Robert Elsmere · OmniClassics

ROBERT ELSMERE BY MRS. HUMPHRY WARD AUTHOR OF 'MISS BRETHERTON' London MACMILLAN AND CO. AND NEW YORK 1888 All rights reserved Printed by R. & R. CLARK, Edinburgh. * * * * * Dedicated to the Memory OF MY TWO FRIENDS, SEPARATED, IN MY THOUGHT OF THEM, BY MUCH DIVERSITY OF CIRCUMSTANCE AND OPINION; LINKED, IN MY FAITH ABOUT THEM, TO EACH OTHER, AND TO ALL THE SHINING ONES OF THE PAST, BY THE LOVE OF GOD AND THE SERVICE OF MAN: THOMAS HILL GREEN (LATE PROFESSOR OF MORAL PHILOSOPHY IN THE UNIVERSITY OF OXFORD), _Died 26th March 1882_; AND LAURA OCTAVIA MARY LYTTELTON, _Died Easter Eve 1886_. * * * * * CONTENTS PAGE BOOK I WESTMORELAND 1 BOOK II SURREY 149 BOOK III THE SQUIRE 251 BOOK IV CRISIS 333 BOOK V ROSE 387 BOOK VI NEW OPENINGS 461 BOOK VII GAIN AND LOSS 549 * * * * * NOTE The quotations given in the present book on pp. 58, 330, and 536, are either literally or substantially taken from a volume of Lay Sermons, called _The Witness of God_, by the late Professor T. H. Green. * * * * * BOOK I WESTMORELAND CHAPTER I It was a brilliant afternoon towards the end of May. The spring had been unusually cold and late, and it was evident from the general aspect of the lonely Westmoreland valley of Long Whindale that warmth and sunshine had only just penetrated to its bare green recesses, where the few scattered trees were fast rushing into their full summer dress, while at their feet, and along the bank of the stream, the flowers of March and April still lingered, as though they found it impossible to believe that their rough brother, the east wind, had at last deserted them. The narrow road, which was the only link between the farmhouses sheltered by the crags at the head of the valley and those far-away regions of town and civilisation suggested by the smoke wreaths of Whinborough on the southern horizon, was lined with masses of the white heckberry or bird-cherry, and ran, an arrowy line of white, through the greenness of the sloping pastures. The sides of some of the little becks running down into the main river and many of the plantations round the farms were gay with the same tree, so that the farmhouses, gray-roofed and gray-walled, standing in the hollows of the fells, seemed here and there to have been robbed of all their natural austerity of aspect, and to be masquerading in a dainty garb of white and green imposed upon them by the caprice of the spring. During the greater part of its course the valley of Long Whindale is tame and featureless. The hills at the lower part are low and rounded, and the sheep and cattle pasture over slopes unbroken either by wood or rock. The fields are bare and close shaven by the flocks which feed on them; the walls run either perpendicularly in many places up the fells or horizontally along them, so that, save for the wooded course of the tumbling river and the bush-grown hedges of the road, the whole valley looks like a green map divided by regular lines of grayish black. But as the walker penetrates farther, beyond a certain bend which the stream makes half way from the head of the dale, the hills grow steeper, the breadth between them contracts, the enclosure lines are broken and deflected by rocks and patches of plantation, and the few farms stand more boldly and conspicuously forward, each on its spur of land, looking up to or away from the great masses of frowning crag which close in the head of the valley, and which from the moment they come into sight give it dignity and a wild beauty. On one of these solitary houses, the afternoon sun, about to descend before very long behind the hills dividing Long Whindale from Shanmoor, was still lingering on this May afternoon we are describing, bringing out the whitewashed porch and the broad bands of white edging the windows into relief against the gray stone of the main fabric, the gray roof overhanging it, and the group of sycamores and Scotch firs which protected it from the cold east and north. The western light struck full on a copper beech, which made a welcome patch of warm colour in front of a long gray line of outhouses standing level with the house, and touched the heckberry blossom which marked the upward course of the little lane connecting the old farm with the road; above it rose the green fell, broken here and there by jutting crags, and below it the ground sank rapidly through a piece of young hazel plantation, at this present moment a sheet of bluebells, towards the level of the river. There was a dainty and yet sober brightness about the whole picture. Summer in the North is for Nature a time of expansion and of joy as it is elsewhere, but there is none of that opulence, that sudden splendour and superabundance, which mark it in the South. In these bare green valleys there is a sort of delicate austerity even in the summer; the memory of winter seems to be still lingering about these wind-swept fells, about the farmhouses, with their rough serviceable walls, of the same stone as the crags behind them, and the ravines, in which the shrunken becks trickle musically down through the _debris_ of innumerable Decembers. The country is blithe, but soberly blithe. Nature shows herself delightful to man, but there is nothing absorbing or intoxicating about her. Man is still well able to defend himself against her, to live his own independent life of labour and of will, and to develop the tenacity of hidden feeling, that slowly growing intensity of purpose, which is so often wiled out of him by the spells of the South. The distant aspect of Burwood Farm differed in nothing from that of the few other farmhouses which dotted the fells or clustered beside the river between it and the rocky end of the valley. But as one came nearer, certain signs of difference became visible. The garden, instead of being the old-fashioned medley of phloxes, lavender bushes, monthly roses, gooseberry trees, herbs, and pampas grass, with which the farmers' wives of Long Whindale loved to fill their little front enclosures, was trimly laid down in turf dotted with neat flower-beds, full at the moment we are writing of with orderly patches of scarlet and purple anemones, wallflowers, and pansies. At the side of the house a new bow window, modest enough in dimensions and make, had been thrown out on to another close-shaven piece of lawn, and by its suggestion of a distant sophisticated order of things disturbed the homely impression left by the untouched ivy-grown walls, the unpretending porch, and wide slate window-sills of the front. And evidently the line of sheds standing level with the dwelling-house no longer sheltered the animals, the carts, or the tools which make the small capital of a Westmoreland farmer. The windows in them were new, the doors fresh painted and closely shut; curtains of some soft outlandish make showed themselves in what had once been a stable, and the turf stretched smoothly up to a narrow gravelled path in front of them, unbroken by a single footmark. No, evidently the old farm, for such it undoubtedly was, had been but lately, or comparatively lately, transformed to new and softer uses; that rough patriarchal life of which it had once been a symbol and centre no longer bustled and clattered through it. It had become the shelter of new ideals, the home of another and a milder race than once possessed it. In a stranger coming upon the house for the first time, on this particular evening, the sense of a changing social order and a vanishing past produced by the slight but significant modifications it had undergone, would have been greatly quickened by certain sounds which were streaming out on to the evening air from one of the divisions of that long one-storied addition to the main dwelling we have already described. Some indefatigable musician inside was practising the violin with surprising energy and vigour, and within the little garden the distant murmur of the river and the gentle breathing of the west wind round the fell were entirely conquered and banished by these triumphant shakes and turns, or by the flourishes and the broad _cantabile_ passages of one of Spohr's Andantes. For a while, as the sun sank lower and lower towards the Shanmoor hills, the hidden artist had it all his, or her, own way; the valley and its green spaces seemed to be possessed by this stream of eddying sound, and no other sign of life broke the gray quiet of the house. But at last, just as the golden ball touched the summit of the craggy fell, which makes the western boundary of the dale at its higher end, the house door opened, and a young girl, shawled and holding some soft burden in her arms, appeared on the threshold, and stood there for a moment, as though trying the quality of the air outside. Her pause of inspection seemed to satisfy her, for she moved forward, leaving the door open behind her, and, stepping across the lawn, settled herself in a wicker chair under an apple-tree, which had only just shed its blossoms on the turf below. She had hardly done so when one of the distant doors opening on the gravel path flew open, and another maiden, a slim creature garbed in aesthetic blue, a mass of reddish brown hair flying back from her face, also stepped out into the garden. 'Agnes!' cried the new-comer, who had the strenuous and dishevelled air natural to one just emerged from a long violin practice. 'Has Catherine come back yet?' 'Not that I know of. Do come here and look at pussie; did you ever see anything so comfortable?' 'You and she look about equally lazy. What have you been doing all the afternoon?' 'We look what we are, my dear. Doing? Why, I have been attending to my domestic duties, arranging the flowers, mending my pink dress for to-morrow night, and helping to keep mamma in good spirits; she is depressed because she has been finding Elizabeth out in some waste or other, and I have been preaching to her to make Elizabeth uncomfortable if she likes, but not to worrit herself. And after all, pussie and I have come out for a rest. We've earned it, haven't we, Chattie? And, as for you, Miss Artistic, I should like to know what you've been doing for the good of your kind since dinner. I suppose you had tea at the vicarage?' The speaker lifted inquiring eyes to her sister as she spoke, her cheek plunged in the warm fur of a splendid Persian cat, her whole look and voice expressing the very highest degree of quiet, comfort, and self-possession. Agnes Leyburn was not pretty; the lower part of the face was a little heavy in outline and moulding; the teeth were not as they should have been, and the nose was unsatisfactory. But the eyes under their long lashes were shrewdness itself, and there was an individuality in the voice, a cheery even-temperedness in look and tone, which had a pleasing effect on the bystander. Her dress was neat and dainty; every detail of it bespoke a young woman who respected both herself and the fashion. Her sister, on the other hand, was guiltless of the smallest trace of fashion. Her skirts were cut with the most engaging _naivete_, she was much adorned with amber beads, and her red brown hair had been tortured and frizzled to look as much like an aureole as possible. But, on the other hand, she was a beauty, though at present you felt her a beauty in disguise, a stage Cinderella as it were, in very becoming rags, waiting