Our Mutual Friend
of crumpled shirt-collar up behind. Reflects Mrs Podsnap; fine woman
for Professor Owen, quantity of bone, neck and nostrils like a
rocking-horse, hard features, majestic head-dress in which Podsnap has
hung golden offerings. Reflects Twemlow; grey, dry, polite, susceptible
to east wind, First-Gentleman-in-Europe collar and cravat, cheeks drawn
in as if he had made a great effort to retire into himself some years
ago, and had got so far and had never got any farther. Reflects mature
young lady; raven locks, and complexion that lights up well when well
powdered—as it is—carrying on considerably in the captivation of
mature young gentleman; with too much nose in his face, too much ginger
in his whiskers, too much torso in his waistcoat, too much sparkle in
his studs, his eyes, his buttons, his talk, and his teeth. Reflects
charming old Lady Tippins on Veneering’s right; with an immense obtuse
drab oblong face, like a face in a tablespoon, and a dyed Long Walk up
the top of her head, as a convenient public approach to the bunch of
false hair behind, pleased to patronize Mrs Veneering opposite, who
is pleased to be patronized. Reflects a certain ‘Mortimer’, another
of Veneering’s oldest friends; who never was in the house before,
and appears not to want to come again, who sits disconsolate on Mrs
Veneering’s left, and who was inveigled by Lady Tippins (a friend of
his boyhood) to come to these people’s and talk, and who won’t talk.
Reflects Eugene, friend of Mortimer; buried alive in the back of his
chair, behind a shoulder—with a powder-epaulette on it—of the mature
young lady, and gloomily resorting to the champagne chalice whenever
proffered by the Analytical Chemist. Lastly, the looking-glass reflects
Boots and Brewer, and two other stuffed Buffers interposed between the
rest of the company and possible accidents.
The Veneering dinners are excellent dinners—or new people wouldn’t
come—and all goes well. Notably, Lady Tippins has made a series of
experiments on her digestive functions, so extremely complicated and
daring, that if they could be published with their results it might
benefit the human race. Having taken in provisions from all parts of the
world, this hardy old cruiser has last touched at the North Pole, when,
as the ice-plates are being removed, the following words fall from her:
‘I assure you, my dear Veneering—’
(Poor Twemlow’s hand approaches his forehead, for it would seem now,
that Lady Tippins is going to be the oldest friend.)
‘I assure you, my dear Veneering, that it is the oddest affair! Like
the advertising people, I don’t ask you to trust me, without offering
a respectable reference. Mortimer there, is my reference, and knows all
about it.’
Mortimer raises his drooping eyelids, and slightly opens his mouth. But
a faint smile, expressive of ‘What’s the use!’ passes over his face, and
he drops his eyelids and shuts his mouth.
‘Now, Mortimer,’ says Lady Tippins, rapping the sticks of her closed
green fan upon the knuckles of her left hand—which is particularly rich
in knuckles, ‘I insist upon your telling all that is to be told about
the man from Jamaica.’
‘Give you my honour I never heard of any man from Jamaica, except the
man who was a brother,’ replies Mortimer.
‘Tobago, then.’
‘Nor yet from Tobago.’
‘Except,’ Eugene strikes in: so unexpectedly that the mature young lady,
who has forgotten all about him, with a start takes the epaulette out
of his way: ‘except our friend who long lived on rice-pudding and
isinglass, till at length to his something or other, his physician said
something else, and a leg of mutton somehow ended in daygo.’
A reviving impression goes round the table that Eugene is coming out. An
unfulfilled impression, for he goes in again.
‘Now, my dear Mrs Veneering,’ quoth Lady Tippins, I appeal to you
whether this is not the basest conduct ever known in this world? I carry
my lovers about, two or three at a time, on condition that they are very
obedient and devoted; and here is my oldest lover-in-chief, the head of
all my slaves, throwing off his allegiance before company! And here is
another of my lovers, a rough Cymon at present certainly, but of whom
I had most hopeful expectations as to his turning out well in course of
time, pretending that he can’t remember his nursery rhymes! On purpose
to annoy me, for he knows how I doat upon them!’
A grisly little fiction concerning her lovers is Lady Tippins’s point.
She is always attended by a lover or two, and she keeps a little list
of her lovers, and she is always booking a new lover, or striking out an
old lover, or putting a lover in her black list, or promoting a lover to
her blue list, or adding up her lovers, or otherwise posting her book.
Mrs Veneering is charmed by the humour, and so is Veneering. Perhaps it
is enhanced by a certain yellow play in Lady Tippins’s throat, like the
legs of scratching poultry.
‘I banish the false wretch from this moment, and I strike him out of
my Cupidon (my name for my Ledger, my dear,) this very night. But I am
resolved to have the account of the man from Somewhere, and I beg you
to elicit it for me, my love,’ to Mrs Veneering, ‘as I have lost my own
influence. Oh, you perjured man!’ This to Mortimer, with a rattle of her
fan.
‘We are all very much interested in the man from Somewhere,’ Veneering
observes.
Then the four Buffers, taking heart of grace all four at once, say:
‘Deeply interested!’
‘Quite excited!’
‘Dramatic!’
‘Man from Nowhere, perhaps!’
And then Mrs Veneering—for the Lady Tippins’s winning wiles are
contagious—folds her hands in the manner of a supplicating child, turns
to her left neighbour, and says, ‘Tease! Pay! Man from Tumwhere!’ At
which the four Buffers, again mysteriously moved all four at once,
explain, ‘You can’t resist!’
