Little Dorrit
changed in feature and in fortune, yet with some relish of ancient
greatness about it. Two or three mighty stacks of chimneys, and a few
large dark rooms which had escaped being walled and subdivided out of
the recognition of their old proportions, gave the Yard a character.
It was inhabited by poor people, who set up their rest among its faded
glories, as Arabs of the desert pitch their tents among the fallen
stones of the Pyramids; but there was a family sentimental feeling
prevalent in the Yard, that it had a character.
As if the aspiring city had become puffed up in the very ground on which
it stood, the ground had so risen about Bleeding Heart Yard that you
got into it down a flight of steps which formed no part of the original
approach, and got out of it by a low gateway into a maze of shabby
streets, which went about and about, tortuously ascending to the level
again. At this end of the Yard and over the gateway, was the factory of
Daniel Doyce, often heavily beating like a bleeding heart of iron,
with the clink of metal upon metal.
The opinion of the Yard was divided respecting the derivation of its
name. The more practical of its inmates abided by the tradition of a
murder; the gentler and more imaginative inhabitants, including the
whole of the tender sex, were loyal to the legend of a young lady of
former times closely imprisoned in her chamber by a cruel father for
remaining true to her own true love, and refusing to marry the suitor he
chose for her. The legend related how that the young lady used to be
seen up at her window behind the bars, murmuring a love-lorn song of
which the burden was, ‘Bleeding Heart, Bleeding Heart, bleeding away,’
until she died. It was objected by the murderous party that this Refrain
was notoriously the invention of a tambour-worker, a spinster and
romantic, still lodging in the Yard. But, forasmuch as all favourite
legends must be associated with the affections, and as many more people
fall in love than commit murder--which it may be hoped, howsoever bad we
are, will continue until the end of the world to be the dispensation
under which we shall live--the Bleeding Heart, Bleeding Heart, bleeding
away story, carried the day by a great majority. Neither party would
listen to the antiquaries who delivered learned lectures in the
neighbourhood, showing the Bleeding Heart to have been the heraldic
cognisance of the old family to whom the property had once belonged.
And, considering that the hour-glass they turned from year to year was
filled with the earthiest and coarsest sand, the Bleeding Heart Yarders
had reason enough for objecting to be despoiled of the one little golden
grain of poetry that sparkled in it.
Down in to the Yard, by way of the steps, came Daniel Doyce, Mr Meagles,
and Clennam. Passing along the Yard, and between the open doors on
either hand, all abundantly garnished with light children nursing heavy
ones, they arrived at its opposite boundary, the gateway. Here Arthur
Clennam stopped to look about him for the domicile of Plornish,
plasterer, whose name, according to the custom of Londoners, Daniel
Doyce had never seen or heard of to that hour.
It was plain enough, nevertheless, as Little Dorrit had said; over a
lime-splashed gateway in the corner, within which Plornish kept a ladder
and a barrel or two. The last house in Bleeding Heart Yard which she
had described as his place of habitation, was a large house, let off to
various tenants; but Plornish ingeniously hinted that he lived in the
parlour, by means of a painted hand under his name, the forefinger of
which hand (on which the artist had depicted a ring and a most elaborate
nail of the genteelest form) referred all inquirers to that apartment.
Parting from his companions, after arranging another meeting with
Mr Meagles, Clennam went alone into the entry, and knocked with his
knuckles at the parlour-door. It was opened presently by a woman with
a child in her arms, whose unoccupied hand was hastily rearranging the
upper part of her dress. This was Mrs Plornish, and this maternal
action was the action of Mrs Plornish during a large part of her waking
existence.
Was Mr Plornish at home? ‘Well, sir,’ said Mrs Plornish, a civil woman,
‘not to deceive you, he’s gone to look for a job.’
‘Not to deceive you’ was a method of speech with Mrs Plornish. She would
deceive you, under any circumstances, as little as might be; but she had
a trick of answering in this provisional form.
‘Do you think he will be back soon, if I wait for him?’
‘I have been expecting him,’ said Mrs Plornish, ‘this half an hour, at
any minute of time. Walk in, sir.’
Arthur entered the rather dark and close parlour (though it was lofty
too), and sat down in the chair she placed for him.
‘Not to deceive you, sir, I notice it,’ said Mrs Plornish, ‘and I take
it kind of you.’
He was at a loss to understand what she meant; and by expressing as much
in his looks, elicited her explanation.
‘It ain’t many that comes into a poor place, that deems it worth their
while to move their hats,’ said Mrs Plornish. ‘But people think more of
it than people think.’
Clennam returned, with an uncomfortable feeling in so very slight a
courtesy being unusual, Was that all! And stooping down to pinch the
cheek of another young child who was sitting on the floor, staring at
him, asked Mrs Plornish how old that fine boy was?
‘Four year just turned, sir,’ said Mrs Plornish. ‘He _is_ a fine little
fellow, ain’t he, sir? But this one is rather sickly.’ She tenderly
hushed the baby in her arms, as she said it. ‘You wouldn’t mind my
asking if it happened to be a job as you was come about, sir, would
you?’ asked Mrs Plornish wistfully.
She asked it so anxiously, that if he had been in possession of any
kind of tenement, he would have had it plastered a foot deep rather
than answer No. But he was obliged to answer No; and he saw a shade of
disappointment on her face, as she checked a sigh, and looked at the
low fire. Then he saw, also, that Mrs Plornish was a young woman, made
somewhat slatternly in herself and her belongings by poverty; and so
dragged at by poverty and the children together, that their united
forces had already dragged her face into wrinkles.
