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Main currents in American thought An interpretation of American literature from the beginnings to 1920

Vernon Louis Parrington

[459] See Wendell, _Literary History of America_, p. 348. [460] See “Letter to the Members of the Twenty-Eighth Congregational Society of Boston,” in Weiss, _Life and Correspondence of Theodore Parker_, Vol. II, Appendix II, p. 482. This account of his “Experience as a Minister” constitutes a brief intellectual autobiography, of first importance to the student of Parker. [461] This phrase of Parker’s was probably the source of Lincoln’s phrase. [462] See “The Law of God and the Statutes of Men,” in _Additional Speeches_, Vol. II, p. 181. [463] Quoted in Weiss, Vol. II, p. 488. Chapter V • Margaret Fuller • Rebel The fame of Margaret Fuller has waned greatly since her vivid personality was blotted out in the prime of her intellectual development. Misunderstood in her own time, caricatured by unfriendly critics, and with significant facts of her life suppressed by her friends out of a chivalrous sense of loyalty, the real woman has been lost in a Margaret Fuller myth and later generations have come to underestimate her powers and undervalue her work. Yet no other woman of her generation in America is so well worth recalling. She was the completest embodiment of the inchoate rebellions and grandiose aspirations of the age of transcendental ferment; for to the many grievances charged against the times by other New England liberals, she added the special grievance of the stupid inhibitions laid upon women. Transcendental radical and critic, like Emerson and Thoreau and Parker, she was feminist also; and to the difficult business of freeing her mind from the Cambridge orthodoxies, she added the greater difficulty of freeing her sex. The written record that Margaret Fuller left is quite inadequate to explain her contemporary reputation. In no sense an artist, scarcely a competent craftsman, she wrote nothing that bears the mark of high distinction either in thought or style. Impatient of organization and inadequately disciplined, she threw off her work impulsively, not pausing to shape it to enduring form. Yet she was vastly talked about, and common report makes her out to have been an extraordinary woman who creatively influenced those with whom she came in contact. Like Alcott, her power lay in brilliant talk. Her quick mind seems to have been an electric current that stimulated other minds to activity, and created a vortex of speculation wherever she passed. Hungry for ideas, intellectually and emotionally vibrant, she caught her inspirations from obscure impulses of a nature thwarted and inhibited from normal unfolding; and in her sensitive oscillations she was often drawn away from polar principles to which she would later swing back. There was quite evidently a fundamental unrest within her, a conflict of impulses, that issued in dissatisfaction; and this contradiction was aggravated by intense emotions, which both quickened her mind and distorted it. A product of Cambridge bookishness, Margaret Fuller was both a wonder and a riddle to a generation that made little account of the psychology of sex. She was commonly looked upon as an intellectual monstrosity, the most fearful of Yankee bluestockings, and a later Bostonian has gone so far as to suggest that she was “an unsexed version of Plato’s Socrates” (Wendell, _Literary History of America_, p. 300). But to present-day psychology her character is an extraordinarily suggestive document, and a recent critic has read her seeming contradictions like an open book.[464] Before Miss Anthony’s penetrating analysis the Margaret Fuller myth vanishes, and a very real, natural, and unfortunate woman takes its place. She came of vigorous stock, independent, outspoken, opinionated. Her grandfather was a clergyman who was unfrocked by his church for being lukewarm in the Revolutionary War. Her father, Timothy Fuller, and her four uncles, worked their way through Harvard. In Timothy Fuller there was a large measure of Puritan grimness and severity that locked the door on the passions of his heart, that none might know of them; yet there seems to have been a volcano in the man who held off the world so brusquely. The rebel was strong in him. The Fullers were not of Brahmin stock and had no wish to please their social superiors. While a Harvard undergraduate, Timothy Fuller turned Jeffersonian republican and lost his place as first honor man by joining in an undergraduate protest against certain hated regulations. As a lawyer and politician he repudiated respectable Federalism, and although he was representative in Congress for four terms and enjoyed certain other offices, his non-conformity in the end cost him dear. No doubt he had counted on that, for he was stubborn oak that might break but would not bend. The tragedy of Margaret Fuller’s life seems to have been sketched before in the life of Timothy Fuller. To an extraordinary degree the daughter was the child of the father, in ideas and sympathies as well as blood. Like him she was a rebel, but for the daughter to turn rebel involved greater hazards than for the father. Her sex was a heavy handicap, for the experience of Fanny Wright and Lucretia Mott had revealed that American chivalry had definite bounds; it did not shield the woman who ventured beyond the pale. Yet considering her blood and training, how could she help thus venturing into freer fields without? From her earliest years her father treated her as a comrade and gave her the training of a boy. In her studies he dealt with her as James Mill dealt with his brilliant son. Perhaps it was a mistake to force her into the rigid groove of classical learning when she should have been playing with her dolls. From it she got very unusual acquisitions, but overstimulation broke her health, and