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Infatuation

Lloyd Osbourne

cup of coffee outraged him. Groaning and swearing, he pulled himself into a sitting posture, and in a voice as intentionally disagreeable as he could make it demanded some hot water. Holding the cup in both hands, he began to drink it in angry little sips, finding a malign satisfaction in the change that had come over Phyllis. Pale, silent, wounded and frightened, she was utterly at loss to know what to do. Every word was a stab, and she had a stupefying feeling that the end had come. Her only coherent thought, the only manifestation of resentment within her, was to contribute nothing to bring about the catastrophe. If Adair were determined to pull down their little paradise about their ears, and destroy for ever the filmy and poetic fabric of a perfect love, she, at least, would hold herself innocent of the sacrilege. But, oh, the pang of it, the heartrending misery, the disillusion! "Now, go ahead," he said sullenly. "I'm ready--go ahead!" She faltered and trembled in asking him what he meant. He burst out with a scornful laugh. "I was drunk last night," he said, "you know that as well as I do, and here I am ready to take my medicine--can't avoid it, I know that--and want to get it over with. You wouldn't be a woman if you didn't pay me out." The vulgarity of the conception stung her. "I--I don't pay people out," she said simply. "Oh, no, you're the quiet kind," he went on with an ugly jeer, intent somehow on putting her in the wrong. "You don't say anything, but you sit there and freeze a fellow--and oh, my God, yes, cry! There you go, cry, cry, cry!" She did break down for a moment under his deliberate cruelty, but quickly rallying, came over, and sat beside him on the bed. "Don't, don't quarrel with me," she said pitifully, and then added with a gleam of humor, "after all, it wasn't I that was drunk, you know." She put out her hand, and for a while he permitted it to lie against his aching forehead. All would have been well had he not unfortunately spilled his cup. At this his latent fury broke out anew. "For God's sake, don't crowd all over me!" he cried. "Sit over there, where we can talk like sensible people. You have made me all wet with the damned stuff." The fault was his own, and due to his unsteady hands, but he was wilfully pleased to put her in the wrong. He glowered at her with savage reproach as she moved a little farther away in obedience to his command. She was disconcertingly quiet, and it seemed to him an added injustice to be cheated of a scene. There was nothing but her anguished eyes, and her drooping and utterly dispiriting attitude to tell him how well he was succeeding. "You're a little fool," he announced inconsequently. He waited for her to answer, but she made no sign of having heard him, sitting there stricken, numb. "To have tied up with such a damned goat," he added, with immense conviction. Still no answer. "The best thing you can do is to pack up and go," he went on. At this she did find her voice, ghost of a one that it was. "Is that what you really want me to do, Cyril?" "It's what you ought to do," he returned, with a sternly paternal air. "It's for you to decide." His mumbling reply turned into a groan. "I lost nearly four hundred dollars last night," he said, after a deadly pause. "Then I had to get into a scrap with Jake Steinberger, and Willie Latimer, and George Wright, and there was a hell of a shindy till somebody turned in a police-alarm, and I only dodged arrest by the skin of my teeth--not but what I'll be summonsed to-day, sure as sure. On top of that my engagement is gone, for I lammed Jake half to death, and I guess he had rather break up the tour all-standing than keep me in the bill another night. And--and--" "You thought you'd make a clean sweep of everything, once you were at it, and alienate me, too?" "Yes, like a damned goat," he repeated dully. "Well, you have succeeded," she said in the same low, even tone, "I dare say you'll be sorry some day at having broken your toys. There isn't anything more to be said, is there, except good-by?" She was about to rise when Adair flung himself out of the bed, and kneeling before her, pulled off her little slippers and began kissing her naked feet. His repentance was so sudden, so abject that it was almost as though he had gone crazy. It was indeed an hysterical revulsion, and his frame shook, and his hands clenched themselves on her flesh as he abased himself before her. He begged incoherently for forgiveness, for mercy; he would kill himself if she were to leave him; he loved her; he could die for her; the disgrace and despair of it all had driven him mad. At first she resisted, struggling to free herself, and too deeply affronted for any atoning words to touch her; but her powerlessness in his grasp, the warmth of his quick, tumultuous breath against her, even the physical pain he was unconsciously inflicting--all at last took her womanhood by storm, and she drew up his head, and allowed him to sob his heart out in her lap. How little did either of them know, she sitting on the bed in her night-dress, he nestling close against her in an agony of shame and contrition, that a battle of the soul had been fought and won; that the finer nature had triumphed over the coarser; that an insensible but a most real step had been taken upward. Phyllis extorted no promises; Adair made no vows; rather they clung to each other like little children who had safely passed the edge of a precipice, and in security beyond were trembling at what they had risked. The woman, always the more practical partner, was the first to descend from the clouds to mundane considerations. "And what's the poor little damned goat going to do?" she asked, the quoted profanity on her