About this book

She who sleeps A romance of New York and the Nile

Sax Rohmer

Danbazzar waved his cigarette in the direction of John Cumberland, and the latter, smiling, replied: “It’s a deal in Egyptian antiquities, Barry, as no doubt you surmise. But in a new kind of antiquity--different from any Danbazzar has ever offered me before; different in every way.” “You are right,” boomed the deep voice. “No such proposition has been made to any living man, I should guess, since the days of Rameses the Ninth.” Danbazzar imparted a quality of awe to this extraordinary statement which was not without its effect upon Barry. He found himself studying the large, well-shaped hand holding a lighted cigarette and discovered a curious fascination in a little scarab ring on the fourth finger. As one does upon meeting a man of whom one has heard much, he endeavoured to sum up his impressions of Danbazzar and to compare the result with what he had hitherto learned about him. He was reputed to be the agent of an individual or a syndicate in Egypt, and it was rumoured that his activities had more than once attracted official attention. Certainly, he had been the medium through which many rare antiquities had reached collections of wealthy connoisseurs, and indeed, more than one public institution. John Cumberland’s museum had been enriched by not a few items obtained in this way. And since the export of such antiques was contrary to the laws of the Egyptian government, and their importation subject to a heavy tax by that of the United States, it was only reasonable to suppose that Danbazzar was a smuggler. But he was master of his subject, a fact to which the names of his patrons testified. His nationality was unknown. “It is some years since we have met,” John Cumberland pursued, “On the last occasion, if I remember rightly, you brought me----” He pointed to a very beautiful enamelled casket enclosed in a glass case. “Correct,” Danbazzar nodded. “There are only two of that period in existence, and the other is in the Louvre. I had the honour to supply it to France, as I told you at the time of our deal.” “Yes, I remember,” said John Cumberland. “And now, Barry--” turning to his son--“I have been given first refusal of a proposition which, if it matures, will win me a place among the _real_ Egyptologists; let me in on the ground floor, in fact.” Danbazzar raised his hand, checking the speaker. “One moment, Mr. Cumberland,” he interrupted, and turned to Barry, fixing upon him a penetrating glance from his extraordinary eyes. “You quite understand that what you are about to hear must not be mentioned in any shape or form to anyone now outside this room?” “Quite,” said Barry, almost startled by the intensity of the speaker’s gaze. “You may rely upon me.” He glanced at his father, and realized that he was labouring under the influence of intense excitement. His voice, his colour, his movements betrayed him. Enthusiastic though John Cumberland had always been upon this subject, Barry could never remember to have seen him quite so roused before. He felt, suddenly, that he stood upon the verge of something momentous. The shadow of Ancient Egypt at last was reaching out to touch him. He experienced a momentary shrinking, followed by a thrill of anticipation, communicated, possibly, from father to son. “I have seen a papyrus to-night, Barry,” John Cumberland went on, “which even my limited study of the subject”--he acknowledged with a smile Danbazzar’s gesture of denial--“shows me to be unique. You shall see it presently, if you wish--that is, with my friend’s consent.” Consent was given in a gracious gesture. “It may mean little to you, but it has meant much to me. I foresee that reproductions of it will occupy a place in the library of every student of Egyptology. It will be more sought after than the Papyrus Harris, or the Papyrus Ebers. The discovery of the Rosetta Stone, itself, will almost be dwarfed by the publication of the Danbazzar Papyrus----” “Mr. Cumberland!” Danbazzar’s voice broke in imperiously. “You have heard my proposition with all its conditions. If you accept them, the papyrus shall be known as the ‘Cumberland Papyrus.’ Upon this I insist. It is no more than your due. By your efforts its authenticity must be established.” “A minor point,” John Cumberland assured him. “My share will be that of a backer. You are the discoverer.” “Not of the sarcophagus,” was the reply. “This has yet to be discovered, and can only be discovered by your help.” “Tremendously thrilling!” said Barry, standing up restlessly and lighting a fresh cigarette; “but, as I expected, right over my head. Does it mean a job of exploration or something?” “It does,” said his father, looking at him. “Might I take a peep at this papyrus?” Danbazzar bowed gravely, and from the other side of the library table took up a large portfolio having double locks. He opened it carefully and spread out a stained fragment, some three feet in length, part of which was clearly missing and other parts of which were defaced by curious stains. It bore rows of figures of a type quite familiar to Barry, but nevertheless meaningless, and some of the colouring retained much of its original freshness. It seemed to deal with the inevitable subject of burial, but upon one figure, perfectly preserved, he fastened his gaze as if hypnotized. It was that of a slender girl, more delicately drawn than any he ever remembered to have seen. But that which held him enthralled was the resemblance, the uncanny resemblance, of this figure to the girl of the balcony. Allowing for the conventional methods of the ancient artist, it might have been her portrait! He heard Danbazzar speaking. “My own translation is here,” he was saying, indicating a manuscript which he held in his hand. “I have asked your father to have it checked by any two