Love-at-arms being a narrative excerpted from the chronicles of Urbino, during the dominion of the high and mighty Messer Guidobaldo da Montefeltro
with satisfaction that he wore no body armour. His original intention
had been to attempt to suborn him, and render him pliable by bribery;
but now that the moment for action was arrived he dared not make the
offer. He lacked for words in which to present his proposal, and he was
afraid lest the man should resent it, and in a fit of indignation
attack him with his partisan. He little imagined that Aventano had been
forewarned by Ercole that a bribe would be offered him and that he
was to accept it promptly. Ercole had chosen this man because he was
intelligent, and had made him understand enough of what was toward,
besides offering a substantial reward if he played his part well, and
Aventano waited. But Gonzaga, knowing naught of this, abandoned at the
last moment the notion of bribing him--which Ercole had enjoined him,
and which he in his turn had promised Ercole was the course he would
pursue.
“You seem cold, Excellency,” said the young man deferentially, for he
had observed that Gonzaga shivered.
“A chill morning, Aventano,” returned the gallant, with a grin.
“True; but the sun is breaking through yonder. It will be warmer soon.”
“Why, yes,” answered the other abstractedly, and still he remained by
the sentinel, his hand, under the gay mantle of blue velvet, nervously
fingering the hilt of a dagger that he dared not draw. It came to him
that moments were passing, and that the thing must be done. Yet Aventano
was a sinewy youth, and if the sudden stab he meditated failed him, he
would be at the fellow's mercy. At the thought he shivered again, and
his face turned grey. He moved away a step, and then inspiration brought
him a cruel ruse. He uttered a cry.
“What is that?” he exclaimed, his eyes on the ground.
In an instant Aventano was beside him, for his voice had sounded
alarmed--a tone, in his present condition, not difficult to simulate.
“What, Excellency?”
“Down there,” cried Gonzaga excitedly. “There from that fissure in the
stone. Saw you nothing?” And he pointed to the ground at a spot where
two slabs met.
“I saw nothing, Illustrious.”
“It was like a flash of yellow light below there. What is under us here?
I'll swear there's treachery at work. Get down on your knees, and try if
anything is to be seen.”
With a wondering glance at the courtier's white, twitching face, the
unfortunate young man went down on all fours to do his bidding. After
all--poor fellow!--he was hardly intelligent as Fortemani opined.
“There is nothing, Excellency,” he said. “The plaster is cracked.
But---- Ah!”
In a panic of haste Gonzaga had whipped the dagger from its sheath and
sunk it into the middle of Aventano's broad back. The fellow's arms slid
out, and with a long-drawn, gurgling sigh he sank down and stretched
himself horribly on the stones.
In that instant the clouds parted overhead and the sun came out in a
blaze of golden glory. High above Gonzaga's head a lark burst into song.
For a moment the assassin remained standing above the body of his victim
with head sunk between the shoulders like a man who expects a blow, his
face grey, his teeth chattering, and his mouth twitching hideously. A
shudder shook him. It was the first life he had taken, and that carrion
at his feet filled him with sickly horror. Not for a kingdom--not
to save his vile soul from the eternal damnation that act had earned
it--would he have dared stoop to pluck the dagger from the back of the
wretch he had murdered. With something like a scream he turned, and fled
in a panic from the spot. Panting with horror, yet subconsciously aware
of the work he had to do, he paused a moment to wave a kerchief, then
dashed down the steps to the postern.
With trembling fingers he unlocked the door and set it wide to Gian
Maria's men, who, in answer to his signal, were now hurrying forward
with a bridge composed of pine trees, that they had hastily and roughly
put together during the previous day. This, with some efforts and more
noise than Gonzaga relished, was thrust across the moat. One of the men
crept across, and assisted Gonzaga to make fast his end.
A moment later Gian Maria and Guidobaldo stood in the castle-yard, and
after them came almost every man of the five score that Gian Maria had
brought to that siege. This was what Francesco had confidently expected,
knowing that it was not his cousin's way to run any risks.
The Duke of Babbiauo, whose face was disfigured by a bristling hedge of
reddish stubble--for in obedience to the vow he had made, he now carried
a fortnight's growth of beard on his round face--turned to Gonzaga.
“Is all well?” he asked, in a friendly tone, whilst Guidobaldo
contemptuously eyed the popinjay.
Gonzaga assured them that the whole thing had been effected without
disturbing the garrison at their prayers. Now that he deemed himself
well protected his usual serenity of manner returned.
“You may felicitate yourself, Highness,” he ventured to say, with a
grin, to Guidobaldo, “that you have reared your niece in devout ways.”
“Did you address me?” quoth the Duke of Urbino coldly. “I trust it may
not again be necessary.”
Before the look of loathing in his handsome face Gonzaga cringed. Gian
Maria laughed in his piping treble.
“Have I not served your Highness faithfully?” fawned the gallant.
“So has the meanest scullion in my kitchens, the lowliest groom in my
stables--and with more honour to himself,” answered the proud Duke. “Yet
he does not go the length of jesting with me.” His eye carried a menace
so eloquent that Gonzaga drew back, afraid; but Gian Maria clapped him
on the shoulder in a friendly manner.
