Representative Men: Seven Lectures
was only vulnerable on that side (namely, of Paris). It has its
favorable aspect. All the geniuses are usually so ill-assorted and
sickly, that one is ever wishing them somewhere else. We seldom see
anybody who is not uneasy or afraid to live. There is a slight blush
of shame on the cheek of good men and aspiring men, and a spice of
caricature. But this man was entirely at home and happy in his century
and the world. None was so fit to live, or more heartily enjoyed the
game. In this aim of culture, which is the genius of his works, is
their power. The idea of absolute, eternal truth, without reference
to my own enlargement by it, is higher. The surrender to the torrent,
of poetic inspiration is higher; but compared with any motives on which
books are written in England and America, this is very truth, and has
the power to inspire which belongs to truth. Thus has he brought back
to a book some of its ancient might and dignity.
Goethe, coming into an over-civilized time and country, when original
talent was oppressed under the load of books, and mechanical
auxiliaries, and the distracting variety of claims, taught men how to
dispose of this mountainous miscellany, and make it subservient. I
join Napoleon with him, as being both representatives of the impatience
and reaction of nature against the morgue of conventions,--two stern
realists, who, with their scholars, have severally set the axe at the
root of the tree of cant and seeming, for this time, and for all time.
This cheerful laborer, with no external popularity or provocation,
drawing his motive and his plan from his own breast, tasked himself
with stints for a giant, and, without relaxation or rest, except by
alternating his pursuits, worked on for eighty years with the steadiness
of his first zeal.
It is the last lesson of modern science, that the highest simplicity
of structure is produced, not by few elements, but by the highest
complexity. Man is the most composite of all creatures: the
wheel-insect, volvox globator, is at the other extreme. We shall learn
to draw rents and revenues from the immense patrimony of the old and
recent ages. Goethe teaches courage, and the equivalence of all times:
that the disadvantages of any epoch exist only to the faint-hearted.
Genius hovers with his sunshine and music close by the darkest and
deafest eras. No mortgage, no attainder, will hold on men or hours.
The world is young; the former great men call to us affectionately.
We too must write Bibles, to unite again the heavens and the earthly
world. The secret of genius is to suffer no fiction to exist for us;
to realize all that we know; in the high refinement of modern life,
in arts, in sciences, in books, in men, to exact good faith, reality,
and a purpose; and first, last, midst, and without end, to honor every
truth by use.
THE END.