On the Cross: A Romance of the Passion Play at Oberammergau
"Provided that the countess has no commands for us," observed St.
Genois.
"She will not have any," said the prince, "for either the Play will
produce an absurd impression which is not to be expected, and then she
will feel ashamed and unwilling to grant us our triumph because we
predicted it, or her sentimental mood will draw from this farce a sweet
poison of emotion, and in that case we shall be too frivolous for her!
This must first be allowed to exhale."
"Very true," Hohenheim assented. "You are just the man to cope with
this capricious beauty, Prince Emil. Adieu! May you prosper!"
The gentlemen raised their hats.
"Farewell!" said Cossigny, "by the way, I'll make a suggestion. We
shall best impress the countess while in this mood, by our generosity;
let us heap coals of fire on her head by sending a telegram to the
court-gardener to convert the whole palace into a floral temple to
welcome her return. It will touch a mysterious chord of sympathy if she
meets only these mute messengers of our adoration. When on entering she
finds this surprise and remembers how basely she treated us this
morning, her heart will be touched and she will invite us to dine the
day after to-morrow."
"A capital plan," cried Wengenrode and St. Genois, gaily. "Do your
Highnesses agree?"
"Certainly," replied Hohenheim, with formal courtesy, "when the point
in question is a matter of gallantry, a Hohenheim is never backward."
"I beg to be allowed to contribute also, but _incognito_. She would
regard such an attention from me as a piece of sentimentality, and it
would produce just the contrary effect," Prince Emil answered.
"As you please."
"Let us go to the telegraph office!" cried Wengenrode, eagerly.
"Farewell, gentlemen."
"_Au revoir_, Prince Emil! Are you going to return to the lionesses'
den?"
"Can you ask?" questioned Hohenheim with a significant smile.
"Then early to-morrow morning at the Play, and at night the Casino,
don't forget!" Cossigny called back.
The gentlemen, laughing and chatting, strolled down the street to their
lodgings. The prince watched them a moment, turned, and went back to
the countess.
"I cannot really be vexed with her, if these associates do not satisfy
her," he thought.
"Should I desire her to become my wife, if they did? Certainly not. Yet
if women only would not rush from one extreme to another? Hohenheim is
perfectly right, she ought not to stay here too long, she must go
to-morrow."
He had reached the house and entered the neglected old garden where
huge gnarled fruit trees, bearing small, stunted fruit, interlaced
their branches above a crooked bench. There, in the midst of the rank
grass and weeds, sat the countess, her beautiful head resting against
the mouldy bark of the old trunk, gazing thoughtfully at the luminous
mountains gleaming in the distance through the tangled boughs and
shrubbery.
From the adjoining garden of the sculptor Zwink, whose site was
somewhat higher, a Diana carved in white stone gazed curiously across,
seeming as if she wished to say to the pensive lady who at that moment
herself resembled a statue: "Art will create gods for you
_everywhere_!" But the temptation had no effect, the countess seemed to
have had no luck with these gods, she no longer believed in them!
"Well, Countess Madeleine, did the light and air lure you out of
doors?" asked the prince, joyfully approaching her.
"Oh, I could not bear to stay there any longer. Herr Gross' daughters
are finishing the dress. We will dine here, Prince; the meal can be
served on a table near the house, under a wild-grape vine arbor. We can
wait on ourselves for one day."
"For _one_ day!" repeated the prince with great relief; "oh yes, it can
be managed for one day." Thank Heaven, she had no intention of staying
here.
"Oh, Prince, see how beautiful, how glorious it is!"
"Beautiful, glorious? Pardon me, but I see nothing to call forth words
you so rarely use! You must have narrowed your demands if, after the
view of the wondrous garden of the Isola Bella and all the Italian
villas, you suddenly take delight in cabbage-stalks, wild-pears, broom,
and colt's foot."
"Now see how you talk again!" replied the countess, unpleasantly
affected by his words. "Does not Spinoza say: 'Everything is beautiful,
and as I lose myself in the observation of its beauty, my pleasure in
life is increased.'"
"That has not been your motto hitherto. You have usually found
something to criticise in every object. It seems to me that you have
wearied of the beautiful and now, by way of a change, find even
_ugliness_ fair."
"Very true, my friend. I am satisfied, nothing charms me, nothing
satisfies me, not even the loveliest scene, because I always apply to
everything the standard of perfection, and nothing attains it." She
shook herself suddenly as if throwing off a burden. "This must not
continue, the aesthetic intolerance which poisoned every pleasure must
end, I will cast aside the whole load of critical analysis and academic
ideas of beauty, and snap my fingers at the ghosts of Winckelmann and
Lessing. Here in the kitchen-garden, among cabbage-stalks and colt's
foot, wild-pear and plum-trees, fanned by the fresh, crystal-clear air
of the lofty mountains, whose glaciers shimmer with a bluish light
through the branches, in the silence and solitude, I suddenly find it
beautiful; beautiful because I am happy, because I am only a human
being, free from every restraint, thinking nothing, feeling nothing
save the peace of nature, the delight of this repose."
She rested her feet comfortably on the bench and, with her head thrown
back, gazed with a joyous expression into the blue air which, after the
rain, arched above the earth like a crystal bell.
