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Le Morte Darthur

Sir Thomas Malory

shield; and thou were the truest friend to thy lover that ever bestrode horse; and thou were the truest lover, of a sinful man, that ever loved woman; and thou were the kindest man that ever strake with sword; and thou were the goodliest person ever came among press of knights; and thou was the meekest man and the gentlest that ever ate in hall among ladies; and thou were the sternest knight to thy mortal foe that ever put spear in the rest.’ Let me compare with this Chaucer’s description of the knight of his times:— ‘A knight there was, and that a worthy[41] man, That from the timé that he first began To riden out, he loved chivalry, Truth and honóur, freedom and courtesy. Full worthy was he in his lordés war, And thereto had he ridden, no man farre, As well in Christendom as in Heatheness, And ever honoured for his worthiness. At Alisandre he was when it was won: Full oftentime he had the board begun Aboven allé natións in Prusse[42]: In Lethowe had he reyséd[43], and in Russe, No Christian man so oft, of his degree: In Gernade at the siege eke had he be Of Algesir, and ridden in Belmarie: At Leyés was he, and at Satalie, When they were won; and in the Greaté Sea At many a noble army had he be. At mortal battles had he been fifteen, And foughten for our faith at Tramissene In listés thriés, and aye slain his foe. This ilké worthy knight had been also Sometimé with the lord of Palathie Against another heathen in Turkey; And evermore he had a sovereign prise[44], And though that he was worthy he was wise, And of his port as meek as is a maid. He never yet no villainy ne said In all his life unto no manner wight: He was a very perfect gentle knight.’ In an age when all men, not of the clergy, were divided between the two classes of freemen or gentlemen, and serfs or villains, and the villains were in habits and in human culture little better than the domestic animals of which they shared the labours, the knight almost inevitably belonged to the class of free, or gentle, birth. Still, in theory always, and to a great extent in practice, it was not his birth, but his personal merit, which qualified him for knighthood. The personal merit would oftener exist, and still oftener come to light, where it had the advantages and aids of education and general social culture. But if it was recognised in the villain, or man of no rights of birth, he might be, and often was, knighted, and was thereby immediately enfranchised, and accounted a gentleman, in law no less than in name. Thus Froissart tells us of Sir Robert Sale, the governor of Norwich, that ‘he was no gentleman born, but he had the grace to be reputed sage and valiant in arms, and for his valiantness King Edward made him knight.’ He was governor during the popular insurrection of which Wat Tyler and Jack Straw were the London leaders; and he was invited to put himself at the head of one of the risings by men who urged upon him—‘Sir Robert, ye are a knight and a man greatly beloved in this country, and renowned a valiant man; and though ye be thus, yet we know you well: ye be no gentleman born, but son to a villain, such as we be: therefore come you with us, and be our master, and we shall make you so great a lord that one quarter of England shall be under your obeisance.’ He refused, and they killed him. The same king also knighted the man-at-arms, son of a tanner, who was afterwards famous as Sir John Hawkwood. And the courtly as well as knightly Chaucer, who must more or less have reflected the feeling of the royal and noble personages among whom he lived, goes farther, and asserts that not only does virtue make the gentleman, but also baseness of mind the villain or churl:— ‘But understand in thine intent, That this is not mine intendement, To clepen no wight in no age Only gentle for his lineage; But whoso that is virtuous, And in his port nought outrageous, Though he be not gentle born, Thou may’st well see this in soth, That he is gentle because he doth As longeth to a gentleman; Of them none other deem I can: For certainly, withouten drede, A churl is deemed by his deed, Of high or low, as you may see, Or of what kindred that he be.’ Akin to this recognition of gentleness of mind and manners, as that which made a gentleman, was the sense of brotherhood among knights and gentlemen, which led them to trust in each other’s honour, even when they were fighting under the banners of hostile kings. The chronicles are full of the instances of such consideration of the English and French knights for each other in the wars between the two nations; and it is not without probability that to these and suchlike manifestations of the spirit of chivalry have been traced the courtesy and humanity which characterise modern warfare in a degree unknown to the ancients. Much indeed of barbarism and cruelty there was in the usages of war in the best times of chivalry, even of the knights among themselves, and still more when they came, with passions infuriated by resistance, upon the people of lower rank than themselves. Edward III of England, and the knights whom he gathered round him, are held alike by contemporary historians and romance writers, and by those of modern times, to have best exhibited the characteristics of chivalry in its day of greatest refinement as well as splendour; yet no one can read the chronicles of even the admiring Froissart without seeing how much savage passion and cruelty was often mingled with their better dispositions: though we do see also that the