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Old Times on the Upper Mississippi

George Byron Merrick

look alike to me", might under such circumstances be set to music and sung with feeling and expression by the learner. What the pilot must know to enable him to run the river at night, is strikingly suggested in the conversation between young "Mark Twain" and his chief, Mr. Bixby. When the boy had begun to take on airs as a pilot, his chief suddenly fired the question: "What is the shape of Walnut Bend?" Of course he did not know, and did not know that he must know. Mr. Bixby: "My boy, you've got to know the shape of the river, perfectly. It is all there is left to steer by on a very dark night. Everything else is blotted out and gone. But mind you, it hasn't the same shape in the night that it has in the daytime." "How on earth am I going to learn it, then?" "How do you follow a hall at home in the dark? Because you know the shape of it. You can't see it." "Do you mean to say I've got to know all the million trifling variations of the shape of the banks of this interminable river as well as I know the shape of the front hall at home?" "On my honor you've got to know them _better_ than any man ever did know the shapes of the halls in his own house... You see, this has got to be learned; there is no getting around it. A clear starlight night throws such heavy shadows that if you didn't know the shape of the shore perfectly, you would claw away from every bunch of timber, because you would take the black shadow of it for a solid cape; and you see you would be getting scared to death every fifteen minutes by the watch. You would be fifty yards from shore all the time when you ought to be within fifty feet of it. You can't see a snag in one of those shadows, but you know exactly where it is, and the shape of the river tells you when you are coming to it. Then there's your pitch-dark night; the river is a very different shape on a pitch-dark night from what it is on a starlight night. All shores seem straight lines then, and mighty dim ones, too; you'd run them for straight lines, only you know better. You boldly drive your boat into what seems to be a solid straight wall (you knowing very well that there is a curve there), and that wall falls back and makes way for you. Then there's your gray mist. You take a night when there's one of those grizzly gray mists, and then there isn't _any_ particular shape to a shore. A gray mist would tangle the head of the oldest man that ever lived. Well, then, different kinds of _moonlight_ change the shape of the river in different ways. You see--" But the cub had wilted. When he came to his chief reassured him somewhat by replying to his objections: "No! you only learn _the_ shape of the river; and you learn it with such absolute certainty that you can always steer by the shape. That's in your head, and never mind the one that's before your eyes." And that was approximately the case. The details of the river, once learned, were so indellibly printed on the mind of the pilot that it seemed as though eyes were almost superfluous. Of course Mr. Bixby stated the extreme case. While the pilot was running a bend "out of his head" in darkness that might be felt, there were always well-known landmarks to be seen--shapes of bluffs so indistinct as to seem but parts of the universal blackness. But these indistinct outlines were enough to confirm the judgment of the man at the wheel in the course he was steering. The man in the hall, in Mr. Bixby's illustration, could not see anything, and didn't know what hall he was in. He might just as well have been blind; and I never heard of a blind man running a steamboat, day or night. In the short experience that I had in the pilot house, I did not reach this perfection; but I have stood on one side of the wheel, mechanically following the orders of my chief, and listening to the churning of the wheel reëchoed from the banks not fifty feet away, when I could scarcely see the jack staff, and could not distinguish between the black of the woods and the all-pervading black of the night. Mr. Burns or Mr. Cushing would translate the situation, as the boat plowed along under a full head of steam, somewhat like this: "Now we're going down into the bend. Now we're opposite the big cottonwood. Now we must pull out a little, to avoid that nest of snags. Now we will let her begin to come out; the water begins to shoal here; we'll keep away from the point a little, and cross over into the west bend, and follow that down in the opposite direction." This in the way of instruction; and so far as my observation went he was drawing on his imagination for his facts, as I saw no big cottonwood, nor nest of snags, nor any point. The only thing that I could share with him in common was the fact that we were nearing the point and getting into shoaler water--the boat told me that. The floor under my feet seemed to hang back and drag; the motion of the paddle wheel was perceptibly retarded; the escape was hoarser from the pipes. I knew that there was shoal water on the point at the foot of the bend, and the boat herself told me when we had reached the point; but I had not seen it, either with my eyes, or in my head. Mr. Burns had it all in his head, and did not require to see it with his eyes. He simply ran the bend as he knew it to be; and he ran a hundred others in the same way. What might happen to any one who ran by sight, and not by faith, was illustrated in the case of a young pilot on the "Key City", of our line. He had his papers, and was standing watch alone in the pilot house. He was going downstream. In going into Lansing, Iowa, one runs a long bend on the left-hand shore. At Lansing the river turns sharply to the south, from a nearly westerly course. Just at the turn, and fronting