From Chaucer to Tennyson
O! press it close to thine again,
Where it will break at last.
VENICE.
[From _Lines Written in the Euganean Hills_.]
Sun-girt city, thou hast been
Ocean's child, and then his queen;
Now is come a darker day
And thou soon must be his prey,
If the power that raised thee here
Hallow so thy watery bier.
A less drear ruin then than now,
With thy conquest-branded brow
Stooping to the slave of slaves
From thy throne among the waves,
Wilt thou be, when the sea-mew
Flies, as once before it flew,
O'er thine isles depopulate,
And all is in its ancient state;
Save where many a palace gate
With green sea-flowers overgrown,
Like a rock of ocean's own
Topples o'er the abandoned sea
As the tides change sullenly.
The fisher on his watery way
Wandering at the close of day,
Will spread his sail and seize his oar
Till he pass the gloomy shore,
Lest thy dead should, from their sleep
Bursting o'er the starlight deep,
Lead a rapid masque of death
O'er the waters of his path.
A LAMENT.
O world! O life! O time!
On whose last steps I climb,
Trembling at that where I had stood before,
When will return the glory of your prime?
No more--O, never more!
Out of the day and night
A joy has taken flight;
Fresh spring and summer and winter hoar
Move my faint heart with grief, but with delight
No more--O, never more!
THE POET'S DREAM.
[From _Prometheus Unbound_.]
On a poet's lips I slept
Dreaming like a love-adept
In the sound his breathing kept.
Nor seeks nor finds he mortal blisses,
But feeds on the aerial kisses
Of shapes that haunt thought's wildernesses.
He will watch from dawn to gloom
The lake-reflected sun illume
The yellow bees in the ivy bloom,
Nor heed nor see what things they be;
But from these create he can
Forms more real than living man,
Nurslings of immortality.
GEORGE GORDON BYRON.
ELEGY ON THYRZA.
And thou art dead, as young and fair
As aught of mortal birth:
And form so soft and charms so rare,
Too soon returned to earth:
Though earth received them in her bed,
And o'er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.
I will not ask where thou liest low
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I loved and long must love
Like common earth can rot;
To me there needs no stone to tell
'Tis nothing that I loved so well.
Yet did I love thee to the last
As fervently as thou,
Who didst not change through all the past
And canst not alter now.
The love where death has set his seal
Nor age can chill, nor rival steal,
Nor falsehood disavow:
And, what were worse, thou canst not see
Or wrong, or change, or fault in me.
The better days of life were ours;
The worst can be but mine:
The sun that cheers, the storm that lowers,
Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep,
Nor need I to repine
That all those charms have passed away,
I might have watched through long decay.
The flower in ripened bloom unmatched
Must fall the earliest prey;
Though by no hand untimely snatched,
The leaves must drop away:
And yet it were a greater grief
To watch it withering leaf by leaf,
Than see it plucked to-day;
Since earthly eye but ill can bear
To trace the change to foul from fair.
I know not if I could have borne
To see thy beauties fade;
The night that followed such a morn
Had worn a deeper shade:
Thy day without a cloud hath past,
And thou wert lovely to the last,
Extinguished, not decayed;
As stars that shoot along the sky
Shine brightest as they fall from high.
As once I wept, if I could weep,
My tears might well be shed,
To think I was not near to keep
One vigil o'er thy bed;
To gaze, how fondly! on thy face,
To fold thee in a faint embrace,
Uphold thy drooping head;
And show that love, however vain,
Nor thou nor I can feel again.
Yet how much less it were to gain,
Though thou hast left me free,
The loveliest things that still remain,
Than thus remember thee!
The all of thine that cannot die
Through dark and dread Eternity,
Returns again to me,
And more thy buried love endears
Than aught, except its living years.
THE BALL AT BRUSSELS ON THE NIGHT BEFORE WATERLOO.
[From _Childe Harold_.]
There was a sound of revelry by night,
And Belgium's capital had gathered there
Her beauty and her chivalry, and bright
The lamps shone o'er fair women and brave men:
A thousand hearts beat happily; and when
Music arose with its voluptuous swell,
Soft eyes looked love to eyes which spake again,
And all went merry as a marriage-bell;
But hush! hark! a deep sound strikes like a rising knell!
Did ye not hear it? No; 'twas but the wind,
Or the car rattling o'er the stony street.
On with the dance! let joy be unconfined!
No sleep till morn when youth and pleasure meet
To chase the glowing hours with flying feet--
But hark! that heavy sound breaks in once more,
As if the clouds its echo would repeat;
And nearer, clearer, deadlier than before!
