Main currents in American thought An interpretation of American literature from the beginnings to 1920

Hawthorne,” _Studies in Philology_, Vol. XXIII, No. I. Chapter III • The Authentic Brahmin I • Oliver Wendell Holmes • Beacon Street Wit Since the death of Holmes in 1894, his reputation has shrunk and dwindled with that of his group. With the rise of other literary schools, New England standards have been submitted to a somewhat rude overhauling, and Brahmin ideals are no longer reckoned so authoritative as they were once believed to be, nor the supremacy of Boston genius so indisputable. Concord has risen as Cambridge and Beacon Street have declined, and in the shadow of Emerson and Thoreau, the wit of Back Bay is in danger of being obscured. Unsupported by his physical presence, his writings seem far less vital than they did when the echoes of his clever talk were still sounding through them. Certain intellectual shortcomings are more obvious when his works are brought together in a library edition: in the mass his prose seems far more discursive and his verse thinner and more jingly than when the several bits appeared singly, personally sponsored by the author in whose cleverness everybody delighted. Read with sprightly vivacity to a group of sympathetic listeners at the mellowest hour of the dinner, his occasional verse must have sparkled brightly and have gone off with such a crackle of laughter as to convince the Back Bay that the asthmatic little gentleman with bubbling spirits was a veritable poet, on the same friendly footing with the muse that he was with Beacon Street. So frequently on pleasant occasions did Holmes appear before his classmates and friends copy in hand, so often and so happily did he respond to the invitation to write something, that it would have been ungenerous of Boston--and Boston meant the Back Bay, the Saturday Club and Harvard College--not to have crowned him with a wreath of her own ivy. For upwards of half a century, throughout the prime and on past the Indian Summer of the New England renaissance. Holmes was Boston’s own wit, inexhaustible in clever sayings, bubbling over with satire and sentiment, the autocrat of her social gatherings, the acknowledged head of her mutual admiration society. Not since Robert Treat Paine had there been such a master of Yankee small talk. If he monopolized the conversation he dealt generously with his listeners. The stream was copious and the waters were never bitter or astringent, but with just enough effervescence to suit the Boston palate. As a young man the wit sparkled more brightly; as an old man the humor exuded more gently. At twenty-five he described William IV of England with republican irreverence: “The King blew his nose twice, and wiped the royal perspiration repeatedly from a face which is probably the largest uncivilized spot in England”; late in life he commented on his obvious fondness of praise: “I was always patient with those who thought well of me, and accepted all their tributes with something more than resignation.” Taste had changed with the times in Boston. Wit was yielding place to humor; eighteenth-century frankness had given way to nineteenth-century refinement; Victorianism was in full and vigorous bloom in the Beacon Street of 1850, and so Holmes became a Yankee Victorian. The morals of an impeccable society required no castigation, and he was under no obligation to satirize vice. Audacious sallies would have been reckoned in bad taste. If the old-fashioned masculine wit of Robert Treat Paine, with its echoes of Charles Churchill, had presumed to intrude itself into the teacup society of Back Bay drawing-rooms, the indignant Doctor would have shown it the door, and the small talk would have flowed again, decorous and clean and amiable, far more refined than the wit that had delighted their fathers. And yet, though a full-blown Victorian in manners and tastes, Holmes was something of a child of the eighteenth century at heart. The situation in which he found himself might have proved disconcerting if he had chosen to speculate upon it. By nature a thoroughgoing rationalist, he lived in a romantic age. A gentleman of “parts and learning,” with a quick and lively fancy that blossomed in the pat phrase and neat couplet, he loved wit and hated dullness with true Augustan zeal. The great days of Queen Anne were a perennial inspiration to him. He clung to the heroic couplet through all the changes of romantic styles. He moralized in rime with the fluency if not the finish of Pope.[468] He satirized Calvinism with an honest wrath that he might have learned of Swift. He commented in his table-talk on the manners of the times with the chatty discursiveness of Addison. Like the earlier wits, he discovered a deep sympathy for the maturity and ripe wisdom of the classics. Writing to his friend John O. Sargent, he remarked: I wish I had become as familiar with some classic author as you are with Horace. There is nothing like one of those perennial old fellows for good old gentlemenly reading; and for wit and wisdom, what is there to compare with the writings of Horace? You make me envious,--I vow I shall have to get up Juvenal or Catullus, naughty but nice, or somebody that nobody else knows.... I get so tired of the damp sheets of all sorts of _literati_ (worse than the “screeching women of Marblehead”) and clamorous essayists, that I want something always by me, calm, settled beyond cavilling criticism,--a cool, clear draught of Falernian that has been somewhere near two thousand years in the cellar. (Morse, _Life and Letters_, Vol. II, p. 311.) But unhappily what could he do? He was the most sociable of persons, and he lived and moved in an atmosphere surcharged with various and sundry romanticisms. How could he preserve the spirit of quiet rationalism, or assure himself gentlemanly leisure, with a host of “isms” clamoring in his ears? He was amongst them even if he was not of them. He strove to keep himself aloof, unfuddled by heady idealisms and untroubled by strident reforms, but he could not shut his study door against the infection. He could not deny his generation, and inevitably he suffered his thought to be streaked and pied with the current romanticism. He gave Lyceum lectures on Wordsworth and Keats and Shelley, and their influence seeped into his verse. The Longfellow fame was all about him, and he fell to composing ballads and idyls and tales, quite as if he did not know better. Romantic garments fitted him ill, yet he persisted in trying them on. He even got to like them, and came finally to prefer _The Chambered Nautilus_ above his other poems--a strange perversion of taste for a rationalist. _The One-Hoss Shay_ is worth a volume of such pretty moralizing. _Parson Turell’s Legacy_ and _The Moral Bully_ are in better vein--witty, lucid, critical--than any half-hearted ventures in romanticism. The eighteenth-century wit does not appear to advantage patched with Victorian sentiment, and he should have been rationalist enough to know it. As a Beacon Street Victorian Holmes was as full of virtuous prejudices as an egg is full of meat; but as a rationalist, with a modest scientific equipment that came from his professional training, he kept the windows of his mind open to the winds of scientific inquiry that were blowing briskly to the concern of orthodox souls. Many a barnacled craft was foundering in those gales, and Holmes watched their going-down with visible satisfaction. He was perhaps the most militant Unitarian amongst Boston laymen. Hatred of Calvinistic dogma was an obsession with him; it dominated his thought and colored much of his work, _Elsie Venner_ and his table-talk as frankly as _The One-Hoss Shay_. The criticism to which he subjected the old-school dogmas was always vehement, often vindictive. Long after the battle had been won he kept annoying the retreating enemy. His father, Abiel Holmes, was a rigorous follower of the Edwardean school, who after nearly forty years’ service lost his pulpit for refusing to compromise with Unitarian liberalism that had gained the fortress of the near-by College Yard; and the stalwart among his congregation, having to yield the building, the endowment and the communion plate, were forced to establish themselves anew. In this unhappy schism that came about the time Oliver Wendell Holmes was graduating from Harvard in 1829, the latter went with the liberals. He had broken with the Calvinism of his father, and in the reaction he went further than most along the path of Unitarian rationalism--not the path of Channing that led to French romanticism and transcendentalism, but the path of Andrews Norton that led to a harder-headed rationalism. The reasons for this shift are sufficiently evident in his writings. At his father’s table he had watched too many “whey-faced” brethren to like the breed--men with “a weedy flux of ill-conditioned hair,” whose acrid words Turn the sweet milk of kindness into curds, Or with grim logic prove, beyond debate, That all we love is worthiest of hate, As the scarred ruffian of the pirate’s deck, When his long swivel rakes the staggering wreck! (_The Moral Bully._) The words are bitter, but they reveal the length of his reaction from the Calvinism on which he had been over-fed at home and at Phillips Andover Academy; and they suggest also why, next to Theodore Parker, Holmes came to be the best hated of Boston Unitarians amongst the orthodox. On this one subject he was militantly radical, never shirking debate, but whetting the edge of his satire and impaling his victim neatly with his logic. He took sardonic delight in turning Calvinism against itself, in the clever _reductio ad absurdum_ of the Edwardean argument. Perhaps this major intellectual interest appears most adequately in his picture of the Master, the autobiographical rationalist whom he introduces into _The Poet of the Breakfast Table_. A dabbler in the law, theology and medicine, a philosophic contemplator of the Order of Things, who refused to permit “the territory of a man’s mind” to be “fenced in,” who agreed with the Poet in thinking somewhat ill of the specialist who dedicated his life to the study of beetles, preferring to range widely through time and eternity, who followed Darwin and was deep in bacteriology, trying “curious experiments in spontaneous generation”--this was Holmes on the intellectual side, a genial disseminator of the latest scientific speculations, a tolerant amateur of the things of the mind, a friendly dabbler in absolute moralities, who hoped “to do some sound thinking in heaven” if he ever got there, but who was too pleasantly engaged with Beacon Street to settle things now. In his own special way, then, as a Brahmin of the Brahmins, Holmes was a rebel, a puller-down of worm-eaten structures, a freethinker rejoicing when free thought tossed a cargo of obsolete dogma into Boston Bay, or drew out a linchpin of some respectable social coach. He loved Boston the more because he believed that Boston was the home of free thought and free speech, the capital of American brains, the intellectual rebel of the continent. He did not agree with Emerson’s strictures, or Parker’s. He would not concede that Boston was the “home of the Hunkers.” It was provincial; it had crooked little streets; but I tell you Boston has opened, and kept open, more turnpikes that lead straight to free thought and free speech and free deeds than any other city of live men or dead men--I don’t care how broad their streets are, nor how high their steeples. (_The Professor at the Breakfast Table_, p. 4.) When he contemplated the future of America, with Boston as its intellectual leader, he was carried on the crest of an exuberant optimism: