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She

H. Rider Haggard

several; for Time eats up the works of man, unless, indeed, he digs in caves like the people of Kôr, and then mayhap the sea swallows them, or the earthquake shakes them in. Who knows what hath been on the earth, or what shall be? There is no new thing under the sun, as the wise Hebrew wrote long ago. Yet were not these people utterly destroyed, as I think. Some few remained in the other cities, for their cities were many. But the barbarians from the south, or perchance my people, the Arabs, came down upon them, and took their women to wife, and the race of the Amahagger that is now is a bastard brood of the mighty sons of Kôr, and behold it dwelleth in the tombs with its fathers’ bones.[2] But I know not: who can know? My arts cannot pierce so far into the blackness of Time’s night. A great people were they. They conquered till none were left to conquer, and then they dwelt at ease within their rocky mountain walls, with their man servants and their maid servants, their minstrels, their sculptors, and their concubines, and traded and quarrelled, and ate and hunted and slept and made merry till their time came. But come, I will show thee the great pit beneath the cave whereof the writing speaks. Never shall thine eyes witness such another sight.” [2] The name of the race Ama-hagger would seem to indicate a curious mingling of races such as might easily have occurred in the neighbourhood of the Zambesi. The prefix “Ama” is common to the Zulu and kindred races, and signifies “people,” while “hagger” is an Arabic word meaning a stone. —Editor. Accordingly I followed her to a side passage opening out of the main cave, then down a great number of steps, and along an underground shaft which cannot have been less than sixty feet beneath the surface of the rock, and was ventilated by curious borings that ran upward, I know not where. Suddenly the passage ended, and she halted and bade the mutes hold up the lamps, and, as she had prophesied, I saw a scene such as I was not likely to see again. We were standing in an enormous pit, or rather on the brink of it, for it went down deeper—I do not know how much—than the level on which we stood, and was edged in with a low wall of rock. So far as I could judge, this pit was about the size of the space beneath the dome of St. Paul’s in London, and when the lamps were held up I saw that it was nothing but one vast charnel-house, being literally full of thousands of human skeletons, which lay piled up in an enormous gleaming pyramid, formed by the slipping down of the bodies at the apex as fresh ones were dropped in from above. Anything more appalling than this jumbled mass of the remains of a departed race I cannot imagine, and what made it even more dreadful was that in this dry air a considerable number of the bodies had simply become desiccated with the skin still on them, and now, fixed in every conceivable position, stared at us out of the mountain of white bones, grotesquely horrible caricatures of humanity. In my astonishment I uttered an ejaculation, and the echoes of my voice, ringing in the vaulted space, disturbed a skull that had been accurately balanced for many thousands of years near the apex of the pile. Down it came with a run, bounding along merrily towards us, and of course bringing an avalanche of other bones after it, till at last the whole pit rattled with their movement, even as though the skeletons were getting up to greet us. “Come,” I said, “I have seen enough. These are the bodies of those who died of the great sickness, is it not so?” I added, as we turned away. “Yea. The people of Kôr ever embalmed their dead, as did the Egyptians, but their art was greater than the art of the Egyptians, for, whereas the Egyptians disembowelled and drew the brain, the people of Kôr injected fluid into the veins, and thus reached every part. But stay, thou shalt see,” and she halted at haphazard at one of the little doorways opening out of the passage along which we were walking, and motioned to the mutes to light us in. We entered into a small chamber similar to the one in which I had slept at our first stopping-place, only instead of one there were two stone benches or beds in it. On the benches lay figures covered with yellow linen,[3] on which a fine and impalpable dust had gathered in the course of ages, but nothing like to the extent that one would have anticipated, for in these deep-hewn caves there is no material to turn to dust. About the bodies on the stone shelves and floor of the tomb were many painted vases, but I saw very few ornaments or weapons in any of the vaults. [3] All the linen that the Amahagger wore was taken from the tombs, which accounted for its yellow hue. It was well washed, however, and properly rebleached, it acquired its former snowy whiteness, and was the softest and best linen I ever saw.