About this book

Saved from herself or, On the edge of doom

Adelaide Stirling

returned, stopping in front of them, his handsome head glossy in the sun as he lifted his hat. “So I came to ask you if I might put her in your stable instead of taking her all the way home. I don’t know how it happened; slipped, I fancy; she didn’t fall.” “I knew you’d do it some day. You go at your banks too fast.” Cristiane frowned as she touched the mare’s shoulder with knowledgable fingers. “Poor Molly! It’s a shame.” Mr. Cylmer was annoyed. Few men rode with more judgment than he, and he knew it. “You needn’t think I like it, any more than Molly,” he returned, a trifle crossly. “Come along to the stables,” Cristiane said. “The sooner she is seen to the better. I’m glad you brought her. Come on, Ismay.” She had had time to recollect that Miles, who had forgotten her in his sorrow, could remember now that she could be useful. She marched on in front, leading the limping mare. Ismay and Cylmer were left to follow. “You’ve cut your hand,” said Ismay, and her voice fell softly on his ears, that Cristiane’s words had left tingling. “It’s bleeding.” “It’s all right,” he replied shamefacedly. “I was stooping to make a gap in the hedge for Molly, and she trod on it.” It was cut and bruised so that it ached abominably. He winced with pain as he tried to move it. Ismay’s handkerchief, white, filmy, fine, and smelling of nothing but fresh linen, was out in a second. “There is no sense in getting yourself all horrid with it,” she said practically. “Hold out your hand.” There was an ugly circular jag across the back of the fingers, where the horse’s shoe had come. “It’s too beastly,” he said. He did not want her to look at the mingled blood and dirt that covered his hand. But she only laughed, a little low laugh, like a woman comforting the hurt of a child. “Hold it out,” she repeated, and through the cool linen he could feel the touch of her slim, deft fingers, a touch that somehow made him thrill. Cristiane had never even seen his hand! She stood by while he and a groom saw to Molly, and then as they turned away the bandage caught her eye. “What a baby you are, Miles!” she laughed. “Fancy binding up your whole hand for a cut!” “It’s smashed flat,” he returned quietly. “And you’re an unsympathetic little wretch. By the way, didn’t I meet a stranger driving down your avenue?” “He isn’t a stranger,” she retorted. “It was Mr. Wray, a friend of--father’s.” Her lips quivered suddenly. “Wray? I never heard of him”--soberly. Cristiane stamped her foot. “Well, you hear now!” she cried. “Ismay has been horrid about him, and now I suppose you’re going to be; but I won’t stay and hear it. She can tell you why”--with a great sob--“why he came!” and before the astonished Cylmer could breathe, she had run away like a hare, in a very tempest of tears. “What’s the matter with her? She is not at all like herself!” he exclaimed. “She’s unstrung, poor little soul! And I don’t wonder. He came to tell her he was with Sir Gaspard when he died.” “What!” But after that one quick word he listened in silence, as Ismay told him all she saw fit to tell. “Why did she say you had been horrid about him?” he asked as she finished. “I don’t like him. Mother and I knew him in London. He is so ugly--oh! so ugly that I shiver when I look at him,” she returned lightly, yet he saw there was something behind her words. Even in a casual glance there had been something repulsive to him, too, in the face of the man who had passed him so quickly; not a nice person to have make love to you, as he guessed he had done to Miss Trelane. “Send for me if he comes again and you want to get rid of him,” he said as lightly as she. “I’d like to see him, too”--with sudden gravity. “It was strange, his being with Sir Gaspard at the end!” “He is a strange man, here to-day and gone to-morrow.” She spoke wearily. “But, of course, I really know very little about him. I was angry because his coming upset Cristiane so.” “Poor child.” But the tone in his voice was not that with which he would have spoken of the girl a fortnight before. “Time and letting alone are what she wants.” He glanced at the house as they neared it. “Do you think I am to be admitted?” he said. “Is your mother----” He did not finish. “My mother can afford to forgive you”--with unconscious bitterness. “And Cristiane would not like it if you did not come in.” “I don’t think it would disturb her,” he replied dryly. But he followed Ismay into the house. They sat by the hall fire, that glowed with a gentle warmth, and talked softly of nothings; with one consent of anything but the things that were past. As the girl’s green eyes met his, the spell of her beauty fell on him, till his love for Cristiane seemed a childish dream. Soft, white, sinuous, she sat in her great chair, and as she looked at him Miles Cylmer was powerlessly under her sway. “I will come to-morrow to bring back the horse,” he said softly, forgetting it was not his house. “May I?” And his blood was quick in him as she gave a little languid nod, so sweet and full of sorcery were her marvelous eyes. If he had dared he would have told her then and there that she was the only woman in the world for him. He knew now that pity and affection and an idle heart had made him fancy he cared for Cristiane. “You don’t hear what I’m saying, Mr. Cylmer!” Ismay’s little laugh roused him, and the man who had been loved by many women in his time looked up in boyish confusion. “I beg your pardon. What was it?” “It was like me, a thing of no importance,” she answered lazily. “But I wonder where your thoughts are”--and her hand, as if by accident, covered for one instant her scarlet lips. Was she a witch who had read his thoughts? For all he knew, she might be a very Circe, false as water, and