About this book

Main currents in American thought An interpretation of American literature from the beginnings to 1920

Vernon Louis Parrington

pessimism had turned him into a serene optimist, often are as bleak and austerely introspective as those morbid human documents that fill the old libraries of Puritanism. Such meditations are thin gruel for the nourishment of a vigorous life, and Emerson must have suffered from innutrition if he had not come upon more substantial food. Fortunately the old Puritan anchors were already dragging, and Emerson was pretty well adrift when the romantic surge caught him and sent him far along new courses. The Puritan moralizer became the transcendental seeker; the curious-minded loiterer in the gates of the temple, who had studied the moral winds by watching the tiny straws of circumstance--erecting unconsidered trifles into ethical signposts--calmly quitted the church and set forth on his intellectual quest. The ties had long been loosening, but it was his year abroad where he discovered ways of thinking unknown to Concord and Boston, that effectively liberalized his mind and released him from the narrow Yankee provincialisms. On that momentous trip Goethe, Landor, Coleridge, Wordsworth, Carlyle, set him speculating on new themes, stimulating afresh the love of Plato, in whom he had long found inspiration. Continental idealism with its transcendental metaphysics refashioned Emerson and put him upon his life-work. Speaking of the intellectual revival of New England later in life, he remarked that “Goethe was the cow from whom their milk was drawn”; but it would seem that the influence of Wordsworth proved more immediately stimulating, for on his return home Emerson set about the systematic contemplation of nature which left so considerable a deposit in his mind. Before this he had been too intent on his soul to consider the sunshine on the fields, but thereafter he made his pilgrimages into the country with the seriousness of one conducting a novel experiment. In this new concern for nature there was a deliberate self-consciousness. In temperament he was a bookish recluse, in love with the printed page. He was not a Thoreau to love his Walden Pond for its own sake, and it needed an effort of the will to send him as far as Auburn wood, to lie on his back and translate nature into metaphysic. But he had come to the point where his developing philosophy must send him into the fields. He had looked within himself and discovered the divinity of the individual soul; but he had not probed the non-self, the great encompassing universe of matter by which the individual is circumscribed and of which he is a part. To discover there the diffused presence of God, to feel his kinship with man, to understand that the soul is a microcosm, were necessary preliminaries to the unfolding of his transcendental philosophy, and he went about the work with painstaking thoroughness. From this creative contact with nature emerged the Emerson we know, radiant with idealism, glad of life; and this radiant gladness he put into his maiden essay, _Nature_. This was in 1836 when Emerson was thirty-three years of age. In the next two years he published _The American Scholar_, quintessence of transcendental individualism, and the _Divinity School Address_, the bible of transcendental religion. With the appearance of the second series of _Essays_, six years later, the major ideas of his philosophy were fully elaborated. Stripped of its idealistic phraseology, of its beauty and fervor, the master idea of the Emersonian philosophy is the divine sufficiency of the individual. In accepting himself he accepted his fellows, and he accepted God. The universe he conceived of as a divine whole, whereof each man is his own center from whom flows the life that has flowed in upon him, perennially fresh, perennially a new creation. The law for things is not the law for mind; man is unkinged in acknowledging any lesser sovereignty than the sovereignty of self. Statutes, constitutions, governments, schools, churches, banks, trade--the coercing sum of institutions and customs--these things do not signify; they are only idols with clay feet that blind men worship. The true divinity dwells elsewhere, in the soul of man; and that divinity must rule the world and not be ruled by it. The apotheosis of individualism--such in briefest terms was the gospel of Emerson; new only in its radiant dress and idealistic sanctions, the final transcendental form of a doctrine spread widely by the French romantic school. It was the same revolutionary conception that Channing had come upon, that Jefferson had come upon, that Rousseau had come upon--the idea which in the guise of political romanticism had disintegrated the _ancien régime_, and in the form of philosophical romanticism had disintegrated eighteenth-century rationalism--the idea that was providing Utopian dreams for an ebullient democratic faith. Thus equipped with a philosophy Emerson was prepared to begin his work as a critic. The ideal he had drunk of was a perennial condemnation of the material. The mean and ignoble ends pursued by a mean and ignoble society were a challenge to the serenity of his faith, and he must set himself to analyze the causes of the low estate to which the potential sons of God had fallen. Lesser revolutions in thought were implicit in this greater one, revolutions which Emerson was bound to go through with. Despite the jaunty optimism of which he was often accused, his eyes were never blind to reality; to see, and measure, and judge, was to become his life business. He did not shrink from the ugliest fact, and the unhappy condition he discovered men to be in would have discouraged a less robust faith. At times even he doubted. At times he seems half persuaded, with Cotton Mather, that the potential children of light are “strangely and fiercely possessed of the devil.” “Human