Notre-Dame de Paris
rents, lord’s dues, and quit rents; at the gate opposite the
house of Tassin-Caillart, the dyer, which is on the side up the
river—a poor old woman now, but a pretty maid in former days, my
lords. Some one said to me lately, ‘La Falourdel, don’t use your
spinning-wheel too much in the evening; the devil is fond of
combing the distaffs of old women with his horns. ’Tis certain
that the surly monk who was round about the temple last year, now
prowls in the City. Take care, La Falourdel, that he doth not
knock at your door.’ One evening I was spinning on my wheel,
there comes a knock at my door; I ask who it is. They swear. I
open. Two men enter. A man in black and a handsome officer. Of
the black man nothing could be seen but his eyes, two coals of
fire. All the rest was hat and cloak. They say to me,—‘The
Sainte-Marthe chamber.’—’Tis my upper chamber, my lords, my
cleanest. They give me a crown. I put the crown in my drawer, and
I say: ‘This shall go to buy tripe at the slaughter-house of la
Gloriette to-morrow.’ We go up stairs. On arriving at the upper
chamber, and while my back is turned, the black man disappears.
That dazed me a bit. The officer, who was as handsome as a great
lord, goes down stairs again with me. He goes out. In about the
time it takes to spin a quarter of a handful of flax, he returns
with a beautiful young girl, a doll who would have shone like the
sun had she been coiffed. She had with her a goat; a big
billy-goat, whether black or white, I no longer remember. That
set me to thinking. The girl does not concern me, but the goat! I
love not those beasts, they have a beard and horns. They are so
like a man. And then, they smack of the witches, sabbath.
However, I say nothing. I had the crown. That is right, is it
not, Monsieur Judge? I show the captain and the wench to the
upper chamber, and I leave them alone; that is to say, with the
goat. I go down and set to spinning again—I must inform you that
my house has a ground floor and story above. I know not why I
fell to thinking of the surly monk whom the goat had put into my
head again, and then the beautiful girl was rather strangely
decked out. All at once, I hear a cry upstairs, and something
falls on the floor and the window opens. I run to mine which is
beneath it, and I behold a black mass pass before my eyes and
fall into the water. It was a phantom clad like a priest. It was
a moonlight night. I saw him quite plainly. He was swimming in
the direction of the city. Then, all of a tremble, I call the
watch. The gentlemen of the police enter, and not knowing just at
the first moment what the matter was, and being merry, they beat
me. I explain to them. We go up stairs, and what do we find? my
poor chamber all blood, the captain stretched out at full length
with a dagger in his neck, the girl pretending to be dead, and
the goat all in a fright. ‘Pretty work!’ I say, ‘I shall have to
wash that floor for more than a fortnight. It will have to be
scraped; it will be a terrible job.’ They carried off the
officer, poor young man, and the wench with her bosom all bare.
But wait, the worst is that on the next day, when I wanted to
take the crown to buy tripe, I found a dead leaf in its place.”
The old woman ceased. A murmur of horror ran through the
audience.
“That phantom, that goat,—all smacks of magic,” said one of
Gringoire’s neighbors.
“And that dry leaf!” added another.
“No doubt about it,” joined in a third, “she is a witch who has
dealings with the surly monk, for the purpose of plundering
officers.”
Gringoire himself was not disinclined to regard this as
altogether alarming and probable.
“Goody Falourdel,” said the president majestically, “have you
nothing more to communicate to the court?”
“No, monseigneur,” replied the crone, “except that the report has
described my house as a hovel and stinking; which is an
outrageous fashion of speaking. The houses on the bridge are not
imposing, because there are such multitudes of people; but,
nevertheless, the butchers continue to dwell there, who are
wealthy folk, and married to very proper and handsome women.”
The magistrate who had reminded Gringoire of a crocodile rose,—
“Silence!” said he. “I pray the gentlemen not to lose sight of
the fact that a dagger was found on the person of the accused.
Goody Falourdel, have you brought that leaf into which the crown
which the demon gave you was transformed?
“Yes, monseigneur,” she replied; “I found it again. Here it is.”
A bailiff handed the dead leaf to the crocodile, who made a
doleful shake of the head, and passed it on to the president, who
gave it to the procurator of the king in the ecclesiastical
court, and thus it made the circuit of the hall.
“It is a birch leaf,” said Master Jacques Charmolue. “A fresh
proof of magic.”
A counsellor took up the word.
“Witness, two men went upstairs together in your house: the black
man, whom you first saw disappear and afterwards swimming in the
Seine, with his priestly garments, and the officer. Which of the
two handed you the crown?” The old woman pondered for a moment
and then said,—
“The officer.”
A murmur ran through the crowd.
“Ah!” thought Gringoire, “this makes some doubt in my mind.”
But Master Philippe Lheulier, advocate extraordinary to the king,
interposed once more.
