind, which converts all trees
to windharps; the crackling and spurting of hemlock in the flames, or
of pine logs, which yield glory to the walls and faces in the
sittingroom,--these are the music and pictures of the most ancient
religion. My house stands in low land, with limited outlook, and on the
skirt of the village. But I go with my friend to the shore of our little
river, and with one stroke of the paddle I leave the village politics
and personalities, yes, and the world of villages and personalities
behind, and pass into a delicate realm of sunset and moonlight, too
bright almost for spotted man to enter without novitiate and probation.
We penetrate bodily this incredible beauty; we dip our hands in this
painted element; our eyes are bathed in these lights and forms.
A holiday, a villeggiatura, a royal revel, the proudest, most
heart-rejoicing festival that valor and beauty, power and taste, ever
decked and enjoyed, establishes itself on the instant. These sunset
clouds, these delicately emerging stars, with their private and
ineffable glances, signify it and proffer it. I am taught the poorness
of our invention, the ugliness of towns and palaces. Art and luxury
have early learned that they must work as enhancement and sequel to this
original beauty. I am overinstructed for my return. Henceforth I shall
be hard to please. I cannot go back to toys. I am grown expensive and
sophisticated. I can no longer live without elegance, but a countryman
shall be my master of revels. He who knows the most; he who knows
what sweets and virtues are in the ground, the waters, the plants, the
heavens, and how to come at these enchantments,--is the rich and royal
man. Only as far as the masters of the world have called in nature
to their aid, can they reach the height of magnificence. This is the
meaning of their hanging-gardens, villas, garden-houses, islands,
parks and preserves, to back their faulty personality with these
strong accessories. I do not wonder that the landed interest should be
invincible in the State with these dangerous auxiliaries. These bribe
and invite; not kings, not palaces, not men, not women, but these tender
and poetic stars, eloquent of secret promises. We heard what the rich
man said, we knew of his villa, his grove, his wine and his company, but
the provocation and point of the invitation came out of these beguiling
stars. In their soft glances I see what men strove to realize in some
Versailles, or Paphos, or Ctesiphon. Indeed, it is the magical lights of
the horizon and the blue sky for the background which save all our works
of art, which were otherwise bawbles. When the rich tax the poor with
servility and obsequiousness, they should consider the effect of men
reputed to be the possessors of nature, on imaginative minds. Ah! if
the rich were rich as the poor fancy riches! A boy hears a military
band play on the field at night, and he has kings and queens and famous
chivalry palpably before him. He hears the echoes of a horn in a
hill country, in the Notch Mountains, for example, which converts the
mountains into an Aeolian harp,--and this supernatural tiralira restores
to him the Dorian mythology, Apollo, Diana, and all divine hunters and
huntresses. Can a musical note be so lofty, so haughtily beautiful!
To the poor young poet, thus fabulous is his picture of society; he
is loyal; he respects the rich; they are rich for the sake of his
imagination; how poor his fancy would be, if they were not rich! That
they have some high-fenced grove which they call a park; that they live
in larger and better-garnished saloons than he has visited, and go in
coaches, keeping only the society of the elegant, to watering-places
and to distant cities,--these make the groundwork from which he
has delineated estates of romance, compared with which their actual
possessions are shanties and paddocks. The muse herself betrays her son,
and enhances the gifts of wealth and well-born beauty by a radiation
out of the air, and clouds, and forests that skirt the road,--a certain
haughty favor, as if from patrician genii to patricians, a kind of
aristocracy in nature, a prince of the power of the air.
The moral sensibility which makes Edens and Tempes so easily, may not be
always found, but the material landscape is never far off. We can
find these enchantments without visiting the Como Lake, or the Madeira
Islands. We exaggerate the praises of local scenery. In every landscape
the point of astonishment is the meeting of the sky and the earth,
and that is seen from the first hillock as well as from the top of the
Alleghanies. The stars at night stoop down over the brownest, homeliest
common with all the spiritual magnificence which they shed on the
Campagna, or on the marble deserts of Egypt. The uprolled clouds and the
colors of morning and evening will transfigure maples and alders. The
difference between landscape and landscape is small, but there is
great difference in the beholders. There is nothing so wonderful in any
particular landscape as the necessity of being beautiful under which
every landscape lies. Nature cannot be surprised in undress. Beauty
breaks in everywhere.
But it is very easy to outrun the sympathy of readers on this topic,
which schoolmen called natura naturata, or nature passive. One can
hardly speak directly of it without excess. It is as easy to broach in
mixed companies what is called "the subject of religion." A susceptible
person does not like to indulge his tastes in this kind without the
apology of some trivial necessity: he goes to see a wood-lot, or to look
at the crops, or to fetch a plant or a mineral from a remote locality,
or he carries a fowling-piece or a fishing-rod. I suppose this shame