isolation turned her mind in upon itself and made her the victim of somnambulism and freaks of imagination. The result was the development, on one side of her nature, of a female counterpart of Cotton Mather--precocious, domineering, moody, visionary, given to long hours of greedy reading, gorging herself on books and well-nigh ruining her intellectual digestion as well as her health. Against this unfortunate overstimulation her vigorous nature struggled for years, and never quite successfully. Her emotions were forever embroiling her intellect. To conceive of her as sexless is curiously to miss the point of her emotionalism. She was rather the victim of sex. Her ardent friendships with other women, her flashes of mystical experience, her fondness for children, her love of luxury and creature comforts, her eager love affair with James Nathan who unchivalrously found safety in flight, her friendship with Mazzini and her more intimate friendship with Count Ossoli, that ended in an unconventional marriage after her situation rendered it necessary--such reactions can be explained on no other hypothesis. Her ardent nature was the victim of disastrous frustrations, rendered the more acute by premature development. If she had married early, as Harriet Beecher did, and her excessive energy had been turned into domestic channels, her life must have been less tragic, whatever the effect might have been on her intellectual development. The acutest contemporary analysis of her contradictory character is that given by her friend William Henry Channing, who found his clue in the clash between endowment and environment: Here was one fond as a child of joy, eager as a native of the tropics for swift transition from luxurious rest to passionate excitement, prodigal to pour her mingled force of will, thought, sentiment, into the life of the moment, all radiant with imagination, longing for communion with artists of every age in their inspired hours, fitted by genius and culture to mingle as an equal in the most refined circles of Europe, and yet her youth and early womanhood had passed away amid the very decent, yet drudging, descendants of prim Puritans. Trained among those who could have discerned her peculiar power, and early fed with the fruits of beauty for which her spirits pined, she would have developed into one of the finest lyrists, romancers and critics, that the modern literary world has seen. This she knew; and this tantalization of her fate she keenly felt. (_Memoirs of Margaret Fuller Ossoli_, by R. W. Emerson, W. H. Channing, and J. F. Clarke, Vol. II, pp. 36-37.) This disastrous clash between endowment and environment is strikingly exemplified in her delight in Europe when at thirty-four she found herself there--in her admiration for Georges Sand, and in particular the extravagance of her love for Rome, where her starved heart found satisfactions she had long dreamed of. “Italy receives me as a long-lost child, and I feel myself at home here,” she wrote in 1847; and a few weeks later, “I find how true was the lure that always drew me towards Europe. It was no false instinct that said I might here find an atmosphere to develop me in ways I need. Had I only come ten years earlier! Now my life must be a failure, so much strength has been wasted on abstractions, which only came because I grew not in the right soil” (_ibid._, Vol. II, p. 225). She was too eagerly pagan to be satisfied with either Puritan or Yankee Cambridge. The pale ethicism of New England was thin gruel for such an appetite for life. Even Emerson she found cold, and her stomach rebelled at the food he throve on. But this was only half the story; the other half was this: But the tragedy of Margaret’s history was deeper yet. Behind the poet was the woman,--fond and relying, the heroic and disinterested woman. The very glow of her poetic enthusiasm was but an outflush of trustful affection; the very restlessness of her intellect was the confession that her heart had found no home. A “book-worm,” a “dilettante,” a “pedant,” I had heard her sneeringly called; but now it was evident that her seeming insensibility was virgin pride, and her absorption in studying the natural vent of emotions, which met no object of life-long attachment. At once, many of her peculiarities became intelligible. Fitfulness, unlooked-for changes of mood, misconceptions of words and actions, substitutions of fancy for fact ... were now referred to the morbid influence of affections pent up to prey upon themselves. And, what was still more interesting, the clue was given to a singular credulousness, by which, in spite of her unusual penetration, Margaret might be led away blindfold. As this revelation of her ardent nature burst upon me, and ... I saw how faithful she had kept to her life purposes,--how patient, gentle, and thoughtful of others, how active in self-improvement and usefulness, how wisely dignified she had been,--I could not but bow to her in reverence. (_Ibid._, Vol. II, p. 37.) The inchoate rebellions in her heart were stimulated and given form by her reading. From the English, French, and German romantics she drew much of her intellectual food. The long hours spent with her father over Jefferson’s letters were the best of preparation for Rousseau and Mary Wollstonecraft, and French romanticism provided an excellent introduction to the German. Her emotions were in high ferment when she came upon the German school, and she yielded her heart to it without reserve. Novalis, Richter, above all Goethe, became a passion and swept her along the path that Hedge and James Freeman Clarke were following. For years she gathered materials for a life of Goethe, but a feeling of self-distrust held back the project. Her love for him was the great literary enthusiasm of her life. “It seems to me,” she wrote in 1832, “as if the mind of Goethe had embraced the universe.... I am