Short Stories by Chekhov
squeezing Sasha's hand. "Sick of waiting for us, I expect! You have been
pitching into your old uncle for not coming down all this time, I
daresay! Kolya, Kostya, Nina, Fifa . . . children! Kiss your cousin
Sasha! We're all here, the whole troop of us, just for three or four
days. . . . I hope we shan't be too many for you? You mustn't let us put
you out!"
At the sight of their uncle and his family, the young couple were
horror-stricken. While his uncle talked and kissed them, Sasha had a
vision of their little cottage: he and Varya giving up their three
little rooms, all the pillows and bedding to their guests; the salmon,
the sardines, the chicken all devoured in a single instant; the cousins
plucking the flowers in their little garden, spilling the ink, filled
the cottage with noise and confusion; his aunt talking continually about
her ailments and her papa's having been Baron von Fintich. . . .
And Sasha looked almost with hatred at his young wife, and whispered:
"It's you they've come to see! . . . Damn them!"
"No, it's you," answered Varya, pale with anger. "They're your
relations! they're not mine!"
And turning to her visitors, she said with a smile of welcome: "Welcome
to the cottage!"
The moon came out again. She seemed to smile, as though she were glad
she had no relations. Sasha, turning his head away to hide his angry
despairing face, struggled to give a note of cordial welcome to his
voice as he said:
"It is jolly of you! Welcome to the cottage!"
A BLUNDER
ILYA SERGEITCH PEPLOV and his wife Kleopatra Petrovna were standing at
the door, listening greedily. On the other side in the little drawing-
room a love scene was apparently taking place between two persons: their
daughter Natashenka and a teacher of the district school, called
Shchupkin.
"He's rising!" whispered Peplov, quivering with impatience and rubbing
his hands. "Now, Kleopatra, mind; as soon as they begin talking of their
feelings, take down the ikon from the wall and we'll go in and bless
them. . . . We'll catch him. . . . A blessing with an ikon is sacred and
binding. . . He couldn't get out of it, if he brought it into court."
On the other side of the door this was the conversation:
"Don't go on like that!" said Shchupkin, striking a match against his
checked trousers. "I never wrote you any letters!"
"I like that! As though I didn't know your writing!" giggled the girl
with an affected shriek, continually peeping at herself in the glass. "I
knew it at once! And what a queer man you are! You are a writing master,
and you write like a spider! How can you teach writing if you write so
badly yourself?"
"H'm! . . . That means nothing. The great thing in writing lessons is
not the hand one writes, but keeping the boys in order. You hit one on
the head with a ruler, make another kneel down. . . . Besides, there's
nothing in handwriting! Nekrassov was an author, but his handwriting's a
disgrace, there's a specimen of it in his collected works."
"You are not Nekrassov. . . ." (A sigh). "I should love to marry an
author. He'd always be writing poems to me."
"I can write you a poem, too, if you like."
"What can you write about?"
"Love--passion--your eyes. You'll be crazy when you read it. It would draw
a tear from a stone! And if I write you a real poem, will you let me
kiss your hand?"
"That's nothing much! You can kiss it now if you like."
Shchupkin jumped up, and making sheepish eyes, bent over the fat little
hand that smelt of egg soap.
"Take down the ikon," Peplov whispered in a fluster, pale with
excitement, and buttoning his coat as he prodded his wife with his
elbow. "Come along, now!"
And without a second's delay Peplov flung open the door.
"Children," he muttered, lifting up his arms and blinking tearfully,
"the Lord bless you, my children. May you live--be fruitful--and
multiply."
"And--and I bless you, too," the mamma brought out, crying with
happiness. "May you be happy, my dear ones! Oh, you are taking from me
my only treasure!" she said to Shchupkin. "Love my girl, be good to her.
. . ."
Shchupkin's mouth fell open with amazement and alarm. The parents'
attack was so bold and unexpected that he could not utter a single word.
"I'm in for it! I'm spliced!" he thought, going limp with horror. "It's
all over with you now, my boy! There's no escape!"
And he bowed his head submissively, as though to say, "Take me, I'm
vanquished."
"Ble-blessings on you," the papa went on, and he, too, shed tears.
"Natashenka, my daughter, stand by his side. Kleopatra, give me the
ikon."
But at this point the father suddenly left off weeping, and his face was
contorted with anger.
"You ninny!" he said angrily to his wife. "You are an idiot! Is that the
ikon?"
"Ach, saints alive!"
What had happened? The writing master raised himself and saw that he was
saved; in her flutter the mamma had snatched from the wall the portrait
of Lazhetchnikov, the author, in mistake for the ikon. Old Peplov and
his wife stood disconcerted in the middle of the room, holding the
portrait aloft, not knowing what to do or what to say. The writing
master took advantage of the general confusion and slipped away.
FAT AND THIN
Two friends--one a fat man and the other a thin man--met at the
Nikolaevsky station. The fat man had just dined in the station and his
greasy lips shone like ripe cherries. He smelt of sherry and fleur
d'orange. The thin man had just slipped out of the train and was laden
with portmanteaus, bundles, and bandboxes. He smelt of ham and coffee
grounds. A thin woman with a long chin, his wife, and a tall schoolboy
with one eye screwed up came into view behind his back.
"Porfiry," cried the fat man on seeing the thin man. "Is it you? My dear
fellow! How many summers, how many winters!"
