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Herman Melville, Mariner and Mystic

Raymond M. Weaver

unconscious aversion to human society.” Though Melville grew to a most uncomplimentary rating of the human biped, he always cherished a very deep reverence for some of his four-footed brothers. “There are unknown worlds of knowledge in brutes,” he wrote; “and whenever you mark a horse, or a dog, with a peculiarly mild, calm, deep-seated eye, be sure he is an Aristotle or a Kant, tranquilly speculating upon the mysteries in man.” The trip back across the Atlantic, after six weeks in Liverpool, though longer than the out-bound passage, was for Melville less of an ordeal. He was no longer a bewildered stranger in the forecastle or in the riggings, so he turned his eye to other parts of the ship. It was the steerage of the _Highlander_ packed with its four or five hundred emigrants, that gave him most bitter occasion to reflect on the criminal nature of the universe. Because of insufficient provisions in food for an unexpectedly prolonged voyage, the dirty weather, and the absence of the most indispensable conveniences, these emigrants suffered almost incredible hardships. Before they had been at sea a week, to hold one’s head down the fore hatchway, Melville says, was like holding it down a suddenly opened cesspool. The noisome confinement in this close unventilated and crowded den, and the deprivation of sufficient food, helped by personal uncleanliness, brought on a malignant fever among the emigrants. The result was the death of some dozens of them, a panic throughout the ship, and a novel indulgence in spasmodic devotions. “Horrible as the sights of the steerage were, the cabin, perhaps, presented a scene equally despairing. Trunks were opened for Bibles; and at last, even prayer-meetings were held over the very tables across which the loud jest had been so often heard.” But with the coming of fair winds and fine weather the pestilence subsided, and the ship steered merrily towards New York. The steerage was cleaned thoroughly with sand and water. The place was then fumigated, and dried with pieces of coal from the gallery: so that when the _Highlander_ streamed into New York harbour no stranger would have imagined, from her appearance, that the _Highlander_ had made other than a tidy and prosperous voyage. “Thus, some sea-captains take good heed that benevolent citizens shall not get a glimpse of the true condition of the steerage while at sea.” As they came into the Narrows, “no more did we think of the gale and the plague; nor turn our eyes upward to the stains of blood still visible on the topsail, whence Jackson had fallen. Oh, he who has never been afar, let him once go from home, to know what home is. Hurra! Hurra! and ten thousand times hurra! down goes our anchor, fathoms down into the free and independent Yankee mud, one handful of which was now worth a broad manor in England.” Melville spent the greater part of the night “walking the deck and gazing at the thousand lights of the city.” At sunrise, the _Highlander_ warped into a berth at the foot of Wall street, and the old ship was knotted, stem and stern, to the pier. This knotting of the ship was the unknotting of the bonds of the sailors; for, the ship once fast to the wharf, Melville and his shipmates were free. So with a rush and a shout they bounded ashore--all but Melville. He went down into the forecastle and sat on a chest. The ship he had loathed, while he was imprisoned in it, grew lovely in his eyes when he was free to bid it forever farewell. In the tarry old den he sat, the only inhabitant of the deserted ship but for the mate and the rats. He sat there and let his eyes linger over every familiar old plank. “For the scene of suffering is a scene of joy when the suffering is past,” he says, inverting the reflection of Dante; “and the silent reminiscence of hardship departed, is sweeter than the presence of delight.” According to this philosophy, the more accumulated and overwhelming the hardships we survive, the richer and sweeter will be the ensuing hours of thoughtful recollection. For whom the Lord loveth He chasteneth. And pleasure’s crown of pleasure is remembering sorrier things. So indoctrinated, Melville should have viewed the concluding scene with the captain of the _Highlander_, on the day the sailors drew their wages, with eternal thanksgiving. “Seated in a sumptuous arm-chair, behind a lustrous inlaid desk, sat Captain Riga, arrayed in his City Hotel suit, looking magisterial as the Lord High Admiral of England. Hat in hand, the sailors stood deferentially in a semi-circle before him, while the captain held the ship-papers in his hand, and one by one called their names; and in mellow bank notes--beautiful sight!--paid them their wages.... The sailors, after counting their cash very carefully, and seeing all was right, and not a bank-note was dog-eared, in which case they would have demanded another, salaamed and withdrew, leaving me face to face with the Paymaster-general of the Forces.” Melville stood awhile, looking as polite as possible, he says, and expecting every moment to hear his name called. But no such name did he hear. “The captain, throwing aside his accounts, lighted a very fragrant cigar, took up the morning paper--I think it was the _Herald_--threw his leg over one arm of the chair, and plunged into the latest intelligence from all parts of the world.” Melville hemmed, and scraped his foot to increase the disturbance. The Paymaster-general looked up. Melville demanded his wages. The captain laughed, and taking a long inspiration of smoke, removed his cigar, and sat sideways looking at Melville, letting the vapour slowly wriggle and spiralise out of his mouth. “Captain Riga,” said Melville, “do you not remember that about four months ago, my friend Mr. Jones and myself had an interview with you in this very cabin; when it was agreed that I was to go out in your ship, and receive three dollars per month for my services? Well, Captain Riga, I have gone out with you, and returned; and now, sir, I’ll thank you for my pay.” “Ah, yes, I remember,” said the captain. “_Mr. Jones!