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Real Life In London, Volumes I. and II.

active 1816-1830 John Badcock Pierce Egan

It was now obvious to Dash all and his friend, that this young man, Jasper Surety, was not altogether the ignoramus at first presumed. They had already been entertained by his remarks, and his annotations were of a description to warrant the expectancy of further amusement in the progress of their inspection. From the hall the visitors were led through an iron gateway to the great staircase, opposite the bottom of which is preserved a model in mahogany, exhibiting the method used by Mr. Milne in constructing the works of Blackfriars' Bridge; and beneath it are some curious fragments from the Giant's Causeway in Ireland. These fragments, however highly estimated by the naturalist and the antiquary, were held in derision by the worldly-minded Tim. Surety, who exclaimed against the folly of expending money in the purchase of articles of no intrinsic value, calculated only to gratify the curiosity of those inquisitive idlers who affect their admiration of every uninteresting production of Nature, and neglect the pursuit of the main chance, so necessary in realizing the comforts of life. ~13~~ These sordid ideas were opposed by Dashall and the 'Squire, to whom they seemed particularly directed. Mrs. Tabitha smiled a gracious acquiescence in the sentiments of the two strangers, and Jasper expressed his regret that Nuncle was not gifted and fated as Midas of ancient times, who transformed every thing that he touched into gold! The Egyptian and Etruscan antiquities next attracted the attention of the visitors. Over a doorway in this room is a fine portrait of Sir William Hamilton, painted by Sir Joshua Reynolds. Dashall and Tallyho remarked with enthusiasm on these beautiful relics of the sculpture of former ages, several of which were mutilated and disfigured by the dilapidations of time and accident. Of the company present, there stood on the left a diminutive elderly gentleman in the act of contemplating the fragment of a statue in a posterior position, and which certainly exhibited somewhat of a ludicrous appearance; on the right, the exquisite Jasper pointed out, with the self-sufficiency of an amateur, the masculine symmetry of a Colossian statue to his Aunt of antiquated virginity, whose maiden purity recoiling from the view of nudation, seemed to say, “Jaz, wrap an apron round him!” while in the foreground stood the rotunditive form of Timothy Surety, who declared, after a cursory and contemptuous glance at the venerable representatives of mythology, “That with the exception of the portrait of Sir William Hamilton, there was not in the room an object worth looking at; and as for them there ancient statutes,” (such was his vernacular idiom and Bearbinder barbarism) “I would not give twopence for the whole of this here collection, if it was never for nothing else than to set them up as scare-crows in the garden of my country house at Edmonton!” Jasper whispered his aunt, that nuncks was a vile bore; and the sacrilegious declaration gave great offence to the diminutive gentleman aforesaid, who hesitated not in pronouncing Timothy Surety destitute of taste and vertu; to which accusation Timothy, rearing his squat form to its utmost altitude, indignantly replied, “that there was not an alderman in the City of London of better taste than himself in the qualities of callipash and callipee, and that if the little gemmen presumed again to asperse his vartue, he would bring an action against him tor slander and defamation of character.” The minikin man gave Timothy a glance of ineffable disdain, and left the room. Mrs. ~14~~ Tabitha, in the full consciousness of her superior acquirements, now directed a lecture of edification to her brother, who, however, manfully resisted her interference, and swore, that “where his taste and _vartue_ were called in question he would not submit to any _she_ in the universe.” Mrs. Tabitha, finding that on the present occasion her usual success would not predominate, suspended, like a skilful manoeuvreist, unavailable attack, and, turning to her nephew, required to know what personage the tall figure before them was meant to represent. Jasper felt not qualified correctly to answer this enquiry, yet unwilling to acknowledge his ignorance, unhesitatingly replied, “One of the ancient race of architects who built the Giant's Causeway in the north of Ireland.” This sapient remark excited a smile from the two friends, who shortly afterwards took an opportunity of withdrawing from further intercourse with the Bearbinder triumviri, and enjoyed with a more congenial party the remaining gratification which this splendid national institution is so well calculated to inspire. Extending their observations to the various interesting objects of this magnificent establishment, the two prominent heroes of our eventful history derived a pleasure only known to minds of superior intelligence, to whom the wonders of art and nature impart the acmé of intellectual enjoyment. Having been conducted through all the different apartments, the two friends, preparing to depart, the 'Squire tendered a pecuniary compliment to the Guide, in return for his politeness, but which, to the surprise of the donor, was refused; the regulations of the institution strictly prohibiting the acceptance by any of its servants of fee or reward from a visitor, under the penalty of dismissal.