Our Mutual Friend
boat, and make her fast, and take the sculls and rudder and rope out of
her. Carrying these with Lizzie’s aid, he passed up to his dwelling.
‘Sit close to the fire, father, dear, while I cook your breakfast.
It’s all ready for cooking, and only been waiting for you. You must be
frozen.’
‘Well, Lizzie, I ain’t of a glow; that’s certain. And my hands seem
nailed through to the sculls. See how dead they are!’ Something
suggestive in their colour, and perhaps in her face, struck him as he
held them up; he turned his shoulder and held them down to the fire.
‘You were not out in the perishing night, I hope, father?’
‘No, my dear. Lay aboard a barge, by a blazing coal-fire.—Where’s that
boy?’
‘There’s a drop of brandy for your tea, father, if you’ll put it in
while I turn this bit of meat. If the river was to get frozen, there
would be a deal of distress; wouldn’t there, father?’
‘Ah! there’s always enough of that,’ said Gaffer, dropping the liquor
into his cup from a squat black bottle, and dropping it slowly that it
might seem more; ‘distress is for ever a going about, like sut in the
air—Ain’t that boy up yet?’
‘The meat’s ready now, father. Eat it while it’s hot and comfortable.
After you have finished, we’ll turn round to the fire and talk.’
But, he perceived that he was evaded, and, having thrown a hasty angry
glance towards the bunk, plucked at a corner of her apron and asked:
‘What’s gone with that boy?’
‘Father, if you’ll begin your breakfast, I’ll sit by and tell you.’ He
looked at her, stirred his tea and took two or three gulps, then cut at
his piece of hot steak with his case-knife, and said, eating:
‘Now then. What’s gone with that boy?’
‘Don’t be angry, dear. It seems, father, that he has quite a gift of
learning.’
‘Unnat’ral young beggar!’ said the parent, shaking his knife in the air.
‘And that having this gift, and not being equally good at other things,
he has made shift to get some schooling.’
’unnat’ral young beggar!’ said the parent again, with his former action.
‘—And that knowing you have nothing to spare, father, and not wishing
to be a burden on you, he gradually made up his mind to go seek his
fortune out of learning. He went away this morning, father, and he cried
very much at going, and he hoped you would forgive him.’
‘Let him never come a nigh me to ask me my forgiveness,’ said the
father, again emphasizing his words with the knife. ‘Let him never come
within sight of my eyes, nor yet within reach of my arm. His own father
ain’t good enough for him. He’s disowned his own father. His own father
therefore, disowns him for ever and ever, as a unnat’ral young beggar.’
He had pushed away his plate. With the natural need of a strong rough
man in anger, to do something forcible, he now clutched his knife
overhand, and struck downward with it at the end of every succeeding
sentence. As he would have struck with his own clenched fist if there
had chanced to be nothing in it.
‘He’s welcome to go. He’s more welcome to go than to stay. But let him
never come back. Let him never put his head inside that door. And let
you never speak a word more in his favour, or you’ll disown your own
father, likewise, and what your father says of him he’ll have to come to
say of you. Now I see why them men yonder held aloof from me. They says
to one another, “Here comes the man as ain’t good enough for his own
son!” Lizzie—!’
But, she stopped him with a cry. Looking at her he saw her, with a face
quite strange to him, shrinking back against the wall, with her hands
before her eyes.
‘Father, don’t! I can’t bear to see you striking with it. Put it down!’
He looked at the knife; but in his astonishment still held it.
‘Father, it’s too horrible. O put it down, put it down!’
Confounded by her appearance and exclamation, he tossed it away, and
stood up with his open hands held out before him.
‘What’s come to you, Liz? Can you think I would strike at you with a
knife?’
‘No, father, no; you would never hurt me.’
‘What should I hurt?’
‘Nothing, dear father. On my knees, I am certain, in my heart and soul
I am certain, nothing! But it was too dreadful to bear; for it looked—’
her hands covering her face again, ‘O it looked—’
‘What did it look like?’
The recollection of his murderous figure, combining with her trial of
last night, and her trial of the morning, caused her to drop at his
feet, without having answered.
He had never seen her so before. He raised her with the utmost
tenderness, calling her the best of daughters, and ‘my poor pretty
creetur’, and laid her head upon his knee, and tried to restore her. But
failing, he laid her head gently down again, got a pillow and placed it
under her dark hair, and sought on the table for a spoonful of brandy.
There being none left, he hurriedly caught up the empty bottle, and ran
out at the door.
He returned as hurriedly as he had gone, with the bottle still empty.
He kneeled down by her, took her head on his arm, and moistened her lips
with a little water into which he dipped his fingers: saying, fiercely,
as he looked around, now over this shoulder, now over that:
‘Have we got a pest in the house? Is there summ’at deadly sticking to my
clothes? What’s let loose upon us? Who loosed it?’
Chapter 7
MR WEGG LOOKS AFTER HIMSELF
Silas Wegg, being on his road to the Roman Empire, approaches it by way
of Clerkenwell. The time is early in the evening; the weather moist and
raw. Mr Wegg finds leisure to make a little circuit, by reason that he
folds his screen early, now that he combines another source of income
with it, and also that he feels it due to himself to be anxiously
expected at the Bower. ‘Boffin will get all the eagerer for waiting a
bit,’ says Silas, screwing up, as he stumps along, first his right eye,
and then his left. Which is something superfluous in him, for Nature has
already screwed both pretty tight.