—L. H. H. “Uplift the cloths, oh Holly,” said Ayesha, but when I put out my hand to do so I drew it back again. It seemed like sacrilege, and, to speak the truth, I was awed by the dread solemnity of the place, and of the presences before us. Then, with a little laugh at my fears, she drew them herself, only to discover other and yet finer cloths lying over the forms upon the stone bench. These also she withdrew, and then for the first time for thousands upon thousands of years did living eyes look upon the face of that chilly dead. It was a woman; she might have been thirty-five years of age, or perhaps a little less, and had certainly been beautiful. Even now her calm clear-cut features, marked out with delicate eyebrows and long eyelashes which threw little lines of the shadow of the lamplight upon the ivory face, were wonderfully beautiful. There, robed in white, down which her blue-black hair was streaming, she slept her last long sleep, and on her arm, its face pressed against her breast, there lay a little babe. So sweet was the sight, although so awful, that—I confess it without shame—I could scarcely withhold my tears. It took me back across the dim gulf of ages to some happy home in dead Imperial Kôr, where this winsome lady girt about with beauty had lived and died, and dying taken her last-born with her to the tomb. There they were before us, mother and babe, the white memories of a forgotten human history speaking more eloquently to the heart than could any written record of their lives. Reverently I replaced the grave-cloths, and, with a sigh that flowers so fair should, in the purpose of the Everlasting, have only bloomed to be gathered to the grave, I turned to the body on the opposite shelf, and gently unveiled it. It was that of a man in advanced life, with a long grizzled beard, and also robed in white, probably the husband of the lady, who, after surviving her many years, came at the last to sleep once more for good and all beside her. We left the place and entered others. It would be too long to describe the many things I saw in them. Each one had its occupants, for the five hundred and odd years that had elapsed between the completion of the cave and the destruction of the race had evidently sufficed to fill these catacombs, numberless as they were, and all appeared to have been undisturbed since the day when they were placed there. I could fill a book with the description of them, but to do so would only be to repeat what I have said, with variations. Nearly all the bodies, so masterfully was the art with which they had been treated, were as perfect as on the day of death thousands of years before. Nothing came to injure them in the deep silence of the living rock: they were beyond the reach of heat and cold and damp, and the aromatic drugs with which they had been saturated were evidently practically everlasting in their effect. Here and there, however, we saw an exception, and in these cases, although the flesh looked sound enough externally, if one touched it it fell in, and revealed the fact that the figure was but a pile of dust. This arose, Ayesha told me, from these particular bodies having, either owing to haste in the burial or other causes, been soaked in the preservative,[4] instead of its being injected into the substance of the flesh. [4] Ayesha afterwards showed me the tree from the leaves of which this ancient preservative was manufactured. It is a low bush-like tree, that to this day grows in wonderful plenty upon the sides of the mountains, or rather upon the slopes leading up to the rocky walls. The leaves are long and narrow, a vivid green in colour, but turning a bright red in the autumn, and not unlike those of a laurel in general appearance. They have little smell when green, but if boiled the aromatic odour from them is so strong that one can hardly bear it. The best mixture, however, was made from the roots, and among the people of Kôr there was a law, which Ayesha showed me alluded to on some of the inscriptions, to the effect that on pain of heavy penalties no one under a certain rank was to be embalmed with the drugs prepared from the roots. The object and effect of this was, of course, to preserve the trees from extermination. The sale of the leaves and roots was a Government monopoly, and from it the Kings of Kôr derived a large proportion of their private revenue.—L. H. H. About the last tomb we visited I must, however, say one word, for its contents spoke even more eloquently to the human sympathies than those of the first. It had but two occupants, and they lay together on a single shelf. I withdrew the grave-cloths and there, clasped heart to heart, were a young man and a blooming girl. Her head rested on his arm, and his lips were pressed against her brow. I opened the man’s linen robe, and there over his heart was a dagger-wound, and beneath the woman’s fair breast was a like cruel stab, through which her life had ebbed away. On the rock above was an inscription in three words. Ayesha translated it. It was “_Wedded in Death_.” What was the life-story of these two, who, of a truth, were beautiful in their lives, and in their death were not divided? I closed my eyelids, and imagination, taking up the thread of thought, shot its swift shuttle back across the ages, weaving a picture on their blackness so real and vivid in its details that I could almost for a moment think that I had triumphed o’er the Past, and that my spirit’s eyes had pierced the mystery of Time. I seemed to see this fair girl form—the yellow hair streaming down her, glittering against her garments snowy white, and the bosom that was whiter than the robes, even dimming with its lustre her ornaments of burnished gold. I seemed to see the great cave filled with warriors, bearded and clad in mail, and, on the lighted daïs where Ayesha had given judgment, a man standing, robed, and surrounded by the symbols of his priestly office. And up the cave there came one clad in purple, and before him and behind him came minstrels and fair maidens, chanting a wedding song. White stood the maid against the altar, fairer than the fairest there—purer than a lily, and more cold than the dew that glistens in its heart. But as the man drew near she shuddered.