Arm! arm! it is--it is--the cannon's opening roar!...
Ah! then and there was hurrying to and fro,
And gathering tears, and tremblings of distress,
And cheeks all pale which but an hour ago
Blushed at the praise of their own loveliness;
And there were sudden partings, such as press
The life from out young hearts, and choking sighs
Which ne'er might be repeated: who could guess
If evermore should meet those mutual eyes,
Since upon night so sweet such awful morn could rise?
And there was mounting in hot haste: the steed,
The mustering squadron, and the clattering car
Went pouring forward with impetuous speed,
And swiftly forming in the ranks of war;
And the deep thunder peal on peal afar;
And near, the beat of the alarming drum
Roused up the soldier ere the morning star;
While thronged the citizens with terror dumb,
Or whispering, with white lips, "The foe! They come! they come!"
And wild and high the "Cameron's gathering" rose,
The war-note of Lochiel, which Albyn's hills
Have heard, and heard, too, have her Saxon foes:
How in the noon of night that pibroch thrills,
Savage and shrill! But with the breath which fills
Their mountain pipe, so fill the mountaineers
With the fierce native daring which instils
The stirring memory of a thousand years;
And Evan's, Donald's fame rings in each clansman's ears.
And Ardennes waves above them her green leaves,
Dewy with nature's tear-drops, as they pass,
Grieving, if aught inanimate e'er grieves,
Over the unreturning brave--alas!
Ere evening to be trodden like the grass
Which now beneath them, but above shall grow,
In its next verdure, when this fiery mass
Of living valor rolling on the foe,
And burning with high hope, shall moulder cold and low.
JOHN KEATS.
ODE ON A GRECIAN URN.
Thou still unravished bride of quietness!
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme;
What leaf-fringed legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loath?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet; but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeared,
Pipe to the spirit ditties of no tone:
Fair youth beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold lover, never, never canst thou kiss,
Though winning near the goal--yet do not grieve:
She cannot fade though thou hast not thy bliss,
Forever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And happy melodist, unwearied
Forever piping songs forever new;
More happy love! more happy, happy love!
Forever warm and still to be enjoyed,
Forever panting and forever young;
All breathing human passion far above,
That leaves a heart high sorrowful and cloyed,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore,
Or mountain built with peaceful citadel,
Is emptied of its folk this pious morn?
Ah! little town, thy streets forever more
Will silent be; and not a soul to tell
Why thou art desolate can e'er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty"--that is all
Ye know on earth, and all ye need to know.
MADELINE.
[From _The Eve of St. Agnes_.]
Out went the taper as she hurried in;
Its little smoke in pallid moonshine died;
She closed the door, she panted, all akin
To spirits of the air and visions wide;
No uttered syllable, or, woe betide!
But to her heart her heart was voluble,
Paining with eloquence her balmy side;
As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled in her dell.
A casement high and triple-arched there was,
All garlanded with carven imageries
Of fruits and flowers and bunches of knot-grass,
And diamonded with panes of quaint device,
Innumerable of stains and splendid dyes
As are the tiger-moth's deep-damasked wings;
And in the midst, 'mong thousand heraldries,
And twilight saints, and dim emblazonings,
A shielded scutcheon blushed with blood of queens and kings.
Full on this casement shone the wintry moon,
And threw warm gules on Madeline's fair breast
As down she knelt for heaven's grace and boon;
Rose-bloom fell on her hands, together pressed,
And on her silver cross soft amethyst,
And on her hair a glory, like a saint:
She seemed a splendid angel, newly dressed,
Save wings, for heaven: Porphyro grew faint:
She knelt, so pure a thing, so free from mortal taint.
CHARLES DICKENS.
BOB SAWYER'S BACHELOR PARTY.
[From _Pickwick Papers_.]
After supper another jug of punch was put on the table, together with a
paper of cigars and a couple of bottles of spirits. Then there was an
awful pause; and this awful pause was occasioned by a very common
occurrence in this sort of places, but a very embarrassing one,
notwithstanding.
The fact is that the girl was washing the glasses. The establishment
boasted four; we do not record this circumstance as at all derogatory to
Mrs. Raddle, for there was never a lodging-house yet that was not short
of glasses. The landlady's glasses were little thin blown-glass
tumblers, and those which had been borrowed from the public-house were
great, dropsical, bloated articles, each supported on a huge gouty leg.
This would have been in itself sufficient to have possessed the company