the river toward the east, is a solid limestone bluff four hundred feet high. On a starlit night the shadow of this bluff is thrown out upon the river so far as totally to obliterate the water, and for several minutes one must point his boat straight into an apparently solid bluff before he "opens out" the turn to the left. On the night in question the young man forgot to run by what he knew to be the shape of the river, and trusted to what his eyes showed him. He lost his head completely, and instead of stopping both wheels and backing away from the impending doom, he put his wheel hard over and plumped the "Key City" into the alluvial bank of the island opposite, with such force as to snatch both chimneys out of her, and very nearly to make a wreck of the steamer. I have myself been tempted to run away from the same bluff; and but for confidence inspired by the presence of one of the pilots, might have done so. Mr. Burns drilled his "cubs" upon one point, however, which made for the safety of the boat: "When in doubt, ring the stopping bell and set her back." There was no place of safety to run to in a panic on the Mississippi, and a boat standing still was less likely to hurt herself or any one else than one in motion. In no other particular, perhaps, has the art of piloting been so revolutionized as in the adoption of the electric search-light for night running. Time and again have I heard the question asked by people new to the river: "Why don't you hang up two or three lanterns at the front end of the boat, so that you can see to steer?" It is easy to answer such a question convincingly. Go out into the woods on a very dark night with an ordinary lantern. How far can you see by such a light? Perhaps thirty feet; twenty feet would probably be nearer the mark. Until a light was discovered that could project its rays a half mile or more, and so concentrated as clearly to reveal landmarks at that distance, the other extreme, no light at all, was not only desirable, but positively necessary if the boat was to be kept going. After long usage, a pilot's eyes came to possess powers common to the cat family and other night prowlers. He could literally "see in the dark"; but he could not see in any half light, or any light artificial and close at hand. For this reason it was necessary to cover every light on the boat while running on a very dark night, save the red and green sidelights at the chimney-tops. To accomplish this, heavy canvas "shrouds" or "mufflers" were provided, which fitted snugly around the forward part of the boat, in front of the furnaces on the main deck; another set were placed around the boiler deck, in front of the cabin; and still another set to muffle the transom sky-lights on the hurricane deck. When these were properly fitted and triced up, there was not a ray of light projected forward, to break the dead blackness ahead. So delicate was this sense of night sight, that no one was permitted to smoke a pipe or cigar in the pilot house at such times, and even the mate, sitting by the bell down on the roof below, had to forego his midnight pipe. As for the pilot himself, a cigar in front of his nose would have shut off his sight as effectively as though he were blindfolded. Of course, were the pilot looking only ten feet, or even forty feet, ahead of his boat, the lights on board might not have interfered greatly, although they would not have assisted him in the slightest. You can not steer a boat by landmarks ten feet ahead of her. The pilot searches for landmarks a mile away, and must be able to distinguish between two kinds of blackness--the blackness of the night below, and the blackness of the sky above, and from the dividing line between the two must read his marks and determine his course. He does not see the woods on either side of him, and often close at hand. The least ray of artificial light would blind the pilot to the things which he must see under such conditions, hence the shrouding of the boat was a necessity, were she to be run at all on such a night. The coming of the electric search-light, and the transfer of the marks from distant bluffs to big white diamond boards planted low down on the banks where the light can be flashed upon them from a distance of half a mile or more, has greatly simplified the work of the pilot, and rendered obsolete the curtains which once so completely darkened the Mississippi steamboat on the blackest of nights.
Illustration note[Illustration: 1. DANIEL SMITH HARRIS. Steamboat Captain, 1833-1861. 2. CAPTAIN THOMAS BURNS. Pilot on the Upper Mississippi River from 1856 to 1889. Inspector of Steamboats under President Cleveland and President McKinley. 3. CHARLES G. HARGUS. Chief Clerk on the "Royal Arch," "Golden State," "Fanny Harris," "Kate Cassell" and many other fine steamers on the Upper Mississippi. 4. GEORGE B. MERRICK. "Cub" Pilot, 1862.]
Chapter XI _Knowing the River_ To "know the river" fully, the pilot must not only know everything which may be seen by the eye, but he must also feel for a great deal of information of the first importance which is not revealed to the eye alone. Where the water warrants it, he reaches for this information with a lead line; as on the lower river, where the water is deeper, and the draft of boats correspondingly great. On the upper river, a twelve-foot pole answers instead. The performance is always one of great interest to the passengers; the results are often of greater interest to the man at the wheel. The manner in which the reports of the leadsman are received and digested by the pilot, is not usually known to or comprehended by the uninitiated. The proceeding is picturesque, and adds one more "feature" to the novelties of the trip. It is always watched with the greatest interest by the tourist, and is apparently always enjoyed by them,