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Real Life In London, Volumes I. and II.

active 1816-1830 John Badcock Pierce Egan

And gilds while it carves her dear form on the heart, What need has new Drury of carvers and gilders? With nature so bounteous, why call upon art? 1 The Box-keeper to a public Theatre has many duties to perform to the public, his employer, and himself; but, perhaps, in order to be strictly correct, we ought to have reversed the order in which we have noticed them, since of the three, the latter appears to be the most important, (at least) in his consideration; for he takes care before the commencement of the performance to place one of his automaton figures on the second row of every box, which commands a good view of the House, who are merely intended to sit with their hats off, and to signify that the two first seats are taken, till the conclusion of the second act; and so in point of fact they are taken by himself, for the accommodation of such friends as he is quite aware are willing to accommodate him with _a quid pro quo_. How well would our Actors attend to their duties, Our House save in oil, and our Authors in wit, In lieu of yon lamps, if a row of young Beauties Glanc'd light from their eyes between us and the Pit. The apples that grew on the fruit-tree of knowledge By Woman were pluck'd, and she still wears the prize, To tempt us in Theatre, Senate, or College-- I mean the Love-apples that bloom in the eyes. There too is the lash which, all statutes controlling, Still governs the slaves that are made by the Fair, For Man is the pupil who, while her eye's rolling, Is lifted to rapture, or sunk in despair.” ~131~~Tallyho eagerly listened to his friend's recitation of lines so consonant with his own enraptured feelings; while his Cousin Dashall was holding a conversation in dumb-show with some person at a distance, who was presently recognized by Sparkle to be Mrs. G----den,{1} a well-known frequenter of the House. “Come,” said he, “I see how it is with Tom--you may rely upon it he will not stop long where he is, there is other game in view--he has but little taste for Tragedy fiction, the Realities of Life are the objects of his regard. “Tis a fine Tragedy,” continued he, addressing himself to Tom. “Yes--yes,” replied the other, “I dare say it is, but, upon my soul, I know nothing about it--that is--I have seen it before, and I mean to read it.” “Bless my heart!” said a fat lady in a back seat, “what a noise them 'are gentlemen does make--they talk so loud there 'ant no such thing as seeing what is said--I wonder they don't make these here boxes more bigger, for I declare I'm so scrouged I'm all in a--Fanny, did you bring the rumperella for fear it should rain as we goes home?” “Hush, Mother,” said a plump-faced little girl, who sat along side of her--“don't talk so loud, or otherwise every body will hear you instead of the Performers, and that would be quite preposterous.” “Don't call me _posterous_ Miss; because you have been to school, and learnt some _edification_, you thinks you are to do as you please with me.” 1 Mrs. G----den, a dashing Cyprian of the first order, well known in the House, a fine, well-made woman, always ready for a lark, and generally well togged. ~132~~This interesting conversation was interrupted by loud vociferations of Bravo, Bravo, from all parts of the House, as the drop-scene fell upon the conclusion of the second act. The clapping of hands, the whistling and noise that ensued for a few minutes, appeared to astonish Tallyho. “I don't much like my seat,” said Dashall. “No,” said Sparkle, “I did not much expect you would remain long--you are a mighty ambitious sort of fellow, and I perceive you have a desire to be exalted.” “I confess the situation, is too confined,” replied Tom--“come, it is excessively warm here, let us take a turn and catch a little air.” The House was crowded in every part; for the announcement of a new Tragedy from the pen of Lord Byron, particularly under the circumstances of its introduction to the Stage, against the expressed inclination of its Author, the 1 At an early hour on the evening this Tragedy was first pro-duced at Drury Lane, Hand-bills were plentifully distributed through the Theatre, of which the following is a copy: “The public are respectfully informed, that the representation of Lord Byron's Tragedy, The Doge of Venice, this evening, takes place in defiance of the injunction from the Lord Chancellor, which was not applied for until the remonstrance of the Publisher, at the earnest desire of the noble Author, had failed in protecting that Drama from its intrusion on the Stage, for which it was never intended.” This announcement had the effect of exciting public expectation beyond its usual pitch upon such occasions. The circumstances were somewhat new in the history of the Drama: the question being, whether a published Flay could be legally brought on the Stage without the consent, or rather we should say, in defiance of the Author. “We are not aware whether this question has been absolutely decided, but this we do know, that the Piece was performed several nights, and underwent all the puffing of the adventurous Manager, as well as all the severity of the Critics. The newspapers of the day were filled with histories and observations upon it. No subject engrossed the conversation of the polite and play-going part of the community but Lord Byron, The Doge of Venice, and Mr. Elliston. They were all bepraised and beplastered--exalted and debased--acquitted