Sister Carrie: A Novel
could not see that he was making any progress save in her regard. When
he looked at her now, he thought her beautiful. What a thing it was to
have her love him, even if it be entangling! She increased in value in
his eyes because of her objection. She was something to struggle for,
and that was everything. How different from the women who yielded
willingly! He swept the thought of them from his mind.
“And you don’t know when he’ll go away?” asked Hurstwood, quietly.
She shook her head.
He sighed.
“You’re a determined little miss, aren’t you?” he said, after a few
moments, looking up into her eyes.
She felt a wave of feeling sweep over her at this. It was pride at what
seemed his admiration—affection for the man who could feel this
concerning her.
“No,” she said coyly, “but what can I do?”
Again he folded his hands and looked away over the lawn into the
street.
“I wish,” he said pathetically, “you would come to me. I don’t like to
be away from you this way. What good is there in waiting? You’re not
any happier, are you?”
“Happier!” she exclaimed softly, “you know better than that.”
“Here we are then,” he went on in the same tone, “wasting our days. If
you are not happy, do you think I am? I sit and write to you the
biggest part of the time. I’ll tell you what, Carrie,” he exclaimed,
throwing sudden force of expression into his voice and fixing her with
his eyes, “I can’t live without you, and that’s all there is to it.
Now,” he concluded, showing the palm of one of his white hands in a
sort of at-an-end, helpless expression, “what shall I do?”
This shifting of the burden to her appealed to Carrie. The semblance of
the load without the weight touched the woman’s heart.
“Can’t you wait a little while yet?” she said tenderly. “I’ll try and
find out when he’s going.”
“What good will it do?” he asked, holding the same strain of feeling.
“Well, perhaps we can arrange to go somewhere.”
She really did not see anything clearer than before, but she was
getting into that frame of mind where, out of sympathy, a woman yields.
Hurstwood did not understand. He was wondering how she was to be
persuaded—what appeal would move her to forsake Drouet. He began to
wonder how far her affection for him would carry her. He was thinking
of some question which would make her tell.
Finally he hit upon one of those problematical propositions which often
disguise our own desires while leading us to an understanding of the
difficulties which others make for us, and so discover for us a way. It
had not the slightest connection with anything intended on his part,
and was spoken at random before he had given it a moment’s serious
thought.
“Carrie,” he said, looking into her face and assuming a serious look
which he did not feel, “suppose I were to come to you next week, or
this week for that matter—to-night say—and tell you I had to go
away—that I couldn’t stay another minute and wasn’t coming back any
more—would you come with me?” His sweetheart viewed him with the most
affectionate glance, her answer ready before the words were out of his
mouth.
“Yes,” she said.
“You wouldn’t stop to argue or arrange?”
“Not if you couldn’t wait.”
He smiled when he saw that she took him seriously, and he thought what
a chance it would afford for a possible junket of a week or two. He had
a notion to tell her that he was joking and so brush away her sweet
seriousness, but the effect of it was too delightful. He let it stand.
“Suppose we didn’t have time to get married here?” he added, an
afterthought striking him.
“If we got married as soon as we got to the other end of the journey it
would be all right.”
“I meant that,” he said.
“Yes.”
The morning seemed peculiarly bright to him now. He wondered whatever
could have put such a thought into his head. Impossible as it was, he
could not help smiling at its cleverness. It showed how she loved him.
There was no doubt in his mind now, and he would find a way to win her.
“Well,” he said, jokingly, “I’ll come and get you one of these
evenings,” and then he laughed.
“I wouldn’t stay with you, though, if you didn’t marry me,” Carrie
added reflectively.
“I don’t want you to,” he said tenderly, taking her hand.
She was extremely happy now that she understood. She loved him the more
for thinking that he would rescue her so. As for him, the marriage
clause did not dwell in his mind. He was thinking that with such
affection there could be no bar to his eventual happiness.
“Let’s stroll about,” he said gayly, rising and surveying all the
lovely park.
“All right,” said Carrie.
They passed the young Irishman, who looked after them with envious
eyes.
“’Tis a foine couple,” he observed to himself. “They must be rich.”
Chapter XVI. A WITLESS ALADDIN: THE GATE TO THE WORLD
In the course of his present stay in Chicago, Drouet paid some slight
attention to the secret order to which he belonged. During his last
trip he had received a new light on its importance.
“I tell you,” said another drummer to him, “it’s a great thing. Look at
Hazenstab. He isn’t so deuced clever. Of course he’s got a good house
behind him, but that won’t do alone. I tell you it’s his degree. He’s a
way-up Mason, and that goes a long way. He’s got a secret sign that
stands for something.”
Drouet resolved then and there that he would take more interest in such
matters. So when he got back to Chicago he repaired to his local lodge
headquarters.
“I say, Drouet,” said Mr. Harry Quincel, an individual who was very
prominent in this local branch of the Elks, “you’re the man that can
help us out.”
It was after the business meeting and things were going socially with a
hum. Drouet was bobbing around chatting and joking with a score of
individuals whom he knew.
“What are you up to?” he inquired genially, turning a smiling face upon
his secret brother.
“We’re trying to get up some theatricals for two weeks from to-day, and
we want to know if you don’t know some young lady who could take a
part—it’s an easy part.”