‘If I get on with him as I expect to get on,’ Silas pursues, stumping
and meditating, ‘it wouldn’t become me to leave it here. It wouldn’t be
respectable.’ Animated by this reflection, he stumps faster, and looks
a long way before him, as a man with an ambitious project in abeyance
often will do.
Aware of a working-jeweller population taking sanctuary about the church
in Clerkenwell, Mr Wegg is conscious of an interest in, and a respect
for, the neighbourhood. But, his sensations in this regard halt as to
their strict morality, as he halts in his gait; for, they suggest the
delights of a coat of invisibility in which to walk off safely with the
precious stones and watch-cases, but stop short of any compunction for
the people who would lose the same.
Not, however, towards the ‘shops’ where cunning artificers work in
pearls and diamonds and gold and silver, making their hands so rich,
that the enriched water in which they wash them is bought for the
refiners;—not towards these does Mr Wegg stump, but towards the poorer
shops of small retail traders in commodities to eat and drink and keep
folks warm, and of Italian frame-makers, and of barbers, and of brokers,
and of dealers in dogs and singing-birds. From these, in a narrow and
a dirty street devoted to such callings, Mr Wegg selects one dark
shop-window with a tallow candle dimly burning in it, surrounded by a
muddle of objects vaguely resembling pieces of leather and dry stick,
but among which nothing is resolvable into anything distinct, save
the candle itself in its old tin candlestick, and two preserved frogs
fighting a small-sword duel. Stumping with fresh vigour, he goes in at
the dark greasy entry, pushes a little greasy dark reluctant side-door,
and follows the door into the little dark greasy shop. It is so dark
that nothing can be made out in it, over a little counter, but another
tallow candle in another old tin candlestick, close to the face of a man
stooping low in a chair.
Mr Wegg nods to the face, ‘Good evening.’
The face looking up is a sallow face with weak eyes, surmounted by a
tangle of reddish-dusty hair. The owner of the face has no cravat on,
and has opened his tumbled shirt-collar to work with the more ease.
For the same reason he has no coat on: only a loose waistcoat over his
yellow linen. His eyes are like the over-tried eyes of an engraver, but
he is not that; his expression and stoop are like those of a shoemaker,
but he is not that.
‘Good evening, Mr Venus. Don’t you remember?’
With slowly dawning remembrance, Mr Venus rises, and holds his candle
over the little counter, and holds it down towards the legs, natural and
artificial, of Mr Wegg.
‘To be SURE!’ he says, then. ‘How do you do?’
‘Wegg, you know,’ that gentleman explains.
‘Yes, yes,’ says the other. ‘Hospital amputation?’
‘Just so,’ says Mr Wegg.
‘Yes, yes,’ quoth Venus. ‘How do you do? Sit down by the fire, and warm
your—your other one.’
The little counter being so short a counter that it leaves the
fireplace, which would have been behind it if it had been longer,
accessible, Mr Wegg sits down on a box in front of the fire, and inhales
a warm and comfortable smell which is not the smell of the shop. ‘For
that,’ Mr Wegg inwardly decides, as he takes a corrective sniff or two,
‘is musty, leathery, feathery, cellary, gluey, gummy, and,’ with another
sniff, ‘as it might be, strong of old pairs of bellows.’
‘My tea is drawing, and my muffin is on the hob, Mr Wegg; will you
partake?’
It being one of Mr Wegg’s guiding rules in life always to partake, he
says he will. But, the little shop is so excessively dark, is stuck so
full of black shelves and brackets and nooks and corners, that he sees
Mr Venus’s cup and saucer only because it is close under the candle, and
does not see from what mysterious recess Mr Venus produces another
for himself until it is under his nose. Concurrently, Wegg perceives a
pretty little dead bird lying on the counter, with its head drooping
on one side against the rim of Mr Venus’s saucer, and a long stiff wire
piercing its breast. As if it were Cock Robin, the hero of the ballad,
and Mr Venus were the sparrow with his bow and arrow, and Mr Wegg were
the fly with his little eye.
Mr Venus dives, and produces another muffin, yet untoasted; taking the
arrow out of the breast of Cock Robin, he proceeds to toast it on the
end of that cruel instrument. When it is brown, he dives again and
produces butter, with which he completes his work.
Mr Wegg, as an artful man who is sure of his supper by-and-bye, presses
muffin on his host to soothe him into a compliant state of mind, or, as
one might say, to grease his works. As the muffins disappear, little by
little, the black shelves and nooks and corners begin to appear, and Mr
Wegg gradually acquires an imperfect notion that over against him on the
chimney-piece is a Hindoo baby in a bottle, curved up with his big
head tucked under him, as he would instantly throw a summersault if the
bottle were large enough.
When he deems Mr Venus’s wheels sufficiently lubricated, Mr Wegg
approaches his object by asking, as he lightly taps his hands together,
to express an undesigning frame of mind:
‘And how have I been going on, this long time, Mr Venus?’
‘Very bad,’ says Mr Venus, uncompromisingly.
‘What? Am I still at home?’ asks Wegg, with an air of surprise.
‘Always at home.’
This would seem to be secretly agreeable to Wegg, but he veils his
feelings, and observes, ‘Strange. To what do you attribute it?’
‘I don’t know,’ replies Venus, who is a haggard melancholy man, speaking
in a weak voice of querulous complaint, ‘to what to attribute it, Mr
Wegg. I can’t work you into a miscellaneous one, no how. Do what I will,
you can’t be got to fit. Anybody with a passable knowledge would pick