“I will recall to these gentlemen, that in the deposition taken
at his bedside, the assassinated officer, while declaring that he
had a vague idea when the black man accosted him that the latter
might be the surly monk, added that the phantom had pressed him
eagerly to go and make acquaintance with the accused; and upon
his, the captain’s, remarking that he had no money, he had given
him the crown which the said officer paid to la Falourdel. Hence,
that crown is the money of hell.”
This conclusive observation appeared to dissipate all the doubts
of Gringoire and the other sceptics in the audience.
“You have the documents, gentlemen,” added the king’s advocate,
as he took his seat; “you can consult the testimony of Phœbus de
Châteaupers.”
At that name, the accused sprang up, her head rose above the
throng. Gringoire with horror recognized la Esmeralda.
She was pale; her tresses, formerly so gracefully braided and
spangled with sequins, hung in disorder; her lips were blue, her
hollow eyes were terrible. Alas!
“Phœbus!” she said, in bewilderment; “where is he? O
messeigneurs! before you kill me, tell me, for pity sake, whether
he still lives?”
“Hold your tongue, woman,” replied the president, “that is no
affair of ours.”
“Oh! for mercy’s sake, tell me if he is alive!” she repeated,
clasping her beautiful emaciated hands; and the sound of her
chains in contact with her dress, was heard.
“Well!” said the king’s advocate roughly, “he is dying. Are you
satisfied?”
The unhappy girl fell back on her criminal’s seat, speechless,
tearless, white as a wax figure.
The president bent down to a man at his feet, who wore a gold cap
and a black gown, a chain on his neck and a wand in his hand.
“Bailiff, bring in the second accused.”
All eyes turned towards a small door, which opened, and, to the
great agitation of Gringoire, gave passage to a pretty goat with
horns and hoofs of gold. The elegant beast halted for a moment on
the threshold, stretching out its neck as though, perched on the
summit of a rock, it had before its eyes an immense horizon.
Suddenly it caught sight of the gypsy girl, and leaping over the
table and the head of a clerk, in two bounds it was at her knees;
then it rolled gracefully on its mistress’s feet, soliciting a
word or a caress; but the accused remained motionless, and poor
Djali himself obtained not a glance.
“Eh, why—’tis my villanous beast,” said old Falourdel, “I
recognize the two perfectly!”
Jacques Charmolue interfered.
“If the gentlemen please, we will proceed to the examination of
the goat.” He was, in fact, the second criminal. Nothing more
simple in those days than a suit of sorcery instituted against an
animal. We find, among others in the accounts of the provost’s
office for 1466, a curious detail concerning the expenses of the
trial of Gillet-Soulart and his sow, “executed for their
demerits,” at Corbeil. Everything is there, the cost of the pens
in which to place the sow, the five hundred bundles of brushwood
purchased at the port of Morsant, the three pints of wine and the
bread, the last repast of the victim fraternally shared by the
executioner, down to the eleven days of guard and food for the
sow, at eight deniers parisis each. Sometimes, they went even
further than animals. The capitularies of Charlemagne and of
Louis le Débonnaire impose severe penalties on fiery phantoms
which presume to appear in the air.
Meanwhile the procurator had exclaimed: “If the demon which
possesses this goat, and which has resisted all exorcisms,
persists in its deeds of witchcraft, if it alarms the court with
them, we warn it that we shall be forced to put in requisition
against it the gallows or the stake. Gringoire broke out into a
cold perspiration. Charmolue took from the table the gypsy’s
tambourine, and presenting it to the goat, in a certain manner,
asked the latter,—
“What o’clock is it?”
The goat looked at it with an intelligent eye, raised its gilded
hoof, and struck seven blows.
It was, in fact, seven o’clock. A movement of terror ran through
the crowd.
Gringoire could not endure it.
“He is destroying himself!” he cried aloud; “You see well that he
does not know what he is doing.”
“Silence among the louts at the end of the hall!” said the
bailiff sharply.
Jacques Charmolue, by the aid of the same manœuvres of the
tambourine, made the goat perform many other tricks connected
with the date of the day, the month of the year, etc., which the
reader has already witnessed. And, by virtue of an optical
illusion peculiar to judicial proceedings, these same spectators
who had, probably, more than once applauded in the public square
Djali’s innocent magic were terrified by it beneath the roof of
the Palais de Justice. The goat was undoubtedly the devil.
It was far worse when the procurator of the king, having emptied
upon a floor a certain bag filled with movable letters, which
Djali wore round his neck, they beheld the goat extract with his
hoof from the scattered alphabet the fatal name of _Phœbus_. The
witchcraft of which the captain had been the victim appeared
irresistibly demonstrated, and in the eyes of all, the gypsy,
that ravishing dancer, who had so often dazzled the passers-by
with her grace, was no longer anything but a frightful vampire.