“Sure,” said Drouet, “what is it?” He did not trouble to remember that
he knew no one to whom he could appeal on this score. His innate
good-nature, however, dictated a favourable reply.
“Well, now, I’ll tell you what we are trying to do,” went on Mr.
Quincel. “We are trying to get a new set of furniture for the lodge.
There isn’t enough money in the treasury at the present time, and we
thought we would raise it by a little entertainment.”
“Sure,” interrupted Drouet, “that’s a good idea.”
“Several of the boys around here have got talent. There’s Harry
Burbeck, he does a fine black-face turn. Mac Lewis is all right at
heavy dramatics. Did you ever hear him recite ‘Over the Hills’?”
“Never did.”
“Well, I tell you, he does it fine.”
“And you want me to get some woman to take a part?” questioned Drouet,
anxious to terminate the subject and get on to something else. “What
are you going to play?”
“‘Under the Gaslight,’” said Mr. Quincel, mentioning Augustin Daly’s
famous production, which had worn from a great public success down to
an amateur theatrical favourite, with many of the troublesome
accessories cut out and the _dramatis personæ_ reduced to the smallest
possible number.
Drouet had seen this play some time in the past.
“That’s it,” he said; “that’s a fine play. It will go all right. You
ought to make a lot of money out of that.”
“We think we’ll do very well,” Mr. Quincel replied. “Don’t you forget
now,” he concluded, Drouet showing signs of restlessness; “some young
woman to take the part of Laura.”
“Sure, I’ll attend to it.”
He moved away, forgetting almost all about it the moment Mr. Quincel
had ceased talking. He had not even thought to ask the time or place.
Drouet was reminded of his promise a day or two later by the receipt of
a letter announcing that the first rehearsal was set for the following
Friday evening, and urging him to kindly forward the young lady’s
address at once, in order that the part might be delivered to her.
“Now, who the deuce do I know?” asked the drummer reflectively,
scratching his rosy ear. “I don’t know any one that knows anything
about amateur theatricals.”
He went over in memory the names of a number of women he knew, and
finally fixed on one, largely because of the convenient location of her
home on the West Side, and promised himself that as he came out that
evening he would see her. When, however, he started west on the car he
forgot, and was only reminded of his delinquency by an item in the
“Evening News”—a small three-line affair under the head of Secret
Society Notes—which stated the Custer Lodge of the Order of Elks would
give a theatrical performance in Avery Hall on the 16th, when “Under
the Gaslight” would be produced.
“George!” exclaimed Drouet, “I forgot that.”
“What?” inquired Carrie.
They were at their little table in the room which might have been used
for a kitchen, where Carrie occasionally served a meal. To-night the
fancy had caught her, and the little table was spread with a pleasing
repast.
“Why, my lodge entertainment. They’re going to give a play, and they
wanted me to get them some young lady to take a part.”
“What is it they’re going to play?”
“‘Under the Gaslight.’”
“When?”
“On the 16th.”
“Well, why don’t you?” asked Carrie.
“I don’t know any one,” he replied.
Suddenly he looked up.
“Say,” he said, “how would you like to take the part?”
“Me?” said Carrie. “I can’t act.”
“How do you know?” questioned Drouet reflectively.
“Because,” answered Carrie, “I never did.”
Nevertheless, she was pleased to think he would ask. Her eyes
brightened, for if there was anything that enlisted her sympathies it
was the art of the stage. True to his nature, Drouet clung to this idea
as an easy way out.
“That’s nothing. You can act all you have to down there.”
“No, I can’t,” said Carrie weakly, very much drawn toward the
proposition and yet fearful.
“Yes, you can. Now, why don’t you do it? They need some one, and it
will be lots of fun for you.”
“Oh, no, it won’t,” said Carrie seriously.
“You’d like that. I know you would. I’ve seen you dancing around here
and giving imitations and that’s why I asked you. You’re clever enough,
all right.”
“No, I’m not,” said Carrie shyly.
“Now, I’ll tell you what you do. You go down and see about it. It’ll be
fun for you. The rest of the company isn’t going to be any good. They
haven’t any experience. What do they know about theatricals?”
He frowned as he thought of their ignorance.
“Hand me the coffee,” he added.
“I don’t believe I could act, Charlie,” Carrie went on pettishly. “You
don’t think I could, do you?”
“Sure. Out o’ sight. I bet you make a hit. Now you want to go, I know
you do. I knew it when I came home. That’s why I asked you.”
“What is the play, did you say?”
“‘Under the Gaslight.’”
“What part would they want me to take?”
“Oh, one of the heroines—I don’t know.”
“What sort of a play is it?”
“Well,” said Drouet, whose memory for such things was not the best,
“it’s about a girl who gets kidnapped by a couple of crooks—a man and a
woman that live in the slums. She had some money or something and they
wanted to get it. I don’t know now how it did go exactly.”
“Don’t you know what part I would have to take?”
“No, I don’t, to tell the truth.” He thought a moment. “Yes, I do, too.
Laura, that’s the thing—you’re to be Laura.”
“And you can’t remember what the part is like?”
“To save me, Cad, I can’t,” he answered. “I ought to, too; I’ve seen
the play enough. There’s a girl in it that was stolen when she was an
infant—was picked off the street or something—and she’s the one that’s