cruelty was not because, but in spite of their chivalry. Froissart laments bitterly the iniquity of the massacre by the Black Prince of the people of Limoges, men, women, and children, more than three thousand. And when Edward III, before him, intended, as would seem, to have treated the town of Calais in like manner, not only did the French knights who had offered to surrender declare that they would ‘endure as much pain as knights ever did, rather than the poorest lad in the town should have any more evil than the greatest of us all’—showing that they made no selfish distinction between the noble and the villain—but the English knights, headed by Sir Walter of Manny, that flower of knighthood, protested to the utmost against their king’s purpose. And when he had yielded so far to their urgency as to say that he would be content with the lives of the six chief burgesses, Sir Walter of Manny again remonstrated, saying, ‘Ah, noble king, for God’s sake refrain your courage: ye have the name of sovereign noblesse: therefore now do not a thing that should blemish your renown, nor to give cause to some to speak of you villainy [to charge you with conduct unworthy of a knight and gentleman]; every man will say it is a great cruelty to put to death such honest persons, who by their own wills put themselves into your grace to save their company. Then the king wryed away from him, and commanded to send for the hangman, and said, “They of Calais had caused many of my men to be slain, wherefore these shall die in likewise.”’ It needed a stronger influence than that of Sir Walter of Manny to save their lives: and this brings me to speak of the LADY of the mediæval times; the LADY, who was the counterpart of the KNIGHT, and without whom he could never have existed. Here, indeed, I meet a difficulty which reminds me of what Coleridge says of the female characters of Shakspeare, that their truth to nature, and therefore their beauty, consists in the absence of strongly marked features. It is impossible to read the poems, romances, or chronicles of the mediæval times, without feeling all through how important a part the lady plays everywhere; and yet it is far from easy to draw her from her retirement and bring distinctly before ourselves what she did, and get a picture of her as definite as we can do of the knight. Still I must try to trace the outlines of such a picture of one lady:—Philippa, queen of Edward III, whom Froissart calls ‘the most gentle queen, most liberal, and most courteous that ever was queen in her days;’ and who was the very type and representative of the lady, in the highest and best sense, in an age in which the ladies—such as the princess Blanche, the good queen Ann, the countess of Salisbury, Jane de Montfort, and the wife of Charles de Blois—were renowned for their gentle or their heroic characters. When Isabel, queen of Edward II, visited Hainault with her son, afterwards Edward III, we are told that William, earl of Hainault, ‘had four fair daughters, Margaret, Philippa, Jane, and Isabel: among whom the young Edward set most his love and company on Philippa; and also the young lady in all honour was more conversant with him than any of her sisters.’ Queen Isabel had come to ask for aid against her enemies, and Froissart gives an account of the discussion between the earl and his council, who objected on prudential grounds to interfering with the quarrels of the English, and the earl’s brother, Sir John Hainault, who maintained that ‘all knights ought to aid to their powers all ladies and damsels chased out of their own countries, being without counsel or comfort.’ The earl finally yielded, saying, ‘My fair brother, God forbid that your good purpose should be broken or let. Therefore, in the name of God, I give you leave; and kissed him, straining him by the hand in sign of great love.’ The whole passage is too long to quote, but thus much gives a lively picture of the temper of the home and court in which the young Philippa was brought up. Her marriage with Edward, then only fifteen years old, was agreed on, and sanctioned by the Pope. I am sorry to say that the chronicler gives no account of the lady’s bridal outfit[45], except in the general terms, that ‘there was devised and purveyed for their apparel, and for all things honourable that belonged to such a lady, who should be queen of England.’ They were married, and she arrived in England and was crowned, ‘with great justs, tourneys, dancing, carolling, and great feasts, the which endured the space of three weeks.’ And then ‘this young queen Philippa abode still in England, with small company of any persons of her own country, saving one who was named Walter of Manny, who was her carver, and after did so many great prowesses in divers places, that it were hard to make mention of them.’ If we couple this statement, that she retained hardly any of her own people, with that which Froissart makes in reviewing her whole life, that ‘she loved always her own nation where she was born,’ we have pleasing thoughts suggested of the cheerful acceptance of new duties in a foreign land by the young wife; while, if I had space to describe in detail the noble life of Sir Walter of Manny, the reader would agree with me that his habitual presence in the English court must have done much to make both Edward and the Black Prince, as well as the rest of the princes and nobles, what they were, as knights and gentlemen. The next glimpse we get of the queen is when she appears, accompanied with three hundred ladies and damsels ‘of noble lineage, and apparelled