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Faust: A Tragedy

Johann Wolfgang von Goethe

The personality of Faust, however, is not left to rest upon the mere traditionary evidence of the vulgar legend. The diligence of German antiquaries, even before Goethe's Faust gave importance to the theme, had collected many trustworthy historical testimonies in confirmation of the common belief. Dürr's Letter on this subject is dated 1676; and, not seven years afterwards, appeared Neumann's historical disquisition _De Fausto praestigiatore_. This essay I have not seen at full length; but from the epitome given of it by Hauber (_Bibliotheca Magica_, vol. ii. p. 706), I fear that there may be but too much cause for the remark of Heumann,[*i9] that "it smacks too much of the young graduate." It was certainly a very pious motive that induced Neumann, a student of Wittenberg, to attempt removing from his _alma mater_ the shame of having given birth, or even education, to such a notorious character as Doctor Faust; but truth often forces us to admit what fondest prejudice would fain deny. The next critical essay on Faust, is that of Heumann, just quoted, in Hauber's Library of Magic, and it contains the most important of these historical testimonies to the truth of the Faustish legend, which have since been so comprehensively exhibited in one work by Doctor Stieglitz.[*i10] As all the traditions agree in representing Faust as haying studied at Wittenberg, and there, too, exhibited a number of magical tricks to his good friends the students, it was natural to suspect that Luther or Melancthon should, somewhere or other, make mention of such a notorious character. And, accordingly, Stieglitz follows Horst (_Zauber-Bibliotheck_, vi. 87) in asserting that Melancthon actually does make mention of Doctor Faust in one of his epistles; but as neither of these writers cites the passage, or mentions in what particular part of Melancthon's work it is to be found, I barely mention this circumstance on their authority. There is, however, very great probability that the testimony of Joannes Manlius, in his Collectanea, the principal one relied on both by Heumann and Stieglitz, is, in reality, to be considered as a testimony of Melancthon. Manlius himself[*i11] says of his Collectanea, "_Labor hic noster collectus ex ore D. Phillippi Melanchthonis allisque clarissimis viris_," and might, on this account, as Heumann remarks, have fitly been named _Melancthoniana_, or Melancthon's Table-Talk. But be this as it may, Manlius' testimony is most decided, and runs as follows:--"I was acquainted with a certain person, called Faust of Kundling, a small town in Wurtemberg. He was a Cracovian Scholasticus, and read lectures on magic in the university there. He was a great rambler (_vagabatur passim_), and possessed many secrets. At Venice, wishing to amuse the populace, he boasted that he would fly up to heaven. The devil accordingly wafted him up a certain height, but dashed him down again in such a plight, that he lay half-dead on the ground. A few years ago, the same John Faust, on the last day of his life, was found sitting in the common inn of a certain village in the Duchy of Wittenberg. He was, indeed, a most vile blackguard (_turpissimus nebula_), of a most filthy life, so much so, indeed, that he once and again almost lost his life on account of his excesses. The landlord of the inn asked him why he sat there so sad, contrary to his wont? "Be not terrified if you shall hear anything on this night," was his short answer. And at midnight the house was shaken. Next morning, near mid-day, as Faust did not make his appearance, the landlord entered into his chamber, and found him lying beside his bed, with his face on the ground, having been so slain by the devil. When he was yet alive, he was accompanied by a dog, which was the devil. ... This Faust the magician, a most vile beast, and a common sewer of many devils (_cloaca multorum diabolorum_), was also a great boaster, and pretended that all the victories of the Imperial armies in Italy were gained by the help of his magic."[*i12] With this account agrees exactly that given by Wier,[*i13] the disciple and confidant of the celebrated Cornelius Agrippa von Nettesheim. Del Rio,[*i14] who wrote at the end of the sixteenth century, introduces him along with the same Agrippa, playing tricks on the poor landlords, with whom they sojourned in their vagabond excursions, by paying them with money which turned into crumbs and chaff, whenever the magicians were out of sight; but his connection with such a philosopher as Agrippa is much to be doubted, as Wier has not even hinted at it in the passage where he treats expressly of the Doctor. The only other contemporary writer from whom I shall quote at length, is Begardi[*i15] whose book, _Zeyger der Gesundheit_," was published in 1539, and contains the following interesting testimony to the age and character of Faust, which I give here from the German, as it stands in Dr. Stieglitz's essay. "There is yet a celebrated character whom I would rather not have named; but since I must mention him, I will tell what I know of him in a few words. Some years ago this man passed through almost all lands, princedoms, and kingdoms, making his name known to everybody, and making great show of his skill, not in medicine only, but in chiromancy, necromancy, physiognomy, visions in crystals, and such like. And in these things he not only acquired great notoriety, but also obtained the name of a famous and experienced master. He did not conceal his name, but called himself Faust, and used to subscribe himself _philosophus philosophorum_. But of those who were cheated by him, and complained of the same to me, there is a great multitude. His promise was great like that of Thessalus in Galen's days, as also his fame like that of Theophrastus;[*i16] but his deeds, as I have heard, were almost