nature is as bad as it dares to be,” he commented in his journal; and at another time, “If it were possible to repair the rottenness of human nature ... it were well” (_Journals_, Vol. VIII, p. 259). In seeking an explanation of the tragic gap between the real and the ideal, he came to attribute a large measure of the cause, like the eighteenth-century romantics, to pernicious social institutions which stifle the nobler impulses and encourage the baser; and he became convinced likewise that the work to which the critic was called was the work of liberation, setting the mind free from false and ignoble loyalties that it might serve the true. He prepared therefore to lay his transcendental yardstick on the little world of Yankee reality and judge how far short it came of its potential divinity. New England had never been scrutinized so searchingly, measured so justly. Serene, imperturbable, he set the ideal in one pan of the scales, and all the New England realities in the other, and bade his neighbors see how the balance tipped. For a generation he was the conscience of America, a pricker of inflated balloons, a gauger of the national brag and cant and humbug. With keen insight he put his finger on the mean and selfish and the great and generous. He surveyed his world with the detachment of posterity and anticipated the slower judgment of time. His penetration was uncanny and few of his judgments on men and measures have suffered reversal in the court of final jurisdiction. So shrewd a critic must concern himself greatly with the Jacksonian revolution that was hurrying America towards the acceptance of political equalitarianism. By every compulsion of his transcendental philosophy Emerson was driven to accept the abstract principle of democracy. He understood well what hopes for human betterment were awakened by the principle of majority rule, and as he followed the noise and tumult of the political campaigns he was driven to definition. In 1834 he commented in his journal: The root and seed of democracy is the doctrine, Judge for yourself. Reverence thyself. It is the inevitable effect of the doctrine, where it has any effect (which is rare), to insulate the partisan, to make each man a state. At the same time it replaces the dead with a living check in a true, delicate reverence for superior, congenial minds. “How is the King greater than I, if he is not more just?” (_Journals_, Vol. III, p. 369.) Somewhat later in the same year he suggested: Democracy, Freedom, has its root in the sacred truth that every man hath in him the divine Reason, or that, though few men since the creation of the world live according to the dictates of Reason, yet all men are created capable of so doing. That is the equality and the only equality of all men. To this truth we look when we say, Reverence thyself; Be true to thyself. (_Ibid._, Vol. III, p. 390.) When I ... speak of the democratic element, I do not mean that ill thing, vain and loud, which writes lying newspapers, spouts at caucuses, and sells its lies for gold; but that spirit of love for the general good whose name this assumes. There is nothing of the true democratic element in what is called Democracy; it must fall, being wholly commercial. I beg I may not be understood to praise anything which the soul in you does not honor, however grateful may be names to your ear and your pocket. (_Ibid._, Vol. IV, p. 95.) His deepening concern over the state of politics in America--the property-mindedness of the Whigs and the mob-mindedness of the Democrats--drew him into an analysis of political parties and the nature of the political state. He was little read in the political classics, and although he professed a mild approval of Montesquieu and was never tired of praising Burke, he was little influenced by either. The latter’s political theory, indeed, was so fundamentally hostile to Emerson’s major convictions--so legalistic in its reverence for government from the grave, so explicit in denial of new-born rights--that it is a fair assumption that Emerson never took the trouble to understand him but was content to enjoy his glowing rhetoric. Later commentators are too much given to glossing over Emerson’s political theory, not approving its implications; or explaining it away by appeal to certain comments jotted down when his nerves were tried by enthusiasts;[456] but there is no explaining away a theory that was the logical expression of his transcendental philosophy, unless his whole philosophy be explained away. Emerson knew very well where his political theory led, and he had no timid compunction about following it through. In his speculations on the nature and functions of the ideal republic--a theme that was much in his mind--he elaborated what we may call the transcendental theory of politics, a theory closely akin to philosophical anarchism. All the elaborate machinery devised by political thinkers like Montesquieu and John Adams, with their schemes of checks and balances to preserve the _status quo_, he calmly throws overboard; constitutions he is not interested in, nor the complicated props of coercive sovereignty. The single, vital, principle on which the true republic must found itself, he insists, is the principle of good-will. Since “governments have their origin in the moral identity of men,” the recognition of a common human nature with common interests must induce rational men to enter a common political brotherhood; and until men become wise enough voluntarily to coöperate to the common well-being, no good government is possible. The history of governments hitherto is a history of the tragic failure of men to achieve a rational political state. “The idea, after which each community is aiming to make and mend its law,” he suggests in the _Essay on Politics_, following Carlyle, “is the will of the wise man. The wise man, it cannot find in nature, and it makes awkward but earnest efforts