"Holy saints!" cried the thin man in amazement. "Misha! The friend of my
childhood! Where have you dropped from?"
The friends kissed each other three times, and gazed at each other with
eyes full of tears. Both were agreeably astounded.
"My dear boy!" began the thin man after the kissing. "This is
unexpected! This is a surprise! Come have a good look at me! Just as
handsome as I used to be! Just as great a darling and a dandy! Good
gracious me! Well, and how are you? Made your fortune? Married? I am
married as you see. . . . This is my wife Luise, her maiden name was
Vantsenbach . . . of the Lutheran persuasion. . . . And this is my son
Nafanail, a schoolboy in the third class. This is the friend of my
childhood, Nafanya. We were boys at school together!"
Nafanail thought a little and took off his cap.
"We were boys at school together," the thin man went on. "Do you
remember how they used to tease you? You were nicknamed Herostratus
because you burned a hole in a schoolbook with a cigarette, and I was
nicknamed Ephialtes because I was fond of telling tales. Ho--ho! . . . we
were children! . . . Don't be shy, Nafanya. Go nearer to him. And this
is my wife, her maiden name was Vantsenbach, of the Lutheran persuasion.
. . ."
Nafanail thought a little and took refuge behind his father's back.
"Well, how are you doing my friend?" the fat man asked, looking
enthusiastically at his friend. "Are you in the service? What grade have
you reached?"
"I am, dear boy! I have been a collegiate assessor for the last two
years and I have the Stanislav. The salary is poor, but that's no great
matter! The wife gives music lessons, and I go in for carving wooden
cigarette cases in a private way. Capital cigarette cases! I sell them
for a rouble each. If any one takes ten or more I make a reduction of
course. We get along somehow. I served as a clerk, you know, and now I
have been transferred here as a head clerk in the same department. I am
going to serve here. And what about you? I bet you are a civil
councillor by now? Eh?"
"No dear boy, go higher than that," said the fat man. "I have risen to
privy councillor already . . . I have two stars."
The thin man turned pale and rigid all at once, but soon his face
twisted in all directions in the broadest smile; it seemed as though
sparks were flashing from his face and eyes. He squirmed, he doubled
together, crumpled up. . . . His portmanteaus, bundles and cardboard
boxes seemed to shrink and crumple up too. . . . His wife's long chin
grew longer still; Nafanail drew himself up to attention and fastened
all the buttons of his uniform.
"Your Excellency, I . . . delighted! The friend, one may say, of
childhood and to have turned into such a great man! He--he!"
"Come, come!" the fat man frowned. "What's this tone for? You and I were
friends as boys, and there is no need of this official obsequiousness!"
"Merciful heavens, your Excellency! What are you saying. . . ?"
sniggered the thin man, wriggling more than ever. "Your Excellency's
gracious attention is like refreshing manna. . . . This, your
Excellency, is my son Nafanail, . . . my wife Luise, a Lutheran in a
certain sense."
The fat man was about to make some protest, but the face of the thin man
wore an expression of such reverence, sugariness, and mawkish
respectfulness that the privy councillor was sickened. He turned away
from the thin man, giving him his hand at parting.
The thin man pressed three fingers, bowed his whole body and sniggered
like a Chinaman: "He--he--he!" His wife smiled. Nafanail scraped with his
foot and dropped his cap. All three were agreeably overwhelmed.
THE DEATH OF A GOVERNMENT CLERK
ONE fine evening, a no less fine government clerk called Ivan Dmitritch
Tchervyakov was sitting in the second row of the stalls, gazing through
an opera glass at the Cloches de Corneville. He gazed and felt at the
acme of bliss. But suddenly. . . . In stories one so often meets with
this "But suddenly." The authors are right: life is so full of
surprises! But suddenly his face puckered up, his eyes disappeared, his
breathing was arrested . . . he took the opera glass from his eyes, bent
over and . . . "Aptchee!!" he sneezed as you perceive. It is not
reprehensible for anyone to sneeze anywhere. Peasants sneeze and so do
police superintendents, and sometimes even privy councillors. All men
sneeze. Tchervyakov was not in the least confused, he wiped his face
with his handkerchief, and like a polite man, looked round to see
whether he had disturbed any one by his sneezing. But then he was
overcome with confusion. He saw that an old gentleman sitting in front
of him in the first row of the stalls was carefully wiping his bald head
and his neck with his glove and muttering something to himself. In the
old gentleman, Tchervyakov recognised Brizzhalov, a civilian general
serving in the Department of Transport.
"I have spattered him," thought Tchervyakov, "he is not the head of my
department, but still it is awkward. I must apologise."
Tchervyakov gave a cough, bent his whole person forward, and whispered
in the general's ear.
"Pardon, your Excellency, I spattered you accidentally. . . ."
"Never mind, never mind."
"For goodness sake excuse me, I . . . I did not mean to."
"Oh, please, sit down! let me listen!"
Tchervyakov was embarrassed, he smiled stupidly and fell to gazing at
the stage. He gazed at it but was no longer feeling bliss. He began to
be troubled by uneasiness. In the interval, he went up to Brizzhalov,
walked beside him, and overcoming his shyness, muttered:
"I spattered you, your Excellency, forgive me . . . you see . . . I
didn't do it to . . . ."
"Oh, that's enough . . . I'd forgotten it, and you keep on about it!"
said the general, moving his lower lip impatiently.
"He has forgotten, but there is a fiendish light in his eye," thought