always found to be very petty and deceitful, though he was, to speak plainly, not slow at giving, and especially taking, money, as many a worthy person had cause to know. But now the matter is not to be remedied; past is past, and gone is gone. I must even leave the matter as it is; and see thou to it, that thou treat it as a good Christian ought to do." Thus far Begardi in his honest naïve language. Heumann cites further a long passage from Tritheim's Epistolæ Familiares,[*i17] describing a character altogether similar to that above described by Manlius and Begardi; with this remarkable difference, that he is not called Doctor John Faust, as he is by Manlius, and in all the vulgar traditions, but "_Magister Georgius Faustus Sabellicus, Faustus Junior._" I think Stieglitz has been too precipitate in concluding that difference in the name must necessarily imply a difference in the person. The vagabond wonder-workers of those days were wont to have a number of names, as the example of Paracelsus alone is sufficient to show. With regard to the denomination of "Faustus _junior_," this cannot certainly refer to our John Faust, with whom this George (if he was a different person) must have been contemporary. It probably relates to Faust the printer, who has also been accused of magic, or to some other Faust of the fifteenth century, whose fame has been now swallowed up in that of Doctor John Faust of Wittenberg. Camerarius and Gesner[*i18] also make mention of Doctor Faust; but let the passages already quoted suffice to prove the historical reality of our magical hero. Joining together these historical testimonies and the popular traditions, it is not difficult to come to a pretty accurate conclusion as to the real character of Doctor Faust. He appears to have been a man of extensive learning, especially in medical and astrological, perhaps too in philological and theological, science. But, driven by a restless spirit, and a vain desire of popular applause, he seems to have early abandoned the calm and steady path that leads to professional eminence, and sought after that noisy but less substantial fame, which his scientific skill was fitted to procure for him in the eyes of the gazing multitude. Many of the greatest philosophers, indeed, as Solomon, Roger Bacon, and Cornelius Agrippa, have been accounted magicians for no other reason than their uncommon wisdom, far surpassing that of the age in which they lived; but there is too much reason to suspect that Faust's fame as a magician rests upon much more questionable grounds, and the whole account of his life and exploits leaves upon our mind the impression that he was a very clever vagabond quack, rather than a retired and contemplative philosopher. There is much in all that is told of him that recalls to our mind the biography of Paracelsus, a man certainly of great genius, but of much greater impudence, who gained his living by acting upon the folly of mankind.[*i19] By all accounts, indeed, Faust was a man of much more distinguished academic learning than Paracelsus, of whom historians even question whether he ever studied at any university; but as a vagabond, a boaster, and a wonder-promiser, the one is perhaps only not superior to the other. With a little knowledge of medicine, a little classical lore, some dexterity in performing sleight-of-hand wonders, and a panoply of assurance, a clever man like Faust or Paracelsus may easily obtain a livelihood, and, what is more, an imperishable name. For such characters a strolling life is at once a pleasure and a necessity. Paracelsus soon lost his chair at Basle,--for a man is never a hero to his _valet-de-chambre_,--and, if we may believe the common legend, Faust scarcely left a corner of the earth unvisited, and filled Asia and Europe with his renown. And verily he has had his reward. Since the time of his death, not only Germany, but England, France, and Holland, have swarmed with "prodigious and lamentable histories" of the "great magician John Faust, with his testament and his terrible death." Magical books under his name have become as famous as those of Solomon;[*i20] artists and poets have vied with one another in rendering his name immortal in the annals of Art; tragedies and comedies, puppet-plays and operas, ballads and novels, essays, and dissertations and commentaries, prologues and epilogues, and all the varied paraphernalia of genius and erudition, have been heaped on one another, to adorn the trophy of Doctor John Faustus, the great German quack. The wondrous exploits of Faust are endless, and it would be an endless task to recount the tithe of them. Were I to enter upon an exposition of how Doctor Faust first cited Mephistopheles on a crossroad in the midst of a dark fearful wood near Wittenberg,--how the Devil visited him frequently in his own study in all shapes and sizes,--how the Doctor was, after some hesitation, prevailed on to sell his soul to Lucifer, and to that effect signed a formal bond with blood drawn from his own arm,--how he neglected all the warnings of his good genius, and even the terrible writing that appeared on his wounded arm, /Homo Fuge/!--how the wily Devil dissuaded him from the quiet of a domestic life, when he wished to marry, that he might drag him into all kinds of licentiousness,--how he forced Mephistopheles to answer all his importunate interrogatories, as to the state of Hell, and the condition of the damned, which the Devil painted in colours as terrible as if he had been an Evangelist of the north-west Highland type,--how Faust was transported into Hell upon the back of Beelzebub, and left floundering through the chaos of the abyss,--how he travelled from star to star, and surveyed all the infinity of worlds, with as much expedition as the imagination of a modern poet,--how he turned astrologer, and vied with the fame of Nostradamus,--how he wandered over the whole world, and saw Rome,