authorities he may select. But the theory that I have based upon this is the point that will interest you.” “It will startle you out of your life!” John Cumberland interjected. Barry looked up. “What _is_ the theory?” he asked, looking from face to face. “The theory is,” Danbazzar replied, “that unless some unforeseen accident occurs, or has already occurred, we shall shortly be in a position to learn some of the secrets of Ancient Egypt from the lips of one who lived there!” CHAPTER VII. ZALITHEA “I should be glad,” said John Cumberland, “if you would just run over the main facts again for Barry’s benefit.” Danbazzar inclined his head in that courtly manner which was his and glanced aside at the younger man. “Quite so,” Barry agreed. His original purpose was forgotten, for here apparently was an even deeper mystery than that which had been puzzling him. “At the moment I simply don’t know what to make of it all, so please start right at the beginning.” Danbazzar took up a position before the mantelpiece. Barry could not help thinking that the background suited the figure. The man had the majestic presence of a Pharaoh. “The facts,” he began, speaking slowly and impressively and emphasizing his statements with graceful and unfamiliar gestures, “are of a sort which you would be justified in doubting if you met them in a Sunday newspaper. My reputation, though, gives them a greater value. But in spite of a life devoted to these subjects, I’m not infallible, and I won’t consent to go any further, as I have already told you, Mr. Cumberland”--turning in the latter’s direction--“until two other opinions have been taken.” “Your proposal is fair and reasonable,” was the reply; “and I have already agreed to it.” “Very well!” Danbazzar resumed. “The story starts from five years ago, when I was paying one of my periodical visits to Egypt, and when I discovered”--he pointed--“this papyrus. I won’t bore you with particulars of how it came into my possession as Mr. John Cumberland has these already. Nor can I account for its presence in the place where it was found. Enough to say that I recognized it to be genuine and immediately set to work to decipher it. I tried to restore, as far as possible, those parts which had become defaced. “A first glance had shown me that it was not the ordinary ritual buried with most mummies. A very short study proved that is was unique--unique in every way--and that it dated from the latter part of the reign of Seti the First.” “When did he reign?” Barry asked. “Roughly, about thirteen hundred and sixty years before Christ!” “Good heavens!” Barry stared again at the fragment with its amazing freshness of colouring; “then this thing is something over three thousand two hundred years old?” “Precisely,” Danbazzar nodded. “In other words, it dates from a time when the art of mummifying human bodies had reached a very high state of perfection. One day, perhaps very soon, you will see the mummy of Seti himself in the Cairo Museum. You will never forget the majesty of his features preserved by that lost art for over three thousand years. I mention the fact of the high development of the art of the mummy maker at this period, because the contents of the papyrus show that this had been achieved by long years of study, and that even more extraordinary results were looked for by a certain group of students closely associated with Pharaoh’s court. “I found it to consist of two parts. The first, fortunately, almost complete, the second, as you see, with a great part missing. How much is missing I can’t even surmise, but I should say that from this point”--he bent forward and laid a long finger upon the papyrus--“to the end where it is torn covers a period of some two hundred and eighty years. It bears the names, or as we should say, the signatures, of six generations of priests. “The first and shorter part, written toward the end of Seti’s reign, if I’m not mistaken, states that in accordance with the wishes of a certain learned high priest of the Temple of Amen Ra at Thebes and with the consent of Pharaoh, an attempt was made to prove that not only the physical frame but human life itself could be preserved indefinitely under peculiar conditions.” “What!” Barry exclaimed incredulously--“that a living person could be mummified and remain alive?” “This priest,” Danbazzar replied, “referred to in the papyrus--his name would mean nothing to you--believed that he had perfected a process for accomplishing this! It was all an outcome of that peculiar egotism which belonged to the Ancient Egyptians. And in this way, no doubt, he interested Pharaoh in his experiments. “You get what I mean? The statues and records which had preserved for posterity the principal events of earlier reigns weren’t good enough to tell coming ages of the greatness of Seti the First! To _his_ glory a _living witness_ should be left behind to testify to the ancient grandeur of Egypt. This is stated at the beginning of the papyrus, which then goes on to relate that a beautiful captive, attached to the person of the Queen, was selected for this high honour.” “High honour!” cried Barry. “You mean she was selected to be put to death!” Danbazzar smiled slightly. “As it is stated that she was of great beauty and bodily perfection,” he admitted, “it is just possible that an element of jealousy entered into this selection. At any rate, for whatever reason, this girl was chosen, and she is referred to in the writing as Zalithea, a Princess of Unu, taken captive in the wars of Seti. As Egyptologists have never succeeded in identifying this island of Unu, we can’t even guess at the nationality of Zalithea. But she possibly came from the neighbourhood of Cyprus. “Now--” he paused, raising his finger--“the nature of the process by which this suspension of life was induced, and that by which it was to