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One Wonderful Night: A Romance of New York

Louis Tracy

the Great White Way. As it happened, a stranger in New York could not have entered the city's main thoroughfare at any point better calculated to bewilder and astound than the very corner where Curtis had picked up the cab. On both sides, from the level of the street to a height often measurable in hundreds of feet, nearly every building blazed with electric signs. Many of the devices seemed to be alive. Horses galloped, either in Roman stadium or modern polo-ground; a girl's skirts were fluttered by a rain-storm; a giant's hand, with unerring skill, bowled a ball at ten-pins in a bowling alley; the names of theaters, of hotels, of drugs, of patent foods, of every known variety of caterer for human needs and amusements, flickered, and winked, and stared, at the passer-by from ground floor to attic--while each and all--horses, skirts, rain-drops, hand, ball, pins, and names--glowed in every known shade of color from every known form of electric lamp. The glare of this advertisers' paradise was so overpowering that even the marvel-surfeited citizens who crowded the sidewalks would gather in dense groups at a corner, thence to watch and take in the dazzling significance of some sign new to their vision. Curtis noticed many such assemblies before the taxi sped out of the magic area which ends at 42nd Street; but it was all novel to him; he could not discuss the contrast between last week's glorification of Somebody's Pickles and to-night's triumph of Everybody's Whisky, and he was almost bemused by the display, which provided such a bizarre anti-climax to the terrible drama he had just witnessed. It was a positive relief, therefore, when the vehicle bowled swiftly into a quiet cross street, and he was vouchsafed only fleeting glimpses of broad avenues where fresh multitudes of lamps again bade defiance to the night. In one place, an illuminated dial showed that the hour was eight o'clock, and the curiously simple fact of noting the time roused him to a perception of all that had happened since he strolled out of the dining-room of the Central Hotel. He smiled dourly when he remembered the mislaid key. Did it still repose in the bedroom? Or had a housemaid found it, and restored it to a numbered hook in the office? Had not that immaculately dressed clerk said he would find Number 605 "a comfortable, quiet room"? Well, it might be all that, yet Curtis could hardly help dwelling on the thought that had he been put in any other cell of the human beehive called the Central Hotel it was highly probable he would not now be flying across New York on a self-imposed mission so nebulous, so ill-defined, that already his orderly brain was beginning to doubt the logic which inspired it. Was it too late to draw back? To this handy automobile city distances were negligible quantities, and he would rejoin the detectives before they could have any reason to suspect him even of carelessness in withholding from their ken the new and important fact revealed by the accidental change of overcoats. And, yes--by Jove!--it would be assumed that _his_ overcoat was the dead man's, though, indeed, certain papers in the pockets would soon show that there was a blunder somewhere, because the John D. Curtis mentioned therein necessarily figured as the chief witness in the case now being worked up against three unknown malefactors. Oddly enough, it was contemporaneous with this thought that the queer similarity of his own name to that of the unfortunate Frenchman first dawned on him. John D. Curtis and Jean de Courtois were, as names, particularly as the names of two men of different nationalities, sufficiently alike to invite comment. Well, that being so, there was all the more reason why the identity of poor Jean de Courtois should be established beyond doubt, and this reflection appealed so strongly that, when the cab stopped, Curtis was once more reconciled to the policy hurriedly arrived at while he was standing at the corner of Broadway and 27th Street. He opened the door, alighted, glanced up at a rather imposing block of flats, and said to the driver: "Is this 1000 West 59th Street?" "Yes, sir. Quite a bunch of people live here," was the answer. "I take it, then, that the lady I wish to see occupies one of the flats?" The driver smiled broadly, for it seemed to him that the naive statement sounded rather funny. "I guess that's about the size of it," he said. Curtis smiled, too. This needless blurting out of confidences to a cabman was the one folly essential to a complete restoration of his wits. "Wait for me," he said. "I may be only a minute or two, and I shall want you to take me right back to the point I came from." The man nodded, and turned to set the time index of the taximeter. A few steps led up to a spacious doorway, and Curtis passed through a revolving door. Halfway along a well-lighted passage he saw an elevator sign, and found an attendant sitting there. "I believe that Miss Grandison lives here?" he said. "Second floor--Number 10--take you up?" was the time-saving reply. "Yes, but I am not anxious to see Miss Grandison herself. I would prefer to speak to some male relative." The attendant looked puzzled; perhaps he was wishful to make smooth the way for a visitor who was obviously a gentleman, but the problem offered by Curtis's request presented difficulties, and he fell back on his official instructions. "Sorry, but you must explain matters to the maid at Number 10," he said, quite civilly, and Curtis was soon pressing an electric bell at the door of the flat itself. A neatly dressed girl appeared. Her out-of-doors costume suggested that she was either just going out or just returned, and Curtis, unaccustomed to the domestic problem as it exists in New York, fancied that