‘All such things as jobs,’ said Mrs Plornish, ‘seems to me to have gone
underground, they do indeed.’ (Herein Mrs Plornish limited her remark to
the plastering trade, and spoke without reference to the Circumlocution
Office and the Barnacle Family.)
‘Is it so difficult to get work?’ asked Arthur Clennam.
‘Plornish finds it so,’ she returned. ‘He is quite unfortunate. Really
he is.’
Really he was. He was one of those many wayfarers on the road of life,
who seem to be afflicted with supernatural corns, rendering it
impossible for them to keep up even with their lame competitors. A
willing, working, soft hearted, not hard-headed fellow, Plornish took
his fortune as smoothly as could be expected; but it was a rough one. It
so rarely happened that anybody seemed to want him, it was such an
exceptional case when his powers were in any request, that his misty
mind could not make out how it happened. He took it as it came,
therefore; he tumbled into all kinds of difficulties, and tumbled out of
them; and, by tumbling through life, got himself considerably bruised.
‘It’s not for want of looking after jobs, I am sure,’ said Mrs Plornish,
lifting up her eyebrows, and searching for a solution of the problem
between the bars of the grate; ‘nor yet for want of working at them when
they are to be got. No one ever heard my husband complain of work.’
Somehow or other, this was the general misfortune of Bleeding Heart
Yard. From time to time there were public complaints, pathetically
going about, of labour being scarce--which certain people seemed to take
extraordinarily ill, as though they had an absolute right to it on their
own terms--but Bleeding Heart Yard, though as willing a Yard as any in
Britain, was never the better for the demand. That high old family, the
Barnacles, had long been too busy with their great principle to look
into the matter; and indeed the matter had nothing to do with their
watchfulness in out-generalling all other high old families except the
Stiltstalkings.
While Mrs Plornish spoke in these words of her absent lord, her lord
returned. A smooth-cheeked, fresh-coloured, sandy-whiskered man of
thirty. Long in the legs, yielding at the knees, foolish in the face,
flannel-jacketed, lime-whitened.
‘This is Plornish, sir.’
‘I came,’ said Clennam, rising, ‘to beg the favour of a little
conversation with you on the subject of the Dorrit family.’
Plornish became suspicious. Seemed to scent a creditor. Said, ‘Ah, yes.
Well. He didn’t know what satisfaction _he_ could give any gentleman,
respecting that family. What might it be about, now?’
‘I know you better,’ said Clennam, smiling, ‘than you suppose.’
Plornish observed, not smiling in return, And yet he hadn’t the pleasure
of being acquainted with the gentleman, neither.
‘No,’ said Arthur, ‘I know your kind offices at second hand, but on the
best authority; through Little Dorrit.--I mean,’ he explained, ‘Miss
Dorrit.’
‘Mr Clennam, is it? Oh! I’ve heard of you, Sir.’
‘And I of you,’ said Arthur.
‘Please to sit down again, Sir, and consider yourself welcome.--Why,
yes,’ said Plornish, taking a chair, and lifting the elder child upon
his knee, that he might have the moral support of speaking to a stranger
over his head, ‘I have been on the wrong side of the Lock myself, and
in that way we come to know Miss Dorrit. Me and my wife, we are well
acquainted with Miss Dorrit.’
‘Intimate!’ cried Mrs Plornish. Indeed, she was so proud of the
acquaintance, that she had awakened some bitterness of spirit in the
Yard by magnifying to an enormous amount the sum for which Miss Dorrit’s
father had become insolvent. The Bleeding Hearts resented her claiming
to know people of such distinction.
‘It was her father that I got acquainted with first. And through getting
acquainted with him, you see--why--I got acquainted with her,’ said
Plornish tautologically.
‘I see.’
‘Ah! And there’s manners! There’s polish! There’s a gentleman to have
run to seed in the Marshalsea jail! Why, perhaps you are not aware,’
said Plornish, lowering his voice, and speaking with a perverse
admiration of what he ought to have pitied or despised, ‘not aware that
Miss Dorrit and her sister dursn’t let him know that they work for a
living. No!’ said Plornish, looking with a ridiculous triumph first at
his wife, and then all round the room. ‘Dursn’t let him know it, they
dursn’t!’
‘Without admiring him for that,’ Clennam quietly observed, ‘I am very
sorry for him.’ The remark appeared to suggest to Plornish, for the
first time, that it might not be a very fine trait of character after
all. He pondered about it for a moment, and gave it up.
‘As to me,’ he resumed, ‘certainly Mr Dorrit is as affable with me, I
am sure, as I can possibly expect. Considering the differences and
distances betwixt us, more so. But it’s Miss Dorrit that we were
speaking of.’
‘True. Pray how did you introduce her at my mother’s!’
Mr Plornish picked a bit of lime out of his whisker, put it between his
lips, turned it with his tongue like a sugar-plum, considered, found
himself unequal to the task of lucid explanation, and appealing to his
wife, said, ‘Sally, _you_ may as well mention how it was, old woman.’
‘Miss Dorrit,’ said Sally, hushing the baby from side to side, and
laying her chin upon the little hand as it tried to disarrange the gown
again, ‘came here one afternoon with a bit of writing, telling that
how she wished for needlework, and asked if it would be considered any