{1} 1 Although the limits of this work admit not a minute detail of the rarities of the British Museum, yet a succinct enumeration of a few particulars may not prove unacceptable to our Readers. In the first room, which we have already noticed, besides the Egyptian and Etruscan antiquities, is a stand filled with reliques of ancient Egypt, amongst which are numerous small representatives of mummies that were used as patterns for those who chose and could afford to be embalmed at their decease. The second apartment is principally devoted to works of art, be-ginning with Mexican curiosities. The corners opposite the light are occupied by two Egyptian mummies, richly painted, which were both brought from the catacombs of Sakkara, near Grand Cairo. The third room exhibits a rich collection of curiosities from the South Pacific Ocean, brought by Capt. Cook. In the left corner is the mourning dress of an Otaheitean lady, in which taste and barbarity are curiously blended. Opposite are the rich cloaks and helmets of feathers from the Sandwich Islands. The visitor next enters the manuscript department, the first room of which is small, and appropriated chiefly to the collections of Sir Hans Sloane. The next room is completely filled with Sir Robert Harley's manuscripts, afterwards Earl of Oxford, one of the most curious of which is a volume of royal letters, from 1437 to the time of Charles I.. The next and last room of the manuscript department is appropriated to the ancient royal library of manuscripts, and Sir Robert Cotton's, with a few-later donations. On the table, in the middle of the room, is the famous Magna Charta of King John; it is written on a large roll of parchment, and was much damaged in the year 1738, when the Cotton library took fire at Westminster, but a part of the broad seal is yet annexed. We next reach the great saloon, which is finely ornamented with fresco paintings by Baptiste. Here are a variety of Roman remains, such as dice, tickets for the Roman theatres, mirrors, seals for the wine casks, lamps, &c. and a beautiful bronze head of Homer, which was found near Constantinople. The mineral room is the next object of attention. Here are fossils of a thousand kinds, and precious stones, of various colours and splendours, composing a collection of astonishing beauty and magnificence. Next follows the bird room; and the last apartment contains animals in spirits, in endless variety. And here the usual exhibition of the house closes. ~15~~ Issuing from the portals of the Museum, “Apropos,” said Dashall, “we are in the vicinity of Russell-square, the residence of my stock-broker; I have business of a few moments continuance to transact with him--let us proceed to his residence.” A lackey, whose habiliment, neat but not gaudy, indicated the unostentatious disposition of his master,, answered the summons of the knocker: “Mr. C. was gone to his office at the Royal Exchange.” “The gentleman who occupies this mansion,” observed Dashall to his friend, as they retired from the door, “illustrates by his success in life, the truth of the maxim so frequently impressed on the mind of the school-boy, that perseverance conquers all difficulties. Mr. C, unaided by any other recommendation than that of his own unassuming modest merit, entered the very ~16~~ respectable office of which he is now the distinguished principal, in the situation of a young man who has no other prospect of advancement than such as may accrue from rectitude of conduct, and the consequent approbation and patronage of his employer. By a long exemplary series of diligence and fidelity, he acquired the confidence of, and ultimately became a partner in the firm. His strictly conscientious integrity and uniform gentlemanly urbanity have thus gained him a preference in his profession, and an ample competency is now the well-merited meed of his industry.” “Combining with its enjoyment,” responded the 'Squire, “the exercise of benevolent propensities.” “Exactly so much so, that his name appears as an annual subscriber to nearly all the philanthropic institutions of the metropolis, and his private charities besides are numerous and reiterated.” “This, then, is one of the few instances (said the 'Squire) of Real Life in London, where private fortune is so liberally applied in relief of suffering humanity--it is worthy of indelible record.” Circumambulating the square, the two observers paused opposite the fine statue of the late Francis Duke of Bedford. The graceful proportion, imposing elevation, and commanding attitude of the figure, together with the happy combination of skill and judgment by the artist, in the display on the pedestal of various agricultural implements, indicating the favourite and useful pursuits of this estimable nobleman, give to the whole an interesting appearance, and strongly excite those feelings of regret which attend the recollection of departed worth and genius. Proceeding down the spacious new street directly facing the statue, our perambulators were presently in Bedford-square, in which is the effigy of the late eminent statesman Charles James Fox: the figure is in à sitting posture, unfavourable to our reminiscences of the first orator of any age or country, and is arrayed in the Roman toga: the face is a striking likeness, but the effect on the whole is not remarkable. The two statues face each other, as if still in friendly recognition; but the sombre reflections of Dashall and his friend were broke in upon by a countryman with, “Beant that Measter Fox, zur?” “His effigy, my ~17~~friend.” “Aye, aye, but what the dickens ha've they wrapt a blanket round un vor?” Proceeding along Charlotte Street, Bloomsbury, the associates in search of Real Life were accosted by a decent looking countryman in a smock-frock, who, approaching them in true clod-hopping style, with a strong provincial accent, detailed an unaffectedly simple, yet deep tale of distress: “----Oppression fore'd from his cot, His cattle died, and blighted was his corn!” The story which he told was most pathetic, the tears the while coursing