and condemned; but it was generally allowed on all hands, that the printed Tragedy contained many striking beauties, notwithstanding its alleged resemblance to Venice Preserved. We are, however, speaking of the acted Tragedy, and the magnanimous Manager, who with such promptitude produced it in an altered shape; and having already alluded to the theatrical puffing so constantly resorted to upon all occasions, we shall drop the curtain upon the subject, after merely remarking, that the Times of the same day has been known to contain the Manager's puff, declaring the piece to have been received with rapturous applause, in direct opposition to the Editor's critique, which as unequivocally pronounced its complete failure! ~133~~will of its publisher, and the injunction{1} of the Lord Chancellor, were attractions of no ordinary nature; and 1 Injunction--The word injunction implies a great deal, and has in its sound so much of the terrific, as in many instances to paralyze exertion on the part of the supposed offending person or persons. It has been made the instrument of artful, designing, and malicious persons, aided by pettifogging or pretended attorneys, to obtain money for themselves and clients by way of compromise; and in numerous instances it is well known that fear has been construed into actual guilt. Injunctions are become so common, that even penny printsellers have lately issued threats, and promised actual proceedings, against the venders of articles said to be copies from their original drawings, and even carried it so far as to withhold (kind souls!) the execution of their promises, upon the payment of a 5L. from those who were easily to be duped, having no inclination to encounter the glorious uncertainty of the law, or no time to spare for litigation. We have recently been furnished with a curious case which occurred in Utopia, where it appears by our informant, that the laws hold great similarity with our own. A certain house of considerable respectability had imported a large quantity of Welsh cheese, which were packed in wooden boxes, and offered them for sale (a great rarity in Eutopia) as double Gloucester. It is said that two of a trade seldom agree; how far the adage may apply to Eutopia, will be seen in the sequel. A tradesman, residing in the next street, a short time after, received an importation from Gloucester, of the favourite double production of that place, packed in a similar way, and (as was very natural for a tradesman to do, at least we know it is so here,) the latter immediately began to vend his cheese as the real Double Gloucester. This was an offence beyond bearing. The High Court of Equity was moved, similar we suppose to our High Court of Chancery, to suppress the sale of the latter; but as no proof of deception could be produced, it was not granted. This only increased the flame already excited in the breasts of the first importers; every effort was made use of to find a good and sufficient excuse to petition the Court again, and at length they found out one of the craft to swear, that as the real Gloucester had been imported in boxes of a similar shape, make, and wood, it was quite evident that the possessor must have bought similar cheeses, and was imposing on the public to their great disadvantage, notwithstanding they could not find a similarity either of taste, smell, or appearance. In the mean time the real Gloucester cheese became a general favourite with the inhabit-ants of Utopia, and upon this, though slender ground, the innocent tradesman was served with a process, enjoining him not to do that, which, poor man, he never intended to do; and besides if he had, the people of that country were not such ignoramuses as to be so deceived; it was merely to restrain him from selling his own real double Gloucester as their Welsh cheeses, purporting, as they did, to be double Gloucester, or of mixing them together (than which nothing could be further from his thoughts,) and charging him at the same time with having sold his cheeses under their name. But the most curious part of the business was, the real cheeseman brought the investigation before the Court, cheeses in boxes were produced, and evidence was brought forward, when, as the charges alleged could not be substantiated, the restraint was removed, and the three importers of Welsh cheese hung their heads, and retired in dudgeon. 134~~the Hon. Tom availed himself of the circumstance to leave the Box, though the truth was, there were other attractions of a more enlivening cast in his view. “Come,” said he, “we shall have a better opportunity of seeing the House, and its decorations, by getting nearer to the curtain; besides, Ave shall have a bird's-eye view of the company in all quarters, from the seat of the Gods to the Pit.” The influx of company, (it being the time of half-price), and the rush and confusion which took place in all parts at this moment, were indescribable. Jumping over boxes and obtaining seats by any means, regardless of politeness or even of decorum--Bucks and Bloods warm from the pleasures of the bottle--dashing Belles and flaming Beaux, squabbling and almost fighting--rendered the amusements before the curtain of a momentary interest, which appeared to obliterate the recollection of what they had previously witnessed. In the mean time, the Gods in the Gallery issued forth an abundant variety of discordant sounds, from their elevated situation. Growling of bears, grunting of hogs, braying of donkeys, gobbling of turkeys, hissing of geese,