_ Ha! Ha! I remember Mr. Jones: a very gentlemanly gentleman; and stop--_you_, too, are the son of a wealthy French importer; and--let me think--was not your great-uncle a barber?” “No!” thundered Melville, his Gansevoort temper up. Captain Riga suavely turned over his accounts. “Hum, hum!--yes, here it is: Wellingborough Redburn, at three dollars a month. Say four months, that’s twelve dollars: less three dollars advanced in Liverpool--that makes it nine dollars; less three hammers and two scrapers lost overboard--that brings it to four dollars and a quarter. I owe you four dollars and a quarter, I believe, young gentleman?” “So it seems,” said Melville with staring eyes. “And now let me see what you owe me, and then we’ll be able to square the yards, Monsieur Redburn.” “Owe him!” Melville confesses to thinking; “what do I owe him but a grudge.” But Melville concealed his resentment. Presently Captain Riga said: “By running away from the ship in Liverpool, you forfeited your wages, which amount to twelve dollars; and there has been advanced to you, in money, hammers and scrapers, seven dollars and seventy-five cents; you are therefore indebted to me for precisely that sum. I’ll thank you for the money.” He extended his open palm across the desk. The precise nature of Melville’s eloquence at this juncture of his career has not been recorded. Penniless, he left the ship, to trail after his shipmates as they withdrew along the wharf to stop at a sailors’ retreat, poetically denominated “The Flashes.” Here they all came to anchor before the bar. “Well, maties,” said one of them, at last--“I s’pose we shan’t see each other again:--come, let’s splice the mainbrace all round, and drink to the _last voyage_.” And so they did. Then they shook hands all round, three times three, and disappeared in couples through the several doorways. Melville stood on the corner in front of “The Flashes” till the last of his shipmates was out of sight. Then he walked down to the Battery, and within a stone’s throw of the place of his birth, sat on one of the benches, under the summer shade of the trees. It was a quiet, beautiful scene, he says; full of promenading ladies and gentlemen; and through the fresh and bright foliage he looked out over the bay, varied with glancing ships. “It would be a pretty fine world,” he thought, “if I only had a little money to enjoy it.” He leaves it ambiguous whether or not he imbibed his optimism at “The Flashes.” Equally veiled does he leave the mystery by which he came by the money to pay his passage on the steamboat up to Albany: a trip he took that afternoon. “I pass over the reception I met with at home; how I plunged into embraces, long and loving,” he says:--“I pass over this.” For the home we return to, is never the home that we leave, and the more desperate the leave-taking, the more bathetic the return. CHAPTER VI PEDAGOGY, PUGILISM AND LETTERS “It is often to be observed, that as in digging for precious metals in the mines, much earthly rubbish has first to be troublesomely handled and thrown out; so, in digging in one’s soul for the fine gold of genius, much dulness and common-place is first brought to light. Happy would it be, if the man possessed in himself some receptacle for his own rubbish of this sort: but he is like the occupant of a dwelling, whose refuse cannot be clapped into his own cellar, but must be deposited in the street before his own door, for the public functionaries to take care of.” --HERMAN MELVILLE: _Pierre_. The record of the next three and a half years of Melville’s life is extremely scant. What he was doing and thinking and feeling must be left almost completely to surmise. In the brief record of his life preserved in the Commonplace Book of his wife, this period between Liverpool and the South Seas is dismissed in a single sentence: “Taught school at intervals in Pittsfield and in Greenbush (now East Albany) N. Y.” Arthur Stedman (who got his facts largely from Mrs. Melville), in his “Biographical and Critical Introduction” to _Typee_, slightly enlarges upon this statement. “A good part of the succeeding three years, from 1837 to 1840,” says Stedman, “was occupied with school teaching. While so engaged at Greenbush, now East Albany, N. Y., he received the munificent salary of ‘six dollars a quarter and board.’ He taught for one term at Pittsfield, Mass., ‘boarding around’ with the families of his pupils, in true American fashion, and early suppressing, on one memorable occasion, the efforts of his larger scholars to inaugurate a rebellion by physical force.” J. E. A. Smith, in his _Biographical Sketch_ already cited, dates this “memorable” mating of pedagogy and pugilism somewhat earlier. Besides teaching during these years, Melville was engaged in another activity, which all of his biographers--if they knew of it at all--pass over in decent silence: an activity to which Melville devotes a whole book of _Pierre_. “It still remains to be said,” says Melville, “that Pierre himself had written many a fugitive thing, which had brought him not only vast credit and compliments from his more immediate acquaintances, but the less partial applauses of the always intelligent and extremely discriminating public. In short, Pierre had frequently done that which many other boys have done--published. Not in the imposing form of a book, but in the more modest and becoming way of occasional contributions to magazines and other polite periodicals. Not only the public had applauded his gemmed little sketches of thought and fancy; but the high and mighty Campbell clan of editors of all sorts