This mood did not quite please the prince. He was exclusively a man of
the world. His thoughts were ruled by the laws of the most rigid logic,
whatever was not logically attainable had no existence for him; his
enthusiasm reached the highest pitch only in the enjoyment of the
noblest products of art and science. He did not comprehend how any one
could weary of them, even for a moment, on the one side because his
calm temperament did not, like the countess' passionate one, exhaust
everything by following it to its inmost core, and he was thus guarded
from satiety; on the other because he wholly lacked appreciation of
nature and her unconscious grandeur. He was the trained vassal of
custom in the conventional, as well as in every other province. The
countess, however, possessed some touch of that doctrine of divine
right which is ready, at any moment, to cast off the bonds of tradition
and artificial models and obey the impulse of kinship with sovereign
nature. This was the boundary across which he could not follow her, and
he was perfectly aware of it, for he had one of those proud characters
which disdain to deceive themselves concerning their own powers. Yet it
filled him with grave anxiety.
"What are you thinking of now, Prince?" asked his companion, noticing
his gloomy mood.
"That I have not seen you so contented for months, and yet I am unable
to understand the cause of this satisfaction. Especially when I
remember what it usually requires to bring a smile of pleasure to your
lips."
"Dear me, must everything be understood?" cried the beautiful woman,
laughing; "there is the pedant again! Must we be perpetually under
the curb of self-control and give ourselves an account whether
what we feel in a moment of happiness is sensible and authorized?
Must we continually see ourselves reflected in the mirror of our
self-consciousness, and never draw a veil over our souls and permit God
to have one undiscovered secret in them?"
The prince silently kissed her hand. His eyes now expressed deep,
earnest feeling, and stirred by emotion, she laid her other hand upon
his head:
"You are a noble-hearted man, Prince; though some unspoken,
uncomprehended idea stands between us, I know your feelings."
Again the rose and the thorn! It was always so! At the very moment her
soft, sweet hand touched him caressingly, she thrust a dagger into his
heart. Aye, that was the continual "misunderstanding" which existed
between them, the thorn in the every rose she proffered.
Women like these are only tolerable when they really love; when a
powerful feeling makes them surrender themselves completely. Where this
is not the case, they are, unconsciously and involuntarily, malicious,
dangerous creatures, caressing and slaying at the same moment.
First, woe betide the man whom _they believe_ they love. For how often
such beings are mistaken in their feelings!
Such delusions do not destroy the woman, she often experiences them,
but the man who has shared them with her! Alas for him who has not kept
a cool head.
The prince was standing with his back turned to the street, gazing
thoughtfully at the beautiful woman with the fathomless, sparkling
eyes. Suddenly he saw her start and flush. Turning with the speed of
lightning, he followed the direction of her glance, but saw nothing
except the figure of a man of unusual height, with long black hair,
pass swiftly around the corner and disappear.
"Do you know that gentleman?"
"No," replied the countess frankly, "he is the person whom I saw
yesterday as we drove up the mountain."
"Pardon the indiscretion, but you blushed."
"Yes, I felt it, but I don't know why," she answered with an almost
artless innocence in her gaze. The prince could not help smiling.
"Countess, Countess!" he said, shaking his finger at her as if she were
a child. "Guard your imagination; it will prove a traitor some day."
The countess, as if with a sweet consciousness of guilt, drew down the
uplifted hand with a movement of such indescribable grace that no one
could have remained angry with her. The prince knelt at her feet an
instant, not longer than a blade of grass requires to bend before the
breeze and rise again, then he stood erect, somewhat paler than before,
but perfectly calm.
"I'll go in and tell my valet to serve our dinner here."
"If you please, Prince," replied the lady, gazing absently down the
street.
Andreas Gross entered the garden. "Everything is settled, Your
Highness. I have talked with Josepha's relatives and guardian and they
will be very glad to have you take her."
"All, even the Christ-Freyer?"
"Certainly, there is no objection."
She had expected something more and looked at the old man as if for the
rest of the message, but he added nothing.
"Ought not Freyer to come here, in order to discuss the particulars
with me?" she asked at last, almost timidly.
"Why, he goes to see no one, as I told you, and he surely would not
come to speak of Josepha, for he is ashamed of her. He says that
whatever you do will be satisfactory to him."
"Very well," replied the countess, in a somewhat disappointed tone.
"What a comical tete-a-tete!" a laughing voice suddenly exclaimed
behind the fence. The countess started up, but it was too late for
escape; she was caught.
A lady, young and elegantly dressed, accompanied by two older ones,
eagerly rushed up to her.
"Dear Countess, why have you hidden yourself here at the farthest
corner of the village? We have searched all Ammergau for you. Your
coat-of-arms on the carriage and your liveries at the old post-house
betrayed you. Yes, yes, when people want to travel _incognito_, they
must not journey with genuine Wildenau elegance. We were more cautious.
We came in a modest hired conveyance. But what a life this is! I was
obliged to sleep on straw last night. Hear and shudder! On _straw_! Did
you have a bed? You have been here since yesterday?"
"Why, Your Highness, pray take breath! Good morning, Baroness! Good
morning, Your Excellency!"