pretty lips as piquant and tender as a lullaby; and accompanying it with a smile so arch that Adair's face, too, could not but light with it. "Face the music and then get out," returned the D. G. "Out where, dearest?" Adair grew overcast. "Mortimer Clark's on the road somewhere," he said reflectively, "and I'm sure he'd make room for me if he had to fire a whole company. Then there's Nan O'Farrell in the _Diamond Diadem_ and Leo Foster in the _Slaves of Circumstance_. They are all on the cheap, and would jump at the chance of getting me at their prices. As soon as I get round to it, I'll telegraph." Phyllis hesitated, but at last the words came. "On the cheap," she repeated. "Why don't you aim higher, Cyril? Why don't you try the real people--those who are worth while, especially now, when you're going to break away from Steinberger?" His only reply was a shake of the head. "You know you're too good for this sort of thing," she went on. "It isn't flattery to tell you that--you see it yourself every night--I saw it, and that's why I-- Oh, Cyril, let's try to get where you belong." "You don't understand," he said moodily. "You don't understand a bit. I had all that once, and I kicked it over. The stage is an awfully small place--for anybody that amounts to anything, you know--though as big as an ocean for the others. There isn't anybody of importance--manager or star--who doesn't _hate_ me." He perceived the doubt in her glance, and continued swiftly: "Oh, it's no conspiracy, or jealousy, or anything of that kind--a tip-top man can override all that if there's money in him for the box-office--but I've set them all against me. There isn't one I haven't punched or insulted somehow. I hold the record for being the best-detested man on Broadway. Why, Alfred Fielman once--that was six years ago, when I was by way of being a metropolitan favorite, and all that, ha, ha--he had me on a forty weeks' contract, and at the end of three he gave me a check for the rest and told me he had no more use for my services. Thirty-seven weeks' full salary--think of it--and the door!" "But isn't it different now?" asked Phyllis, enfolding him with a pair of the whitest, softest, shapeliest arms in the world, and pressing her cheek against his face. "You've got good since then, and are now mama's little man!" "Look at last night," protested mama's little man dismally. "Drinking, fighting, gambling, and my job out of the window! That's been me right along--two weeks' notice, and for God's sake, never come back!" "Just a damned goat," rippled Phyllis, her teeth shining like pearls, and her cheeks dimpling mischievously. "A silly ass," ejaculated Adair with much self-contempt. "Now, I want to tell you my idea," cried Phyllis. "We're going to pack up, poor booful disgraced genius--and wife (as they add on hotel registers); and we're going to count our poor little pennies, and take a tourist sleeper to New York, and get a little flat of the sort they rent to dormice in reduced circumstances, and live on air and kisses and hope--while poor Booful will go round telling everybody he's a reformed character, and looking for an engagement. And if the top all hates him, and if the middle is all full, why Booful will begin at the bottom, while Mrs. Booful will wash, and cook, and darn his socks--oh, no, listen,--yes, and darn his socks, and pet him when he is discouraged and cross, and keep everything scrupulously clean (in books if you're awfully poor, you're always scrupulously clean, haven't you noticed it)? Yes, scrupulously clean, and oh, so economical of every nickel till everybody begins to see that Booful isn't a damned goat, but a man of splendid talent, and up, up, up he'll go like a balloon, till there won't be a garbage-can without his name on it, or a bill-board without somebody "presenting" him in letters six feet high, and fame and money will pour in like a Niagara, and, and--Cyril, why shouldn't we?" His look of indulgence and amusement had gradually changed to downright eagerness. "If you can stand it, I can," he said. "Oh, Cyril, I'm not afraid--let's do it!" "We'll be starvation poor." "But in a home of our own--no more of these horrid hotels, no more traveling, and something big to live and hope for." "Those dormice flats are awfully squeezy--and dark." "So's a robin's nest, for that matter." "And those pretty hands--it would be wicked to spoil them." "Oh, I won't spoil them--besides, what would be the good of them if they couldn't work for the man I love." "Scrubbing floors, and cleaning kettles and polishing the stove?" "You can help a little." "And suppose, instead of being easy, it's very hard? It takes courage to start again. You'll have to be brave enough for two, for I've none of that kind of grit or perseverance. Do you think you can bolster up a great big fellow like me, who'll come home like a baby and cry?" "We'll bolster up each other." "I--I wish I was more worthy of you, Phyllis." "Stop kissing my toes--it tickles--and oh, Cyril, don't bite them!" "I'm ashamed--you are so sweet and good and clever and brave--and the whole of me isn't worth that little pink one, and I don't think I've ever loved you so much as I do this minute, or _respected_ you more. If you were married to a street-car conductor I believe you'd make him president of the United States--and if your husband mayn't bite you, who can?" "You darling!" "And I swear by that one that I love you better than anything in the world; and by that one I'll be true to you all my life; and by that one I'll cut my tongue out before I'll ever say an unkind word to you again; and by that one I'm going to do everything you say, just as though you were an angel from Heaven, which you are if ever there was one; and by that fat little big toe that I'm going to try to copy the tenderest,