About this book

From Chaucer to Tennyson

Henry A. Beers

Heaven lies about us in our infancy: Shades of the prison-house begin to close Upon the growing boy; But he beholds the light, and whence it flows, He sees it in his joy. The youth, who daily farther from the east Must travel, still is Nature's priest, And by the vision splendid Is on his way attended; At length the man perceives it die away, And fade into the light of common day.... O joy! that in our embers Is something that doth live, That nature yet remembers What was so fugitive! The thought of our past years in me doth breed Perpetual benedictions: not, indeed, For that which is most worthy to be blest; Delight and liberty, the simple creed Of childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast-- Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a creature Moving about in worlds not realized, High instincts, before which our mortal nature Did tremble, like a guilty thing surprised: But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain light of all our day, Are yet a master light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal silence: truths that wake To perish never; Which neither listlessness, nor mad endeavor, Nor man nor boy, Nor all that is at enmity with joy, Can utterly abolish or destroy. Hence, in a season of calm weather, Though inland far we be, Our souls have sight of that immortal sea Which brought us hither; Can in a moment travel thither, And see the children sport upon the shore, And hear the mighty waters rolling evermore. LUCY. She dwelt among the untrodden ways Beside the springs of Dove, A maid whom there were none to praise, And very few to love. A violet by a mossy stone Half hidden from the eye: Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be; But she is in her grave, and, oh, The difference to me! THE SOLITARY REAPER. Behold her, single in the field, Yon solitary Highland lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain; O listen! for the vale profound Is overflowing with the sound. No nightingale did ever chant More welcome notes to weary bands Of travelers in some shady haunt, Among Arabian sands. A voice so thrilling ne'er was heard In spring-time from the cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides. Will no one tell me what she sings? Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago: Or is it some more humble lay, Familiar matter of to-day? Some natural sorrow, loss, or pain, That has been, and may be again? Whate'er the theme, the maiden sang As if her song could have no ending, I saw her singing at her work, And o'er the sickle bending; I listened, motionless and still, And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more. SKATING AT NIGHT. [From the _Prelude_.] So through the darkness and the cold we flew, And not a voice was idle; with the din Smitten, the precipices rang aloud; The leafless trees and every icy crag Tinkled like iron; while far distant hills Into the tumult sent an alien sound Of melancholy not unnoticed, while the stars Eastward were sparking clear, and in the west The orange sky of evening died away. Not seldom from the uproar I retired Into a silent bay, or sportively Glanced sideway, leaving the tumultuous throng, To cut across the reflex of a star That fled, and, flying still before me, gleamed Upon the glassy plain; and oftentimes, When we had given our bodies to the wind, And all the shadowy banks on either side Came sweeping through the darkness, spinning still The rapid line of motion, then at once Have I, reclining back upon my heels, Stopped short; yet still the solitary cliffs Wheeled by me--even as if the earth had rolled With visible motion her diurnal round! Behind me did they stretch in solemn train, Feebler and feebler, and I stood and watched Till all was tranquil as a dreamless sleep. * * * * * SAMUEL TAYLOR COLERIDGE. THE SONG OF THE SPIRITS. [From _The Ancient Mariner_.] Sometimes, a-dropping from the sky, I heard the skylark sing; Sometimes all little birds that are, How they seemed to fill the sea and air With their sweet jargoning! And now 'twas like all instruments, And now like a lonely flute; And now it is an angel's song That makes the heavens be mute. It ceased; yet still the sails made on A pleasant noise till noon, A noise like of a hidden brook In the leafy month of June, That to the sleeping woods all night Singeth a quiet tune. THE LOVE OF ALL CREATURES. [From the same.] O wedding guest, this soul hath been Alone on a wide, wide sea: So lonely 'twas that God himself Scarce seemed there to be. O sweeter than the marriage feast, 'Tis sweeter far to me, To walk together to the kirk With a goodly company. To walk together to the kirk, And all together pray, While each to his great Father bends, Old men and babes and loving friends, And youths and maidens gay. Farewell, farewell! but this I tell To thee, thou wedding guest; He prayeth well who loveth well Both man and bird and beast. He prayeth best who loveth best All things both great and small; For the dear God who loveth us, He made and loveth