she ranked above the level of a house-maid. "Is Miss Grandison in?" he asked. "I'll inquire, sir. What name shall I say?" It was a noncommittal answer, so he changed ground in the next question. "I would prefer not to meet Miss Grandison herself if it is in any way possible to interview a relative of hers, or a friend," he said. This colorless statement, intended to be reassuring, seemed to have such an alarming effect on the girl that he hastened to add: "I am here with reference to Monsieur Jean de Courtois." His hearer smiled, and her manner changed from fright to friendliness. Indeed, if he had not been so wrapped up in the highly disagreeable task which lay before him, he could hardly have failed to notice that she welcomed, rather than resented, the visit of a smart looking young man to the establishment. "Oh, come in, do," she said, glancing up at him with demure but very bright eyes. "Why didn't you say at once that you had been sent by Mr. de Courtois, without trying to scare me stiff by talking about relatives?" He obeyed, and he closed the door. "I really meant what I said," he persisted. "Something has happened to prevent Monsieur de Courtois coming here this evening----" "Not coming! Then there will be no wedding!" Her voice was subdued, but she put such distress, such perplexity, into her words that at any other time Curtis would have marveled at the gamut of emotion which the feminine temperament was capable of. Still, he had to risk even a mild display of hysteria, so he went on quietly: "You will understand now why I would rather meet some person other than Miss Grandison." "But who is there to meet? She is alone. I do believe I am the only living being she knows in New York, except Mr. de Courtois. . . . Why can't he come? What is keeping him? Has he met with an accident? . . . Oh, I can see by your face that he is hurt--or he has been kidnapped! Yes, that's it, for sure! And that dear young lady will be trapped like a bird in a cage! . . . Miss Hermione! Miss Hermione! Here is someone come to tell you that Mr. de Courtois has been spirited away. . . . Oh dear, to think that this should be the end of all our planning and contriving!" During this crescendo of excited and scarcely intelligible utterances the girl had first backed away from Curtis, and then turned, running to open, without knocking, a door on the right of the extreme end of a corridor which divided the suite into two sections. Curtis did not attempt to stop her. Whatsoever the outcome, he was committed now to an undertaking from which there was no retreat. He half expected that the maid, whose disjointed outburst betokened, at least, that she was her mistress's trusted confidante, would reappear from the room into which she had vanished. But he was mistaken, doubly mistaken, since the mental picture he had formed of Hermione Beauregard Grandison was utterly falsified by the slight, elegant, girlish figure which presented itself before his astonished eyes. Somehow, those superfine Christian names and that aristocratic surname had prepared him for a rather magnificent person, young, probably, because the dead man might be of his own age within a year, but decidedly impressive. He had gone so far as to imagine her an actress, of the sinuous, well-rounded type, who would address him in a deep contralto, and, if and when she fainted, would sink gracefully on to a couch correctly placed for scenic effect. The reality took his breath away. He saw a girl, not a day older than twenty, dressed in a simple costume of brown cloth, and wearing a hat, veil, and gloves of harmonizing tints. The veil had been hurriedly lifted above the brim of the hat, and a pair of what seemed to be intensely dark violet eyes gazed at him from a small-featured, pallid face from which every vestige of color had fled. "Is this thing true?" she said, halting timidly within a few feet of him. "Perhaps Marcelle has misunderstood you. Who sent you?--Monsieur de Courtois himself, I suppose?" Her voice, so wistful, so pleading, perfect in cadence yet almost childlike in its evident anxiety to be reassured, reached uncharted depths in his soul. At once he began to ask himself why this mere girl should be exposed to the impish trick which fate had played on her, and, in the same breath, he was conscious of a fierce anger against the ghouls who had contrived it. "Are you Miss Grandison?" he asked, rather to gain time than because of any doubt as to her personality. "Yes. And you?" "My name is Curtis--John D. Curtis. I only landed in New York three hours ago." He added the explanatory sentence in order to clear the ground, as it were, for the strange and horrible story he had to tell, but its effect was curious in the extreme. The girl's white face blanched to that wan hue which personal fear lends to distress. "Where have you come from?" she gasped. "From Pekin." "From Pekin!" "Yes. I have been traveling without pause during the past eight weeks." By this time he had ascertained two certain facts about Hermione Beauregard Grandison. In the first place, she was the prettiest and most graceful creature he had ever met; in the second, she had all the hall-marks of good breeding and high social caste. His brain was so busy over these discoveries that he disregarded the really remarkable way in which the object of his visit had been shelved for the moment. It might reasonably be expected that the disconsolate lady would be concerned mainly as to the fate of the missing bridegroom, but the mistress evidently shared the maid's disquietude about Curtis himself. And, precisely as in the case of Marcelle, Miss Grandison's face showed relief when it became manifest that he was a complete stranger. "Pray forgive me for questioning you in this manner," she said, with a rapid reversion to a conventional air that disconcerted her hearer in a