‘Upon my life,’ says Mortimer languidly, ‘I find it immensely
embarrassing to have the eyes of Europe upon me to this extent, and my
only consolation is that you will all of you execrate Lady Tippins in
your secret hearts when you find, as you inevitably will, the man from
Somewhere a bore. Sorry to destroy romance by fixing him with a local
habitation, but he comes from the place, the name of which escapes me,
but will suggest itself to everybody else here, where they make the
wine.’
Eugene suggests ‘Day and Martin’s.’
‘No, not that place,’ returns the unmoved Mortimer, ‘that’s where they
make the Port. My man comes from the country where they make the Cape
Wine. But look here, old fellow; it’s not at all statistical and it’s
rather odd.’
It is always noticeable at the table of the Veneerings, that no man
troubles himself much about the Veneerings themselves, and that any
one who has anything to tell, generally tells it to anybody else in
preference.
‘The man,’ Mortimer goes on, addressing Eugene, ‘whose name is Harmon,
was only son of a tremendous old rascal who made his money by Dust.’
‘Red velveteens and a bell?’ the gloomy Eugene inquires.
‘And a ladder and basket if you like. By which means, or by others, he
grew rich as a Dust Contractor, and lived in a hollow in a hilly country
entirely composed of Dust. On his own small estate the growling old
vagabond threw up his own mountain range, like an old volcano, and its
geological formation was Dust. Coal-dust, vegetable-dust, bone-dust,
crockery dust, rough dust and sifted dust,—all manner of Dust.’
A passing remembrance of Mrs Veneering, here induces Mortimer to address
his next half-dozen words to her; after which he wanders away again,
tries Twemlow and finds he doesn’t answer, ultimately takes up with the
Buffers who receive him enthusiastically.
‘The moral being—I believe that’s the right expression—of this
exemplary person, derived its highest gratification from anathematizing
his nearest relations and turning them out of doors. Having begun (as
was natural) by rendering these attentions to the wife of his bosom,
he next found himself at leisure to bestow a similar recognition on the
claims of his daughter. He chose a husband for her, entirely to his own
satisfaction and not in the least to hers, and proceeded to settle upon
her, as her marriage portion, I don’t know how much Dust, but something
immense. At this stage of the affair the poor girl respectfully
intimated that she was secretly engaged to that popular character whom
the novelists and versifiers call Another, and that such a marriage
would make Dust of her heart and Dust of her life—in short, would
set her up, on a very extensive scale, in her father’s business.
Immediately, the venerable parent—on a cold winter’s night, it is
said—anathematized and turned her out.’
Here, the Analytical Chemist (who has evidently formed a very low
opinion of Mortimer’s story) concedes a little claret to the Buffers;
who, again mysteriously moved all four at once, screw it slowly into
themselves with a peculiar twist of enjoyment, as they cry in chorus,
‘Pray go on.’
‘The pecuniary resources of Another were, as they usually are, of a very
limited nature. I believe I am not using too strong an expression when
I say that Another was hard up. However, he married the young lady, and
they lived in a humble dwelling, probably possessing a porch ornamented
with honeysuckle and woodbine twining, until she died. I must refer
you to the Registrar of the District in which the humble dwelling was
situated, for the certified cause of death; but early sorrow and anxiety
may have had to do with it, though they may not appear in the ruled
pages and printed forms. Indisputably this was the case with Another,
for he was so cut up by the loss of his young wife that if he outlived
her a year it was as much as he did.’
There is that in the indolent Mortimer, which seems to hint that if good
society might on any account allow itself to be impressible, he, one of
good society, might have the weakness to be impressed by what he here
relates. It is hidden with great pains, but it is in him. The gloomy
Eugene too, is not without some kindred touch; for, when that appalling
Lady Tippins declares that if Another had survived, he should have gone
down at the head of her list of lovers—and also when the mature young
lady shrugs her epaulettes, and laughs at some private and confidential
comment from the mature young gentleman—his gloom deepens to that
degree that he trifles quite ferociously with his dessert-knife.
Mortimer proceeds.
‘We must now return, as novelists say, and as we all wish they wouldn’t,
to the man from Somewhere. Being a boy of fourteen, cheaply educated
at Brussels when his sister’s expulsion befell, it was some little time
before he heard of it—probably from herself, for the mother was dead;
but that I don’t know. Instantly, he absconded, and came over here. He
must have been a boy of spirit and resource, to get here on a stopped
allowance of five sous a week; but he did it somehow, and he burst in
on his father, and pleaded his sister’s cause. Venerable parent promptly
resorts to anathematization, and turns him out. Shocked and terrified
boy takes flight, seeks his fortune, gets aboard ship, ultimately
turns up on dry land among the Cape wine: small proprietor, farmer,
grower—whatever you like to call it.’
At this juncture, shuffling is heard in the hall, and tapping is heard
at the dining-room door. Analytical Chemist goes to the door, confers
angrily with unseen tapper, appears to become mollified by descrying
reason in the tapping, and goes out.
‘So he was discovered, only the other day, after having been expatriated
about fourteen years.’
A Buffer, suddenly astounding the other three, by detaching himself, and
asserting individuality, inquires: ‘How discovered, and why?’
‘Ah! To be sure. Thank you for reminding me. Venerable parent dies.’