all. ESTRANGEMENT OF FRIENDS. [From _Christabel_.] Alas! they had been friends in youth But whispering tongues can poison truth, And constancy lives in realms above, And life is thorny and youth is vain, And to be wroth with one we love Doth work like madness in the brain. And thus it fared, as I divine, With Roland and Sir Leoline. Each spake words of high disdain And insult to his heart's best brother; But never either found another To free the hollow heart from paining. They stood aloof, the scars remaining, Like cliffs that had been rent asunder: A dreary sea now flows between, But neither heat, nor frost, nor thunder Can wholly do away, I ween, The marks of that which once has been. WALTER SCOTT. NATIVE LAND. [From _The Lay of the Last Minstrel_.] Breathes there the man, with soul so dead, Who never to himself hath said. This is my own, my native land? Whose heart hath ne'er within him burned, As home his footsteps he hath turned, From wandering on a foreign strand? If such there breathe, go mark him well; For him no minstrel raptures swell; High though his titles, proud his name, Boundless his wealth as wish can claim; Despite those titles, power, and pelf, The wretch concentred all in self, Living, shall forfeit fair renown, And, doubly dying, shall go down To the vile dust from whence he sprung, Unwept, unhonored, and unsung. O Caledonia! stern and wild, Meet nurse for a poetic child! Land of brown heath and shaggy wood, Land of the mountain and the flood, Land of my sires! what mortal hand Can e'er untie the filial band That knits me to thy rugged strand? Still, as I view each well-known scene, Think what is now, and what hath been, Seems as, to me, of all bereft Sole friends thy woods and streams are left: And thus I love them better still Even in extremity of ill. By Yarrow's stream still let me stray, Though none should guide my feeble way Still feel the breeze down Ettrick break, Although it chill my withered cheek; Still lay my head by Teviot's stone, Though there, forgotten and alone, The bard may draw his parting groan. SUNSET ON THE BORDER. [From _Marmion_.] Day set on Norham's castled steep And Tweed's fair river, broad and deep, And Cheviot's mountains lone: The battled towers, the donjon keep, The loop-hole grates where captives The flanking walls that round it sweep, In yellow luster shone. The warriors on the turrets high, Moving athwart the evening sky Seemed forms of giant height: Their armor; as it caught the rays, Flashed back again the western blaze, In lines of dazzling light. St. George's banner, broad and gay, Now faded, as the fading ray Less bright, and less was flung; The evening gale had scarce the power To wave it on the donjon tower, So heavily it hung. The scouts had parted on their search, The castle gates were barred; Above the gloomy portal arch, Timing his footsteps to a march, The warden kept his guard; Low humming, as he passed along, Some ancient border-gathering song. PROUD MAISIE. Proud Maisie is in the wood Walking so early; Sweet Robin sits on the bush Singing so rarely. "Tell me, thou bonny bird, When shall I marry me?" --"When six braw[184] gentlemen Kirkward shall carry ye." "Who makes the bridal bed, Birdie, say truly?" "The gray-headed sexton That delves the grave duly. "The glow-worm o'er grave and stone Shall light thee steady; The owl from the steeple sing Welcome, proud lady." [Footnote 184: Brave, fine.] PIBROCH OF DONUIL DHU. Pibroch of Donuil Dhu, Pibroch of Donuil, Wake thy wild voice anew, summon Clan-Conuil. Come away, come away, hark to the summons! Come in your war array, gentles and commons. Come from deep glen and from mountain so rocky, The war-pipe and pennon are at Inverlochy. Come every hill-plaid and true heart that wears one, Come every steel blade and strong hand that bears one. Leave untended the herd, the flock without shelter; Leave the corpse uninterred, the bride at the altar; Leave the deer, leave the steer, leave nets and barges: Come with your fighting gear, broadswords and targes. Come as the winds come when forests are rended; Come as the waves come when navies are stranded; Faster come, faster come; faster and faster, Chief, vassal, page and groom, tenant and master. Fast they come, fast they come; see how they gather! Wide waves the eagle plume blended with heather. Cast your plaids, draw your blades, forward each man set! Pibroch of Donuil Dhu, knell for the onset! * * * * * PERCY BYSSHE SHELLEY. LINES TO AN INDIAN AIR. I arise from dreams of thee In the first sweet sleep of night, When the winds are breathing low And the stars are shining bright. I arise from dreams of thee, And a spirit in my feet Has led me--who knows how?-- To thy chamber-window, sweet. The wandering airs they faint On the dark, the silent stream; The champak odours fail Like sweet thoughts in a dream; The nightingale's complaint, It dies upon her heart, As I must die on thine, O beloved as thou art! O lift me from the grass! I die, I faint, I fail! Let thy love in kisses rain On my lips and eyelids pale. My cheek is cold and white, alas! My heartbeats loud and fast: