Main Street
for somebody to knock. I've seen her sitting here, waiting. Now----Oh,
you ain't worth God-damning.” He shut the door.
All day Carol watched Olaf's strength oozing. He was emaciated. His ribs
were grim clear lines, his skin was clammy, his pulse was feeble but
terrifyingly rapid. It beat--beat--beat in a drum-roll of death. Late
that afternoon he sobbed, and died.
Bea did not know it. She was delirious. Next morning, when she went,
she did not know that Olaf would no longer swing his lath sword on the
door-step, no longer rule his subjects of the cattle-yard; that Miles's
son would not go East to college.
Miles, Carol, Kennicott were silent. They washed the bodies together,
their eyes veiled.
“Go home now and sleep. You're pretty tired. I can't ever pay you back
for what you done,” Miles whispered to Carol.
“Yes. But I'll be back here tomorrow. Go with you to the funeral,” she
said laboriously.
When the time for the funeral came, Carol was in bed, collapsed. She
assumed that neighbors would go. They had not told her that word of
Miles's rebuff to Vida had spread through town, a cyclonic fury.
It was only by chance that, leaning on her elbow in bed, she glanced
through the window and saw the funeral of Bea and Olaf. There was
no music, no carriages. There was only Miles Bjornstam, in his black
wedding-suit, walking quite alone, head down, behind the shabby hearse
that bore the bodies of his wife and baby.
An hour after, Hugh came into her room crying, and when she said as
cheerily as she could, “What is it, dear?” he besought, “Mummy, I want
to go play with Olaf.”
That afternoon Juanita Haydock dropped in to brighten Carol. She said,
“Too bad about this Bea that was your hired girl. But I don't waste
any sympathy on that man of hers. Everybody says he drank too much, and
treated his family awful, and that's how they got sick.”
CHAPTER XXVII
I
A LETTER from Raymie Wutherspoon, in France, said that he had been sent
to the front, been slightly wounded, been made a captain. From Vida's
pride Carol sought to draw a stimulant to rouse her from depression.
Miles had sold his dairy. He had several thousand dollars. To Carol he
said good-by with a mumbled word, a harsh hand-shake, “Going to buy a
farm in northern Alberta--far off from folks as I can get.” He turned
sharply away, but he did not walk with his former spring. His shoulders
seemed old.
It was said that before he went he cursed the town. There was talk
of arresting him, of riding him on a rail. It was rumored that at the
station old Champ Perry rebuked him, “You better not come back here.
We've got respect for your dead, but we haven't got any for a blasphemer
and a traitor that won't do anything for his country and only bought one
Liberty Bond.”
Some of the people who had been at the station declared that Miles made
some dreadful seditious retort: something about loving German workmen
more than American bankers; but others asserted that he couldn't find
one word with which to answer the veteran; that he merely sneaked up on
the platform of the train. He must have felt guilty, everybody agreed,
for as the train left town, a farmer saw him standing in the vestibule
and looking out.
His house--with the addition which he had built four months ago--was
very near the track on which his train passed.
When Carol went there, for the last time, she found Olaf's chariot with
its red spool wheels standing in the sunny corner beside the stable. She
wondered if a quick eye could have noticed it from a train.
That day and that week she went reluctantly to Red Cross work; she
stitched and packed silently, while Vida read the war bulletins. And she
said nothing at all when Kennicott commented, “From what Champ says,
I guess Bjornstam was a bad egg, after all. In spite of Bea, don't
know but what the citizens' committee ought to have forced him to
be patriotic--let on like they could send him to jail if he didn't
volunteer and come through for bonds and the Y. M. C. A. They've worked
that stunt fine with all these German farmers.”
II
She found no inspiration but she did find a dependable kindness in Mrs.
Westlake, and at last she yielded to the old woman's receptivity and had
relief in sobbing the story of Bea.
Guy Pollock she often met on the street, but he was merely a pleasant
voice which said things about Charles Lamb and sunsets.
Her most positive experience was the revelation of Mrs. Flickerbaugh,
the tall, thin, twitchy wife of the attorney. Carol encountered her at
the drug store.
“Walking?” snapped Mrs. Flickerbaugh.
“Why, yes.”
“Humph. Guess you're the only female in this town that retains the use
of her legs. Come home and have a cup o' tea with me.”
Because she had nothing else to do, Carol went. But she was
uncomfortable in the presence of the amused stares which Mrs.
Flickerbaugh's raiment drew. Today, in reeking early August, she wore a
man's cap, a skinny fur like a dead cat, a necklace of imitation pearls,
a scabrous satin blouse, and a thick cloth skirt hiked up in front.
“Come in. Sit down. Stick the baby in that rocker. Hope you don't mind
the house looking like a rat's nest. You don't like this town. Neither
do I,” said Mrs. Flickerbaugh.
“Why----”
“Course you don't!”
“Well then, I don't! But I'm sure that some day I'll find some solution.
Probably I'm a hexagonal peg. Solution: find the hexagonal hole.” Carol
was very brisk.
“How do you know you ever will find it?”
“There's Mrs. Westlake. She's naturally a big-city woman--she ought to
have a lovely old house in Philadelphia or Boston--but she escapes by
being absorbed in reading.”
“You be satisfied to never do anything but read?”
“No, but Heavens, one can't go on hating a town always!”
“Why not? I can! I've hated it for thirty-two years. I'll die here--and
I'll hate it till I die. I ought to have been a business woman. I had
a good deal of talent for tending to figures. All gone now. Some folks
think I'm crazy. Guess I am. Sit and grouch. Go to church and sing
hymns. Folks think I'm religious. Tut! Trying to forget washing and
ironing and mending socks. Want an office of my own, and sell things.
Julius never hear of it. Too late.”
Carol sat on the gritty couch, and sank into fear. Could this drabness
of life keep up forever, then? Would she some day so despise herself
and her neighbors that she too would walk Main Street an old skinny
eccentric woman in a mangy cat's-fur? As she crept home she felt that
the trap had finally closed. She went into the house, a frail small
woman, still winsome but hopeless of eye as she staggered with the
weight of the drowsy boy in her arms.
She sat alone on the porch, that evening. It seemed that Kennicott had
to make a professional call on Mrs. Dave Dyer.
Under the stilly boughs and the black gauze of dusk the street was
meshed in silence. There was but the hum of motor tires crunching the
road, the creak of a rocker on the Howlands' porch, the slap of a hand
attacking a mosquito, a heat-weary conversation starting and dying, the
precise rhythm of crickets, the thud of moths against the screen--sounds
that were a distilled silence. It was a street beyond the end of
the world, beyond the boundaries of hope. Though she should sit here
forever, no brave procession, no one who was interesting, would be
coming by. It was tediousness made tangible, a street builded of
lassitude and of futility.
Myrtle Cass appeared, with Cy Bogart. She giggled and bounced when Cy
tickled her ear in village love. They strolled with the half-dancing
gait of lovers, kicking their feet out sideways or shuffling a dragging
jig, and the concrete walk sounded to the broken two-four rhythm. Their
voices had a dusky turbulence. Suddenly, to the woman rocking on the
porch of the doctor's house, the night came alive, and she felt that
everywhere in the darkness panted an ardent quest which she was missing
as she sank back to wait for----There must be something.
CHAPTER XXVIII
IT WAS at a supper of the Jolly Seventeen in August that Carol heard of
“Elizabeth,” from Mrs. Dave Dyer.
Carol was fond of Maud Dyer, because she had been particularly agreeable
lately; had obviously repented of the nervous distaste which she had
once shown. Maud patted her hand when they met, and asked about Hugh.
Kennicott said that he was “kind of sorry for the girl, some ways; she's
too darn emotional, but still, Dave is sort of mean to her.” He was
polite to poor Maud when they all went down to the cottages for a swim.
Carol was proud of that sympathy in him, and now she took pains to sit
with their new friend.
Mrs. Dyer was bubbling, “Oh, have you folks heard about this young
fellow that's just come to town that the boys call 'Elizabeth'? He's
working in Nat Hicks's tailor shop. I bet he doesn't make eighteen a
week, but my! isn't he the perfect lady though! He talks so refined, and
oh, the lugs he puts on--belted coat, and pique collar with a gold pin,
and socks to match his necktie, and honest--you won't believe this, but
I got it straight--this fellow, you know he's staying at Mrs. Gurrey's
punk old boarding-house, and they say he asked Mrs. Gurrey if he ought
to put on a dress-suit for supper! Imagine! Can you beat that? And him
nothing but a Swede tailor--Erik Valborg his name is. But he used to be
in a tailor shop in Minneapolis (they do say he's a smart needle-pusher,
at that) and he tries to let on that he's a regular city fellow. They
say he tries to make people think he's a poet--carries books around and
pretends to read 'em. Myrtle Cass says she met him at a dance, and he
was mooning around all over the place, and he asked her did she like
flowers and poetry and music and everything; he spieled like he was a
regular United States Senator; and Myrtle--she's a devil, that girl,
ha! ha!--she kidded him along, and got him going, and honest, what d'you
think he said? He said he didn't find any intellectual companionship
in this town. Can you BEAT it? Imagine! And him a Swede tailor! My! And
they say he's the most awful mollycoddle--looks just like a girl. The
boys call him 'Elizabeth,' and they stop him and ask about the books he
lets on to have read, and he goes and tells them, and they take it
all in and jolly him terribly, and he never gets onto the fact they're
kidding him. Oh, I think it's just TOO funny!”
The Jolly Seventeen laughed, and Carol laughed with them. Mrs. Jack
Elder added that this Erik Valborg had confided to Mrs. Gurrey that he
would “love to design clothes for women.” Imagine! Mrs. Harvey Dillon
had had a glimpse of him, but honestly, she'd thought he was awfully
handsome. This was instantly controverted by Mrs. B. J. Gougerling, wife
of the banker. Mrs. Gougerling had had, she reported, a good look
at this Valborg fellow. She and B. J. had been motoring, and passed
“Elizabeth” out by McGruder's Bridge. He was wearing the awfullest
clothes, with the waist pinched in like a girl's. He was sitting on
a rock doing nothing, but when he heard the Gougerling car coming he
snatched a book out of his pocket, and as they went by he pretended to
be reading it, to show off. And he wasn't really good-looking--just kind
of soft, as B. J. had pointed out.
When the husbands came they joined in the expose. “My name is Elizabeth.
I'm the celebrated musical tailor. The skirts fall for me by the thou.
Do I get some more veal loaf?” merrily shrieked Dave Dyer. He had some
admirable stories about the tricks the town youngsters had played on
Valborg. They had dropped a decaying perch into his pocket. They had
pinned on his back a sign, “I'm the prize boob, kick me.”
Glad of any laughter, Carol joined the frolic, and surprised them by