yet he would have sworn that she was heavenly true. “I will tell you where they were some day,” he said, wondering if all the time she knew. For as she talked and he looked at her the remembrance of her lips on his in that kiss he had taken on that morning at his gates had come back to him with shame. He had kissed her as if she had been a pretty dairymaid and he a king. Now his soul went out in longing to have her for his own, to kiss her as his queen, his wife. How had he dared to think of her in any other way? Her history, her mother, were as nothing to him in face of her loveliness that bewitched him. When at last his borrowed horse came to the door he rose reluctantly. “Till to-morrow. I must bring it back, you know,” he said, and at something in his eyes she flushed, ever so faintly. “Till to-morrow,” she echoed quietly. And he never imagined that she watched him out of sight as he rode away, her heart fairly plunging with rapture. CHAPTER XVII. THE SPINET. It was tea-time when Cristiane appeared again from her bedroom, where she had fled in her anger with Cylmer. She came straight to Ismay, where she sat in the drawing-room with her mother, and kissed her penitently. “I was horrid this morning,” she observed childishly. “But Miles was so stupid. You forgive me, don’t you?” “I haven’t any need”--smiling, for she could have had no greater service done to her. “But I had to go for a walk by myself this afternoon, and I got drenched.” “The rain came on slowly enough,” Cristiane laughed, listening for a minute to the driving flood that rustled at the windows. “But you are such a town person! You might have known it was coming.” “I had to go out. I couldn’t sleep last night. It was very funny”--with sudden animation--“perhaps you know something about it?” “What was funny?” Cristiane moved a little as Thomas arrived with the tea, and began to arrange the table close to the two girls. “Why--the music! I don’t suppose you were playing on the piano at two in the morning, were you? For some one was.” She looked at Cristiane with a little, puzzled frown. Then she started. Thomas, his face like ashes, had dropped the cream-jug; as he stood staring at the ruin she caught his eyes on her in beseeching warning. “I was asleep,” said Cristiane. “Oh, Thomas, never mind! There is plenty of cream, you needn’t look like that.” “Yes, miss! No, miss! I’m very sorry,” the old man said confusedly. “I will fetch some more.” “What did you say about a piano? You must have been dreaming.” “I suppose I was”--slowly. “But I thought I woke up and heard some one playing a queer tune on a piano. But, of course, it was a dream!” She finished quietly, for there was something in the old servant’s face to make her hold her tongue. “It is rather odd,” Cristiane said, as she carried Mrs. Trelane’s cup to her, “for Jessie had the same dream once, and Thomas nearly ate her for telling it. She is his daughter, you know.” Ismay drank her tea as lazily as usual, and watched her chance to slip away after a while. Last night’s music had been no dream, and Thomas’ face had mystified her. As soon as Cristiane and her mother was settled at a game of Halma for chocolates, she departed unnoticed, and sought Thomas, who was in his pantry. Miss Trelane walked in and closed the door behind her. “Why did you look at me like that in the drawing-room, Thomas?” she asked, with a bluntness very foreign to her. “Why did not you want me to speak of last night?” The old man turned from the decanters he was filling. “Because I won’t have Miss Cristiane made nervous,” he said doggedly. “That’s why, Miss Trelane.” “How could it make her nervous to know I heard a piano in the night? Robbers don’t play on pianos, Thomas.” “It’s not robbers I’m thinking of, and if you’re wise you’ll not mention it again, miss,” he spoke imploringly. “I’ll speak of it now, once for all, then,” she said. “For I know it wasn’t a dream, and you can’t scold me like you did Jessie”--with her lovely smile. “Jessie’s a fool, for all her forty years,” he grumbled, “if she told you that.” “She didn’t, it was Miss Cristiane. Listen, Thomas! Last night I woke up, broad awake, as I never do, and I heard quite plainly some one playing a queer tinkling tune on a piano, somewhere up-stairs. It sounded so uncanny that I sat up to listen, and then I got out of bed and found my door was open into the hall; out there I heard the music plainer still, and it made me feel cold. But I thought I’d go and see who it was.” The old man stood staring at her, his face twitching. “Well, I went up-stairs, in the dark, till I got to a hall I didn’t know, and from a room that opened off it I heard that music as plainly as you hear me now! But the door was shut.” “You didn’t go in? For God’s sake, Miss Trelane, never go in!” His voice, full of horror, startled her. “Why? Who’s there? Who was playing that piano?” “No one”--heavily. “And it’s no piano, but a spinet that belonged to Sir Gaspard’s grandmother. It’s haunted, that’s what it is, and to hear it means trouble to this house. Jessie heard it before the master was killed. But Miss Cristiane knows naught of it, and don’t you tell her.” “It’s mice in the strings,” she said. “Anything else is nonsense.” Yet with a shudder she remembered the thing had played a tune. “If you think it’s haunted, why don’t you break it up?” “Because we can’t. It isn’t healthy in that room,” he stammered. “Before Lady Le Marchant died I was in there with one of the footmen, and we opened the thing and looked all through it. There wasn’t a sign of mice. And when we turned from it, it began to play, first a scale, and then a tune that queer that we couldn’t move. And there in broad daylight a wind went by us that was cold like snow. I’ve never been in there since.” He wiped his forehead that was wet.