“Be of good heart, Judas,” he laughed, his pale face a-grin, “I shall
find room for you in Babbiano, and work too, if you do it as well as
this. Come; the men are here now. Let us go forward whilst they are at
their prayers. But we must not disturb them,” he added, more seriously.
“I will not be guilty of an impiety. We can lie in wait for them
without.”
He laughed gaily, for he seemed in a preposterously good humour, and
bidding Gonzaga lead the way he followed, with Guidobaldo at his side.
They crossed the courtyard, where his men were ranged, armed to the
teeth, and at the door of the archway leading to the inner court they
paused for Gonzaga to open it.
A moment the gallant stood staring. Then he turned a face of
consternation on the Dukes. His knees shook visibly.
“It is locked,” he announced, in a husky voice.
“We made too much noise in entering,” suggested Guidobaldo, “and they
have taken the alarm.”
The explanation relieved the growing uneasiness in Gian Maria's mind. He
turned with an oath to his men.
“Here, some of you,” his sharp voice commanded. “Beat me down this door.
By the Host! Do the fools think to keep me out so easily?”
The door was broken down, and they advanced. But only some half-dozen
paces, for at the end of that short gallery they found the second
door barring their progress. Through this, too, they broke, Gian Maria
fiercely blaspheming at the delay. Yet when it was done he was none so
eager to lead the way.
In the second courtyard he deemed it extremely probable that they should
find Valentina's soldiers awaiting them. So bidding his men pass on, he
remained behind with Guidobaldo until he heard word that the inner court
was likewise empty.
And now the entire hundred of his followers were assembled there
to overpower the twenty that served Monna Valentina; and
Guidobaldo--despite Gian Maria's scruples--strode coolly forward to the
chapel door.
* * * * *
Within the chapel Mass had started. Fra Domenico at the foot of the
altar had pattered through the Confiteor, his deep voice responded to
by the soprano of the ministering page. The Kyrie was being uttered when
the attention of the congregation was attracted by the sound of steps
approaching the chapel door to the accompaniment of an ominous clank of
steel. The men rose in a body, fearing treachery, and cursing--despite
the sanctity of the place--the circumstance that they were without
weapons.
Then the door opened, and down the steps rang the armed heels of the
new-comers, so that every eye was turned upon them, including that
of Fra Domenico, who had pronounced the last “Christe eleison” in a
quavering voice.
A gasp of relief, followed by an angry cry from Valentina, went up when
they recognised those that came. First stepped the Count of Aquila in
full armour, sword at side and dagger on hip, carrying his head-piece on
the crook of his left arm. Behind him towered the bulk of Fortemani, his
great face flushed with a strange excitement, a leather hacketon over
his steel cuirass, girt, too, with sword and dagger, and carrying his
shining morion in his hand. Last came Lanciotto and Zaccaria, both fully
equipped and armed at all points.
“Who are you that come thus accoutred into God's House to interrupt the
holy Mass?” cried the bass voice of the friar.
“Patience, good father,” answered Francesco calmly, “The occasion is our
justification.”
“What does this mean, Fortemani?” demanded Valentina imperiously, her
eyes angrily set upon her captain, utterly ignoring the Count. “Do you
betray me too?”
“It means, Madonna,” answered the giant bluntly, “that your lap-dog,
Messer Gonzaga, is at this very moment admitting Gian Maria and his
forces to Roccaleone, by the postern.”
There was a hoarse cry from the men, which Francesco silenced by a wave
of his mailed hand.
Valentina looked wildly at Fortemani, and then, as if drawn by a greater
will than her own, her eyes were forced to travel to the Count. He
instantly advanced, and bowed his head before her.
“Madonna, this is no hour for explanations. Action is needed, and that
at once. I was wrong in not disclosing my identity to you before you
discovered it by such unfortunate means and with the assistance of the
only traitor Roccaleone has harboured, Romeo Gonzaga--who, as Fortemani
has just told you, is at this moment admitting my cousin and your uncle
to the castle. But that my object was ever other than to serve you, or
that I sought, as was represented to you, to turn this siege to my own
political profit, that, Madonna, I implore you in your own interests to
believe untrue.”
She sank on to her knees and with folded hands began to pray to the
Mother of Mercy, deeming herself lost, for his tone carried conviction,
and he had said that Gian Maria was entering the castle.
“Madonna,” he cried, touching her lightly on the shoulder; “let your
prayers wait until they can be of thanksgiving. Listen. By the vigilance
of Peppe there, who, good soul that he is, never lost faith in me or
deemed me a dastard, we were informed last night--Fortemani and I--of
this that Gonzaga was preparing. And we have made our plans and prepared
the ground. When Gian Maria's soldiers enter, they will find the outer
doors barred and locked, and we shall gain a little time while they
break through them. My men, as you will observe, are even now barring
the door of the chapel to impose a further obstacle. Now while they are
thus engaged we must act. Briefly, then, if you will trust us we will
bear you out of this, for we four have worked through the night to some
purpose.”
She looked at him through a film of tears, her face drawn and
startled. Then she put her hands to her brow in a gesture of bewildered
helplessness.
“But they will follow us,” she complained.
“Not so,” he answered, smiling. “For that, too, have we provided. Come,
Madonna, time presses.”
A long moment she looked at him. Then brushing aside the tears that
dimmed her sight, she set a hand on either of his shoulders, and stood
so, before them all, gazing up into his calm face.